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post #26881 of 28218
Quote:
Originally Posted by dannybenz View Post

Yeah, I don't disagree that there is sibilance with the combo, but IMHO, it isn't to the point where it is harsh. What I did was, I cut a piece of Kleenex the size of the tweeter and put it in between the grill and the tweeter. I helped remove some of the sibilance. It's still there, but doesn't bother me. Maybe one day I will try some Parasound Halo's, if I don't end up with new speakers first. BTW I feel the same way when people pair Klipsch horn loaded speakers with an Emotiva. Emotiva isn't the end all be all of amps, but dollar for dollar, they are hard, almost impossible to beat.

I'm in the process of selling my speakers, so I made my first demo video of my setup before we part ways.

Nice! That's a hell of a setup!
post #26882 of 28218
Quote:
Originally Posted by dannybenz View Post

I'm glad to see many people like the Emotiva/Paradigm Signature combo. Some people have said it was way too harsh, or that the Emotiva doesn't stand up to Signatures. HA!.

I don't think the XPA amps have any fans, so they'll ever come on.

I guess you're right. I must have misread something. tongue.gif
post #26883 of 28218
Quote:
Originally Posted by deltadube View Post

i dont think the xpa 3 has a fan .... lol wow s8 top dog speaker.. nice.. way too much for my budget ..

you might want that new amp when it comes out for those..

cheers..

You're right about the fan thing. I didn't read manual correctly.

Spent a lot of time with Paradigm starting with Monitors, Studios and finally Sigs. I got my Sigs from an authorized dealer selling his demos. (good way to buy Sigs)

I spent a lot of time and money, but don't regret it. wink.gif
post #26884 of 28218
Quote:
Originally Posted by dannybenz View Post

Yeah you are right about impedance swings based on frequency. I am no expert either I learn mostly everything from the forums. But I am basing my impedance measurements from Stereophile's (or other similar publication). They actually measured the Studio 60 to dip all the way down to 3.6 ohms, with an "average" or nominal of 6 ohms. The S8 v.2 was measured by HT magazine to dip to 4.2 ohms, and they said it was also a 6 ohm nominal speaker. My C3 dips to 3.3 ohms, and has a nominal (average) of 5 ohms. These are the actual measured impedance numbers. So Paradigm claims "compatible with 8 ohms" as to mean 8 ohm nominal, but usually they are off by a good margin. As I have stated in a earlier post a few pages back, it is my assumption that Paradigm does this in an attempt to not scare away people from driving them with a receiver (Anthem MRX-X00) or those who can't afford to buy a good amp from buying their speakers. However, Paradigm speakers are not easy to drive. That is the truth.

I completely disagree that they are hard to drive. Their sensitivity rating suggests otherwise. Electrostatics, now there is a speaker you could claim is legitimately hard to drive. I've linked a post straight from an Anthem / Paradigm rep have heard the MRX-500 driving the S8s full range with absolutely no problems and deep bass. But I suppose nothing will change your mind if you've already purchased an expensive amp.
post #26885 of 28218
Quote:
Originally Posted by Tank_PD View Post

I completely disagree that they are hard to drive. Their sensitivity rating suggests otherwise. Electrostatics, now there is a speaker you could claim is legitimately hard to drive. I've linked a post straight from an Anthem / Paradigm rep have heard the MRX-500 driving the S8s full range with absolutely no problems and deep bass. But I suppose nothing will change your mind if you've already purchased an expensive amp.

I didn't say they were hard to drive. I said they weren't easy. Here is a link to actual measurements of Sigs, exactly the ones I have: http://www.hometheater.com/content/paradigm-signature-surround-speaker-system-measurements. FWIW I had a Pioneer Elite(non SC) receiver driving them, and it went into protect mode (completely shut off) during the first robbery scene in Snatch on Bluray. That means I was way beyond clipping.

