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Simplified REW Setup and Use (USB Mic & HDMI Connection) Including Measurement Techniques and How... - Page 21

post #601 of 2863
You guys have thrown out the window the issue of hum too fast IMHO. Nonetheless, we've seen some graphs already that show up the phenomenon, so from now on we will know what to look for when little boo-boos are there that do not decay as time passes, eh? smile.gif Should the reason for hum be misunderstood by some doesn't mean it is neither there, nor is it negligble.

Hope this helps to clear up matters. smile.gif
Edited by mogorf - 1/24/13 at 5:33pm
post #602 of 2863
Quote:
Originally Posted by AustinJerry View Post

@jkasanic: I quickly re-read the Windows audio output section, and there really isn't anything different using the headphone jack output versus using the HDMI output. That's why I wasn't concerned which screenshots I was using. Basically, for the output device, you set the output level to 100%, disable any effects, and make sure you are sampling at 48k. Is there a specific problem you can describe?

 

Here's what my sound control panel looks like:

 

 

Only the Speakers / HP is "configurable" (Headphones is greyed out):

 

 

Then I get this:

 

 

From here I can only output sound to one speaker (Left).  I saw you made reference to something about matching which mono signal you are connected to but I didn't quite understand where I needed to check this?

 

I have to go now...I'll save the REW portion for tomorrow.  Thanks!

post #603 of 2863
Quote:

I don't see anything wrong there. REW outputs a mono signal, so you will only get sound from one speaker unless you use a Y-cable to split the signal across both the left and right AUX IN jacks o the AVR. Look at the cabling basics section of the guide again.
post #604 of 2863
Quote:
Originally Posted by mogorf View Post

You've got hum at 60 Hz JChin!! LOL (And repeats itself at 120 Hz, first harmonic, while the one at 200 Hz puzzles me, coz it should be 180 Hz, right??!! Although there is something at 180 Hz which gives me more puzzles.). Look at those fellows that don't decay as time elapses on you waterfall graph. cool.gif On a second note, this questions how accurate the frecuency scale of REW is. Any thoughs welcome.

Q, is it aubible at the MLP? Witout a source you may turn up the MV to 0 dB and listen carefully. If you don't hear the hum at MLP it's all ok. At this frequency our ears are less sensitive to sounds at such low levels as can be seen on the "equal loudness curves". Worry not.

Meantime, in case the 60 Hz mains hum shows its harmonics your sub may be affected by harmonic distortion. Let's try to investigate this case together. Anyone?

Hi Feri, you may be right. I have a cooling pad under the laptop connect to USB port for power and the laptop was running power from wall outlet. The reading was taken in mid afternoon so the HACV could have been on during testing as well. I'll give your suggestion a try this weekend. Normally do my testing early morning at 6am on weekend so I can turn everything off.

Hope to have the mic in a week or two so I can perform a good reading, thanks for looking.
post #605 of 2863
Quote:
Originally Posted by AustinJerry View Post

Quote:

I don't see anything wrong there. REW outputs a mono signal, so you will only get sound from one speaker unless you use a Y-cable to split the signal across both the left and right AUX IN jacks o the AVR. Look at the cabling basics section of the guide again.

I have a Y cable but nothing out of the right channel. I have the single end of the Y connected to the red side of my adapter. I'll have to find the part in the guide I was referencing before.

On a different note, anybody with an OM mic have any idea why my surround channels are playing when I play track 2 (monophonic short sine sweep) using Dolby PLIIx Movie on my Integra DHC-80.3? I was thinking this should only play center + sub?!
post #606 of 2863
Quote:
Originally Posted by jkasanic View Post

Quote:
Originally Posted by AustinJerry View Post

Quote:

I don't see anything wrong there. REW outputs a mono signal, so you will only get sound from one speaker unless you use a Y-cable to split the signal across both the left and right AUX IN jacks o the AVR. Look at the cabling basics section of the guide again.

I have a Y cable but nothing out of the right channel. I have the single end of the Y connected to the red side of my adapter. I'll have to find the part in the guide I was referencing before.

