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Official OPPO BDP-105 Owner's Thread - Page 137

post #4081 of 5591
Quote:
Originally Posted by jimshowalter View Post

Well, yes and no.

Measuring the room and feeding that back into digital algorithms to correct for problems with the room can help, but so can fixing the room itself.

Room correction is like saying, well, we really blew it when we built this concert hall, so we'll have the singers wear special microphones (or pillows on their chests, or felt in their noses) that munge the signal to compensate for our initial screwups.

Better to build the concert hall correctly in the first place. Or, failing that, to at least try to address the problems with the building before anything else.

And what if the room has treatments and an improvement is heard from those algorithms, sophisticated very powerful processors these days are starting to get very good at convincing me (us) the reproduced sound is unaltered by DSP I for one believe the Sleeper has Awakened indeed and we all are in a New Golden Age of Audio, now only if we can bring peace to the loudness war all will be good .

Do I hear anyone seconding the motion to impose sanctions!
post #4082 of 5591
Quote:
Originally Posted by audiofan1 View Post

And what if the room has treatments and an improvement is heard from those algorithms, sophisticated very powerful processors these days are starting to get very good at convincing me (us) the reproduced Psound is unaltered by DSP I for one believe the Sleeper has Awakened indeed and we all are in a New Golden Age of Audio, now only if we can bring peace to the loudness war all will be good .

Do I hear anyone seconding the motion to impose sanctions!

I use room treatments also, I have bass traps in the corners behind speakers, DIY absorption panels on wall behind speakers, bought ready made absorption panels and use those on the ceiling plus room lenses for first sidewall reflections.


I was told the latest and best room correction is not available to purchase separate? If it was I would try it. That way I could still use my current gear and run the room correction through my existing preamp tape out loop just like a standard EQ. I use a turntable and separate tuner also, another reason an AVR is not right for me, not to mention I only want and need a 2.1 setup.

If the room correction is such a breakthrough, why not make it available to people with typical two channel systems? Or if the latest Audyssey is point me to it and I'll get it!
Edited by Todd68 - 3/9/13 at 2:32am
post #4083 of 5591
Quote:
Originally Posted by HowardV View Post

Although the high-end community frowns upon all types of equalization, I actually like the old graphic eq's. Their job was to fix the music, not the room. Recording engineers aren't all the same. Sometimes the music needs to be adjusted. Some albums may not have enough bass or teble, while some have too much bass or treble. A regular analog graphic eq allows you to fine tune the music. Today's room eq's are parametric eq's that are supposed to fine tune the room (environment). These are two completely different things. I agree the AVS community is generally pro room equalization....and I could never understand why. I've tried a few of them personally and was never happy with the overall results. This is why I hope Oppo doesn't succumb to the pressure and go to the dark side! eek.gif The Oppo 105 isn't perfect, but I love it just as it is.

I agree and understand. As I upgraded my gear years ago the old style EQ was no longer helpful. Of course some recordings are not very good, but most are at least good enough.

Now if Audyssey would just make available a stand alone unit for us two channel guys?
post #4084 of 5591
Quote:
Originally Posted by Todd68 View Post

I use room treatments also, I have bass traps in the corners behind speakers, DIY absorption panels on wall behind speakers, bought ready made absorption panels and use those on the ceiling plus room lenses for first sidewall reflections.


I was told the latest and best room correction is not available to purchase separate? If it was I would try it. That way I could still use my current gear and run the room correction through my existing preamp tape out loop just like a standard EQ. I use a turntable and separate tuner also, another reason an AVR is not right for me, not to mention I only want and need a 2.1 setup.

If the room correction is such a breakthrough, why not make it available to people with typical two channel systems? Or if the latest Audessey is point me to it and I'll get it!

