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Best infinite baffle subs?

post #1 of 25
Thread Starter 
I'm about to do a infinite baffle setup. I was thinking of doing 2 18" fi ib3 subs powered by a crown xls1500 amp. Are these the best bang for my buck?
post #2 of 25
Fi IB3 18s all the way IMO
post #3 of 25
Two IB3-18's may not be enough. How big is your room?

I'd recommend a quad set of them minimum, and an EP4000 amplification. The Behringer's -3dB point is verified, whereas the Crown's is suspect.

A (4)x IB3-18, EP4000 is quite the bang for the buck approach, when properly executed.

I'd suggest checking out these FAQ here.
post #4 of 25
+1, I had 2 in an outie manifold in approx. 3k cu ft room. It wasn't enough.
post #5 of 25
Even a quad set in a 2600cube room isn't quite enough IMO. If I high pass, yes, it's ample. But wide open with powering scheme for max power at 10hz, yet not allowing any bottoming, it's mucho, mucho fun and high quality, but a bit more is needed.


So I got more smile.gif
post #6 of 25
Thread Starter 
Right now that's about all the budget I have. I'll go with 4 ohm so I can upgrade in the future then.
post #7 of 25
I understand entierly.

If you start with two, a simple high-pass implemented would allow you to get incredible output by eliminating the concerns for the big big effects down in the ULF range.
post #8 of 25
Thread Starter 
What frequency would you suggest I hp them? The crown only goes down to 50hz so I'll have to get an external crossover. What's a cheap, effective solution for this?
post #9 of 25
Behringer's MIC2200 is a two channel, parametric EQ, with high pass filtering, polarity, etc, and it's under $100. I've got one.
post #10 of 25
Quote:
Originally Posted by rr14 View Post

What frequency would you suggest I hp them?

This all depends on what impedance the drivers are, and how they're connected ... and what amp, in what load config (ohms).
post #11 of 25
I respectfuly disagree with my fellow IB user. I have 4 ib3s in a 1800 cf room. They are not even close to bottoming. Also i use a crown xls 5000 for 500 watts per driver. No problems. Plenty of 5 hz sound.
Get what you can and leave room for expansion.
post #12 of 25
My 4 x 15" line array filles my 2,347 cu ft room powered by my EP4000 and the gain knob is "only" at 10 oclock - plenty of leftover headroom for running "hot" to show off above 115db ref.

Mine NEVER bottom out unless I crank up the gain almost all the way, and only then when ULF is there very low and I'm running the main volume at 0db full Ref, which is quite loud..
I don't run a hi pass...have thought about adding it to my set-up....but 4+ years this way and still good to go.

However due to single sub location I've embarked on multi-sub strategy to help flatten the response at all my seats.
(all my bass traps help flatten the peaks and lower overall modal decay time, but they don't fill the nulls)

IMO, plan on (at least) 2 IB manifolds, each with 2 x 18" driver.
If you can only afford 1 now, so be it, then add then 2nd one later to help flatten your seat-seat variation.
(determine those locations in advance by measurements, FAQ that FOH pointed you to can help)

I'd add a 2nd IB to my set-up if I could, but due to my usage of utility room as a backchamber I can only have 1 IB, so going with multiple sealed subs as "helper" subs
post #13 of 25
Quote:
Originally Posted by S_rangeBrew View Post

I respectfuly disagree with my fellow IB user. I have 4 ib3s in a 1800 cf room. They are not even close to bottoming. Also i use a crown xls 5000 for 500 watts per driver. No problems. Plenty of 5 hz sound.
Get what you can and leave room for expansion.

No problem.

When I bought mine, I free air tested them, individually, in pairs, and in a group of four. With a Behringer EP4000, as I raised the drive level, I could ease them into bottoming prior to full power in both the 4ohm config (one amp channel per 4ohm driver), and the bridged 4ohm config (two sets of series connected drivers, paralelled across the amp. In both scenarios, I could tap the VCs on the back plate.

The EP4K puts out 650w per channel into 4ohms, and ~1600w-2000w into 4ohms bridged.

I tested them once fully installed too, in various configs, even with a second EP4K,..to allow one driver per channel operation. The only config I can operate in without worrying about bottoming, is series connected 8ohm loads,...which is 450watts per channel, 225watts per driver.

I can't explain the differences, however I believe you. Something is influencing the difference. Maybe the signal chain possesses some roll-off, or the drivers are different. A year or two ago, I inquired specifically with the designer/builder at Fi (Nick I believe), he stated there's no differences in either of the two versions of IB3-18s with regard to the excursion capability, Xmech, Xmax, clearances, etc. They re-tooled and thus, I was interested in what was going on wrt the driver.

No biggie, as it's still plenty strong cool.gif
post #14 of 25
Quote:
Originally Posted by FOH View Post

No problem.

When I bought mine, I free air tested them, individually, in pairs, and in a group of four. With a Behringer EP4000, as I raised the drive level, I could ease them into bottoming prior to full power in both the 4ohm config (one amp channel per 4ohm driver), and the bridged 4ohm config (two sets of series connected drivers, paralelled across the amp. In both scenarios, I could tap the VCs on the back plate.