As to your comment about nothing will change my mind if I spent a lot on amps, my amps were not expensive. I paid less for 3 UPA-1, a UPA-2 and a UMC-1 combined than the top of the line(at the time) Pioneer SC-27 receiver alone. I sold my upgrade card from the UMC-1 and my total out of pocket for all amps and the pre/pro was 1400. Pioneer SC-27 had an MSRP of $2200, but could be had for around $1500. I was going to upgrade to the class D SC-27 after that scare, but went the Emotiva route, as it was around the same $, and more real world power. How much does an MRX-500 that was driving the S8's go for?
Edited by dannybenz - 3/2/13 at 9:36pm
post #26886 of 28218
Quote:
Originally Posted by dannybenz View Post

Yeah, I don't disagree that there is sibilance with the combo, but IMHO, it isn't to the point where it is harsh. What I did was, I cut a piece of Kleenex the size of the tweeter and put it in between the grill and the tweeter. I helped remove some of the sibilance. It's still there, but doesn't bother me. Maybe one day I will try some Parasound Halo's, if I don't end up with new speakers first. BTW I feel the same way when people pair Klipsch horn loaded speakers with an Emotiva. Emotiva isn't the end all be all of amps, but dollar for dollar, they are hard, almost impossible to beat.

I'm in the process of selling my speakers, so I made my first demo video of my setup before we part ways.

Putting Kleenex between the grill and tweeter is something that one should only do if really confident. Instead of selling my Sigs with the berylium tweeter, I sold the Emotiva amp and did alright. They certainly aren't good amps with all speakers, but I don't know if I'd try the kleenex work around.
post #26887 of 28218
Quote:
Originally Posted by dannybenz View Post

I didn't say they were hard to drive. I said they weren't easy. Here is a link to actual measurements of Sigs, exactly the ones I have: http://www.hometheater.com/content/paradigm-signature-surround-speaker-system-measurements. FWIW I had a Pioneer Elite(non SC) receiver driving them, and it went into protect mode (completely shut off) during the first robbery scene in Snatch on Bluray. That means I was way beyond clipping.

As to your comment about nothing will change my mind if I spent a lot on amps, my amps were not expensive. I paid less for 3 UPA-1, a UPA-2 and a UMC-1 combined than the top of the line(at the time) Pioneer SC-27 receiver alone. I sold my upgrade card from the UMC-1 and my total out of pocket for all amps and the pre/pro was 1400. Pioneer SC-27 had an MSRP of $2200, but could be had for around $1500. I was going to upgrade to the class D SC-27 after that scare, but went the Emotiva route, as it was around the same $, and more real world power. How much does an MRX-500 that was driving the S8's go for?

Around $1500 for the MRX500. Many people option to go for the 300 model and put the $1K towards a 5-channel amp.
post #26888 of 28218
Quote:
Originally Posted by Tank_PD View Post

Around $1500 for the MRX500. Many people option to go for the 300 model and put the $1K towards a 5-channel amp.

Just looked up the MRX receivers, and was pleasantly surprised(shocked). They actually put out more power, .1% THD will all channels driven, than they claim in the specs. That is the first time I've seen a receiver meet its claimed power output let alone exceed it. I believe you now when you said the MRX-500 can drive the S8 properly with good bass. But at $1500, would you take that or a UMC-200 and XPA-5 combo? Based on what knowledge I have gained from other on this forum, I know which one I would go for. Never can have too much power. But different strokes for different folks I guess.
post #26889 of 28218
hello all, I was playing some music off my ipod on my system yesterday and noticed a whole lot of hiss/crackle coming out of the tweeters on 2ch on my studio 60v4's. Both tweeters showed this and one quiet a few songs off my ipod. Now does this mean they are blown or on their way out? im going to test them today on cd quality as i thought maybe it was my cable or something. (also volume was low i wasn't playing it loud)
post #26890 of 28218
Quote:
Originally Posted by Tank_PD View Post

Around $1500 for the MRX500. Many people option to go for the 300 model and put the $1K towards a 5-channel amp.