If you think about it, the red cable has a signal or you wouldn't hear anything from either side of the AVR. If only one side of the AVR is getting a signal, the Y-cable is defective. Switch the Y-cable connectors into the AVR. Got a signal out of the right channel now?

Time for bed...
post #607 of 2863
Quote:
Originally Posted by AustinJerry View Post

I just exchanged emails with CSL.  My mic is in the first group, with expected ship date next Monday.  With luck, I could have the mic by the end of the week.

 

Great news. You will have yours a good two weeks before I get mine - which is the right way around :)

post #608 of 2863
Quote:
Originally Posted by mogorf View Post

You guys have thrown out the window the issue of hum too fast IMHO. Nonetheless, we've seen some graphs already that show up the phenomenon, so from now on we will know what to look for when little boo-boos are there that do not decay as time passes, eh? smile.gif Should the reason for hum be misunderstood by some doesn't mean it is neither there, nor is it negligble.

Hope this helps to clear up matters. smile.gif

Feri, if there is a genuine mains hum at 50Hz or 60Hz, caused by a grounding problem, it will be heard through the speakers. Those frequencies are clearly audible. But that is not a REW problem, although it does need solving of course.

 

If there is a 50/60Hz spike showing on the graph but it is NOT audible, then it is something being generated purely by the laptop and not making it through to the speakers. If it cannot get through to the speakers then it cannot be measured by the mic. Running the laptop on battery power solves this issue. 

 

IOW, if you can hear the hum, so can the mic. If you cannot hear the hum, then neither can the mic. So if the hum is present in the graphs but not audible, where can it be coming from? Answer: the laptop. In this case, the 50/60Hz spike can be ignored as an anomaly, or removed by disconnecting the laptop from the mains.

post #609 of 2863

^ Just to add a story from my experience to this topic, I had a laptop that had a noisy audio subsystem.  In this case, it wasn't a current-induced hum, it was a scratchy static sound caused by a failing component somewhere.  Needless to say, this laptop was completely useless for taking REW measurements, and forced me to purchase a new one.

 

So, if there is any question as to whether the laptop itself is adding unwanted signals or distortion to the measurement loop, it's a good idea to test it out.  On the output side, listening to sound coming from either the speakers, or by connecting headphones, is the obvious test.  For the input side (which was the problem with my old laptop), I conducted the following test:  plug in a microphone (the Audyssey mic works fine), launch Windows Sound Recorder (in Accessories), click the "Record" button, allow it to record for a few seconds, stop, and play the recording back.  The recording should be clear, with no static or hum.  In the case of my old laptop, I could hear the scratchy static in the playback.

post #610 of 2863
Quote:
Originally Posted by jkasanic View Post


I have a Y cable but nothing out of the right channel. I have the single end of the Y connected to the red side of my adapter. I'll have to find the part in the guide I was referencing before.
 

You could have a stereo cable. You need a mono cable, which will send the signal to both channels.

post #611 of 2863
Quote:
Originally Posted by LastButNotLeast View Post

Quote:
Originally Posted by jkasanic View Post

I have a Y cable but nothing out of the right channel. I have the single end of the Y connected to the red side of my adapter. I'll have to find the part in the guide I was referencing before.

 
You could have a stereo cable. You need a mono cable, which will send the signal to both channels.

How does a mono cable connect to two input jacks on the front of the AVR? A Y-cable is required. Please take a look at the cabling basics section of the REW guide in this thread.
post #612 of 2863
Quote:
Originally Posted by AustinJerry View Post

Quote:
Originally Posted by LastButNotLeast View Post

Quote:
Originally Posted by jkasanic View Post

I have a Y cable but nothing out of the right channel. I have the single end of the Y connected to the red side of my adapter. I'll have to find the part in the guide I was referencing before.

 
You could have a stereo cable. You need a mono cable, which will send the signal to both channels.

How does a mono cable connect to two input jacks on the front of the AVR? A Y-cable is required. Please take a look at the cabling basics section of the REW guide in this thread.

 

Guys, sorry if I started us down a path of troubleshooting cables/adapters.  It is very possible that I have an issue with my cabling that I didn't have time to troubleshoot last night.  I have some new cables arriving today that should eliminate this as a possibility.  I had a couple hours last night and decided to dig through my junk cable box and found an old stereo Y adapter that came with a Mac that I owned in the early '90s.  The Y adapter cable is from an old subwoofer with L and R analog RCA inputs so I figured it would work.

