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Owner thread for Erskine designed plans - Page 2

post #31 of 104
Quote:
Originally Posted by Dennis Erskine View Post

To quote "Subjectively, the room sounds just plain awesome. The perf-sorber has created an acoustical signature that has very precise imaging in the middle of the room, but also feels much wider than the room".

Hmm, that sounds familiar smile.gif
post #32 of 104
Mulligan Post #2: Hello all! Well, I got a bit of a bonus from work, and worked some serious O/T over the past month, so I was able to purchase my Quest panels sooner than expected. They arrived yesterday, and I have started affixing them to the walls (More pictures and a full post-build-thread to follow VERY soon). It will be titled the "Foxboro "Black-and-Tan" Home-Theater" (for future reference)

****Note: I have not had a professional calibration done, nor do I have the delay settings 100% figured out for my two rows of side-surrounds. (Which I will touch on in my build thread...)

In a week, I have gone from a completely un-treated room, to having my full proscenium treated with the "1" Insulshield + 3mil poly + 1" Insulshield" treatement (as recomended by Shawn with Erskine group) and putting most of the Quest panels put up. (All the panels are in the right position, but some are sitting 6" lower then they will be finally once on the walls)



After we finally got our terrible-sleeper of a 1-year old tucked away last night, I turned off all the lights, and had the most perfect "music hour" I have ever had.

As Shawn mentions above, the Perfsorber panels DO AN AMAZING JOB of transitioning the LCR speakers to the surrounds. It sounds seamless. As Kromkamp mentioned, the sound-stage is DRAMATICALLY widened (and I only have an 11.5 ft wide room...). The side surrounds dissaper, and are harder to pinpoint location. Lastly, the bass-control in the rear of the room is vastly improved (I had some bass "piling up" around my second row of seats.) I would guess this is somewhat improved by the large 48" x 61"x 2" Q-Sorber I have directly behind my rear-row.

Ok, so everything listed above is MY interpretation of what I am hearing, and I have not spent a lot of time in high-performance rooms. I do plan to do a bunch of REW testing, and delve further into the cal and testing side of things, for those (including myself, that want a more measurable analysis)

Now, in regards to the Panels themselves: These truly ARE engineered panels: I am a pretty handy guy, but I don't feel an attempt to try and reproduce a DIY version of these panels would come up with a similar looking or functioning product, or be worth it in the long run: They are simply too complex for Joe-Blow to make in his garage (Specifically the Q-Sorber and Perf-Sorber panels).

Admittedly, I have not tried any of the DIY solutions for panels. However, in the case that a DIY solution costs HALF of what I have spent thus far (I have 3200$ CDN invested into proscenium and Quest treatments), my time saving of not having to produce BAD panels and cut insulation ect, the knowledge that I DO have a 100% properly treated room, and the performance gain that I have experienced by adding this treatment, is worth the 1600$ extra in my books. ***Again, this is true for me, but may not be true for everyone; this is just my take on the matter.

In summary, (in response to the OP), The Erskine Pro-Theater Layout Service is a fantastic investment to make into your theater (DO IT AT THE BEGINNING!). It is well worth the money.

Additonally the build and sound quality of using the Quest panels (in locations specified by Erskine group) has made me a believer in Engineered Panels. The money spent on acoustic treatment gives a way greater performance increase than spending an equivalent dollar figure on new speakers, IMHO.

Lastly, and (most importanly?) my wife came downstairs for a listen, and said "Good job babe, it sounds great down here". (And she is nowehere NEAR the music person I am!) SO thats awesome.

Dennis, feel free to quote me on all of the above.

Thanks
post #33 of 104
Looks pretty cool!

It looks like you have two sets of side surround speakers? What is the length of your room?

What are you using for your LCRs and subs? Sides and surrounds look like Triad in-wall Bronze surrounds?
post #34 of 104
Out of respect to the OP, we should try not to de-rail this thread...(Although it has been dormant for a while...Somewhat my doing...)

If you have any more questions, feel free to PM me. I will be listing all of this in my build thread, which should be up in a couple weeks...

But yes, two rows of Triad In-wall Bronze/4 Surrounds, my LCR speakers are North Creek Echo speakers which I built several years ago. Admittedly they are not full range speakers, and are possibly the weak-link in my system at this point, but there is just something awesome about being able to say, "yah, I built those". However, I may upgrade them at some point....

The sub is a home-built ported enclosure with a CSS SD-12 driver, driven by a Dayton SA1000. I also have a small Tang Band W8-740P 8" in a sealed enclosure, driven by an SA-230.