Have you tried the Antimode its for 2 speakers or 2 subs and might be worth a try since bass is where correction is needed most, to bad someone lied to you or just gave you there opinion on the matter instead of at least saying I didn't care for it, It's not something you slap in there and expect it to do wonders the same care I'm sure you put into your set up is necessary for Audyssey or which ever RC you choose to( I hope you will at least) try for yourself. The best way for me to describe it is when I first install the panels at the first reflection points and bass trapped the corners and panels on the front wall behind the mains , the image improved and became more stable and a nasty 50hz mode was tamed and bass was extended and tighter and there was an overall spaciousness to the sound stage, well the addition of Audyssey was as good as that first impression as I really didn't think it could be bettered I have the flexibility to bypass my mains and apply Audyssey to all other speakers or just the sub in 2/ch and A/B comparisons reveal a muddy sound that I was accustomed to but still have an affinity for and still have it. I can have it my way 2.0 2.1 5.1 7.1 9.1 or up to 11.2. Audyssey on or off well treated room and plain 2.0 or digital RC in addition to the well treated room. Starting to get the picture wink.gif

Now is that time !
post #4085 of 5591
Quote:
Originally Posted by audiofan1 View Post

Have you tried the Antimode its for 2 speakers or 2 subs and might be worth a try since bass is where correction is needed most, to bad someone lied to you or just gave you there opinion on the matter instead of at least saying I didn't care for it, It's not something you slap in there and expect it to do wonders the same care I'm sure you put into your set up is necessary for Audyssey or which ever RC you choose to( I hope you will at least) try for yourself. The best way for me to describe it is when I first install the panels at the first reflection points and bass trapped the corners and panels on the front wall behind the mains , the image improved and became more stable and a nasty 50hz mode was tamed and bass was extended and tighter and there was an overall spaciousness to the sound stage, well the addition of Audyssey was as good as that first impression as I really didn't think it could be bettered I have the flexibility to bypass my mains and apply Audyssey to all other speakers or just the sub in 2/ch and A/B comparisons reveal a muddy sound that I was accustomed to but still have an affinity for and still have it. I can have it my way 2.0 2.1 5.1 7.1 9.1 or up to 11.2. Audyssey on or off well treated room and plain 2.0 or digital RC in addition to the well treated room. Starting to get the picture wink.gif

Now is that time !

Yes I have heard of the Antimode and might try that. I was thinking the latest Audyssey was better since it handles the whole frequency range?

Yes the treatments clean up the sound and improve imaging plus my system sounds great at higher volume levels compared to before my last added treatments. Some don't have this option though, the WAF issue if they don't have their own man cave!
post #4086 of 5591
I am using the balanced analog outputs into my Classe SSP-800 prepro. The SSP-800 has a pretty sophisticated Room EQ which I have never used, and don’t have the expertise to even try. I also have zero room treatments and still I am very happy with the audio I am hearing. I guess ignorance is bliss. I also am not as much of an audiophile perfectionist as most in this hobby.
post #4087 of 5591
Quote:
Originally Posted by Ramatam View Post

Has there been a discussion regarding the 105's ability to handle jitter? I haven't seen anything discussed about this. Other DACs are fairly forthcoming i=with their product's ability to handle jitter.

Jitter and the BDP-105: http://archimago.blogspot.com/2013/02/measurements-oppo-bdp-105.html

Is jitter really a problem with most modern equipment? http://archimago.blogspot.com/
post #4088 of 5591
I ran XT32 a few times and one thing I noticed was the increase in volume.
Since te Marantz allows you to look at the equalizer portion of the XT32 adjustments,
I could see that between 2 and 2.5 DB was added to the volume of most of the band.
That alone will lead to a favorable A/B compassion.

In my experience, the additional DSP and other processing has of cost: Some detail and imaging is lost.
The most obvious effect, is a change in the sound stage.
If I had to guess, I would say the phase was altered.

I have 1-5 connected to the Marantz and use Pure Direct and all video processing disabled. It sounds excellent.
I have compared the HDMI, COAX, XLR and 7.1 using my Pronto to switch between them.
I far and away prefer the 7.1 inputs.

- Rich
post #4089 of 5591
Quote:
Originally Posted by jimshowalter View Post


Well, yes and no.

