Quote:
Originally Posted by Artslinger 
Has "no soul" is such a overused term IMO, I hear it all the time about guitar players. I really do not understand the term for a guitar player and really think it's just something to use when people don't like a player. I have seen this term used for just about every player out there.

Has "no soul" is such a overused term IMO, I hear it all the time about guitar players. I really do not understand the term for a guitar player and really think it's just something to use when people don't like a player. I have seen this term used for just about every player out there.
It sounds like you might not grasp the concept. Calling it "overused" is a cop out.
Basically, it's like this. If a guitarist has chops and plays technically difficult arpeggios and runs and licks, but it doesn't express anything deeply emotional through his playing, then it's just wanking on the guitar. See Yngwie Malsteen as the prime example. He sure can play fast, but there's not an ounce of soul, i.e., genuine emotional expression, being conveyed to the listener in anything he's ever improvised.
On the other hand, some guitarists can express in a few notes, with vibrato, bending, releasing, hammering on or pulling off, or using other techniques or effects more than 1,000 words could convey. See some of B.B. King's short licks for example. Or check out some of David Gilmour's expressive and highly melodic solos for very emotional and expressive guitar playing. Even though he's playing with his fingers, Gilmour's playing comes from his heart (hence the term "soul") and is not mere technical wanking. Yngwie doesn't have anything to express, thus his playing is soulless. It's technical wanking.
Hell, listen to Robert Johnson or Elmore James or Son House or Lightnin' Hopkins. Those guys were getting out some really painful feelings through their playing, and you're pretty cold if you can't feel it while listening to them. That's soul. It has nothing to do with what we label "soul music." It's expressing your emotions through your playing and being able to convey them to your listener.











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