*


The room is 21'-6" long by 11'-5.5" inside the Double Drywall.


Take Care

Nathan
post #35 of 104
ndevries1, do you have any experience in a HT treated with DIY materials that you could offer some comparison to? I'm still on the fence regarding the Quest panels.
post #36 of 104
Hello J_P_A, Unfortunately I do NOT have experience with DIY materials in my theater. I believe Kromkamp might be a better guy to ask about that, as I think he went through that process? (And he definitally did more testing than I did)

I have done a bunch of listening, (and only went to the extent of doing an Automatic Calibration using YPAO from my receiver) in the un-treated room. I can only attest to the changes now that I have the Quest panels put in place. There is a NOTICABLE improvement at this point. Once I decided to go the Quest route, it didn't make financial sense to do any testing with DIY materials. There was for-sure a big improvement by even just treating the proscenium (behind the screen) (which cost me approx 300$ all-said-and-done). That was done using Insulshield Black 1" material, so I would almost consider that to be a DIY solution? It's a great place to start...

Link to Kromkamps thread, the Quest panels start at post #163

http://www.avsforum.com/t/1286838/bluffs-cinema-construction-thread-a-dennis-pro-theater-diy-build/150#post_22049446

Thanks

Nathan
post #37 of 104
Thanks for the info. I've read through Kromkamp's thread several times. That thread is probably the reason I'm considering the Quest products smile.gif
post #38 of 104
Point of clarity - all the Q-Sorber panels shown in my photos above are backwards, - the Foil-Faced surface faces the wall; the photos were taken when I was laying out rough panel location, prior to putting them up. The Q-Sorber panel has lower density material behind a semi-rigid surface, which creates something of a diaphragm .. If I am understanding that correctly ?

Quote from Quest Q-Sorber Manual: The unique design employs dual density fiberglass makeup cleverly integrated into a diaphragmatic frame and cavity.

***I will post more pics once I get all the panels up on the impaling clips.

Thanks

Nathan
post #39 of 104
Quote:
Originally Posted by J_P_A View Post

Thanks for the info. I've read through Kromkamp's thread several times. That thread is probably the reason I'm considering the Quest products smile.gif

I was going to comment but I suppose I would just be repeating myself smile.gif

I'm still very happy with the sound of the room and I still stand behind my impressions compared to pure DIY absorption-based treatments.
post #40 of 104
Quote:
Originally Posted by J_P_A View Post

ndevries1, do you have any experience in a HT treated with DIY materials that you could offer some comparison to? I'm still on the fence regarding the Quest panels.

eek.gif You mean, you wouldn't use our recommendation as the basis of your decision? biggrin.gif
post #41 of 104
Quote:
Originally Posted by SierraMikeBravo View Post

eek.gif You mean, you wouldn't use our recommendation as the basis of your decision? biggrin.gif

I had the same recommendation for a full-on Quest system in my theater, which was expected. Like JPA I was interested in a potential DIY option for internal room acoustics for not just absorbtion, but also the reflection, diffusion, etc. that doesn't destroy the high frequencies. I was essentially told there was no DIY option since these Quest panels use proprietary technologies. That's fine, but like JPA, I wasn't necessarily looking to mimic Quest, only to take another approach that might get me most of the benefit while saving several thousand dollars. As it stands with my theater, the total for just the panels with shipping was just over $4000. Add the track, the acoustic fabric and a bit of OEM panel work (i.e. a couple of fully-finished panels were needed in my design) and I was approaching $8,000 for this step of my theater.

I know the room has the greatest influence on the sound, but for those of us who are budget constrained or who would otherwise like an upgrade path on this portion of the theater build we have to explore other options and advice - probably to our detriment vs. the Quest tech, but those sacrifices are made in almost every step of the build process. I would love to have a DPI, Runco or other high-powered projector but budget dictates I can get most of the performance in the $3000 projector range. I would love Levinson amplification for all channels, but budget dictates that I shop used amplifiers and can get most of the performance at an eigth of the cost of the high-end amps. To me, this choice on different acoustic approaches is the same thing. Without any other recommendation from EG, the best we can do is implement the reflection, diffusion and absorbtion areas shown through discussion of different approaches.

