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Anthem D2/D2v/AVM50/AVM50v/ARC1 tweaking guide - Page 1237

post #37081 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

p.las,
Well I'm not surprised you have weak bass in the all 80Hz configuration. The reason ARC has set the 140Hz crossover to begin with is the deep dip in LF and also in C, with a lesser problem in RF.

Those are really nasty.

In the all 80Hz configuration you are severely under-corrected in C and also in LF in just the critical frequencies for bass impact. ARC won't push more than 6dB boost to a speaker to protect the amp and the speaker itself if that energy is just being consumed by, say, a room cancellation null.

C in particular is a problem because in many mixes the Center channel carries the brunt of critical bass -- the bass that the mixer wants people to be able to hear even if they have no subwoofer and thus won't hear LFE.

And of course the sub can't help because you've rolled it off starting from below the problem area.

-----------------------------------

In your 120Hz configuration you are STILL severely under-corrected in C and LF, although slightly less because you've also lowered the Room Gain.

What you need to understand is that proper bass output means that BOTH the main speaker and the subwoofer have to do their job at a given frequency. Since C and LF can't meet their assigned Target output through those frequencies the resulting solution has a hole. I.e., the sub isn't filling in enough. If ARC boosted the sub output to fill in for those two, it would be incorrect both for LFE and also for the other speakers.

Now, you say that with some discs you feel you are getting too much bass in the 120Hz configuration. I suspect that might be due to you not being used to what LFE sounds like when a sub is set to reproduce the high end of LFE. I.e., you are hearing real LFE in those tracks that you had not heard before. You might not LIKE that mix, but it is "real". In the 80Hz configuration you lose the top end of LFE output so you don't hear it.

But it's still not right even with the sub back up at 120Hz, because LF and C in particular can't contribute what they are supposed to contribute when forced to use an 80Hz crossover.

-------------------------------------

The bottom line here is that you really need to address the cause of those deep dips in Center and LF (and to a lesser extent in RF) either side of 100Hz.

-------------------------------------

ETA: In the original 140/120Hz configuration that ARC chose, I would expect problems with dialog being directed from C to the Sub, but it should not sound laid back or soft unless your sub is underperforming. I.e., the sub is being asked to carry a lot of the burden here and if it is "loud but not accurate" for example (a rather common style of sub design), that could be problem in bass region attacks.

Another thing that would be *VITAL* to the configuration ARC chose is that you make sure your Sub is set correctly for Phase and Polarity. If you are getting cancellation between the Sub and the fronts for example because the Sub is out of Phase than the results will be a mess because the sub is carrying the load so high up in frequency. "Soft" would certainly be the result, and "laid back" might even apply.

If you only have one Sub, you can correct its Phase and Polarity without having to re-Measure for ARC.

-----------------------------------------------

ETA 2: If you take a look at the 140/120Hz configuration you can see what ARC did. ARC realized that LF and C in particular could not be made to work through the dip region. It would take too much boost. But the Sub *COULD* be set to carry the entire load through there.

And so ARC set the high crossover for LF and C to ask them to do only what they were capable of doing given your room problem, and that meant the Sub would carry basically all of the bass for them. But ARC also had to push up the crossover for the other speakers as well to get a solution. I.e., it apparently couldn't BOTH blend bass for them and take over bass for LF and C. So it took over bass for EVERYTHING. This could be due to resource constraints or to the difficulty of doing room correction for the other speakers if they were allowed to reproduce bass themselves.
--Bob

thanks for the evelation.
i have two subs and there are both in the right phase.
i shout have a big headroom with the two subs for my small room.
and the sound from the system is good - very tight bass.
but clearly there is a problem.
i just dont't now how to solve it

edit - so you think that i "only" have to solve the dips in the mains........the subs isent so critical?
post #37082 of 40880
^ Let me check one simple mistake to start. When using ARC you must set your speaker configuration to "1 sub", even though you actually have 2.

Next, get the AIX Audio Calibration, Blu-ray, and load up ARC's original solution (140/120). Then play the Crossover test from that disc. That will send a tone to Left Front that sweeps back and forth across the crossover frequency range. The high frequency end of that will come exclusively from Left Front. The low frequency end will come just from your subs due to the action of the Crossover for Left Front. If your 2 subs really are in phase, and ARC has properly corrected your room, the volume of that test tone should be constant across the entire frequency range of the sweep (except that your ears will likely have trouble hearing the lowest bass end of that).