That is what i did, i was going to purchase the 700 and opted out for the 300 and an xpa 5 for pretty much close to the same price as the 700. Couldn't be happier (wish the 300 had usb in though)
post #26891 of 28218
Quote:
Originally Posted by dannybenz View Post

Yeah you are right about impedance swings based on frequency. I am no expert either I learn mostly everything from the forums. But I am basing my impedance measurements from Stereophile's (or other similar publication). They actually measured the Studio 60 to dip all the way down to 3.6 ohms, with an "average" or nominal of 6 ohms. The S8 v.2 was measured by HT magazine to dip to 4.2 ohms, and they said it was also a 6 ohm nominal speaker. My C3 dips to 3.3 ohms, and has a nominal (average) of 5 ohms. These are the actual measured impedance numbers. So Paradigm claims "compatible with 8 ohms" as to mean 8 ohm nominal, but usually they are off by a good margin. As I have stated in a earlier post a few pages back, it is my assumption that Paradigm does this in an attempt to not scare away people from driving them with a receiver (Anthem MRX-X00) or those who can't afford to buy a good amp from buying their speakers. However, Paradigm speakers are not easy to drive. That is the truth.

From my understanding, "separates" or an amp solution is suppose to be the "be all, end all" of HT setup.

I personally run an old, vintage pair of Studio 60. V.2's with a CC690, 2 ADP 590's and a pair of Orb Mod2's as back surrounds (due to space restrictions) in a 7.1 configuration.

I upgraded a couple months ago to the Pioneer SC65 9.2 receiver (130 wpc) and have bi-amped my front left & right speakers. I have no problem, whatsover, in driving the speakers with this AVR & setup.

Maybe it's because I do not listen at real loud levels, but even when mama is out of the house and I can crank them up - - there have been no issues, whatsoever.

Is it a personal preference to go to separates? Do people have any problems driving their speakers with just an AVR like I do? Is there such a thing as an optimal "power" setup for Paradigm speakers?
post #26892 of 28218
I'm no expert, but recently bought the Anthem MRX 700 with the Paradigm Studio 100's. This was due to space constraints and cost. No problem at all driving these speakers with that, but I don't listen to music very loud and I have a small living room.
post #26893 of 28218
I need help deciding between Paradigm Studio 10 vs. Paradigm Signature S1 for 2.0 apartment/condo system.

I have the Paradigm MilleniaOne 5.0 System with a Paradigm Seismic 110 Sub EQ'd with PBK that I was very happy with and used in my house, but work took me on a 2-year assignment that requires apartment/condo style living, so having a sub is not an option. The MilleniaOne satellites without a sub is just not going to work.

I'm trying to decide between the Studio 10s or the Sig S1s as mains. I was very happy with the MilleniaOne/Seismic 110 combo, but I just want to make sure that whatever I buy is at the very least as good, but preferably better than the MilleniaOnes in terms of sound (detail, clarity, imaging, etc.)

I can afford the Sig S1s just fine, but I have two toddler boys, and the curved shape of the S1s and the way the grill attaches to the speaker make me think the Studios would be more durable, not to mention cheaper to repair, from toddler boys. With that being said, I do not want the sound to go downhill in anyway from what I have, except that there will be much less bass below 60 Hz, which is what is needed.

I know the Sig S1s will be best in terms of sound quality, but how do the Studio 10s compare to the MilleniaOnes in the frequency range the MilleniaOnes can produce? Are they similar, or is one clearly superior, or do they have strenghts in different areas?

Thanks in advance.
post #26894 of 28218
A friend has an issue with a Paradigm powered subwoofer ( Model # Cinema Series 110). When doing the auto setup with his Yamaha receiver it detected "no subwoofer". To make sure it was the subwoofer he brought it to my house and I connected it ... still no output. The fuse is good and the green light on the front was lit. We changed it to "auto" without the source connected. The light was red. As soon as we reconnected the source the light changed to green but still no output. Any ideas?
Thanks, Rick.
Edited by stebrock - 3/3/13 at 12:10pm
post #26895 of 28218
Quote:
Originally Posted by Ricoflashback View Post

From my understanding, "separates" or an amp solution is suppose to be the "be all, end all" of HT setup.