That being said, if I had unlimited funds then it would be no question to pull the trigger on the Quest panels based on the EG's recommendation! smile.gif
Edited by TMcG - 3/22/13 at 5:28am
post #42 of 104
Quote:
Originally Posted by TMcG View Post

I had the same recommendation for a full-on Quest system in my theater, which was expected. Like JPA I was interested in a potential DIY option for internal room acoustics for not just absorbtion, but also the reflection, diffusion, etc. that doesn't destroy the high frequencies. I was essentially told there was no DIY option since these Quest panels use proprietary technologies. That's fine, but like JPA, I wasn't necessarily looking to mimic Quest, only to take another approach that might get me most of the benefit while saving several thousand dollars. As it stands with my theater, the total for just the panels with shipping was just over $4000. Add the track, the acoustic fabric and a bit of OEM panel work (i.e. a couple of fully-finished panels were needed in my design) and I was approaching $8,000 for this step of my theater.

I know the room has the greatest influence on the sound, but for those of us who are budget constrained or who would otherwise like an upgrade path on this portion of the theater build we have to explore other options and advice - probably to our detriment vs. the Quest tech, but those sacrifices are made in almost every step of the build process. I would love to have a DPI, Runco or other high-powered projector but budget dictates I can get most of the performance in the $3000 projector range. I would love Levinson amplification for all channels, but budget dictates that I shop used amplifiers and can get most of the performance at an eigth of the cost of the high-end amps. To me, this choice on different acoustic approaches is the same thing. Without any other recommendation from EG, the best we can do is implement the reflection, diffusion and absorbtion areas shown through discussion of different approaches.

That being said, if I had unlimited funds then it would be no question to pull the trigger on the Quest panels based on the EG's recommendation! smile.gif

Not being too familiar with the DIY routes, what the time involved in making the amount of panels required to match the number of Quest panels you'd need? And once factoring the cost of the DIY materials, would you be approaching the cost of the Quest panels?

I'm going to be starting my home theater this summer (hopefully) and plan on doing as much as I can myself, but for some areas that I'm not as familiar with, such as the panels, it may be easier for me to save my time and just go with something like Quest. Because I could see the number of man hours I'd end up putting into the project going well beyond it being cost effective.
post #43 of 104
Quote:
Originally Posted by Mntneer View Post

Not being too familiar with the DIY routes, what the time involved in making the amount of panels required to match the number of Quest panels you'd need? And once factoring the cost of the DIY materials, would you be approaching the cost of the Quest panels?

I'm going to be starting my home theater this summer (hopefully) and plan on doing as much as I can myself, but for some areas that I'm not as familiar with, such as the panels, it may be easier for me to save my time and just go with something like Quest. Because I could see the number of man hours I'd end up putting into the project going well beyond it being cost effective.

It is this time savings that made some of the choice easier for me... It would be literally *days* worth of time (for me at least) to try and re-create some of the more technical panels (the Q-Sorber and Perfsorber). For example: This would involve finding and cutting some higher density fiberglass to make a "frame" for the panel, finding "some-kind" of lower density fiberglass to put inside the diaphragm, and then finding some kind of membrane to put on the back. And who knows how said panel would perform?

The same level of effort is probably true for the Perfsorber panels.

With the Quest Panels, one can simply hang them on the wall.

I will be making some fabric frames to go over top; one could easily do inexpensive large rectangular wood frames with GOM vs going the more expensive track route.

***Admittedly, I have a smaller theater, so the total cost for my Quest panels was not as high as some of the theaters on here, and as such the decision is going to be a different one for everyone... Just my 0.02$

Again, out of respect to the OP, if we are going to continue down the "Quest-vs-DIY materials" trail, should we possibly start another thread?

Thanks
post #44 of 104
Quote:
Originally Posted by SierraMikeBravo View Post

eek.gif You mean, you wouldn't use our recommendation as the basis of your decision? biggrin.gif

Sorry, Shawn smile.gif There are some things that I can take on a leap of faith, but typically not when I have to get out the checkbook biggrin.gif

As TMcG mentioned above, the cost of the panels is making it difficult for me to make the decision when there should be a DIY approach to get the same results (probably not in a 2" thick footprint, but still). Based on the quote that I got with my layout, it will cost me nearly $7,000 to go with Quest panels. That's a big leap of faith! To make matters worse, I've had conversations with people that have been in Erskine designed rooms that were built before the move to Quest panels, and they contend that these rooms sound just as good as rooms with the engineered products. Obviously that's subjective, and it's difficult to make a real comparison when you can't compare identical rooms back to back. I would feel a lot better about it if there were dealers with rooms available to make that sort of demo. As it stands, the cost of the quest panels will exceed the cost of the framing, the insulation, the drywall, soundproofing, stage, and riser of my room (a comparison I wish I had not made, if I'm honest smile.gif ).