 

In any case, I've highlighted the section of the manual that I was referencing in my previous post with respect to "assigning" which channel the mono signal is output:

 

 

I'm sorry if I missed it in the REW setup section but I didn't see where this should be assigned.

 

Also, any idea why a monophonic short sine sweep would be playing through my surrounds when my prepro is in PLIIx Movie mode?  I'm also wondering if my trouble outputting to both channels is somehow related to how my AVR is processing the signal?

post #613 of 2863

Sorry, it's a mono cable, technically (I think) a "splitter." It's a Y, with the mono signal going to two outputs.

I don't think it looks different from a stereo Y, it just works differently (wired differently inside).

I've had mine for years; I probably got them at RS.

This, I think:

 http://www.monoprice.com/products/product.asp?c_id=102&cp_id=10218&cs_id=1021803&p_id=663&seq=1&format=2

post #614 of 2863
Quote:
Originally Posted by LastButNotLeast View Post

Sorry, it's a mono cable, technically (I think) a "splitter." It's a Y, with the mono signal going to two outputs.

I don't think it looks different from a stereo Y, it just works differently (wired differently inside).

I've had mine for years; I probably got them at RS.

This, I think:

 http://www.monoprice.com/products/product.asp?c_id=102&cp_id=10218&cs_id=1021803&p_id=663&seq=1&format=2

 

Well, isn't an RCA jack mono only by definition so unless the single end is something other than an RCA jack (e.g. a 2.5/3.5mm stereo jack), it should be a mono cable?! At least this is the premise I was working against!  Like I said, I'll have the proper cabling later today so I can confirm if it's the cable or a setup issue in Windows/REW later today.

post #615 of 2863
Quote:
Originally Posted by LastButNotLeast View Post

Sorry, it's a mono cable, technically (I think) a "splitter." It's a Y, with the mono signal going to two outputs.

I don't think it looks different from a stereo Y, it just works differently (wired differently inside).

I've had mine for years; I probably got them at RS.

This, I think:

 http://www.monoprice.com/products/product.asp?c_id=102&cp_id=10218&cs_id=1021803&p_id=663&seq=1&format=2

 

That cable will work as well.

 

Edit:  Except the end of the cable has two female connectors.  You need male connectors to plug into the AVR....

post #616 of 2863
Quote:
Originally Posted by jkasanic View Post

Quote:
Originally Posted by AustinJerry View Post

Quote:
Originally Posted by LastButNotLeast View Post

Quote:
Originally Posted by jkasanic View Post

I have a Y cable but nothing out of the right channel. I have the single end of the Y connected to the red side of my adapter. I'll have to find the part in the guide I was referencing before.

 
You could have a stereo cable. You need a mono cable, which will send the signal to both channels.

How does a mono cable connect to two input jacks on the front of the AVR? A Y-cable is required. Please take a look at the cabling basics section of the REW guide in this thread.

 

Guys, sorry if I started us down a path of troubleshooting cables/adapters.  It is very possible that I have an issue with my cabling that I didn't have time to troubleshoot last night.  I have some new cables arriving today that should eliminate this as a possibility.  I had a couple hours last night and decided to dig through my junk cable box and found an old stereo Y adapter that came with a Mac that I owned in the early '90s.  The Y adapter cable is from an old subwoofer with L and R analog RCA inputs so I figured it would work.

 

In any case, I've highlighted the section of the manual that I was referencing in my previous post with respect to "assigning" which channel the mono signal is output:

 

 

I'm sorry if I missed it in the REW setup section but I didn't see where this should be assigned.

 

Also, any idea why a monophonic short sine sweep would be playing through my surrounds when my prepro is in PLIIx Movie mode?  I'm also wondering if my trouble outputting to both channels is somehow related to how my AVR is processing the signal?

