Stop beating around the bush...
Do you like the damn things or not???












I will say for now though, that I saw Rilla's response and immediately got stoked to see how far mine extended down. Needless to say I was mad impressed that the TD's could do close to the same, and sound absolutely phenomenal. Oh the sweet sweet sound of constant directivity. I have missed it so.... It is already making me wonder the future of the LS6's if that means anything to anyone. I have to say, listening to these full range with music is absolutely phenomenal... I will go into more detail after I run through my full gambit of test songs, but I have to say I have already cranked these further than I care to listen and they are seamless. I can;t believe I am getting something like this from a set of THREE speakers for barely over $1000. Just absolutely astounding. Erich, you can post my build and quote me on that sir
Kudos to Erich, for the vision to get these horns going, MTG for building out some most excellent XO for me, and HTdoc for supplying the TD's when they were still in short order. My only hope is that John at AE can start cranking these woofers out quick for all interested because they are just absolutely unreal. Still at +5 on some serious tracks, haven't seen them move if I had to guess much past half of their usable ability excursion wise.
I can wish... I can wish.


As far as the AE stuff goes, yes you could use a different woofer I would guess, but the distortion and linearity figures might suffer somewhat. The AE is just so friggin clean.



Even way off axis, while not the best place to be, the sound is still very clean.
Just shows that it's most helpful to see distortion plots at multiple levels.
I would've thought that these drivers were indistinguishable at low drive levels (aside from sensitivity). So this is interesting, and I guess a low level distortion plot would help to show that?
And of course the high drive level distortion graphs are revealing of where the driver gives up, and that's too often missing. Even Stereophile speaker graphs would only show distortion at 90-95dB.
If the manufacturer states the speaker will produce produce 110dB at 1 meter, why are professionals not testing at that level and reporting the results?
It's like even reviewers are afraid to break something or reveal warts, which is frustrating to me. Show the compression, show me where distortion gets objectionable, or horrible. Every product has limits. People should be mature enough to know that and not think "this product has a limit?! It's not always effortless at any amount of drive? It'll eventually smoke and melt? What a terrible product!"
No one expects a car that the manufacturer labelled "Power to spare, a joy to drive..." to be able to run professional races, tow infinite payload, and go 200mph. But the lack of revealing testing and reviews leaves many customers thinking something like that of their speakers.
Sorry for the ramble.
So after I posted last night I went back down and began watching DMB live at radio city music hall, which is great to hear the detail the speakers can provide and for the first time actually preferred the staging of the show in stereo over 5.1 TrueHD, beyond that, I could run at reference on the 4311 and even though I knew the speakers had more, I wasn't going any further. That track is already a little hot, and at -0, it was louder than I could handle for long periods of time for sure. -5 was killer, and even at -10 the sound was full bodied and wonderful.
Tonight I need to run Aud again to see what it does with these, and if I prefer the sound more. I know with the LS6's I hated them with Audyssey on. I also need to start on incorporating the 4 SI's I already have in, and see how well these blend together. I will also experiment a little with toe-in, and will pull the speakers up to the front of the sub boxes as suggested. That does get them closer to the screen and I don't know how well that will work out. Perhaps a shade of diffraction sacrificed for a better overall response with the speakers further from the A-T material? dunno.







Also, I meant to ask, I don't have double bass, or whatever, but I am assuming with the Denons, this is the same thing as setting it to LFE+Mains on the bass settings?
Not when they are capable. Spread that bass out and cheat your way into having MBM's without having to make an MBM. Then you already have the actual subs in place. The stigma of the LFE+/DB/whatever needs to go away. I'll be the test guinea pig for that though so don't you fret. 


Also, I meant to ask, I don't have double bass, or whatever, but I am assuming with the Denons, this is the same thing as setting it to LFE+Mains on the bass settings?




My initial plan with these was to have them tuned low enough they could go about it solo with stereo music listening, but then have them crossed at the ole 80hz point for movies and cut the subs on. With concert BD's, I guess it is kind of in the middle of all that so I dunno. Even running full range on them last night, at ref, they were clean as whistle, but I digress, there probably wasn't much content below 40hz to make the driver unload anyways.