With regard to the time investment, you'll still be hanging panels and installing fabric. Just using absorption there would be no time advantage. If you build diffusors and more complex treatments, then yes, there will certainly be some additional time involved.
post #45 of 104
Quote:
Originally Posted by Mntneer View Post

Not being too familiar with the DIY routes, what the time involved in making the amount of panels required to match the number of Quest panels you'd need? And once factoring the cost of the DIY materials, would you be approaching the cost of the Quest panels?

I'm going to be starting my home theater this summer (hopefully) and plan on doing as much as I can myself, but for some areas that I'm not as familiar with, such as the panels, it may be easier for me to save my time and just go with something like Quest. Because I could see the number of man hours I'd end up putting into the project going well beyond it being cost effective.

If you refer to this link: http://www.acoustimac.com/owens-corning-705/ you can see that six 2' x 4' x 2" panels will run you $128. I would need 5 packs plus shipping, so about $700 in my hands. For the sake of this discussion, let's say I was going to try to duplicate Quest panels so I will also need some Vinyl, maybe a pack of fiberglass at a different density and other materials totaling another $250 (guessing). That's still 25% of the total cost of the Quest panels, although who knows what the true performance level would be for the DIY panels vs. the real deal. You can also use 1" track with blocking to save a few bucks or rip a bunch of wood frames to save even more. If I was to go total DIY I would think I would fall around $1500 total cost vs. the $8000 through the professional solution quoted for my theater size. But again, I can't stress enough the fact that ultimate performance might be compromised. For me personally, if I went the DIY route it might just be a stepping stone or stop-gap to another solution down the road.

I think this conversation would deserve a separate thread for discussion, but don't feel that part of it is out of place here since the EG uses Quest AI in nearly all of their theater designs. The relative affordability (not complaining! smile.gif) of the design plan through the Forum will naturally introduce a much wider audience, including those with lower budgets where DIY for more items is the only option to reach the finish line. One of the points I made above was that these Quest panels are used in half a million dollar theaters and the same exact tech can be used for yours and my theaters....but there is no intermediate step, only nothing, DIY or full-on Quest. On the other hand, I realize that Quest AI panels represent an extremely good value when compared with the cost of other professional-level solutions. Many are several factors more expensive and some require depths of 4", 10" or 12"+ to do their job adequately. The value is there, but it still might not be affordable.
post #46 of 104
I just love the fact that those people on this thread are concerned with room acoustics. I can't stand seeing pictures like the one below. As if drywall and hard floors with no treatment is the type of home theater we should aspire.
post #47 of 104
I thought discussing the cost of the panels was appropriate here as there's not much discussion about it elsewhere, and it might come as a bit of a surprise to someone having a layout done. Particularly the lower cost layout.
post #48 of 104
Quote:
Originally Posted by SimpleTheater View Post

I just love the fact that those people on this thread are concerned with room acoustics. I can't stand seeing pictures like the one below. As if drywall and hard floors with no treatment is the type of home theater we should aspire.

You know what I can't stand? People who have a lot of money and throw it in the faces of the rest of us. I made my decision when I chose my career. I became a teacher to help others. I knew what I was getting into when I chose it. Now 31 years later I survive on a small pension and Social Security. I started my career at $8,300 a year and ended it at $66,000 a year, so I never made a lot of money. My meager basement Home Theater is all I can afford. No way on earth could I ever afford Erskine design services let alone what it would cost to implement their ideas. You know what? I am just as pleased with my little, home made, DIY, basement, Home Theater as those of you who have the $100,000 Home Theater. My point is some of us don't have the money to do the things the rest of you do because we made self sacrificing decisions as to what to do with our lives. It isn't that we don't have money because we made foolish decisions or because we don't know how to handle money. I am tired of some of the smug people on AVS looking down their noses at the rest of us. I did the best I could with what I could afford in my Home Theater, but no I couldn't afford all of that acoustical stuff. That doesn't make me a bad person or an idiot.
post #49 of 104
Quote:
Originally Posted by TMcG View Post

If you refer to this link: http://www.acoustimac.com/owens-corning-705/ you can see that six 2' x 4' x 2" panels will run you $128. I would need 5 packs plus shipping, so about $700 in my hands. For the sake of this discussion, let's say I was going to try to duplicate Quest panels so I will also need some Vinyl, maybe a pack of fiberglass at a different density and other materials totaling another $250 (guessing). That's still 25% of the total cost of the Quest panels, although who knows what the true performance level would be for the DIY panels vs. the real deal. You can also use 1" track with blocking to save a few bucks or rip a bunch of wood frames to save even more. If I was to go total DIY I would think I would fall around $1500 total cost vs. the $8000 through the professional solution quoted for my theater size. But again, I can't stress enough the fact that ultimate performance might be compromised. For me personally, if I went the DIY route it might just be a stepping stone or stop-gap to another solution down the road.