I personally run an old, vintage pair of Studio 60. V.2's with a CC690, 2 ADP 590's and a pair of Orb Mod2's as back surrounds (due to space restrictions) in a 7.1 configuration.

I upgraded a couple months ago to the Pioneer SC65 9.2 receiver (130 wpc) and have bi-amped my front left & right speakers. I have no problem, whatsover, in driving the speakers with this AVR & setup.

Maybe it's because I do not listen at real loud levels, but even when mama is out of the house and I can crank them up - - there have been no issues, whatsoever.

Is it a personal preference to go to separates? Do people have any problems driving their speakers with just an AVR like I do? Is there such a thing as an optimal "power" setup for Paradigm speakers?

Paradigm recommends over driving the speakers with an amp more powerful than the speaker can really use. For example the C3 has a maximum input power of 140W. Though the recommended amp range is 15W-325W. I believe this means (if you were pairing with Anthem, the sister electronics company) you would use the Anthem MCA50, Anthem A5 or even the Anthem P5 to drive your signature surround setup. If you are a using a dedicated theater or a large room I could see how this would be an appropriate setup.

For me, having a small room and the lesser signature models it is more a personal preference. I already had a separate Marantz amp, but the MRX would also suffice on its own. I don't tend to listen to music louder than -30 to 40 at comfortable levels. Maybe up to -20 if I'm really cranking it. Movies are typically somewhere between -15 and -30.

I would have swapped out the Marantz for an Anthem, but the depth of chassis is so much greater I would also need to get some back-extenders for my Horizon XL stand.
post #26896 of 28218
Quote:
Originally Posted by xirtam2005 View Post

I need help deciding between Paradigm Studio 10 vs. Paradigm Signature S1 for 2.0 apartment/condo system.

I have the Paradigm MilleniaOne 5.0 System with a Paradigm Seismic 110 Sub EQ'd with PBK that I was very happy with and used in my house, but work took me on a 2-year assignment that requires apartment/condo style living, so having a sub is not an option. The MilleniaOne satellites without a sub is just not going to work.

I'm trying to decide between the Studio 10s or the Sig S1s as mains. I was very happy with the MilleniaOne/Seismic 110 combo, but I just want to make sure that whatever I buy is at the very least as good, but preferably better than the MilleniaOnes in terms of sound (detail, clarity, imaging, etc.)

I can afford the Sig S1s just fine, but I have two toddler boys, and the curved shape of the S1s and the way the grill attaches to the speaker make me think the Studios would be more durable, not to mention cheaper to repair, from toddler boys. With that being said, I do not want the sound to go downhill in anyway from what I have, except that there will be much less bass below 60 Hz, which is what is needed.

I know the Sig S1s will be best in terms of sound quality, but how do the Studio 10s compare to the MilleniaOnes in the frequency range the MilleniaOnes can produce? Are they similar, or is one clearly superior, or do they have strenghts in different areas?

Thanks in advance.

I've got the S1s, but I don't have the Studio 10s or MilleniaOnes here to compare. My understanding is that the Studio 10s would be just straight up better than the MilleniaOnes throughout their range. They're just much bigger, obviously. And the S1s are again just better throughout, but quite a bit more expensive. I think either of them are going to pretty soundly crush the much smaller Millenias. I'm pretty sure that they're each going to be strictly better than the series below them, that's kind of the idea.