 

Here is where you specify the channel:

 

 

Let's assume for a moment that you have it cabled correctly.  The mono REW signal is output over the audio cable to the RCA Y-cable.  If you plug both sides of the Y-cable into the left and right front AUX IN connections on the AVR, you are now feeding a mono signal to both the left and right channels.  If you set your AVR to Stereo (not Direct, which disables bass management), then the mono signal is output to both the left and right main speakers, as well as the sub(s), assuming your left and right speakers are set to "small".  If you want to test only the left or the right speaker by itself, simply unplug one side of the Y-cable.

 

Now, with this same setup, if you change the AVR to PLII Cinema, the dual mono signal will be combined and output from the center speaker only (the left and right speaker signals will be down by 60dB, so this is effectively no signal at all).  There should be no signal coming from the surrounds.  If there is, then something is wrong.

post #617 of 2863

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

post #618 of 2863
Quote:
Originally Posted by jkasanic View Post

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

 

PLIIx will place any signal that is common to the R & L channels into the centre channel. A signal which plays only in the L or R channel will only be played from the corresponding speakers. However, PLIIx is an upmixing DSP so it also matrixes everything from 2.0 up into 5 or 7 channels. It follows then that a mono signal played through the R & L channels will end up giving some content to the surround channels, if only by way of leakage.

 

Please note that I am no expert on this and I would get corroborating views if possible. If Roger Dressler is around he will give the definitive answer.

post #619 of 2863
Quote:
Originally Posted by jkasanic View Post

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

 

It is not an REW issue.  Not being familiar with your AVR, and how you have the PLII surround parameters configured, I can't provide any guidance on how to fix the issue.

 

However, there is a simple work-around.  While you are using REW and measuring the center channel, simply disable the surround speakers in your AVR's speaker configuration menu.  Doesn't hurt a thing, and has no effect on the Audyssey calibration (on or off).  Turn the speakers back on when you are done measuring.  Make sense?

post #620 of 2863
Quote:
Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by jkasanic View Post

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

 

PLIIx will place any signal that is common to the R & L channels into the centre channel. A signal which plays only in the L or R channel will only be played from the corresponding speakers. However, PLIIx is an upmixing DSP so it also matrixes everything from 2.0 up into 5 or 7 channels. It follows then that a mono signal played through the R & L channels will end up giving some content to the surround channels, if only by way of leakage.

 

Please note that I am no expert on this and I would get corroborating views if possible. If Roger Dressler is around he will give the definitive answer.

 

Well, I am not an expert at anything, Keith, but I do know how to run a test.  wink.gif

 

I sent the REW mono test signal to my AVR's front left and right AUX IN connections, set the AVR to PLII Cinema, and used the REW signal generator to generate test tones at several frequencies.  The tones were audible primarily from the center speaker.  Since I use an XPA-3 to drive the front three speakers, I switched it off in order to isolate the surround speakers.  There was a faint tone coming from the left and right surround speakers (I would say -30dB or -40dB, but I didn't measure).  The sound was so low that I didn't notice it when the center is playing.  I tested with Audyssey off and on, and even with DEQ on.

 

I suspect jkasanic is hearing a more pronounced sound, which indicates something may be wrong.  BTW, in PLII Cinema mode, there are not any configurable options that would affect the loudness of the surrounds (at least not on my 4520).

post #621 of 2863
Quote:
Originally Posted by AustinJerry View Post

Quote:
Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by jkasanic View Post

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

 

PLIIx will place any signal that is common to the R & L channels into the centre channel. A signal which plays only in the L or R channel will only be played from the corresponding speakers. However, PLIIx is an upmixing DSP so it also matrixes everything from 2.0 up into 5 or 7 channels. It follows then that a mono signal played through the R & L channels will end up giving some content to the surround channels, if only by way of leakage.

 

Please note that I am no expert on this and I would get corroborating views if possible. If Roger Dressler is around he will give the definitive answer.

 

Well, I am not an expert at anything, Keith, but I do know how to run a test.  wink.gif

 

I sent the REW mono test signal to my AVR's front left and right AUX IN connections, set the AVR to PLII Cinema, and used the REW signal generator to generate test tones at several frequencies.  The tones were audible primarily from the center speaker.  Since I use an XPA-3 to drive the front three speakers, I switched it off in order to isolate the surround speakers.  There was a faint tone coming from the left and right surround speakers (I would say -30dB or -40dB, but I didn't measure).  The sound was so low that I didn't notice it when the center is playing.  I tested with Audyssey off and on, and even with DEQ on.