I think its worth separating the Quest perf-sorber product from the rest of the product line.

The rest of the products are primarily absorption products (There is a Q-Fractor product which I have no idea what it does biggrin.gif) . You could approximate them with DIY but the performance would be lower or the thickness would be more (ie. the Quest products are very efficient in a 2" profile)

The perf-sorber is a combination of diffusion over a certain frequency range, and absorption over another frequency range. This dual-use that comes from a composite product is what would be very difficult to approximate with DIY techniques. Yes, you could make a styrofoam or wood diffusor, but you would lose the absorption characteristics of the perf-sorber.

Unfortunately, the perf-sorber is the expensive product smile.gif The other products are relatively cheap (~2X the cost of generic fiberglass panel).
post #50 of 104
macfan, I don't think he was commenting on having an untreated room. He was commenting on having an untreated room which what appears to be megabucks worth of speakers stuffed inside.
post #51 of 104
Quote:
Originally Posted by macfan View Post

You know what I can't stand? People who have a lot of money and throw it in the faces of the rest of us. I made my decision when I chose my career. I became a teacher to help others. I knew what I was getting into when I chose it. Now 31 years later I survive on a small pension and Social Security. I started my career at $8,300 a year and ended it at $66,000 a year, so I never made a lot of money. My meager basement Home Theater is all I can afford. No way on earth could I ever afford Erskine design services let alone what it would cost to implement their ideas. You know what? I am just as pleased with my little, home made, DIY, basement, Home Theater as those of you who have the $100,000 Home Theater. My point is some of us don't have the money to do the things the rest of you do because we made self sacrificing decisions as to what to do with our lives. It isn't that we don't have money because we made foolish decisions or because we don't know how to handle money. I am tired of some of the smug people on AVS looking down their noses at the rest of us. I did the best I could with what I could afford in my Home Theater, but no I couldn't afford all of that acoustical stuff. That doesn't make me a bad person or an idiot.

I may be speaking only for myself, but I didn't get any impression at all that those more modest systems were being slighted in any way by anyone. I think it is misplaced aggression to begrudge anyone who, for whatever reason, has additional discretionary income to spend on home theater or anything else for that matter. They made their choices, they earned the money, they can do what they want with it. My wife was a teacher and I was a bit stunned by the benefits package, particularly the fact that a person's pension equates to 90% of their last salary - something that is paid out for life, not to mention the almost fully paid-for healthcare for life. She said many teachers retire in their first year of eligibility at age 55 and then pick up Social Security whenever that kicks in. On the other hand, those not working in public schools naturally have to make more income since our income goes to zero once we retire (probably at least 65 or 70 years old) and we are responsible for paying out own insurance benefits and a litany of other items. Perhaps those making more aren't saving quite as much for retirement and therefore has more discretionary income for electronic "stuff".

That being said, if you refer to my post above with the link to some rigid Owen's Corning product, you will see that these materials are very inexpensive. I am sure you can calculate your total hard surface area and figure out how much of this hard surface needs to be covered with absorption to make the room sound much better vs. an untreated room from an absorption-only approach. As the room typically influences far more than 50% of the sound you hear, not doing anything with a dedicated theater room is like saying you don't want to have any HD content for your HD display. It is very inexpensive to do and implement, so it should be an easy choice to see what you can do in your dedicated room since it is your (and mine) hobby after all.

Would be nice to see a few pics of your setup as well! Cheers.
post #52 of 104
Quote:
Originally Posted by TMcG View Post

I may be speaking only for myself, but I didn't get any impression at all that those more modest systems were being slighted in any way by anyone. I think it is misplaced aggression to begrudge anyone who, for whatever reason, has additional discretionary income to spend on home theater or anything else for that matter. They made their choices, they earned the money, they can do what they want with it. My wife was a teacher and I was a bit stunned by the benefits package, particularly the fact that a person's pension equates to 90% of their last salary - something that is paid out for life, not to mention the almost fully paid-for healthcare for life. She said many teachers retire in their first year of eligibility at age 55 and then pick up Social Security whenever that kicks in. On the other hand, those not working in public schools naturally have to make more income since our income goes to zero once we retire (probably at least 65 or 70 years old) and we are responsible for paying out own insurance benefits and a litany of other items. Perhaps those making more aren't saving quite as much for retirement and therefore has more discretionary income for electronic "stuff".