The EP4K puts out 650w per channel into 4ohms, and ~1600w-2000w into 4ohms bridged.

I tested them once fully installed too, in various configs, even with a second EP4K,..to allow one driver per channel operation. The only config I can operate in without worrying about bottoming, is series connected 8ohm loads,...which is 450watts per channel, 225watts per driver.

I can't explain the differences, however I believe you. Something is influencing the difference. Maybe the signal chain possesses some roll-off, or the drivers are different. A year or two ago, I inquired specifically with the designer/builder at Fi (Nick I believe), he stated there's no differences in either of the two versions of IB3-18s with regard to the excursion capability, Xmech, Xmax, clearances, etc. They re-tooled and thus, I was interested in what was going on wrt the driver.

No biggie, as it's still plenty strong cool.gif

How big is your room? Mine is on the small side, less than 1800 cubic feet and sealed. I suspect my room gain is quite large.

BTW, I finally figured out how to reproduce the missing "punch" that box subwoofers have and IB subs lack. Simply playback a quality recording of a box woofer playing a song, and the IB will reproduce the "punch" (ie, distortion) of the box subwoofer perfectly. It's kind of irrefutable evidence of the superiority of IB. BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement.

Which is why I feel mtbdudex shouldn't sully his awesome room and it's fantastic IB with lowly box subs. biggrin.gif
post #15 of 25
Quote:
Originally Posted by S_rangeBrew View Post


BTW, I finally figured out how to reproduce the missing "punch" that box subwoofers have and IB subs lack. Simply playback a quality recording of a box woofer playing a song, and the IB will reproduce the "punch" (ie, distortion) of the box subwoofer perfectly. It's kind of irrefutable evidence of the superiority of IB. BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement.

Which is why I feel mtbdudex shouldn't sully his awesome room and it's fantastic IB with lowly box subs. biggrin.gif

Huh?
post #16 of 25
IB's are great but they have to be planned out. I've seen to many guys just have to put one "where it fits" and not be too happy with it. I was one of those guys as well, once I moved it to a better location, It was great but being a basshead and all, 4 IXL's were nowhere close to enough and the builds began piling up hahaha
post #17 of 25
Quote:
Originally Posted by S_rangeBrew View Post


BTW, I finally figured out how to reproduce the missing "punch" that box subwoofers have and IB subs lack. Simply playback a quality recording of a box woofer playing a song, and the IB will reproduce the "punch" (ie, distortion) of the box subwoofer perfectly. It's kind of irrefutable evidence of the superiority of IB. BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement.

Which is why I feel mtbdudex shouldn't sully his awesome room and it's fantastic IB with lowly box subs. biggrin.gif

Hi S_rangeBrew, I'm following the strategy laid out here, http://mehlau.net/audio/multisub_geddes/, where definitely the IB sub is the "king", low distortion and all, and each sub is "filler" of the nulls and exciting them via different placement in the room, as such each sealed sub will be definitely operating below its distortion point, since not carrying the load but helping.
At least that is the theory, and for now I'm betting on it as being real world.

I'll be trying out 40hz and 60hz xover on the mains also, vs the traditional 80hz xover.
Quote:
Make sure that the main loudspeakers are not high pass filtered as they act as additional low frequency sources, which is desirable.

"First setup the mains and the nearest sub [(the sub nearest to the mains)]. Set your spectrum analyzer to a very low bandwidth but not less than 200 Hz and fairly long averaging time. This will yield a very long average of the sound signal. Take your mic and move it through large spatial positions near but arround the prefered listening position. Be carefull as small bumps of the cable can generate large erroneous signals into the mic. The sweeping has to be smooth. When the analyzer has completed its run you will have a plot of the frequency and spatial averaged low frequency sound field. Try adjusting the sub - never adjust the mains - to see if you can get a better response by changing the gain, the low pass point, the phase and or delay if you have it. The bass should be sagging slightly at this point since you will be adding in two more subs.

Now add in the next closest sub and repeat the entire procedure again. You should be able to improve upon what you had before. If not try turning off the first sub and setting the second one optimal and then add in the first sub. If you still can't get a better response with two subs than with one then you will need to move one of them. You need to get an improvement from the second sub or something is wrong.

Now repeat this process with the third sub. The third sub, when you are close to it should barely be audible. If it is loud, then once again, something is wrong. It should only be filling in holes at this point and not adding any actual level. The level after two subs should be about flat or possibly a slight rise - based on preference. I find a few dB rise at the low end is desirable for best effect.

With the three subs things should be quite smooth when spatially averaged. You can now use any EQ that you have to make a final flattening of the response, but these bands should never be more than a few dB. When you are done, if things go as they usually do for me, your should have a spatial average of about ± 2-3 dB. This can take several hours so don't be impatient. [...] Make sure and write down all the settings!!