 

I suspect jkasanic is hearing a more pronounced sound, which indicates something may be wrong.  BTW, in PLII Cinema mode, there are not any configurable options that would affect the loudness of the surrounds (at least not on my 4520).

 

Good test AJ. In that case, if the sound from the surrounds is very loud, then something seems to be wrong with the configuration of the system.

post #622 of 2863
Slightly out of scope for this thread, so feel free to redirect me to a link that explains it if we want to avoid wandering off too far.... but I trust you guys to give me a clear and concise (yet thorough!) answer:

I was thinking about this stuff and I realized that I do have a Radio Shack digital SPL meter just sitting around, so as we wait for the USB mic stuff to get settled I was thinking it might be worth getting started with that as a measurement device so I can get up and running and learning REW basics. My understanding is that an SPL meter can be used as the REW mic, with the caveat that it's not very helpful at high frequencies and a correction table is required.

What kind of cabling or gear is required to use REW with a RS SPL meter? Can I just plug it into my laptop's mic input, or is this a situation that will require a external duplex USB sound card? And/or a phantom power supply?

And what are the pros/cons of this approach? Is the RS SPL meter accurate enough for assessing sub performance, room acoustics, crossover splices, etc. if you have the correction table loaded?
post #623 of 2863
Quote:
Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by AustinJerry View Post

Quote:
Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by jkasanic View Post

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

 

PLIIx will place any signal that is common to the R & L channels into the centre channel. A signal which plays only in the L or R channel will only be played from the corresponding speakers. However, PLIIx is an upmixing DSP so it also matrixes everything from 2.0 up into 5 or 7 channels. It follows then that a mono signal played through the R & L channels will end up giving some content to the surround channels, if only by way of leakage.

 

Please note that I am no expert on this and I would get corroborating views if possible. If Roger Dressler is around he will give the definitive answer.

 

Well, I am not an expert at anything, Keith, but I do know how to run a test.  wink.gif

 

I sent the REW mono test signal to my AVR's front left and right AUX IN connections, set the AVR to PLII Cinema, and used the REW signal generator to generate test tones at several frequencies.  The tones were audible primarily from the center speaker.  Since I use an XPA-3 to drive the front three speakers, I switched it off in order to isolate the surround speakers.  There was a faint tone coming from the left and right surround speakers (I would say -30dB or -40dB, but I didn't measure).  The sound was so low that I didn't notice it when the center is playing.  I tested with Audyssey off and on, and even with DEQ on.

 

I suspect jkasanic is hearing a more pronounced sound, which indicates something may be wrong.  BTW, in PLII Cinema mode, there are not any configurable options that would affect the loudness of the surrounds (at least not on my 4520).

 

Good test AJ. In that case, if the sound from the surrounds is very loud, then something seems to be wrong with the configuration of the system.

 

Thanks AJ and Keith for trying to help me troubleshoot this issue.  Since Keith also has OM as well as an Onkyo equivalent to the DHC-80.3 in the 5509, I was wondering if he might be willing to throw in the OM test disc, set his Onkyo to PLIIx (although I suspect his will default to PLIIz since I believe he has height/wide speakers as well) and play track 2 to see if the sounds from the surrounds is higher than the -30 to -40 dB that AJ was reporting from REW (just by listening of course, no need to break out the OM Mic unless you're ready to try the new REW beta and start measuring with it until your EMM-6 arrives)?  I don't have my REW setup working just yet (hopefully tonight or tomorrow as there are some issues that I encountered...hint:  Java exception errors in the REW configuration screen) so the PLIIx issue is exclusive to the OM test disc tone generating method.  I didn't bother to measure the output of the surrounds without the center channel but I will do that during my next measurement if we aren't able to determine the setup issue I have currently.

post #624 of 2863
Quote:
Originally Posted by batpig View Post

What kind of cabling or gear is required to use REW with a RS SPL meter? Can I just plug it into my laptop's mic input, or is this a situation that will require a external duplex USB sound card? And/or a phantom power supply?