The S1s are not exceptionally stable, I guess. Just gave one a little poke, and it kinda wobbles, but that's mostly because the feet are rubber so they're kinda squishy. A rampaging toddler could probably knock one over. On the other hand, they're metal vs MDF for the Studios, so they're probably a bit more resilient if they do tip over a bit. The grill on them is magnetic, so it's actually probably a bit safer, in my opinion. If it gets knocked, it'll just fall off, versus possibly breaking something off the speaker. I tried crossing them over at 60, but they sound better at 80, so I'd say their extension ends somewhere around there. I can dig out my room correction graphs, if that would help at all.
post #26897 of 28218
Quote:
Originally Posted by Obsidians View Post

I've got the S1s, but I don't have the Studio 10s or MilleniaOnes here to compare. My understanding is that the Studio 10s would be just straight up better than the MilleniaOnes throughout their range. They're just much bigger, obviously. And the S1s are again just better throughout, but quite a bit more expensive. I think either of them are going to pretty soundly crush the much smaller Millenias. I'm pretty sure that they're each going to be strictly better than the series below them, that's kind of the idea.

The S1s are not exceptionally stable, I guess. Just gave one a little poke, and it kinda wobbles, but that's mostly because the feet are rubber so they're kinda squishy. A rampaging toddler could probably knock one over. On the other hand, they're metal vs MDF for the Studios, so they're probably a bit more resilient if they do tip over a bit. The grill on them is magnetic, so it's actually probably a bit safer, in my opinion. If it gets knocked, it'll just fall off, versus possibly breaking something off the speaker. I tried crossing them over at 60, but they sound better at 80, so I'd say their extension ends somewhere around there. I can dig out my room correction graphs, if that would help at all.

I had the 5 speaker Millenia 1's, then the Studio 10's for my bedroom. The Studio10's were a good step up and my Sig2 v3's are even a bigger step up from the Studio 10's.

I could be happy if i kept my Studio 10's.
post #26898 of 28218
Quote:
Originally Posted by Tank_PD View Post

Quote:
Originally Posted by Ricoflashback View Post

From my understanding, "separates" or an amp solution is suppose to be the "be all, end all" of HT setup.

I personally run an old, vintage pair of Studio 60. V.2's with a CC690, 2 ADP 590's and a pair of Orb Mod2's as back surrounds (due to space restrictions) in a 7.1 configuration.

I upgraded a couple months ago to the Pioneer SC65 9.2 receiver (130 wpc) and have bi-amped my front left & right speakers. I have no problem, whatsover, in driving the speakers with this AVR & setup.

Maybe it's because I do not listen at real loud levels, but even when mama is out of the house and I can crank them up - - there have been no issues, whatsoever.

Is it a personal preference to go to separates? Do people have any problems driving their speakers with just an AVR like I do? Is there such a thing as an optimal "power" setup for Paradigm speakers?

Paradigm recommends over driving the speakers with an amp more powerful than the speaker can really use. For example the C3 has a maximum input power of 140W. Though the recommended amp range is 15W-325W. I believe this means (if you were pairing with Anthem, the sister electronics company) you would use the Anthem MCA50, Anthem A5 or even the Anthem P5 to drive your signature surround setup. If you are a using a dedicated theater or a large room I could see how this would be an appropriate setup.

For me, having a small room and the lesser signature models it is more a personal preference. I already had a separate Marantz amp, but the MRX would also suffice on its own. I don't tend to listen to music louder than -30 to 40 at comfortable levels. Maybe up to -20 if I'm really cranking it. Movies are typically somewhere between -15 and -30.

I would have swapped out the Marantz for an Anthem, but the depth of chassis is so much greater I would also need to get some back-extenders for my Horizon XL stand.

paradigm recommends the extra power or headroom for better sound quality.. the source material can spike power demands briefly.. if the power is not there the amp will clip off the sound spectrum
to supplie the power.. more speaker are blown by under power vs over power..

i like to crank up my music to -10 db sometimes i want the head room.. i like to feel my music!!!!!

cheers
post #26899 of 28218
Quote:
Originally Posted by icroyal View Post

Also looking at getting 20s and cc490. But I'm really debating on surround. Just curious on your thoughts on why you're looking at getting 10s for surround vs getting bi-directional surrounds. Haven't done a lot of research on bi-directional surrounds so just looking to hear people's thoughts.
Hello,
I have Studio 20s v5, studio 10s for surrounds and a cc490 in the center. The combination sounds amazing paired with a Rythmik 12se! Anthem MRX 700 AVR.
post #26900 of 28218
Quote:
Originally Posted by HeffeMusic View Post

Hello,
I have Studio 20s v5, studio 10s for surrounds and a cc490 in the center. The combination sounds amazing paired with a Rythmik 12se! Anthem MRX 700 AVR.

