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Acoustical Treatments Master Thread - Page 51

post #1501 of 9548
Quote:
Originally Posted by myfipie View Post

Isn't that like learning how to build a car but not telling you how to put the wheels on?

Glenn

It's only a tree-day course; they can't go into depth on everything. And, IMO, a more apt analogy is that it's like learning how to build a car, but not telling you how to spin balance the wheels. The car will still run, but it's not "optimized."
post #1502 of 9548
Quote:
Originally Posted by pepar View Post

It's only a tree-day course; they can't go into depth on everything. And, IMO, a more apt analogy is that it's like learning how to build a car, but not telling you how to spin balance the wheels. The car will still run, but it's not "optimized."

I think I have been unclear in explaining the HAA course. We are not told how to BUILD bass traps, we are told to buy them. I'm trying to figure out how to build them.

So a better analogy would be we are being told how to fine-tune a car, but aren't told how to make our own spark plugs.
post #1503 of 9548
> We are not told how to BUILD bass traps, we are told to buy them. <<br />
That makes a lot of sense. Of course I'd say that!

Seriously, unless someone values their time at $7 per hour, or just loves to get their hands dirty for the fun of it, building bass traps is not usually cost effective. And certainly not for a professional installer doing custom jobs in homes where people care about appearance.

> I'm trying to figure out how to build them. <<br />
It's all right here:

www.ethanwiner.com/acoustics.html

--Ethan
post #1504 of 9548
Quote:
Originally Posted by Dennis Erskine View Post

A couple of minor points: diffusors do not affect RT60 in the manner described nor will they have any impact on standing waves.

Hi Dennis,

I have observed, and the literature strongly suggests, that RT60 is lowered with added diffusion, at least when the absorptions of different room surfaces vary.

See:
M. R. Hodgson, Evidence of diffuse surface reflections in rooms, J. Acoust. Soc. Am. 89, 765-771 (1991).
M. Lam, A comparison of three diffuse reflection modeling methods used in room acoustics computer models, J. Acoust. Soc. Am. 100, 2181-2191 (1996).
M. Lam, The dependence of diffusion parameters in a room acoustics prediction model on auditorium sizes and shapes," J. Acoust. Soc. Am. 100, 2193-2203 (1996).
M. Hodgson and E. Nosal, "Experimental evaluation of radiosity for room sound-field prediction," J. Acoust. Soc. Am. 120, 808-819 (2006).

- Terry
post #1505 of 9548
Quote:
Originally Posted by Terry Montlick View Post

I have observed, and the literature strongly suggests, that RT60 is lowered with added diffusion, at least when the absorptions of different room surfaces vary.

Hi, Terry, will you please expand on that, especially your qualification with different room surface absorptions? And, if possible, perhaps couch it in layman's terms?

post #1506 of 9548
Quote:
Originally Posted by pepar View Post

Hi, Terry, will you please expand on that, especially your qualification with different room surface absorptions? And, if possible, perhaps couch it in layman's terms?


Sure!

The notion is that when you have a range of different absorption coefficients on surfaces in a room, the surfaces with less absorption have greater influence on the reverberation time. These "more-live" surfaces make the reverberation time longer -- longer, in fact, than would be predicted by a reverberation time formula such as the Eyring equation. [With a mix of absorption coefficients, some of them being large, the Eyring reverberation time formula should be used instead of the Sabine formula.]

But when you add diffusion, you mix up the wave directions a lot. This causes waves that might otherwise get stuck reflecting only between less absorptive surfaces to hit and be absorbed by surfaces with higher absorption coefficients. The reverberation dies out quicker. The results conform much better with the Eyring equation, which in fact presumes a diffuse sound field. And that's just what diffusion provides.

- Terry
post #1507 of 9548
Quote:
Originally Posted by pepar View Post

It's only a tree-day course; they can't go into depth on everything. And, IMO, a more apt analogy is that it's like learning how to build a car, but not telling you how to spin balance the wheels. The car will still run, but it's not "optimized."

So would you like to go back and forth and insult each other about this for about 4 pages?

Glenn
post #1508 of 9548
Quote:
Originally Posted by Ethan Winer View Post

> We are not told how to BUILD bass traps, we are told to buy them. <<br />
That makes a lot of sense. Of course I'd say that!