And what are the pros/cons of this approach? Is the RS SPL meter accurate enough for assessing sub performance, room acoustics, crossover splices, etc. if you have the correction table loaded?

It is. It's what I use. I bought a MobilePre (http://www.musiciansfriend.com/pro-audio/m-audio-mobilepre-mk-ii), used/open box. Follow the directions in the original REW thread on HTS for cabling.

Since it would cost as much as the USB mic, is more of a PITA, and isn't as accurate, I suggest you just get the new mic. You'll still use the SPL meter for dB calibration.

Michael

post #625 of 2863
Thanks for info, if it's more expensive and complicated to use the SPL meter, then I'll just go ahead with the USB mic. Cheers smile.gif
post #626 of 2863
asio4all.com is no good, where can one get that driver from?

Thanks

Bill
post #627 of 2863
Quote:
Originally Posted by mrfattbill View Post

asio4all.com is no good, where can one get that driver from?

Thanks

Bill

 

 

For the German language-challenged:  the site is down for maintenance.  Please stop by later!

post #628 of 2863
Quote:
Originally Posted by AustinJerry View Post




For the German language-challenged:  the site is down for maintenance.  Please stop by later!

Figures, I don't get much time to mess with this stuff with a toddler running around so of course the night I actually want to do it a key piece isn't available.

Bill
post #629 of 2863
Quote:
Originally Posted by jkasanic View Post

Quote:
Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by AustinJerry View Post

Quote:
Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by jkasanic View Post

^^^^ Thanks for the clarification.  Can you think of anything I should check on the PLIIx issue?  I've got 2 amps power 7 channels.  One amp for L and R and the other for the center and 4 surrounds.  When I play a left or right channel short sine sweep from the OM test track, those channels play correctly.  It's only the monophonic short sine sweep that plays the surrounds as well?!

 

PLIIx will place any signal that is common to the R & L channels into the centre channel. A signal which plays only in the L or R channel will only be played from the corresponding speakers. However, PLIIx is an upmixing DSP so it also matrixes everything from 2.0 up into 5 or 7 channels. It follows then that a mono signal played through the R & L channels will end up giving some content to the surround channels, if only by way of leakage.

 

Please note that I am no expert on this and I would get corroborating views if possible. If Roger Dressler is around he will give the definitive answer.

 

Well, I am not an expert at anything, Keith, but I do know how to run a test.  wink.gif

 

I sent the REW mono test signal to my AVR's front left and right AUX IN connections, set the AVR to PLII Cinema, and used the REW signal generator to generate test tones at several frequencies.  The tones were audible primarily from the center speaker.  Since I use an XPA-3 to drive the front three speakers, I switched it off in order to isolate the surround speakers.  There was a faint tone coming from the left and right surround speakers (I would say -30dB or -40dB, but I didn't measure).  The sound was so low that I didn't notice it when the center is playing.  I tested with Audyssey off and on, and even with DEQ on.

 

I suspect jkasanic is hearing a more pronounced sound, which indicates something may be wrong.  BTW, in PLII Cinema mode, there are not any configurable options that would affect the loudness of the surrounds (at least not on my 4520).

 

Good test AJ. In that case, if the sound from the surrounds is very loud, then something seems to be wrong with the configuration of the system.

 

Thanks AJ and Keith for trying to help me troubleshoot this issue.  Since Keith also has OM as well as an Onkyo equivalent to the DHC-80.3 in the 5509, I was wondering if he might be willing to throw in the OM test disc, set his Onkyo to PLIIx (although I suspect his will default to PLIIz since I believe he has height/wide speakers as well) and play track 2 to see if the sounds from the surrounds is higher than the -30 to -40 dB that AJ was reporting from REW (just by listening of course, no need to break out the OM Mic unless you're ready to try the new REW beta and start measuring with it until your EMM-6 arrives)?  I don't have my REW setup working just yet (hopefully tonight or tomorrow as there are some issues that I encountered...hint:  Java exception errors in the REW configuration screen) so the PLIIx issue is exclusive to the OM test disc tone generating method.  I didn't bother to measure the output of the surrounds without the center channel but I will do that during my next measurement if we aren't able to determine the setup issue I have currently.