Measuring the room and feeding that back into digital algorithms to correct for problems with the room can help, but so can fixing the room itself.

Room correction is like saying, well, we really blew it when we built this concert hall, so we'll have the singers wear special microphones (or pillows on their chests, or felt in their noses) that munge the signal to compensate for our initial screwups.

Better to build the concert hall correctly in the first place. Or, failing that, to at least try to address the problems with the building before anything else.

Sure but, since concert halls are purpose-constructed and designed for the performance of music, rather than its reproduction, the issues are different.   Few of us have control of room dimensions or construction and few can accommodate physical compensations that extend into the low modal range. 

post #4090 of 5591
Quote:
Originally Posted by jeff52 View Post

Jitter and the BDP-105: http://archimago.blogspot.com/2013/02/measurements-oppo-bdp-105.html

Is jitter really a problem with most modern equipment? http://archimago.blogspot.com/

Jitter is certainly not a problem when using the analog outs.
It is not a problem when using encoded formats like Dolby or DTS.

It can be a problem when transmitting LPCM digitally.
The 105 addresses this in their Asynchronous USB input by using the 105's master clock.

However, transmitting LPCM can be problematic and it depends.
The 105 introduces very little jitter but HDMI receivers have very different performance.

Here is a link more on this: http://www.avsforum.com/t/1267456/onkyo-sc5508-surround-processor-no-price-talk/2100#post_21225870

- Rich
post #4091 of 5591
For those that have their noses stuck up in the air and are bashing audyssey or room correction in general. You should know that if you don't like it you can turn it off. So if oppo does decide to implement it into their players you can still claim that your room sounds better because of your "room treatments". Not all of us have the option to throw up big panels in our rooms. This could be due to it being a living room or WAF. I for one love room correction, I don't have very many options in my "living room" to move my speakers around and avoid having to use audysse.
post #4092 of 5591
Quote:
Originally Posted by SeekingNirvana View Post

For those that have their noses stuck up in the air and are bashing audyssey or room correction in general. You should know that if you don't like it you can turn it off. So if oppo does decide to implement it into their players you can still claim that your room sounds better because of your "room treatments". Not all of us have the option to throw up big panels in our rooms. This could be due to it being a living room or WAF. I for one love room correction, I don't have very many options in my "living room" to move my speakers around and avoid having to use audysse.

Very will said, it is not an obligation to use it, I used to have a car that could reach speed of 250 km/h I never drove it at that speed but it was nice to know that if I ever needed to I could smile.gif
post #4093 of 5591
Quote:
Originally Posted by Paul Kile View Post

That's because the OPPO recognized how bad that movie is. Try playing "Tora Tora Tora" instead...:biggrin.gif
Agreed. But the bombing of Pearl Harbor sequence in that movie was pretty awesome.

Ben Affleck's character constantly shouting "I gotta get me a plane" got real old, real quick.
post #4094 of 5591
Quote:
Originally Posted by SeekingNirvana View Post

For those that have their noses stuck up in the air and are bashing Audyssey or room correction in general. You should know that if you don't like it you can turn it off. So if oppo does decide to implement it into their players you can still claim that your room sounds better because of your "room treatments". Not all of us have the option to throw up big panels in our rooms. This could be due to it being a living room or WAF. I for one love room correction, I don't have very many options in my "living room" to move my speakers around and avoid having to use audysse.

Fantastic.
You are on a forum where folks have spent their hard earned money to buy a player with tremendous analog output performance.
It should not upset you if they decide to use them.
Quote:
Originally Posted by wse View Post

Very will said, it is not an obligation to use it, I used to have a car that could reach speed of 250 km/h I never drove it at that speed but it was nice to know that if I ever needed to I could smile.gif

Trust me, if you go onto a processor forum and state your preference is to bypass Audyssey, you will not be left alone.
There is a great deal of passion on the side of the Audyssey proponents. wink.gif

- Rich
post #4095 of 5591
Quote:
Originally Posted by SeekingNirvana View Post

For those that have their noses stuck up in the air and are bashing audyssey or room correction in general. You should know that if you don't like it you can turn it off. So if oppo does decide to implement it into their players you can still claim that your room sounds better because of your "room treatments". Not all of us have the option to throw up big panels in our rooms. This could be due to it being a living room or WAF. I for one love room correction, I don't have very many options in my "living room" to move my speakers around and avoid having to use audysse.

http://www.realtraps.com/art_audyssey.htm

Note the graphs.