Seriously, unless someone values their time at $7 per hour, or just loves to get their hands dirty for the fun of it, building bass traps is not usually cost effective. And certainly not for a professional installer doing custom jobs in homes where people care about appearance.

> I'm trying to figure out how to build them. <<br />
It's all right here:

www.ethanwiner.com/acoustics.html

--Ethan

post #1509 of 9548
It seems that, in my area, 705 & 1212 are nearly impossible to find. So I took Ethan's suggestion on his website and found a Knauff FSK board that is 6lbs/foot and ordered that (not a great price $1.71 sq ft) but with nothing else available I took it.

Normally I would buy the bass traps, but I'm having my carpenter build 7' x 2' frames of stained wood that match the other carpentry work in my showroom. I'm going to cover them with my left over 1" Owens Corning Black Acoustic board, and I hope they will come out looking very sharp.
post #1510 of 9548
Quote:
Originally Posted by myfipie View Post

So would you like to go back and forth and insult each other about this for about 4 pages?

Glenn

I have a strict one-page limit on that.
post #1511 of 9548
Quote:
Originally Posted by Terry Montlick View Post

Sure!

The notion is that when you have a range of different absorption coefficients on surfaces in a room, the surfaces with less absorption have greater influence on the reverberation time. These "more-live" surfaces make the reverberation time longer -- longer, in fact, than would be predicted by a reverberation time formula such as the Eyring equation. [With a mix of absorption coefficients, some of them being large, the Eyring reverberation time formula should be used instead of the Sabine formula.]

But when you add diffusion, you mix up the wave directions a lot. This causes waves that might otherwise get stuck reflecting only between less absorptive surfaces to hit and be absorbed by surfaces with higher absorption coefficients. The reverberation dies out quicker. The results conform much better with the Eyring equation, which in fact presumes a diffuse sound field. And that's just what diffusion provides.

- Terry

Thanks, I see and understand the premise. Is this always the case? Isn't it just as likely that sound that would have been reflected onto an absorptive surface instead is reflected onto a reflective surface?
post #1512 of 9548
Quote:
Originally Posted by CriticalListener View Post

It seems that, in my area, 705 & 1212 are nearly impossible to find. So I took Ethan's suggestion on his website and found a Knauff FSK board that is 6lbs/foot and ordered that (not a great price $1.71 sq ft) but with nothing else available I took it.

Normally I would buy the bass traps, but I'm having my carpenter build 7' x 2' frames of stained wood that match the other carpentry work in my showroom. I'm going to cover them with my left over 1" Owens Corning Black Acoustic board, and I hope they will come out looking very sharp.

I ordered my 703 from an HVAC insulation distributor. (I could have just as easily ordered 705.) Got my J-M Linacoustic and OC SelectSound Black from them as well. Killer pricing, but I had to pick it up. Got the roll of Linacoustic into the SUV, but had to rent a truck to pick up the 4x8x2 sheets of SelectSound.
post #1513 of 9548
Quote:
Originally Posted by pepar View Post

Thanks, I see and understand the premise. Is this always the case? Isn't it just as likely that sound that would have been reflected onto an absorptive surface instead is reflected onto a reflective surface?

Yes, but that reflected sound will soon have more chances to hit the absorptive surfaces. The randomness added by the diffusion provides this.

"Always" is a word I am hesitant to use. In the papers I referred to earlier, the lowering of RT60 with increased absorption was consistently shown. The rooms ranged from simple boxes to complex concert halls. This doesn't mean that one could not come up with an artificial example room which exhibited the reverse.

- Terry
post #1514 of 9548
Quote:
Originally Posted by Terry Montlick View Post

In the papers I referred to earlier, the lowering of RT60 with increased absorption was consistently shown. The rooms ranged from simple boxes to complex concert halls. This doesn't mean that one could not come up with an artificial example room which exhibited the reverse.

You mean "diffusion" there, right?

I'm thinking of adding diffusors - Skyline LPs - to my theater to make it a bit livelier. I will run some RT60 tests first to be sure it's needed, but my ears and experience (live sound and a bit of studio work) lead me to think that I do. Some of the Skylines would be mounted onto parts of my false wall, behind which is 2" Linacoustic, and soon some superchunks. As this will, for above-bass frequencies, be "replacing" absorption with diffusion, is it likely that this *will* increase my RT60?