 

Sure - I will do that for you. Will report back later.

post #630 of 2863
Thread Starter 
Quote:
Originally Posted by mogorf View Post

Quote:
Originally Posted by kbarnes701 View Post

Feri, it's possible that mains hum may find its way into the graphs via the laptop is it not?  In which case it won't be audible in any circumstances. For this reason I always make my measurements with the laptop on battery power (not that I know of any mains-induced 50Hz hum here, but it pays to be cautious).

Hi Keith,

The hum actually finds its way into the graph via the test mic that picks up SPL of the sub in case affected by mains hum. Of course troubleshooting can start by swithching laptop to battery, but usually that doesn't resolve the problem. Each and every severly audible hum problem is different, in case user can not solve it the power companies are willing to come to your house and the technician can make a thorough investigation and can get rid of the source.

Although my major is in telecommunications, not power electricity, but some general considerations I'll try to describe. First off, hum is always caused by a "ground loop". Since obviously one ground can not make up a loop it always needs at least two separate grounds in a household. In the beginning I also had serious (read: crazy loud) hum in my sub with my old Toshiba laptop (non-HDMI) when I connected it to the Denon AVR via stereo headphone jack. Also started out with laptop on battery, but to no avail.

Then I found the second ground in my home which was an independent ground from the one the electricity company provides. Guess where this is? In the cable TV box. Yeap, the ground of the cable TV incoming coax cable was on a different potencial than the ground of the electricity company. From there the solution in my case was very easy. I have a Belkin power strip with surge protector and it also came with a plastic imitation plug with plastic prongs but metal ground terminals and coax-in/ coax-out sockets. Installing it into one of the power sockets galvanically connects the power company ground to the cable TV ground. Result? Crazy hum went away.

The installed imitation plug looks like this:


Feri has brought up some good points and a few great questions.

Here are some tips to figuring out "if" you have a ground loop/actual electrical hum, discovering where it resides, and what to do about it/how to fix it.

First, if you see evidence of 60 cycle hum (60hz in US and 50hz in UK) in the waterfall, you first need to verify it actually does exist and isn't an anomaly from your test equipment.

This is just one of many good reasons to always take several measurements "WITHOUT moving the mic." REW will let you average all those measurements together for the FR graph which is good to do as it will get rid of a lot of comb filter "noise" as I like to call it and show the true response allowing you to see what is really comb filtering vs noise or anomalies.

REW doesn't let you "average" Cumulative Spectral Decay plots (Waterfall) though, so you simply need to compare 4-6 different measurements, (without moving the mic) and see if you have the hum issue apparent in all, or only some of the measurements.

If it's only in some, then you can most likely ignore it and it most likely is coming from the mic or the computer, especially if you don't have any regularly audible noise/hum in your system, you can simply discard this as measurement artifacts and only use/view the cleanest looking measurements while deleting the others.

If, however, the artifacts show up consistently in each measurement, you need to determine if this is a mode or actual noise.

The best way to do this is to look at level and decay. It's noise if it doesn't seem to decay. If you alter the window length out to 1 second or more (1000ms) and the noise at 60hz (50hz UK) doesn't seem to dissipate over time, then this is definitely evidence of noise on the system, but not "necessarily" an actual ground loop. (If you don't hear any hum in your system when the volume is turned up all the way with no signal going to the speakers, then simply ignore this part of your waterfall.)

Another way to tell if this is in fact just noise and not a mode is to look at the level, starting at around 10db above where the anomaly begins and verify the lines that make up the slices in the waterfall are straight/even and flow smoothly just as it does from around 55hz - 65hz (adjust for UK) and if they are smooth and without peaks, this is noise.

If, however, the line slices are peaky around 60hz, plus the "mountains" actually eventually decay into the noise floor over time, and this is present in 100% of the measurements, you have an actual room mode.

It is also possible you could have a room mode at 60hz AND noise, with or without an audible hum.

So what do you do to fix this?

Well, again, if you take several measurements and a few of them don't show this noise at 60hz and you don't have any audible problems, simply ignore it and use the prettiest measurements.

