Quote:
Originally Posted by
dkojevnikov 
True, but you was the only one who honestly answered technical questions about Anthem processors and I thank you for that. Anthem support evade direct answers altogether. DSP chips in 50v and d2v look similar according to specifications (dual core 800 MIPS) but d2v upconverts everything up to 192 KHz (either before ARC/DSP or after) so probably it is always showing 192 KHz in audio output where as 50v is honestly stating that initial 192 KHz was down-converted to 96 KHz for ARC processing. According to this review ARC is working with frequencies up to 96 KHz so my guess is that d2v is down-converting the 192 KHz before ARC too but we don't see (and hear) it:
http://www.avforums.com/review/Anthe...er-Review.html
Maybe you missed this on the forum you talked about above.
************************************************************ ************************************************************ *******
" The D2v, which replaced the D2 in Jan 2009 and has four DSP cores instead of two, accepts 192k (8 channels). It does not necessarily down-convert for ARC, only doing so when certain other processes are on, namely Dolby Volume* and/or THX. The mandate was to keep sample rate native where possible, and to use the highest possible when down-res is unavoidable.
*which is very intensive, requiring conversion all the way to 48k."
Best Regards,
Nick@Anthem
AND
************************************************************ ************************************************************ ******
Q: How does the MRX 300/500/700 ARC implementation compare to D2v/AVM50v?
A: ARC consists of software that runs on a user-supplied computer which calculates a room correction solution and a DSP chip in the receiver which implements it. The ARC software is the same for all Anthem A/V receivers and processors. The MRX DSP is about half as powerful as in the D2v/AVM50v.
Nick @ Anthem elaborates:
MRX 300/500/700 DSP has around the same amount of number crunching ability as anything in the price range, which is around half as much as AVM/D prepros using ARC (and PBK for that matter), which have as much as pro systems in the five figures. This means that MRX 300/500/700 corrected response usually does not meet target response as closely as AVM/D, thought it's also usually not too far off.
The other difference is that correction range not only defaults to 5 kHz but cannot be made to go higher. Correction above 5 kHz is not normally recommended regardless.
Another difference not dependent on ARC is that MRX DSP uses crossover frequencies of 60, 80, 100, 120, and 150 whereas AVM/D allows 25-160 in 5 Hz steps. It relates because ARC selects the crossover frequencies based on in-room measured response.
The practical difference depends on the amount of correction the room speaker/combo needs, and this varies greatly. MRX-ARC still improves things regardless, using the same principles as the other ARC.
Stew