That is a great system you have there.
post #26901 of 28218
Quote:
Originally Posted by CHASLS2 View Post

That is a great system you have there.
Thanks! It really does sound amazing. I am actually thinking about getting Sonus Faber Veneres? But this system sounds so good it is holding me back!
post #26902 of 28218
Quote:
Originally Posted by HeffeMusic View Post

Thanks! It really does sound amazing. I am actually thinking about getting Sonus Faber Veneres? But this system sounds so good it is holding me back!

If i sold my SIg 2's and had your setup i would be very happy.
post #26903 of 28218
I heard the Studio 10's today, and I thought they blew away the B&W CM1s. My local store didn't carry the Sig series, so I wasn't able to look at them or compare the sound. The studio 20's were really nice, but probably produce just a tad too much bass for an apartment/condo flat. The store also didn't carry the MilleniaOnes, so I wasn't able to A/B them.

If I buy these, they'll eventually be part of a long-term HT/music system. So is the general consensus that 4x Studio 10s + 490CC with the Seismic 110 sub (80 Hz crossover) would sound better than 5x M1s with the same sub (110 Hz crossover)??

Do you know if Paradigm is planning to replace or introduce a new series to its Studio or Signature lines? I ask this, so I will buy before that happens, as that usually means a sharp price increase. I only want to buy 2 speakers now, but I'd plan to buy the rest of the set (or at least the matching center) when I go back to the house - I just don't want the set to be discontinued. I'm assuming I could get a better deal on Studios as there are many more local dealers that carry the Studios vs the Sigs, but maybe that is a wrong assumption.
post #26904 of 28218
Someday I hope to have a separate audio-only system that would probably consist of something like:
  • Paradigm Signature S2
  • Parasound Halo A21 Amp
  • Oppo Digital BDP-105 source/DAC/preamp Combo

Unfortunately that is not today. I wonder how such a system would sound.
post #26905 of 28218
Quote:
Originally Posted by Obsidians View Post

I've got the S1s, but I don't have the Studio 10s or MilleniaOnes here to compare. My understanding is that the Studio 10s would be just straight up better than the MilleniaOnes throughout their range. They're just much bigger, obviously. And the S1s are again just better throughout, but quite a bit more expensive. I think either of them are going to pretty soundly crush the much smaller Millenias. I'm pretty sure that they're each going to be strictly better than the series below them, that's kind of the idea.

The S1s are not exceptionally stable, I guess. Just gave one a little poke, and it kinda wobbles, but that's mostly because the feet are rubber so they're kinda squishy. A rampaging toddler could probably knock one over. On the other hand, they're metal vs MDF for the Studios, so they're probably a bit more resilient if they do tip over a bit. The grill on them is magnetic, so it's actually probably a bit safer, in my opinion. If it gets knocked, it'll just fall off, versus possibly breaking something off the speaker. I tried crossing them over at 60, but they sound better at 80, so I'd say their extension ends somewhere around there. I can dig out my room correction graphs, if that would help at all.

That's what I'm worried about. Do you have the official Paradigm matching stand for the S1s? If so, do you know if the stands can be filled with sand (to weigh them down) and also screw/bolt into the bottom of the Sig S1 speakers? If so, that combo might be able to withstand a toddler. If there is no way to weigh down the stands and secure them to the speaker (other than just resting with rubber feet), then this speaker is not an option.
post #26906 of 28218
Quote:
Originally Posted by xirtam2005 View Post


That's what I'm worried about. Do you have the official Paradigm matching stand for the S1s? If so, do you know if the stands can be filled with sand (to weigh them down) and also screw/bolt into the bottom of the Sig S1 speakers? If so, that combo might be able to withstand a toddler. If there is no way to weigh down the stands and secure them to the speaker (other than just resting with rubber feet), then this speaker is not an option.

