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Originally Posted by gweempose 
Thanks for the link to the article! It was an interesting read. I'm looking to replace my Sony 60" XBR1 with the 75" F8000. My current set has an iris which is used to increase the dynamic contrast, but I have never found the technology to be intrusive. Why is it so much more annoying on LCD panels?

Thanks for the link to the article! It was an interesting read. I'm looking to replace my Sony 60" XBR1 with the 75" F8000. My current set has an iris which is used to increase the dynamic contrast, but I have never found the technology to be intrusive. Why is it so much more annoying on LCD panels?
Glad you liked it. I've always thought that one article illustrated the ratio best myself. About your other question though, I'll try to answer it without inciting violence lol. I want to preface that it wasn't that annoyance that made me go to plasma initially since I would have lived with that, it was screen uniformity (specifically banding). However, once I 'arrived' I started to notice things about the picture quality that made me try to understand why my eyes were so much more pleased and why the picture and color had more depth. It wasn't the type of observation I could have made in the store, but one that only a few nights sitting in my living room enjoying both tv's watching a good show like 'Fringe' could have provided. I think someone mentioned how reviewers tend to miss these types of things...i'm not sure, but I could easily see how.
More specifically. Any scenes with black or darker shades (even if just a trench coat, a scarf, or the black parts of a large fire's smoke) that also had bright parts (like a city night scene) had a range that I never had on my LCD. With my LCD there would be scenes set in one room that had varied light sources and as the camera angles would change the algorythyms used to dim the LCD would change the dar,ness/brightness to a point where different camera angles in the same set would seem a bit disjointed because one angle would be interpreted as a darker scene than the other. My plasma on the other hand has a consistency that is pleasing and I'm not going to go into shadows and all that stuff - to me it really is just about the wide black to white range that isconsistent throughout my content that is pleasing. If I could somehow sum it up it was as if black and white could really coexist on one frame without any tradeoff, whereas on my LCD it was one, the other, or a dynamic mode crushing/losing detail, and also the visible switch from the led's turning off and on like Eagle notes is distracting. Of course there are the known tradeoffs of plasma's in general, but for me it was the uniform and deep consistent range from frame to frame that has me happy to have ended up here.




























