Quote:
Originally posted by RebelWax
I just purchased the 30" Sanyo and i noticed that when in "FULL" sceen mode that there is a slight "compressed" look to the left and right edges of the screen. You can only really notice it when a camera pans from left to right. I was wondering if there's anything in the service menu to adjust this or is this just normal? Here's a small example of what i mean.
4:3 mode
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16:9 mode
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If there is something in the menu to adjust this can someone point me to what it is? I looked at the menu and it's pretty cryptic. Don't want to touch much in there.
Thanks
Originally posted by RebelWax
I just purchased the 30" Sanyo and i noticed that when in "FULL" sceen mode that there is a slight "compressed" look to the left and right edges of the screen. You can only really notice it when a camera pans from left to right. I was wondering if there's anything in the service menu to adjust this or is this just normal? Here's a small example of what i mean.
4:3 mode
| | | | | | | | |
| | | | | | | | |
| | | | | | | | |
16:9 mode
||| | | | | | | | | |||
||| | | | | | | | | |||
||| | | | | | | | | |||
If there is something in the menu to adjust this can someone point me to what it is? I looked at the menu and it's pretty cryptic. Don't want to touch much in there.
Thanks
I've heard this referred to as barrel-roll and it is quite common, you could possibly reduce this in the service menu by increasing overscan but as you probably know you should exercise extreme caution when tinkering in the service menu.












I'll test this system out a bit more before i make my final decision if i want to keep it or not.





Why? The Super High res. tube displays every little compression artifact in the OTA signal. Plus, SD on the Sony was very grainy and digital compared to the Sanyo which has excellent SD PQ. It seems the high res tube in the Sony just magnifies signal flaws even further. Given, the 960 offers many cool features, but considering it's 3 times the price of my Sanyo, I'm sold on my set.