Yes the GS30 stands can be filled with sand. The speaker attach's to the stands through the back of the speaker, not the bottom as the bottom of the speaker is curved.

post #26907 of 28218
Quote:
Originally Posted by xirtam2005 View Post

That's what I'm worried about. Do you have the official Paradigm matching stand for the S1s? If so, do you know if the stands can be filled with sand (to weigh them down) and also screw/bolt into the bottom of the Sig S1 speakers? If so, that combo might be able to withstand a toddler. If there is no way to weigh down the stands and secure them to the speaker (other than just resting with rubber feet), then this speaker is not an option.

In my case, I've got them resting on a rather wide media unit:



So they're quite a bit more secure than stands or even floorstanders would be. That's worked well enough so far. They certainly have mounting holes on the bottom, so I can confirm that at least. They're just on the feet because they're sitting on wood.

As noted above, yes, I believe it is possible to fill the stand with sand or something similar in order to make them very bottom-heavy. Depending on how aggressive your toddlers are, and where they are in the room, that could work out reasonably well.
post #26908 of 28218
Quote:
Originally Posted by weird 23 View Post

Yes the GS30 stands can be filled with sand. The speaker attach's to the stands through the back of the speaker, not the bottom as the bottom of the speaker is curved.

So the S1s can actually be physically attached to the stand vs. just resting on or in it? Can they easily be knocked off the stands, or are the actually screwed or secured to the stand, such that the whole speaker and stand assembly would need to be brought down? If that's the case and they can be filled with sand to weigh them down, then I should consider these. How much better is the sound quality for the S1s vs. the Studio 10s?

For example, assuming all three speakers had the same sub properly EQ'd and crossovered, and if the S1s were rated a 100, what would the Studio 10s and the MilleniaOnes be, respectively?
post #26909 of 28218
Quote:
Originally Posted by Obsidians View Post

In my case, I've got them resting on a rather wide media unit:



So they're quite a bit more secure than stands or even floorstanders would be. That's worked well enough so far. They certainly have mounting holes on the bottom, so I can confirm that at least. They're just on the feet because they're sitting on wood.

As noted above, yes, I believe it is possible to fill the stand with sand or something similar in order to make them very bottom-heavy. Depending on how aggressive your toddlers are, and where they are in the room, that could work out reasonably well.

Wow, those look pretty small. Where did you get the rubber feet, or did they come with the speaker? They look like they might fit on the stands my current MilleniaOnes occupy (as long as they're not wobbly), which is well above the reach of a toddler. I actually have my MilleniaOnes on shelves that look very similar to the ones you have flanking your audio system on the level just above your speakers (where you have some glasswhere). If the Sig S1s can fit on there, we might have a winner.
Edited by xirtam2005 - 3/3/13 at 6:56pm
post #26910 of 28218
Quote:
Originally Posted by xirtam2005 View Post


So the S1s can actually be physically attached to the stand vs. just resting on or in it? Can they easily be knocked off the stands, or are the actually screwed or secured to the stand, such that the whole speaker and stand assembly would need to be brought down? If that's the case and they can be filled with sand to weigh them down, then I should consider these. How much better is the sound quality for the S1s vs. the Studio 10s?

For example, assuming all three speakers had the same sub properly EQ'd and crossovered, and if the S1s were rated a 100, what would the Studio 10s and the MilleniaOnes be, respectively?

Here's the stands that are specifically built for both the S1's and the ADP 1's,

http://www.gibbyselectronicsupermarket.ca/paradigm-gs30-3312-tall-speaker-stands-gs30-pair-p-5119.html

 

Yes the speakers are directly attached to the stands through the mount holes on the back of the speaker and can be filled with any type of ballast you choose to add weight to them.

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