Back to the OP.....congrats on joining the IB side, once you decide to go IB join the cult forum and make a thread there....activity seems to be slowly picking up.....i wish this recession-recovery would pick up faster...
post #18 of 25
Don't need to look far to see what drivers I think are best for IB's, but @ $1,400 a driver shipped to Japan and $1,000 a driver in the US I guess they are not the best value. But, if you want virtually unlimited bass that you don't ever have to worry about busting drivers the RE Audio XXX's 18" are my choice.
post #19 of 25
I did a small workup of all the high excursion large diameter drivers I could find information about and the Fi IB318 ended up at the top of the list for displacement per $, followed very closely by the Stereo Integrity 18". The SI18 is not due in until June and the per driver displacement is about 70% of the Fi, but has a high bang for buck factor.
post #20 of 25
Quote:
Originally Posted by audiovideoholic View Post

Quote:
Originally Posted by S_rangeBrew View Post


BTW, I finally figured out how to reproduce the missing "punch" that box subwoofers have and IB subs lack. Simply playback a quality recording of a box woofer playing a song, and the IB will reproduce the "punch" (ie, distortion) of the box subwoofer perfectly. It's kind of irrefutable evidence of the superiority of IB. BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement.

Which is why I feel mtbdudex shouldn't sully his awesome room and it's fantastic IB with lowly box subs. biggrin.gif

Huh?

+1... Huh?

I don't believe I said any box sub will equal the sound of an IB with just having equal displacement. In fact I often point out that subs of different sizes Fb and raw responses will have slightly different character, even after EQ. I have at a few points mentioned that it would be possible to mimic the sound of an IB with the properly scaled sealed box, as a prototype we had at ServoDrive was pretty close to. That sub also had an Fb in the low 20s or teens. I do disagree that the "infinite" part of the design is a dominant part of the sound, but rather the efficiencies afforded by a very large box and the resulting Fb and related occurrences create the sound often observed. Of course any sub is only as useful as the location it gets placed in. The more testing you can do before building, the better.
post #21 of 25
Quote:
Originally Posted by S_rangeBrew View Post

How big is your room? Mine is on the small side, less than 1800 cubic feet and sealed. I suspect my room gain is quite large.

BTW, I finally figured out how to reproduce the missing "punch" that box subwoofers have and IB subs lack. Simply playback a quality recording of a box woofer playing a song, and the IB will reproduce the "punch" (ie, distortion) of the box subwoofer perfectly. It's kind of irrefutable evidence of the superiority of IB. BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement.

Which is why I feel mtbdudex shouldn't sully his awesome room and it's fantastic IB with lowly box subs. biggrin.gif
I have two IB manifolds with four Acoustic Elegance IB15 drivers in each manifold. Last year I heard 2 quad subwoofer systems, 12 dual subwoofer systems, and 7 single subwoofer systems in addition to my infinite baffle. One of the quad systems and at least two of the dual systems had more displacement than my IB. I would take my IB system over any of them. The bass is just so delicious and nuanced.
post #22 of 25
Quote:
Originally Posted by S_rangeBrew View Post

How big is your room? Mine is on the small side, less than 1800 cubic feet and sealed. I suspect my room gain is quite large.

BTW, I finally figured out how to reproduce the missing "punch" that box subwoofers have and IB subs lack. Simply playback a quality recording of a box woofer playing a song, and the IB will reproduce the "punch" (ie, distortion) of the box subwoofer perfectly. It's kind of irrefutable evidence of the superiority of IB. BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement.

Which is why I feel mtbdudex shouldn't sully his awesome room and it's fantastic IB with lowly box subs. biggrin.gif
If your IB sub is lacking that 'Punch' then your IB sub is not doing what it is supposed to do. Sorry.
post #23 of 25
"BTW, I disagree vehemently with Mark Seaton and others who posit the clarity of IB can be reproduced with box subs of equal displacement."

something probably got lost in the translation.

mark is right.

if you start with an infinite baffle subwoofer and work your way down to sealed subs with equal displacement, there are a large number of parameters that you have to consider in order to not muck up the sound. just because it is frequently done incorrectly does not mean that it cannot be done properly.
post #24 of 25
Mark kind of said it above... but in short a huge downside of IB is that you can't move it. It better be in the right or good location.

Unfortunately, unless testing is done prior.. in most cases the optimum location for the sub isn't your first place to put it. Nothing worse than having a bass solution (of any kind, capability, or size) that can't deliver the energy to the listening position. Take if from a guy who had a theater room with seating in a huge null area. That said a well executed sealed design can be compact in relation to other designs which makes it easier to stuff it somewhere where it will do the most good.

If you've got a great place to put an IB that will light the listening position up properly then go for it.. That said don't forget that backwave has to go somewhere so keep that in mind when planning the layout.
post #25 of 25
Quote:
Originally Posted by JapanDave View Post

If your IB sub is lacking that 'Punch' then your IB sub is not doing what it is supposed to do. Sorry.

Let me explain a bit more. My IB only lacks "punch" on some music/soundtracks that have been mixed with box subs.

The "punch" is just fine on music/sounds recorded live and unedited... every time.

An IB subwoofer reproducing sounds made by a box sub is like using a CD to reproduce MP3 music. Not a problem.
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