Note the sensitivity to listening position.

Note that ringing was not reduced, despite Audessey's claims to be able to reduce it.

Note the worsening of nulls.
post #4096 of 5591
Quote:
Originally Posted by jimshowalter View Post

http://www.realtraps.com/art_audyssey.htm

Note the graphs.

Note the sensitivity to listening position.

Note that ringing was not reduced, despite Audessey's claims to be able to reduce it.

Note the worsening of nulls.
Interesting article Jim. I have no dog in the fight here as I don't use RC but I couldn't help but notice that this article is exactly 6 years old. Haven't there been some pretty major improvements to the Audyssey software since then?(XT32 etc) Just playin Devil's advocate. smile.gif

Kinda fun getting a peek into Kal's room.
post #4097 of 5591
Quote:
Originally Posted by Torqdog View Post

Interesting article Jim. I have no dog in the fight here as I don't use RC but I couldn't help but notice that this article is exactly 6 years old. Haven't there been some pretty major improvements to the Audyssey software since then?(XT32 etc) Just playin Devil's advocate. smile.gif

Kinda fun getting a peek into Kal's room.

Could be. Algorithms always improve. My point is pretty simple though: correcting for room problems after the fact is not as effective as correcting the root cause of the problems.

This can be an expensive hobby, even if you stick with reasonably-priced cables, but some of the best advice about where to allocate the money is: room, speakers, everything else.
post #4098 of 5591
Quote:
Originally Posted by SeekingNirvana View Post

For those that have their noses stuck up in the air and are bashing audyssey or room correction in general. You should know that if you don't like it you can turn it off. So if oppo does decide to implement it into their players you can still claim that your room sounds better because of your "room treatments". Not all of us have the option to throw up big panels in our rooms. This could be due to it being a living room or WAF. I for one love room correction, I don't have very many options in my "living room" to move my speakers around and avoid having to use audysse.

Sure, RC can always be turned off, but it increases the price for a feature we don't use (not to mention the extra electronics and processing that has to be built into the unit). Kinda like paying for a DAC bulit into a DVD player and a DAC built into your pre-amp/process/receiver. The discussion of room treatments vs. room correction eq is beyond this thread and is discussed in many other dedicated threads. If Oppo keeps an eye on this thread for suggestions, I just want to say that there are those who don't want RC in a future Oppo release.

Maybe it's better to ask Audyssey (and other manufacturers) to build stand-alone RC devices which incorporate the Sabre DAC's. This way, for those who want RC, they can purchase the Oppo-103 and pass the signal to the stand alone RC device for processing with a good DAC.
post #4099 of 5591
I've had my BDP-105 for about six weeks and am experienceing a stange problem when using the optical and coaxial inputs. There is a DVR connected to the optical input and a Cambridge iD100 digital iPod dock connected to the coaxial input. While listening thru one of these inputs, if I use the TV remote to turn the TV on or off, there is a momentary dropout in the sound. This happens only with the digital inputs, not while playing a disc. That doesn't bother me so much but sometimes, after the short dropout, when the sound resumes there is a reduction in the output of the right channel. If I hit the TV power button on the remote again, there's another dropout after which the output of the right channel is restored. This right channel problem doesn't occur every time I use the TV remote, only occasionally and I'm still trying to narrow down the conditions under which it occurs. Any idea what this may be about?
post #4100 of 5591
Quote:
Originally Posted by audiodog72 View Post

I've had my BDP-105 for about six weeks and am experienceing a stange problem when using the optical and coaxial inputs. There is a DVR connected to the optical input and a Cambridge iD100 digital iPod dock connected to the coaxial input. While listening thru one of these inputs, if I use the TV remote to turn the TV on or off, there is a momentary dropout in the sound. This happens only with the digital inputs, not while playing a disc. That doesn't bother me so much but sometimes, after the short dropout, when the sound resumes there is a reduction in the output of the right channel. If I hit the TV power button on the remote again, there's another dropout after which the output of the right channel is restored. This right channel problem doesn't occur every time I use the TV remote, only occasionally and I'm still trying to narrow down the conditions under which it occurs. Any idea what this may be about?