If all the measurements have the noise yet you do not have any audible issues and have also verified you don't have a mode, you "can" ignore it or you can try to clean up your power a bit.

If you do have noise/hum, then follow the below suggestions, IN ORDER to isolate and get rid of the problem.

If you hear hum coming from your speakers and/or subwoofer(s) you aren't going to have a very good dynamic range and will constantly be annoyed. Even if you don't hear it directly once you listen to actual program material, it can absolutely destroy the dynamics of what you're listening to and make taking accurate measurements very difficult.

The first step is to find out what is causing the hum.

9 times out of 10 it will be the CATV or Satellite TV box. It is NOT good enough to simply unplug this device. You must actually UNSCREW all of the RG-6 Coax cables from the box and unplug it.

If this fixes the problem, it's because the Cable/Satellite company used their own ground instead of the house ground. It is LAW in the USA that they must come and fix this without charge if this is the case. It's a good idea for everyone to check this and even if you aren't having problems now, make the call while it's fresh in your mind and so you don't start having problems down the road.

if this doesn't fix the problem, leave the cable box and cables disconnected then start unplugging each peripheral device, one at a time (so when the hum goes away you know what caused it and obviously save the AVR/external amps for last wink.gif ) until the hum goes away.

It's possible you'll find that the hum is generated not by the devices in your rack but your powered speakers, subwoofer, or other household appliances.

For the cleanest power with no chance of a hum, there is one simple way to take care of it.

Plug EVERY device, subwoofer, speaker, etc into a dedicated circuit and also into the same outlet.

Due to the way devices are built and capacitors storing energy, even though you'll see amps and other power hungry devices individually rated at up to a few thousand watts (or more) and when you add up all those watts you may think I'm crazy for recommending you plug, for example, 4500 "watts" worth of equipment into a standard 1800 watt outlet, please understand that you will never be pulling "IE: 4500 watts" at one time and that those are peak levels.

It is important to have a dedicated circuit for your HT, though. If you don't have one specifically for the HT, you can make it "dedicated" by simply not plugging anything else, not related to your HT, into that circuit and keeping everything plugged in via power conditioners and power strips to one outlet.

That is sure to fix your problem.

It is okay to temporarily use "cheater plugs" (3 prong grounded to 2 prong ungrounded adapters) until the CATV/Satellite company comes to fix your problem or until you can get more heavy duty extension cords to plug everything into one outlet but this is NOT safe at all and I wholeheartedly recommend this for diagnostics purposes or temporary use only. BTW, a chain of dollar stores called Dollar Tree based here in the US sells 3 of these adapters for $1.00!

Once you have your power cleaned up, everything on the same circuit, no other household items on your "dedicated" circuit, preferably in the same outlet (unless you can afford an electrician and multiple truly dedicated circuits which is best of course, for the most headroom and possible future use/expansion) it is time to take another set of measurements.

The next measurement you should take is with the mic plugged in and in the MLP but with the AMPS/Speakers OFF which will give you a more specific noise floor reading, letting you know which frequencies are worse (which will help in determining how hard it will be and what materials to use to help quiet the ambient noise in the room for a lower noise floor and better dynamic range to your system).

Finally, take a measurement without the mic to see what the electrical noise floor is. This should be as quiet as possible and under 15db. Once you've taken the above steps you shouldn't see any issues at 60hz (50hz UK) and you will only be looking at the Waterfall for this. This tells you the ultimate electrical noise floor for your system.

TIP: IF you decide to have an electrician add dedicated circuits, understand that you can STILL have noise/hum and even add more issues than you began with if he/she doesn't install your circuits on the same Phase. Be SURE to instruct the electrician to install all new circuits for your HT on the same phase. An easy way to make sure you get what you ask for is to ask that each new circuit is installed in your panel separated by one blank spot. So if you have a circuit, then a blank, then another circuit in your breaker box, the two new circuits will be on the same phase. Just make sure there is a blank (no circuit installed) between each new circuit for however many you are adding and they should all be on the same phase and you will enjoy a very quiet noise floor with no issues.

Hope this helps some folks...

--J
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