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Mitsubishi HC5 vs. Sharp XV-Z30000 as a single PJ solution - Page 3

post #61 of 111
Thread Starter 
Yes, I saw that $2350 lot. I am willing to wait a little longer for a better deal. I saw ~$2180 on Japanese Yahoo auction, but can't bid there right now for various reasons. Of course, I will get you all the fullest report on Z30000 when I'll get one wink.gif It will be projecting on a 84" DNP Supernova 08-85 screen.
post #62 of 111
Quote:
Originally Posted by Elix View Post

How would you know there'll be another Z30000 deal? confused.gif Even if there'd be another one, it could be in 6 months from now for all we know.

I am the great and powerful Oz . . .

Just kidding.

The Groupon deal that just ended was the second one in 3 months or thereabouts.

Willie
post #63 of 111
Anyone know of a Sharp 30000 dealer that has a pretty good return policy in case I don't like it?

Thanks,
Tom
post #64 of 111
Thread Starter 
My Sharp XV-Z30000 will arrive in 2-3 weeks. The screen however, will arrive in 4-6 weeks, unfortunately.
Why did I choose it over Mitsubishi? Well, I knew in theory the advantages a good DLP provides over LCoS: better sharpness due to lack of convergence (though chromatic aberrations are still present, green/magenta lines around pixels - this is solely dependent on the quality of lens), better intrascene contrast at average scene luminance level >30%, better motion resolution, much better 3D (lack of crosstalk and less flicker). I only needed to see it with my own eyes. So I went and saw Mitsubishi HC9000D vs. BenQ W7000 side-by-side. Perhaps the viewing conditions were playing against Mitsubishi because due to incomplete darkness the lower black floor of Mitsubishi wasn't as noticeable as it could've been. But the image put by W7000 was indeed sharper, more vibrant and didn't lose to Mitsubishi in depth. It was surprising to say the least knowing Mitsubishi had ~20000:1 native contrast and BenQ W7000 has ~1000:1. After all, brightness and vividness of colors gives a great punch to the image. One thing that I wasn't impressed with with both projectors was motion resolution: 480 lines for both projectors. I hope Sharp XV-Z30000 has better processing than W7000.
post #65 of 111
Quote:
Originally Posted by Elix View Post

One thing that I wasn't impressed with with both projectors was motion resolution: 480 lines for both projectors.

How did you measure it?
post #66 of 111
Thread Starter 
Quote:
Originally Posted by Ilya Volk View Post

How did you measure it?
http://www.avsforum.com/t/1014030/fpd-benchmark-software-for-the-professional-information#post_20673945
Test 2.mp4 Make sure you have 1080p60 output, deinterlacer enabled, all image enhancements disabled.
post #67 of 111
Quote:
Originally Posted by Elix View Post

Quote:
Originally Posted by Ilya Volk View Post

How did you measure it?
http://www.avsforum.com/t/1014030/fpd-benchmark-software-for-the-professional-information#post_20673945
Test 2.mp4 Make sure you have 1080p60 output, deinterlacer enabled, all image enhancements disabled.

Knowing how DLP works, I can't imagine the reason why W7000 motion resolution can be less than 1080p, other that the test is wrong.
post #68 of 111
The cause is generally processing delay/lag from the video processors and other CPU's in the PJ from the panning, but I will test it more thoroughly with other tests and post results if I find anything different than what anyone else found. The test I ran was just test 1, it was a panning test. The installers install moderate (seemingly harmless) spyware that you later have to remove, unless I missed the bypass software installer. However, I didn't see that I clicked anything and those installers added spyware and changed stuff in my browsers, so just BEWARE of that if anyone wants to install it (if there is a bypass method, someone should post it).

I will say though horizontal panning resolution does not necessarily mean the resolution always drops that low in all cases. Horizontal panning is one of the more intense tests because it requires so much processing because almost all the pixels are moving at the same time, so it doesn't prove beyond doubt that the resolution of a single object moving will always drop this low (though it might).
post #69 of 111
Thread Starter 
Quote:
Originally Posted by Ilya Volk View Post

Knowing how DLP works, I can't imagine the reason why W7000 motion resolution can be less than 1080p, other that the test is wrong.
The test is correct, it shows full 1080 lines on my CRT monitor. BenQ is not the only one with blurry motion. There are reports of Mitsubishi HC8000 to have visible ghosting. Please, feel free to run this test on your Optoma.
Quote:
Originally Posted by coderguy View Post

The test I ran was just test 1, it was a panning test.
Run Test 2, please.
post #70 of 111
Quote:
Originally Posted by Elix View Post

I hope Sharp XV-Z30000 has better processing than W7000.