That being said, if you refer to my post above with the link to some rigid Owen's Corning product, you will see that these materials are very inexpensive. I am sure you can calculate your total hard surface area and figure out how much of this hard surface needs to be covered with absorption to make the room sound much better vs. an untreated room from an absorption-only approach. As the room typically influences far more than 50% of the sound you hear, not doing anything with a dedicated theater room is like saying you don't want to have any HD content for your HD display. It is very inexpensive to do and implement, so it should be an easy choice to see what you can do in your dedicated room since it is your (and mine) hobby after all.

Would be nice to see a few pics of your setup as well! Cheers.

LOL, what state did your wife teach in? I can tell you my pension is only a third of the average of my best 3 years and I pay $200 a month towards my health insurance out of that. Each state is different. In short I get around $2,500 a month total made up of my pension and Social Security. Don't forget in Michigan pensions are heavily taxed now.

And yes I have done some DIY sound things that I could afford. Menard's is my friend, smiles.
Edited by macfan - 3/22/13 at 11:37am
post #53 of 104
Pennsylvania. But my point is that I didn't see anything to cause the diatribe on other people's systems and what they choose to spend. And if you are a Mac fan as your username indicates, you probably spent 2-3x what you would have spent for a PC for equivalent performance. The point is that we each spend discretionary income differently and value things differently. I don't believe your comment furthered this thread's conversation to the original topic (as does this one, incidentally biggrin.gif)

Back to your regularly scheduled programming.
post #54 of 104
Quote:
Originally Posted by macfan View Post

You know what I can't stand? People who have a lot of money and throw it in the faces of the rest of us. I made my decision when I chose my career. I became a teacher to help others. I knew what I was getting into when I chose it. Now 31 years later I survive on a small pension and Social Security. I started my career at $8,300 a year and ended it at $66,000 a year, so I never made a lot of money. My meager basement Home Theater is all I can afford. No way on earth could I ever afford Erskine design services let alone what it would cost to implement their ideas. You know what? I am just as pleased with my little, home made, DIY, basement, Home Theater as those of you who have the $100,000 Home Theater. My point is some of us don't have the money to do the things the rest of you do because we made self sacrificing decisions as to what to do with our lives. It isn't that we don't have money because we made foolish decisions or because we don't know how to handle money. I am tired of some of the smug people on AVS looking down their noses at the rest of us. I did the best I could with what I could afford in my Home Theater, but no I couldn't afford all of that acoustical stuff. That doesn't make me a bad person or an idiot.

Wow, did you misread my post. My point was that I'm real happy people are talking about room design. Did I mention a THING about money? No. You can get some fiberglass at Lowe's for $25 and wrap it in $3 speaker cloth, stick a nail in it on the wall and you would be doing your room a world of good (especially if its four concrete walls).

So please don't think I'm only talking about $5,000 treatments.
post #55 of 104
What was used by EG before Quest panels?
post #56 of 104
Please correct me if (when?) I'm wrong.

I believe their prior system was based on placement of differing thicknesses of absorptive material in the room to cover a certain percentage of the hard/reflective surfaces.

Currently, I believe their work primarily revolves around the Quest Acoustical Lens System. This system prescribes specific placement of combinations of absorptive and refractive materials at very specific locations within the room to optimize the acoustic environment. I believe the Erskine Group works closely with Quest to optimize the room layout and panel positioning based upon your room characteristics.

This is my very basic understanding.

Kevin
post #57 of 104
On the subject of money... I just updated my cost-spreadsheet...I wonder if there is any value to anyone to see my cost of Sound-treatment vs construction and equipment cost?

(This is a good exercise for me to go through anyway, as it will all be added to my build thread..(still pending)

I am 27 years old, we have a 1-yr old, and I am an Industrial Mechanic (just reference FYI)

I started with an un-finished basement, so some of the costs carry into the rest of the basement, (Carpet, mudding and taping, some of the electrical ect...)

