Kage,
To read the Avia Y/C delay chart, look at each of the columns on the left hand side separately. You'll see a set of patterns in each column that shows whether that particular signal is early or late with "just right" being the 0 pattern in the middle of the column. What you want to do is find the pattern in each column where the LEFT edge of each of the two strips lines up most closely with each other. Ideally that should be the 0 pattern for each column. You may find the actual reading is in between two patterns, in which case you just use an in between number.
Meanwhile the vertical color bars on the right side will show you the effect of any Y/C delay error. The error shows up as an imprecise transition at the vertical edges where the background color changes over to the color bar on each side of the bar.
Now keep in mind that Y/C signal timing mismatches can be due to either the player OR the display or a combination of the two. In terms of using the player's controls (or any controls that might be available on your display) to fix it, that is not really important. You simply make the best adjustment you can to get the Y/C measurements as close to zero as possible and to get the color bars on the right looking as clean as possible on the edges. However if your display is generating the problem, and you fix it by adjusting the player's controls, you'll still have the problem as regards other source devices.
Once again, if you DO find a Y/C delay problem, keep in mind that unless you know the characteristics of your display, you can't jump to any conclusion as to whether the problem is coming from the player or is inside the display itself. Changing the signal path in the player or the display, as for example by hooking up to a different input, may reveal a problem that wasn't there on some other signal path.
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If you like the "Vivid" mode on your TV, the odds are you simply don't have experience with what a calibrated image looks like yet. TV manufacturers invariably ship their sets with default settings like "Vivid" that are disparagingly called the "torch" modes -- overly bright/contrasty, overly red, and overly sharpness enhanced. They do this because the torch modes make their TVs stand out in stores, particularly in the garish lighting found in stores. As you've found out, such settings are inconsistent with critical viewing. You will see artifacts and the true details of the film will be obscured by "false sharpness" and noise. In addition, colors will be flat out wrong.
Trust your calibration DVD! You did the right thing to calibrate in "movie" mode. Be sure you are calibrating with the room lighting set to your normal viewing conditions (which should be dim lighting but not totally blacked out).
Take some time to get used to the image you get with your set calibrated in that fashion. Keep in mind that most movies are intentionally filmed to have a soft look.
If this is your first time using a calibration DVD, you may very well find that it pays to go back in and try it again a few more times as you gain experience watching different films. Keep in mind that settings like Brightness and Contrast interact, so you need to iterate a few times to find the sweet spot setting that's right for both of them. Have patience, experiment with SMALL changes, and start to develop a feel for how tweaking one or another control actually alters the image you get.
If your TV has setting "memories", reserve one for your very best effort at doing the calibration "just right" as per the DVD. Then use any other memories for experiments where you deviate from those settings JUST A LITTLE BIT.
But for heaven's sake don't use "vivid" mode.
--bob
To read the Avia Y/C delay chart, look at each of the columns on the left hand side separately. You'll see a set of patterns in each column that shows whether that particular signal is early or late with "just right" being the 0 pattern in the middle of the column. What you want to do is find the pattern in each column where the LEFT edge of each of the two strips lines up most closely with each other. Ideally that should be the 0 pattern for each column. You may find the actual reading is in between two patterns, in which case you just use an in between number.
Meanwhile the vertical color bars on the right side will show you the effect of any Y/C delay error. The error shows up as an imprecise transition at the vertical edges where the background color changes over to the color bar on each side of the bar.
Now keep in mind that Y/C signal timing mismatches can be due to either the player OR the display or a combination of the two. In terms of using the player's controls (or any controls that might be available on your display) to fix it, that is not really important. You simply make the best adjustment you can to get the Y/C measurements as close to zero as possible and to get the color bars on the right looking as clean as possible on the edges. However if your display is generating the problem, and you fix it by adjusting the player's controls, you'll still have the problem as regards other source devices.
Once again, if you DO find a Y/C delay problem, keep in mind that unless you know the characteristics of your display, you can't jump to any conclusion as to whether the problem is coming from the player or is inside the display itself. Changing the signal path in the player or the display, as for example by hooking up to a different input, may reveal a problem that wasn't there on some other signal path.
-------------------------------------------------------------------------------------------
If you like the "Vivid" mode on your TV, the odds are you simply don't have experience with what a calibrated image looks like yet. TV manufacturers invariably ship their sets with default settings like "Vivid" that are disparagingly called the "torch" modes -- overly bright/contrasty, overly red, and overly sharpness enhanced. They do this because the torch modes make their TVs stand out in stores, particularly in the garish lighting found in stores. As you've found out, such settings are inconsistent with critical viewing. You will see artifacts and the true details of the film will be obscured by "false sharpness" and noise. In addition, colors will be flat out wrong.
Trust your calibration DVD! You did the right thing to calibrate in "movie" mode. Be sure you are calibrating with the room lighting set to your normal viewing conditions (which should be dim lighting but not totally blacked out).
Take some time to get used to the image you get with your set calibrated in that fashion. Keep in mind that most movies are intentionally filmed to have a soft look.
If this is your first time using a calibration DVD, you may very well find that it pays to go back in and try it again a few more times as you gain experience watching different films. Keep in mind that settings like Brightness and Contrast interact, so you need to iterate a few times to find the sweet spot setting that's right for both of them. Have patience, experiment with SMALL changes, and start to develop a feel for how tweaking one or another control actually alters the image you get.
If your TV has setting "memories", reserve one for your very best effort at doing the calibration "just right" as per the DVD. Then use any other memories for experiments where you deviate from those settings JUST A LITTLE BIT.
But for heaven's sake don't use "vivid" mode.
--bob












This player and tv combo really are first rate. Thanks for starting this master thread Rob. I was just about to start it myself the other day when I saw your thread as the 59avi info and threads were spread out all over the place. I gave up on watching non anamorphic widescreen dvds with it.

