Quote:
Originally Posted by Bob Pariseau 
p.las,
Well I'm not surprised you have weak bass in the all 80Hz configuration. The reason ARC has set the 140Hz crossover to begin with is the deep dip in LF and also in C, with a lesser problem in RF.
Those are really nasty.
In the all 80Hz configuration you are severely under-corrected in C and also in LF in just the critical frequencies for bass impact. ARC won't push more than 6dB boost to a speaker to protect the amp and the speaker itself if that energy is just being consumed by, say, a room cancellation null.
C in particular is a problem because in many mixes the Center channel carries the brunt of critical bass -- the bass that the mixer wants people to be able to hear even if they have no subwoofer and thus won't hear LFE.
And of course the sub can't help because you've rolled it off starting from below the problem area.
-----------------------------------
In your 120Hz configuration you are STILL severely under-corrected in C and LF, although slightly less because you've also lowered the Room Gain.
What you need to understand is that proper bass output means that BOTH the main speaker and the subwoofer have to do their job at a given frequency. Since C and LF can't meet their assigned Target output through those frequencies the resulting solution has a hole. I.e., the sub isn't filling in enough. If ARC boosted the sub output to fill in for those two, it would be incorrect both for LFE and also for the other speakers.
Now, you say that with some discs you feel you are getting too much bass in the 120Hz configuration. I suspect that might be due to you not being used to what LFE sounds like when a sub is set to reproduce the high end of LFE. I.e., you are hearing real LFE in those tracks that you had not heard before. You might not LIKE that mix, but it is "real". In the 80Hz configuration you lose the top end of LFE output so you don't hear it.
But it's still not right even with the sub back up at 120Hz, because LF and C in particular can't contribute what they are supposed to contribute when forced to use an 80Hz crossover.
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The bottom line here is that you really need to address the cause of those deep dips in Center and LF (and to a lesser extent in RF) either side of 100Hz.
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ETA: In the original 140/120Hz configuration that ARC chose, I would expect problems with dialog being directed from C to the Sub, but it should not sound laid back or soft unless your sub is underperforming. I.e., the sub is being asked to carry a lot of the burden here and if it is "loud but not accurate" for example (a rather common style of sub design), that could be problem in bass region attacks.
Another thing that would be *VITAL* to the configuration ARC chose is that you make sure your Sub is set correctly for Phase and Polarity. If you are getting cancellation between the Sub and the fronts for example because the Sub is out of Phase than the results will be a mess because the sub is carrying the load so high up in frequency. "Soft" would certainly be the result, and "laid back" might even apply.
If you only have one Sub, you can correct its Phase and Polarity without having to re-Measure for ARC.
-----------------------------------------------
ETA 2: If you take a look at the 140/120Hz configuration you can see what ARC did. ARC realized that LF and C in particular could not be made to work through the dip region. It would take too much boost. But the Sub *COULD* be set to carry the entire load through there.
And so ARC set the high crossover for LF and C to ask them to do only what they were capable of doing given your room problem, and that meant the Sub would carry basically all of the bass for them. But ARC also had to push up the crossover for the other speakers as well to get a solution. I.e., it apparently couldn't BOTH blend bass for them and take over bass for LF and C. So it took over bass for EVERYTHING. This could be due to resource constraints or to the difficulty of doing room correction for the other speakers if they were allowed to reproduce bass themselves.
--Bob

p.las,
Well I'm not surprised you have weak bass in the all 80Hz configuration. The reason ARC has set the 140Hz crossover to begin with is the deep dip in LF and also in C, with a lesser problem in RF.
Those are really nasty.
In the all 80Hz configuration you are severely under-corrected in C and also in LF in just the critical frequencies for bass impact. ARC won't push more than 6dB boost to a speaker to protect the amp and the speaker itself if that energy is just being consumed by, say, a room cancellation null.
C in particular is a problem because in many mixes the Center channel carries the brunt of critical bass -- the bass that the mixer wants people to be able to hear even if they have no subwoofer and thus won't hear LFE.
And of course the sub can't help because you've rolled it off starting from below the problem area.
-----------------------------------
In your 120Hz configuration you are STILL severely under-corrected in C and LF, although slightly less because you've also lowered the Room Gain.
What you need to understand is that proper bass output means that BOTH the main speaker and the subwoofer have to do their job at a given frequency. Since C and LF can't meet their assigned Target output through those frequencies the resulting solution has a hole. I.e., the sub isn't filling in enough. If ARC boosted the sub output to fill in for those two, it would be incorrect both for LFE and also for the other speakers.
Now, you say that with some discs you feel you are getting too much bass in the 120Hz configuration. I suspect that might be due to you not being used to what LFE sounds like when a sub is set to reproduce the high end of LFE. I.e., you are hearing real LFE in those tracks that you had not heard before. You might not LIKE that mix, but it is "real". In the 80Hz configuration you lose the top end of LFE output so you don't hear it.
But it's still not right even with the sub back up at 120Hz, because LF and C in particular can't contribute what they are supposed to contribute when forced to use an 80Hz crossover.
-------------------------------------
The bottom line here is that you really need to address the cause of those deep dips in Center and LF (and to a lesser extent in RF) either side of 100Hz.
-------------------------------------
ETA: In the original 140/120Hz configuration that ARC chose, I would expect problems with dialog being directed from C to the Sub, but it should not sound laid back or soft unless your sub is underperforming. I.e., the sub is being asked to carry a lot of the burden here and if it is "loud but not accurate" for example (a rather common style of sub design), that could be problem in bass region attacks.
Another thing that would be *VITAL* to the configuration ARC chose is that you make sure your Sub is set correctly for Phase and Polarity. If you are getting cancellation between the Sub and the fronts for example because the Sub is out of Phase than the results will be a mess because the sub is carrying the load so high up in frequency. "Soft" would certainly be the result, and "laid back" might even apply.
If you only have one Sub, you can correct its Phase and Polarity without having to re-Measure for ARC.
-----------------------------------------------
ETA 2: If you take a look at the 140/120Hz configuration you can see what ARC did. ARC realized that LF and C in particular could not be made to work through the dip region. It would take too much boost. But the Sub *COULD* be set to carry the entire load through there.
And so ARC set the high crossover for LF and C to ask them to do only what they were capable of doing given your room problem, and that meant the Sub would carry basically all of the bass for them. But ARC also had to push up the crossover for the other speakers as well to get a solution. I.e., it apparently couldn't BOTH blend bass for them and take over bass for LF and C. So it took over bass for EVERYTHING. This could be due to resource constraints or to the difficulty of doing room correction for the other speakers if they were allowed to reproduce bass themselves.
--Bob
thanks for the evelation.
i have two subs and there are both in the right phase.
i shout have a big headroom with the two subs for my small room.
and the sound from the system is good - very tight bass.
but clearly there is a problem.
i just dont't now how to solve it
edit - so you think that i "only" have to solve the dips in the mains........the subs isent so critical?


