Room overview: 21'-6" long by 11'-5.5" wide x 8'3" inside drywall surfaces

Highlights: DD+GG, DIY AT-Screenwall, Front-Stage, Riser, Fiber-Optic Ceiling, 2x rows seating, 2x rows surround speakers, Quest Acoustic Panels

Construction:
2x exterior basement walls border theater, the one long interior wall is stagger-stud, 5/8" DD+GG on all inside walls.
Ceiling is Clips+Hat Channel+DD+GG
Floor (the whole basement) is 1" T+G OSB on 1" XPS (more for thermal value than anything else)
Stage: 2x6 Construction, back half is sand filled
Riser: 2x10 Construction

I currently have the following equipment in my theater:

Panasonic PT-AE4000U
Yamaha RXV-3900
Dayton SA-1000
2x Dayton SA-230
miniDSP 10x10 HD
North Creek Echo LCR - DIY, built several years ago
6x Triad In-wall Bronze 4/Surround
CSS SD-12 sub - DIY
4x Clark Synthesis TST209 Tactile Transducer Bass Shaker
PS3
DNS-323 NAS enclosure
HTPC

This equipment cost me $10700

Acoustic Treatment - $3200

Seating - 2400$

Construction Cost: $19210
(including sub-contractor to mud-and-tape, carpet install, and all building materials for screen-wall, star ceiling, sound-treated door, framing, Insteon electrical components, Lighting, ISY-99, Drywall, Equipment-rack ect....) I can provide a more detailed breakdown if requested.... PM me...

Grand Total (Equipment and Construction): $34160 (This is the WAF-Unfriendly number... I find it's best to only discuss the;) individual portions of this number....)

So in summary: Acoustic treatment is less than 10% of my total cost to build the completely functional room "all-in". It does however add over 30% to my equipment cost, (and admittedly my equipment list is fairly humble by some standards on AVS... )

BUT at this point, I think the extra 30% to "equipment" cost (I think Acoustic panels can almost be classified under that?) is an acceptible amount for the performance gain I have seen.

Again, (back-on-subject) - (Still trying to keep this thread on the rails...)

The cost for some of the equipment EG "suggested" (Triads, DSP, and Quest Panels) destroyed my budget, but in the end, I am happy to have gone this route. It meant working a bunch of overtime, and saving up for longer.

I am VERY HAPPY to have spent the money I did on sound-proofing, I would do this again in a heart-beat, and will probably do a full Room-in-a-Room for the next one. The ability for me to listen at any volume, and my wife not be woken up in our bedroom 2x floors up (2-story home) is AWSOME! You can only *faintly* hear mid-range stuff in the kitchen (right above the theater); the bass however shakes the dishes somewhat. Bass is the hardest to treat in existing floor-construction. Its a weird sensation to be able to *feel* more of the theater than *hear* it...

I am very happy I spent the money on Erskine Pro-Layout. I will utilize them again, especially now that I know better what to expect and what to ask. Presumably, paying for a higher design-level may answer more of my questions next time.

Sorry for some of the verbal diarrhea, this will all be going in my full build-thread, which will go up once I sort through the myriads of construction photos, and get some more shots of current progress...

Thanks

Nathan
post #58 of 104
Quote:
Originally Posted by ndevries1 View Post

On the subject of money... I just updated my cost-spreadsheet...I wonder if there is any value to anyone to see my cost of Sound-treatment vs construction and equipment cost?

(This is a good exercise for me to go through anyway, as it will all be added to my build thread..(still pending)

I am 27 years old, we have a 1-yr old, and I am an Industrial Mechanic (just reference FYI)

I started with an un-finished basement, so some of the costs carry into the rest of the basement, (Carpet, mudding and taping, some of the electrical ect...)

Room overview: 21'-6" long by 11'-5.5" wide x 8'3" inside drywall surfaces

Highlights: DD+GG, DIY AT-Screenwall, Front-Stage, Riser, Fiber-Optic Ceiling, 2x rows seating, 2x rows surround speakers, Quest Acoustic Panels

Construction:
2x exterior basement walls border theater, the one long interior wall is stagger-stud, 5/8" DD+GG on all inside walls.
Ceiling is Clips+Hat Channel+DD+GG
Floor (the whole basement) is 1" T+G OSB on 1" XPS (more for thermal value than anything else)
Stage: 2x6 Construction, back half is sand filled
Riser: 2x10 Construction

I currently have the following equipment in my theater:

Panasonic PT-AE4000U
Yamaha RXV-3900
Dayton SA-1000
2x Dayton SA-230
miniDSP 10x10 HD
North Creek Echo LCR - DIY, built several years ago
6x Triad In-wall Bronze 4/Surround
CSS SD-12 sub - DIY
4x Clark Synthesis TST209 Tactile Transducer Bass Shaker
PS3
DNS-323 NAS enclosure
HTPC

This equipment cost me $10700

Acoustic Treatment - $3200

Seating - 2400$

Construction Cost: $19210
(including sub-contractor to mud-and-tape, carpet install, and all building materials for screen-wall, star ceiling, sound-treated door, framing, Insteon electrical components, Lighting, ISY-99, Drywall, Equipment-rack ect....) I can provide a more detailed breakdown if requested.... PM me...