Other spots I've eyed are directly fired at by my side dipoles and are now plaster. My thinking was that this would contribute to a greater sense of envelopment by the surround fields. Am I on the wrong track?

Thanks again.
post #1515 of 9548
Quote:
Originally Posted by pepar View Post

You mean "diffusion" there, right?

I'm thinking of adding diffusors - Skyline LPs - to my theater to make it a bit livelier. I will run some RT60 tests first to be sure it's needed, but my ears and experience (live sound and a bit of studio work) lead me to think that I do. Some of the Skylines would be mounted onto parts of my false wall, behind which is 2" Linacoustic, and soon some superchunks. As this will, for above-bass frequencies, be "replacing" absorption with diffusion, is it likely that this *will* increase my RT60?

Other spots I've eyed are directly fired at by my side dipoles and are now plaster. My thinking was that this would contribute to a greater sense of envelopment by the surround fields. Am I on the wrong track?

Thanks again.

Yes, I meant "diffusion."

If you are mounting Skylines over what is now 2" thick Linacoustic, I wouldn't worry at all about driving down the reverberation time. You are effectively reducing the existing absorption by covering up some highly absorptive material. The studies I cited kept the absorption the same while changing the diffusion coefficients only. And a few small diffusers on the walls shouldn't measurably affect RT60, while they may signficantly enhance the sense of spaciousness.

- Terry
post #1516 of 9548
Quote:
Originally Posted by Terry Montlick View Post

. . The studies I cited kept the absorption the same while changing the diffusion coefficients only. And a few small diffusers on the walls shouldn't measurably affect RT60, while they may signficantly enhance the sense of spaciousness.

That seems to be a THX-driven issue - envelopment. And personally, I like that feeling. But I rarely read anything on that. Home theater acoustics seem to be limited to RT60 and frequency response. CriticalListener mentioned his HAA Level 1 course touched on "sound waves become omnidirectional", but I'm not sure that could be contrued as envelopment. Your comment on spaciousness is one of the few on that topic that I've read from an acoustician. Am I just missing that discourse?
post #1517 of 9548
Quote:
Originally Posted by pepar View Post

That seems to be a THX-driven issue - envelopment. And personally, I like that feeling. But I rarely read anything on that. Home theater acoustics seem to be limited to RT60 and frequency response. CriticalListener mentioned his HAA Level 1 course touched on "sound waves become omnidirectional", but I'm not sure that could be contrued as envelopment. Your comment on spaciousness is one of the few on that topic that I've read from an acoustician. Am I just missing that discourse?

The point about omnidirectional was a topic at HAA training and is based on when listeners can no longer pinpoint where sound is coming from. For most people this occurs below 125 hz. Thus a sub placed in any part of a room, with the crossover set to 125 hz or lower, should be impossible for a blindfolded person to point to. This has nothing to do with envelopment.

However we all discussed in detail the important aspects of sound quality, which I remember by using the acronym FRED C. [Focus, Response, Envelopment, Dynamics, Clarity].
post #1518 of 9548
Quote:
Originally Posted by CriticalListener View Post


However we all discussed in detail the important aspects of sound quality, which I remember by using the acronym FRED C. [Focus, Response, Envelopment, Dynamics, Clarity].

Ahh yes, there it is; envelopment.
post #1519 of 9548
Having the ONLY sub in the room behind me is, to me, very distracting - even with an 80Hz xover. May just be me.

Also, especially with a 125Hz or 100Hz xover, it would have to be a very good sub with zero port noise, little to no distortion, etc - as those things are absolutely very localizable and can't be filtered with the xover.

Lastly, you have to have the flexibility to delay the sub enough to appropriately align with the mains - many receivers don't have enough play on the sub to do this. And, you can't do it with the phase control as some will try to do as that is frequency dependent.

Just a thought.

Bryan
post #1520 of 9548
Quote:
Originally Posted by bpape View Post

Having the ONLY sub in the room behind me is, to me, very distracting - even with an 80Hz xover. May just be me.