Can you return it if it doesn't pass the tests? I'm mainly curious to hear about the lumen output in 3D mode and if the lack of the FI in 3D is an issue. I wouldn't mind trying this projector vs. the W7000 for 3D, but it has to at least be as bright in 3D or close to it.
post #71 of 111
Thread Starter 
Quote:
Originally Posted by zombie10k View Post

Can you return it if it doesn't pass the tests? I'm mainly curious to hear about the lumen output in 3D mode and if the lack of the FI in 3D is an issue. I wouldn't mind trying this projector vs. the W7000 for 3D, but it has to at least be as bright in 3D or close to it.
No, I won't be able to return it. I will test lumen output in 3D and drop in brightness, don't worry. I wouldn't expect it to equal W7000 in brightness though. http://www.projectorreviews.com/sharp/xv-z30000/performance.php#bright
Edited by Elix - 3/14/13 at 7:01am
post #72 of 111
Quote:
Originally Posted by zombie10k View Post

Can you return it if it doesn't pass the tests? I'm mainly curious to hear about the lumen output in 3D mode and if the lack of the FI in 3D is an issue. I wouldn't mind trying this projector vs. the W7000 for 3D, but it has to at least be as bright in 3D or close to it.

I doubt you will find it bright enough at your screen size, I think 3D lumens is going to be around 750 depending on zoom placement of the PJ (though not sure exactly).
post #73 of 111
Quote:
Originally Posted by Ilya Volk View Post

Knowing how DLP works, I can't imagine the reason why W7000 motion resolution can be less than 1080p, other that the test is wrong.

Test is fine on my Marantz VP-11S1. I get 1080 lines of resolution. You need to make sure you're using the correct renderers on your pc and that it's outputting at 60hz precisely otherwise you'll get blur and stuttering. MadVR or Haali's renderer works best for that test.
Edited by Seegs108 - 3/14/13 at 7:46am
post #74 of 111
Quote:
Originally Posted by coderguy View Post

I doubt you will find it bright enough at your screen size, I think 3D lumens is going to be around 750 depending on zoom placement of the PJ (though not sure exactly).

I looked at the review above, lots of words, no actual measurements in 3D mode. This is so simple to measure, I don't know why this info isn't included.

I wish one of these companies would come up with a DC4 3D DLP with ~ 1000 3D lumens. i'd be first in line. I guess the market just isn't there, but it would be 3D nirvana.
post #75 of 111
Yah, take about 55% to 60% of the brightest mode has generally been fairly close (relatively speaking give or take 10%) for most DLP's and even some LCD's (not so much for LCOS).

All the below are pretty close to the same % if you average it.

Epson 2400 or so lumens = 1400 3d
Benq 2000 Lumens = 1050 3d
Optoma hd33 Lumens 1500 = 900 3d
Optoma hd8300 Lumens 1300 = 700 3D
Edited by coderguy - 3/14/13 at 9:53am
post #76 of 111
The plastic lens talk pops up quit a bit. I'd like to know where this info comes from, you guys getting out your chemistry set, test for glass jars? smile.gif My friend is an engineer for the company that makes these projector and they make lenses also. He told me a long time ago plastic lenses = you won't find them in a Home Theater projector. At least for their HT projectors.

Next time I pop on the Z17000 I'll check for CA but don't remember seeing anything. I did notice the DC3 like before has very thin pixel borders like previous DC3s.
post #77 of 111
Quote:
Originally Posted by guitarman View Post

The plastic lens talk pops up quit a bit. I'd like to know where this info comes from, you guys getting out your chemistry set, test for glass jars? smile.gif My friend is an engineer for the company that makes these projector and they make lenses also. He told me a long time ago plastic lenses = you won't find them in a Home Theater projector. At least for their HT projectors.

Next time I pop on the Z17000 I'll check for CA but don't remember seeing anything. I did notice the DC3 like before has very thin pixel borders like previous DC3s.

Mark Haflich knows people from Sony and that's how we know the VPL-HW30ES and VLP-HW50ES uses the same plastic lens. They are assuming this for the Sharp based on price. Good glass lenses cost a lot of money. Plastic is a lot cheaper. The price point of 1080p projectors has come down A LOT in the last three or four years. Lens quality is what normally takes the biggest hit because it's one of the biggest expenses on a projector.
post #78 of 111
Quote:
Originally Posted by zombie10k View Post

I looked at the review above, lots of words, no actual measurements in 3D mode. This is so simple to measure, I don't know why this info isn't included.

I wish one of these companies would come up with a DC4 3D DLP with ~ 1000 3D lumens. i'd be first in line. I guess the market just isn't there, but it would be 3D nirvana.

