Quote:
Originally Posted by
rogo 
I mean, pretty much every professional reviewer thinks they are better quality. But thank goodness we have chronoptimist to set the record straight....
Actually, you will find that most reviewers haven't even seen most of the high-end LCDs available, because manufacturers are reluctant to ship them out, and they won't just send them anywhere. Most places that do have a review for them, have to purchase the sets themselves, which puts it out of the reach of most websites for example.
What you will actually find, is that most reviews of the high-end LCDs will put them
at least on-par, if not better than the best plasmas of the day. And even if they are considered to be on-par as far as general image quality goes (measured greyscale, color etc.) you still have the sharper, brighter LCD image, better gradation (something no publication seems to mention) the lack of flicker, phosphor lag, ABL, image retention etc. all of which are meaningful differences in my opinion.
Viewing angle is not a concern for me with LCDs, because it is mostly not a problem in a brightly lit room, which would be the only situation that I would ever see the TV off-axis. I bought a high-end TV to sit straight-on to it, and watch film in a darkened room.
If you need to sit off-axis in a darkened room, Plasma is probably a better option for you, if none of the other issues bother you. (or don't bother you enough, that you would rather save some money)
Quote:
Originally Posted by
http://www.hometheater.com/content/sony-xbr-55hx950-3d-lcd-hdtv
Even prior to a full calibration, the Sony’s color was both remarkably vibrant and natural—matching the demands of any source point for point. The blacks were also dark and rich, the shadow detail impeccable, and the resolution crisp and clean. In short, the picture was hard to resist.
Quote:
Originally Posted by
http://www.hometheater.com/content/sony-xbr-55hx950-3d-lcd-hdtv
I’ve said it before, ad nauseam, but the last three Harry Potter movies offer the most challenging tests I’ve yet found for black level and shadow detail. I watched Harry Potter and the Deathly Hallows: Part 2 nearly from beginning to end, and the Sony looked stunning throughout. Scenes that on lesser sets can turn into a distracting, “What’s that?” muck become “wow” experiences. Chapter 12 begins with an extremely low-contrast scene, but Voldemort’s minions stood out so clearly in the sheer mass of blacks and deep grays that I could almost count them. Dark scene after dark scene follows this one, and none of them failed to confirm this set’s outstanding black level, shadow detail, and contrast.
As expected, the only real flaw is viewing angle, which no LCD is good at - even IPS panels. (which are too low contrast for a high-end set)
Quote:
Originally Posted by
http://www.hometheater.com/content/sony-xbr-55hx950-3d-lcd-hdtv
With its sparkling detail and color that can range from subtle to striking, the Sony can show off the best high-definition sources at their jaw- dropping best.
Only in its off-axis viewing quality does the Sony reveal a typical LCD limitation. The picture holds up reasonably well until you reach 25 to 30 degrees off center. Beyond that, the picture starts to fade progressively, beginning at the side of the screen farthest away from you.
And again, it comes down to price in the end. If you have the money, the high-end LCDs
are better than Plasma, but Plasma is much better value.
Quote:
Originally Posted by
http://www.hometheater.com/content/sony-xbr-55hx950-3d-lcd-hdtv
In a side-by-side 2D comparison with a Panasonic TC-P65VT50 (Home Theater, October 2012) in a fully darkened room, and relative size aside (the Panasonic’s screen is 10 inches larger), the two sets’ performance was very close. I’d give a slight edge in black level and shadow detail to—surprise—the Sony, though the differences were small in that dark room. But when I turned on some over- head lighting, the Sony’s visible contrast held up better than the Panasonic’s. The black bars on less than full-screen sources were also darker on the Sony; on very bright scenes, the Sony’s picture also popped slightly more. Plasma sets can’t, in general, go as bright as LCDs, and particularly not when they’re called on to produce a very bright full-screen image. The colors on the two sets varied slightly, but not enough to give the edge to either. The Sony was a bit sharper as is typical of LCDs, though its smaller screen likely helped here as well.
But the Panasonic had the clear edge in off-axis viewing quality—and also in value. While this 55-inch Sony is comparable in price to the Panasonic, Sony’s 65-inch equivalent (the XBR-65HX950) will run you nearly $1,800 more than the Panasonic at list prices.
Any way you look at it, however, the Sony XBR-55HX950 is a striking performer. From the deepest, darkest scenes in 2D and 3D to its bright, vivid 3D, it’s definitely among the best sets I’ve yet had the pleasure of testing.
Something else worth mentioning, is that the Samsung (I assume) panel used in the HX950, and the HX920 still has a lower native contrast than the Sharp UV2A panel they used in the HX900. (the last "true" flagship set - everything else has been more focused on reducing costs)
They measure 1800:1 native, and I measure almost 3500:1 native on my HX900. This means that, if they have not increased the number of local dimming zones (I don't believe they have) the HX900 will produce a higher-contrast image, with less blooming. (blooming is almost non-existant when watching films on the HX900)
Quote:
Originally Posted by
http://www.hometheater.com/content/sony-xbr-55hx950-3d-lcd-hdtv
With the LED Dynamic Control on Low, the full-on/full-off contrast ratio measured 11,977:1 (peak white 35.93 ft-L, black 0.003 ft-L). With the LED Dynamic Control off, the corresponding results were 1,797:1, 35.94 ft-L, and 0.020 ft-L.
It's also worth pointing out that the contrast ratio is higher than Panasonic's Plasmas in the
low local dimming mode, when the standard local-dimming mode will actually turn the LEDs off, significantly raising contrast from that 12,000:1 number.
Quote:
Originally Posted by
vinnie97 
^As much as I hate to move toward ad hominem territory myself, I think it has something to do with Chrono being a Sony enthusiast. The only group that engages in worse levels of rabidity is the Apple fanatic.

I said I felt I was becoming a bit of a Sony fan, by which, I meant that I like their products. While some people on this forum seem to actively be celebrating their potential demise because of their "overpriced products" I think it would be a blow to the industry if we were to lose them, as they are constantly innovating and developing new technologies - more-so than most of the other companies in the AV business.
That's not to say that I think their products are automatically good, but I do think that when they get it right, their products are definitely worth the premium. They are still one of the few manufacturers that actually
has a high-end line, when others have simply given up and just cater to the mass-market. Look at Samsung for example; when was the last time they put out a high-end LCD? They haven't had a local-dimming model for years now.
Quote:
Originally Posted by
vinnie97 
Yea, well, I ditched LCD in 2007 and couldn't be happier, and the supremacy of PQ in Panasonic's Plasma this year has repeatedly been established.
Well I hardly think your opinion on the matter is relevant then. 2007 was before we even had local-dimming LED backlit displays. (XBR8 was released in late 2008 if I recall correctly)
There have been significant strides made in recent years. Back in 2007 motion on LCDs was a smeary mess, now they have all but eliminated motion blur with interpolation and/or backlight scanning.
Contrast back then was very low, and now the high-end sets are the top performers. Color used to look unnatural on them, and now they have full color management systems and look every bit as accurate or natural as the best Plasmas.