Grand Total (Equipment and Construction): $34160 (This is the WAF-Unfriendly number... I find it's best to only discuss the;) individual portions of this number....)

So in summary: Acoustic treatment is less than 10% of my total cost to build the completely functional room "all-in". It does however add over 30% to my equipment cost, (and admittedly my equipment list is fairly humble by some standards on AVS... )

BUT at this point, I think the extra 30% to "equipment" cost (I think Acoustic panels can almost be classified under that?) is an acceptible amount for the performance gain I have seen.

Again, (back-on-subject) - (Still trying to keep this thread on the rails...)

The cost for some of the equipment EG "suggested" (Triads, DSP, and Quest Panels) destroyed my budget, but in the end, I am happy to have gone this route. It meant working a bunch of overtime, and saving up for longer.

I am VERY HAPPY to have spent the money I did on sound-proofing, I would do this again in a heart-beat, and will probably do a full Room-in-a-Room for the next one. The ability for me to listen at any volume, and my wife not be woken up in our bedroom 2x floors up (2-story home) is AWSOME! You can only *faintly* hear mid-range stuff in the kitchen (right above the theater); the bass however shakes the dishes somewhat. Bass is the hardest to treat in existing floor-construction. Its a weird sensation to be able to *feel* more of the theater than *hear* it...

I am very happy I spent the money on Erskine Pro-Layout. I will utilize them again, especially now that I know better what to expect and what to ask. Presumably, paying for a higher design-level may answer more of my questions next time.

Sorry for some of the verbal diarrhea, this will all be going in my full build-thread, which will go up once I sort through the myriads of construction photos, and get some more shots of current progress...

Thanks

Nathan

What kind of door did you go with? How much for the door?
post #59 of 104
Quote:
Originally Posted by ndevries1 View Post

Construction Cost: $19210
(including sub-contractor to mud-and-tape, carpet install, and all building materials for screen-wall, star ceiling, sound-treated door, framing, Insteon electrical components, Lighting, ISY-99, Drywall, Equipment-rack ect....) I can provide a more detailed breakdown if requested.... PM me...

Grand Total (Equipment and Construction): $34160 (This is the WAF-Unfriendly number... I find it's best to only discuss the;) individual portions of this number....)

Nice write-up Nathan and I can't wait to see the pics. You definitely have a nice, well-balanced system. I guess I'll have to stalk follow you here on the Forum so I don't miss when you launch your thread. wink.gif

One question regarding the construction costs above . . . if you had to extract the construction cost of just the theater part of the build and just the square footage of carpet in the theater and just the labor (electrical, drywall or otherwise) in the theater...how much would these numbers adjust?

The Quest Panels for me would be less from a percentage perspective, but as I'm sure you are aware, this process is all about compromise. But unlike a Bluray player or projector that you can easily upgrade down the road, acoustic treatments are typically "set it and forget it". And as JPA mentioned, there's no way of knowing what you are paying for because you can't do an A/B comparison in similar listening rooms vs. DIY vs. Absorption only vs. nothing. It's probably an impossible setup so you just have to trust in the acoustic modeling process and the experts who make their living doing this every day of their lives.
post #60 of 104
The door started as a 1-3/4" solid slab I found at a 2nd hand store. I added a layer of Green Glue, 5/8" drywall (edged with mdf) and then covered the drywall in Cork laminate flooring. Picking this flooring color+style was probably the biggest involvement my wife has had thus far... She likes it, so thats all that matters! I had to make a custom jamb, (for the thick wall, and heavy door), and add heavy-duty ball-bearing hinges. I also added weather-stripping and an Automatic door-bottom. All in, the door and jamb cost me about 500$.

I have construction photos of the door somewhere...I can upload them if your interested... The door is just over 3" thick, and probably weighs over 300lbs... It was almost impossible for 2x guys to get it downstairs...

Thanks


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