As you indicate, it is implementation-dependant. However, for most applications, I use it for LFE and bass-manage only the rear channels. Thus, with a 70Hz crossover, sealed enclosure, servo-control and adequate delay (and phase and EQ) control, it works just fine for me.

Kal
post #1521 of 9548
Absolutely Kal. Every application is different.

Bryan
post #1522 of 9548
Whew! I just finshed reading through this entire thread.

One area that has not been discussed: Using a riser for a base trap. I have seen this mentioned but have not seen any discussion in this thread. Assuming I have a 12" riser that is roughly 12' x 9', can this be used for a base trap? If so how would that be done? Also, I do plan to add buttkickers to the risers if that matters.

Thanks,

Todd
post #1523 of 9548
Terry,

> I have observed, and the literature strongly suggests, that RT60 is lowered with added diffusion <<br />
Also, many diffusors absorb as well as diffuse. RPG has absorption data for all of their diffusors, and the amount of absorption is not insignificant.

--Ethan
post #1524 of 9548
Quote:
Originally Posted by nowandthen View Post

Whew! I just finshed reading through this entire thread.

One area that has not been discussed: Using a riser for a base trap. I have seen this mentioned but have not seen any discussion in this thread. Assuming I have a 12" riser that is roughly 12' x 9', can this be used for a base trap? If so how would that be done? Also, I do plan to add buttkickers to the risers if that matters.

Thanks,

Todd

If your riser is buttkicker driven, it may not be very effective as a bass trap.
post #1525 of 9548
Quote:
Originally Posted by Ethan Winer View Post

Terry,

> I have observed, and the literature strongly suggests, that RT60 is lowered with added diffusion <

Also, many diffusors absorb as well as diffuse. RPG has absorption data for all of their diffusors, and the amount of absorption is not insignificant.

--Ethan

Yes, the added absorption for QRD-type diffusers which RPG publishes is over and above the diffusion-absorption effect I described.

- Terry
post #1526 of 9548
Quote:
Originally Posted by Terry Montlick View Post

Yes, the added absorption for QRD-type diffusers which RPG publishes is over and above the diffusion-absorption effect I described.

- Terry

Are they absorbing frequencies that they are not diffusing? Are they absorbing any significant amount of the frequencies that they are diffusing?
post #1527 of 9548
Quote:
Originally Posted by pepar View Post

Are they absorbing frequencies that they are not diffusing? Are they absorbing any significant amount of the frequencies that they are diffusing?

The QRD-specific absorption (which is measured in a diffuse sound field, via the standard reverberation room method) is significant. It was first noticed in concert halls in the early days of QRD installation. The RT60 became unusually low, and diffusers needed to be removed.

Since then, the theory for this extra absorption has been worked out by a researcher in Japan -- I forgot who. He also found that some kind of surface coating can reduce this absorption. My simplistic understanding of the theory is that the sharp changes in phase at adjacent QRD wells also causes pressure change, and this induces lateral air movement (much like adjacent high and low pressure weather systems) which removes energy via friction.

- Terry
post #1528 of 9548
Terry Montlick:

I believe QRD's are also quarter wavelength resonator absorbers [I probably phrased that a bit off].
And the absorption increases if you put a membrane (even acoustically transparent cloth) in front of a diffuser, according to RPG (recall that marketing page).
post #1529 of 9548
Hi Ethan,

I downloaded your Real Traps Test Tone CD yesterday, and did a quick check of my home theater space. I set the level to 70db using the pink noise, and then just did a quick check at the beginning of each track. I had nothing below 60db, and nothing significantly above 80db. From 100 Hz up, I don't think it varied more then 5db either side of 70. Does this mean I'm in pretty good shape, or do I really need to check each tone?

-- Martin
post #1530 of 9548
Quote:
Originally Posted by mschiff View Post

Hi Ethan,

I downloaded your Real Traps Test Tone CD yesterday, and did a quick check of my home theater space. I set the level to 70db using the pink noise, and then just did a quick check at the beginning of each track. I had nothing below 60db, and nothing significantly above 80db. From 100 Hz up, I don't think it varied more then 5db either side of 70. Does this mean I'm in pretty good shape, or do I really need to check each tone?

-- Martin

I'm not trying to speak for Ethan, but +/-5dB is pretty "flat."
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