Is there such a thing as .65" DC4 DMD? If not, that is a pricey segment... if there is a DC4 .65" DMD, a PJ with a lens to take advantage of DC4 vs DC3 would likely be more expensive than most of those in the current sub $3k segment. Would you be willing to pay $5k for this machine? $7K? $15K?
post #79 of 111
Quote:
Originally Posted by Seegs108 View Post

Mark Haflich knows people from Sony and that's how we know the VPL-HW30ES and VLP-HW50ES uses the same plastic lens. They are assuming this for the Sharp based on price. Good glass lenses cost a lot of money. Plastic is a lot cheaper. The price point of 1080p projectors has come down A LOT in the last three or four years. Lens quality is what normally takes the biggest hit because it's one of the biggest expenses on a projector.

My DLP buddy confirmed all glass to me when people were guessing the Optoma H30 and then the HD20 had plastic lenses. Really is basically made up to diss a projector. Running around guessing and stating as fact is just dead wrong.
post #80 of 111
I don't know about the Sharp, but the two Sony projectors I mentioned are using definitely the same model plastic lens.
post #81 of 111
Thread Starter 
I got the Sharp and was very disappointed in it. I sold it and placed an order on HC5. I was also considering Sony but that plastic lens and sharpness uniformity issued scared me off.
post #82 of 111
Quote:
Originally Posted by Elix View Post

I got the Sharp and was very disappointed in it. I sold it ...

What didn't you like?
post #83 of 111
Thread Starter 
Quote:
Originally Posted by StevenH View Post

What didn't you like?
http://www.avsforum.com/t/1386035/sharp-xv-z30000-3d-dlp/360#post_23177770
Basically, 2 things:
- Large input lag;
- Off unfixable colors.

There was also uniformity issues with my unit.
post #84 of 111
Thread Starter 
I finally received HC5 yesterday. In short - the 2D picture of the HC5 is in a completely different league compared to Z30000, no contest. I wasn't able to test 3D yet. Later I will post impressions and pictures and will say why I prefer Mitsubishi.

I am not going to say "I should've went with the HC5 in the first place" because in the end, I had the chance to compare both projectors in my own setup. That's worth a lot.
post #85 of 111
Quote:
Originally Posted by Elix View Post

I finally received HC5 yesterday. In short - the 2D picture of the HC5 is in a completely different league compared to Z30000, no contest. I wasn't able to test 3D yet. Later I will post impressions and pictures and will say why I prefer Mitsubishi.

I am not going to say "I should've went with the HC5 in the first place" because in the end, I had the chance to compare both projectors in my own setup. That's worth a lot.

Do me a favor, and post the price paid for the HC5 as we kind of know the Z3K is available for $1800 and I would be interested if the difference in one league to the next is a good bang for the buck. Will also assume you are comparing fully calibrated (to the extent of the projectors provided tools or with a VP) as comparing OB is nice but not really the true story.
post #86 of 111
Thread Starter 
I paid 2150$ for Z30000 and the same price for HC5. Now Z30000 is selling for 1800$ and the same price has been spotted several times for HC5. Z30000's initial price was 5000$. HC9000's (the same as HC5) initial price was 8000$.
I calibrated the shiet out of Z30000 when I had it and yesterday I saw only HC5's OOTB settings ("Cinema" preset). I only tweaked gamma a bit by eye (not everyone should do it but only those who know what they're doing). Mitubishi's picture is much more accurate and refined.
post #87 of 111
Thread Starter 
Sorry for being selfish. Instead of coming right back with the feedback I've been enjoying my new HC5 for entire weekend. There are a lot of things that have been said about this projector already but let me state the things that for me makes this projector a much better option than Sharp XV-Z30000.

When I first turned on the projector I was stunned. Man, what a difference. I came up close and began analyzing what is different, what factors gave me that first impression. In short, they are:
- Better blacks, more contrast;
- Wow, those colors are beautiful!
- Smoother, more refined image due to absence of dithering and higher pixel fill rate (less visible pixel structure).

Now let's talk about some aspects in more detail.

Brightness. This projector is BRIGHT. It gave me 21 ftL on my 80" unity gain screen with normal lamp mode (same as Eco on other PJs), iris half-closed, cinema filter engaged and color temp set @ 6500K! The picture was as bright or brighter than my previous plasma! I had to close down the iris further otherwise I was squiting my eyes on the bright scenes. I tried the max brightness mode (high lamp, full oped iris, cinema filter disengaged) and this was madness. The image was brighter than a cranked up LCD... That's a lot brighter than I could get with Z30000. I missed the opportunity to measure ftL back then but I may take measurements if anybody asks me to. One of the reasons why the image looks so bright might be good color saturation, as opposed to Z30000's.