The sound dropout is normally due to the HDMI handshake, and is expected. But having one of the channels reduce in volume is not expected.
post #4101 of 5591
Thanks for the quick reply jim. I'll contact Oppo about the problem
post #4102 of 5591
Quote:
Originally Posted by Torqdog View Post

Kinda fun getting a peek into Kal's room.
Dang, I hope he's painted it in the interim.eek.gif

Guys, why are we getting off topic about room correction?
Oppo's not going to implement it in the foreseeable future if ever.

Why don't we debate speaker cables or vinyl vs. digital, you know, something else that hasn't ever been discussed? smile.gif
Edited by Milt99 - 3/9/13 at 3:41pm
post #4103 of 5591
Quote:
Originally Posted by Milt99 View Post


Dang, I hope he's painted it in the interim.eek.gif

Hey.  My wife chooses all the colors, so take it up with her.  

post #4104 of 5591
Quote:
Originally Posted by Todd68 View Post

I never tried it, but been advised that using an AVR with room correction is better choice than my high-end preamp and mono blocks. Seems only people at this forum recommends this . I was thinking of trying it to prove to myself the truth. I quit using the older type equalizers 20 years ago. They seemed to do more harm than good.

I have tried room correction. Works great if room needs correcting, sounds worse if room does not need correcting. Got my room right dumped room correction, then bought three VRD monos for L-C-R. . .
post #4105 of 5591
Quote:
Originally Posted by Kal Rubinson View Post

Quote:
Originally Posted by Milt99 View Post


Dang, I hope he's painted it in the interim.eek.gif

Hey.  My wife chooses all the colors, so take it up with her.  

 

Kal ... do you believe the Audessey system you have has been and has made a definate positive improvement in your listening room?

 

Do you ever turn it off and if so, why?

post #4106 of 5591
Quote:
Originally Posted by dmusoke View Post

 

Kal ... do you believe the Audessey system you have has been and has made a definate positive improvement in your listening room?

 

Do you ever turn it off and if so, why?

1.  Yes.

2.  Only for comparisons.

 

BTW, I have done quick-and-dirty Audyssey calibrations and found them less successful than turning Audyssey off.  That has not been an issue with scrupulous setups.  However, I usually reserve that care for setups with AudysseyPro.

post #4107 of 5591
Quote:
Originally Posted by VRDnhorns View Post


I have tried room correction. Works great if room needs correcting, sounds worse if room does not need correcting. Got my room right dumped room correction, then bought three VRD monos for L-C-R. . .

Oh so few rooms are "right."

post #4108 of 5591
Quote:
Originally Posted by jimshowalter View Post

This can be an expensive hobby, even if you stick with reasonably-priced cables, but some of the best advice about where to allocate the money is: room, speakers, everything else.

Very expensive hobby, yes room is 50 % of the sound speakers 40% the rest 10%. But three other factors are critical ears, mood we are in and the quality of the recordings.
post #4109 of 5591
Quote:
Originally Posted by BobbieG View Post

Are you sure this works? When I tried it I got a popup message on the iPad screen, "The connected USB device requires too much power".

I don't own the 105 (yet), but i use the USB camera kit to feed the bitstream signal from my iPad to my external DAC, and sometimes to my portable DAC/headphone amp without problems.
post #4110 of 5591
Can anyone play on 105 European region Bd disc?And copy Bd disc and Dvd.Please I need your help.Thanks
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