Quote:
I've always thought that would be really helpful. The quote below from someone at Mirage is the best I've been able to find. I'd assume it's more or less the same with either of those speakers:
Quote:
Originally Posted by buzzy_ 
The speaker, especially the tweeter, sounds best in a certain area - even though with the omnipolar design there's some sound in a wide area. In other words, they are still somewhat directional in terms of where they sound the best. They fire more forward than up (or down, if mounted upside down). Say 20-35 degrees from the base, more or less. And better straight forward than to the sides.
So given that the speaker design is fixed, for any given layout whether and how much you angle them would depend on how high or low they are mounted in that setup and how far away the listening area is, from where they are mounted.
Since hatchet's speakers are mounted high, to get them to fire at the listening area he needed to angle them - otherwise they'd really be aimed over his head. And any side speakers should be aimed toward the seating area.
So if someone has them all on tables, it would depend on the height of the table. A low stand or table would be fine. Anything over 30" or so, I'd think about tilting them forward. And more than that, I'd do it for sure.
Something to try - try listening to it with the speaker vertical, and at ear height, in effect a zero degree angle relative to the base. Then move up (if it's upward firing) or down (if downward firing). You should notice a significant difference in the treble.
This might help (might not!) - I added the bold:

The speaker, especially the tweeter, sounds best in a certain area - even though with the omnipolar design there's some sound in a wide area. In other words, they are still somewhat directional in terms of where they sound the best. They fire more forward than up (or down, if mounted upside down). Say 20-35 degrees from the base, more or less. And better straight forward than to the sides.
So given that the speaker design is fixed, for any given layout whether and how much you angle them would depend on how high or low they are mounted in that setup and how far away the listening area is, from where they are mounted.
Since hatchet's speakers are mounted high, to get them to fire at the listening area he needed to angle them - otherwise they'd really be aimed over his head. And any side speakers should be aimed toward the seating area.
So if someone has them all on tables, it would depend on the height of the table. A low stand or table would be fine. Anything over 30" or so, I'd think about tilting them forward. And more than that, I'd do it for sure.
Something to try - try listening to it with the speaker vertical, and at ear height, in effect a zero degree angle relative to the base. Then move up (if it's upward firing) or down (if downward firing). You should notice a significant difference in the treble.
This might help (might not!) - I added the bold:
Quote:
The shapes, angles, and distances result in the drivers’ outputs ricocheting off the saucers and being dispersed so that most of the sound is directed forward, with lesser amounts to the sides, and the least amount to the rear. Mirage thinks of this as a 360-degree radiation pattern with a forward bias. The goal of such a dispersion technology is the spacious, room-filling sound that evenly dispersing, 360-degree-radiating speakers are known for -- that is, speakers that put out equal sound in all directions, such as those from mbl and Duevel -- but with the imaging precision of a good conventional, forward-firing speaker. This is quite different from the original M-series speakers, the bulk of whose output was fired directly to the front and rear, and the least energy to the sides. Here it’s front, then sides, then rear, the output smoothly decreasing from front to rear. - link
The shapes, angles, and distances result in the drivers’ outputs ricocheting off the saucers and being dispersed so that most of the sound is directed forward, with lesser amounts to the sides, and the least amount to the rear. Mirage thinks of this as a 360-degree radiation pattern with a forward bias. The goal of such a dispersion technology is the spacious, room-filling sound that evenly dispersing, 360-degree-radiating speakers are known for -- that is, speakers that put out equal sound in all directions, such as those from mbl and Duevel -- but with the imaging precision of a good conventional, forward-firing speaker. This is quite different from the original M-series speakers, the bulk of whose output was fired directly to the front and rear, and the least energy to the sides. Here it’s front, then sides, then rear, the output smoothly decreasing from front to rear. - link
