Black level. Well, I wouldn't say phenomenal. But you must understand that it's very hard to surprise me in this regard as I'm used to perfect blacks on my CRT monitor. However, to make some point of reference I'll say the blacks of HC5 with iris half closed, with a new lamp, on a matte white screen, in an untreated room, are better than on any LCD monitor or most LCD TVs (except some high-end ones). It might even rival my previous plasma (GT20). The blacks are much better than on Z30000 even with engaged dynamic iris. They are low enough that you're not distracted on fade-to-black scenes.

Contrast. What do blacks these low and that much brightness gives us? Correct, GREAT contrast. You should've seen that uncontrollable smile that creeped on my face when I first saw the image. Partially that was due to contrast, both intrascene and on/off. Yes, the ANSI contrast is truly remarkable on this projector as well. I am not able to push it to its limits (which is about 450:1) due to limitations of my room but it is high enough to get punchy images on bright scenes. Even though Sharp's ANSI is supposed to be higher, I can't remember thinking the same way about it.

Colors. This was my main quarrel with the Sharp. OOTB the colors are very pleasing. They are still far from the standard, but unlike Sharp, the oversaturated colors are easily fixed via CMS (I mean luminance here, not hue/saturation). Unfortunately, chromacity coordinates are not easily fixed, meaning that CMS is still half-useless. But trust me on this, oversaturated and larger volume on CIE graph is better than undersaturated and lacking volume on CIE graph. I am still working on getting to standard by using software CMS (AgryllCMS & madVR).

Convergence. My unit isn't the best sample, I presume. I wasn't able to get very good convergence and on some parts of the image it is better than on others. Best case (1, 2). Worst case (1, 2). (caution, large images) Despite this, it doesn't bother me much even that I'm using it for general PC work (like now).

Sharpness. Event though the convergence isn't that great the sharpness is very good. It is uniform throughout the screen, which tell us about the lens quality. Due to VERY high pixel fill rate I can't see the pixel structure unless I stick my nose to the screen. That's a very large plus for me because I'm watching from a close seating distance (< 2m). It has already been said how an LCoS projector be more pleasing for reading text. It is like a free anti-aliasing filter imbued inside the projector, but not at the expense of detail. I can only wonder how sharp this projector can be with ideal convergence.

Input lag. Not stellar, but better than Sharp XV-Z30000. Sharp gave me a minimum of 59-71 ms of input lag. Street Fighter IV was unplayable. On HC5 I measured 50-70 ms with FRC off (1, 2, 3), 110-140 ms with FRC = True Film (1, 2, 3) and 180-220 ms with FRC = True Video (1, 2, 3). I wonder what all that variance means. This reviewer measured 42 ms and I tend to trust his reviews. It certainly feels like 42 ms and not 70 ms (like on Z30000). I set audio latency withing audio decoder to compensate for lag in different FRC modes. These test videos are very helpful for that: http://www.editorsean.com/blog/49-audiovideosynctest. And I always turn FRC off for general PC usage. It doesn't feel any worse than my G20 plasma. Although it is quite noticable after 0 ms on CRT.

Color, brightness uniformity and bright corners. Nothing to complain about. White is uniform and beautiful. The black rectangle shot is overexposed, I currently can't see what is seen on the picture.


Gradation. Outstanding! The best I have seen among digital panels. Smooth, clean gradation without grain or irregular stripes. Not ideal line on my CRT monitor (could've been better at IRE < 20) but better than on Sharp XV-Z30000 for sure. This is the place I like to test gradation (among other things): http://www.lagom.nl/lcd-test/gradient.php. Note that this is with OOTB settings (Cinema preset). I didn't tinker with gamma yet.


There's a lot more to say about this projector but for now I'll conclude with this. I keep saying to myself that I got a 8000$ projector for 2000$ and it soothes my heart. biggrin.gif Right now I'm a happy mother-videophile-cker.


Edited by Elix - 5/20/13 at 12:02pm
post #88 of 111
Very nice.

How does the air flow work on this unit? In the front and out the right side if shelf mounted?
post #89 of 111
Thread Starter 
Quote:
Originally Posted by GoCaboNow View Post

How does the air flow work on this unit? In the front and out the right side if shelf mounted?
Yep. Here you may find a nice description of ventilation system: http://www.cine4home.de/tests/projektoren/MitsubishiHC9000/HC9000Test.htm (1.3.3. Light Engine & Ventilation).
post #90 of 111
Just curious, how far do you estimate your convergence is off by using a test pattern?
It is good you are happy with it though. I also prefer LCOS over the DLP's I've seen thus far, though we'll see what Zombie thinks of the Sharp 20k (older high-end .95" DLP) vs. his LCOS projectors.
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