Note, this won't work in either of your modified configurations for ARC due to the hole in the LF response around 100Hz.

If you DON'T get constant volume, you likely need to recheck how you set Polarity and Phase for your subs. The Measured curve for your pair of subs looks clean, which suggests they are indeed in Phase with each other, but they might still be out of Phase with Left Front.

Next use the Speaker Phase test on AIX to double check that all your main speakers are wired with the correct polarity compared to what's working for Left Front as confirmed by the Crossover test.

Also as a reminder you must have your speaker distances all set before you can do Sub Phase checks.

Start here so we can eliminate simple setup errors first.
--Bob
post #37083 of 40880
What I think is you can't use 80Hz crossovers for the mains while those dips are still there.

Let's see what you get with the checks above first (using the original ARC solution).

Then we can try lowering the crossover for the mains below the 140Hz picked by ARC, but not as far as the 80Hz you tried -- and with the subs left at 120Hz.
--Bob
post #37084 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

What I think is you can't use 80Hz crossovers for the mains while those dips are still there.

Let's see what you get with the checks above first (using the original ARC solution).

Then we can try lowering the crossover for the mains below the 140Hz picked by ARC, but not as far as the 80Hz you tried -- and with the subs left at 120Hz.
--Bob

i have set the sub for 1.
i am using a seperet Sub EQ ( svs a1) to ping the subs together.
and i have set the distance before meassuring.
i will try my AIX dics regards sveepe.
all my speakers is inn phase. In fact AIX help me to solve a problem on that matter. My frontspeakers are active, my surrounds aren't. to run these speakers i'am using JBL Amplifirers -pro units. i just didn't know that JBL pro gear was plaing inverted Phase :-) i know that now ;-)
and thank's for you time
post #37085 of 40880
I've not used the SVS EQ, so I'm not sure what you can do with it. But if it is only sending test tones to the two subs -- i.e., no tone to LF or any other main speaker -- then all it can do is help get the two subs in phase with each other. The pair of subs might still be out of phase with the mains.
--Bob
post #37086 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

I've not used the SVS EQ, so I'm not sure what you can do with it. But if it is only sending test tones to the two subs -- i.e., no tone to LF or any other main speaker -- then all it can do is help get the two subs in phase with each other. The pair of subs might still be out of phase with the mains.
--Bob

it is a Auddesey thing. it will ping the two subs together. its also sending pink noise ( i think its pink noise) out of the left frontspeaker - so the phase shout bee right.

i have just spoken to my acustikker. he said that it is a null. All standing waves and nulls, is a consequens of rum dimension. there is not much to do with the room - but he said that i shout try to take some big plades and but one up agianst the one sidewall, whit a little bit angel- and then messuere ,to see what happens. a angel wall shout eliminete standing waves and nulls.

but i will try to use ARC recomendations , and hear what happens.
post #37087 of 40880
3d kits for d2v. Is this available and if so is this user installed and for how much is the upgrade?


Thanks
post #37088 of 40880
Quote:
Originally Posted by dlynch34 View Post

3d kits for d2v. Is this available and if so is this user installed and for how much is the upgrade?


Thanks

Not available yet and don't hold your breath. I bought a D2v in September 2010 that included the upgrade. When I got my unit HDMI ports 1-4 were inoperative. I thought that I would just wait for the upgrade that was "right around the corner" and almost two years have past........
post #37089 of 40880
Quote:
Originally Posted by Stevetd View Post


Not available yet and don't hold your breath. I bought a D2v in September 2010 that included the upgrade. When I got my unit HDMI ports 1-4 were inoperative. I thought that I would just wait for the upgrade that was "right around the corner" and almost two years have past........

Do they work now?
John
post #37090 of 40880
Quote:
Originally Posted by dweltman View Post

I tried installing 2.14d and it failed twice. Going to try and reinstall 2.11 now

EDIT: now won't reinstall 2.11. Guess I am calling Anthem support tomorrow...

Oh yeah ...mine (and another poster Simon10) failed as well about 2 weeks ago. We ended up getting programming kits suggested by Anthem to reprogram the Atmel micro-controller (they sned you all the instructions and programming files). Then we had to upload the new FW which it did successfully. The process was very easy and painless. you might want to look into it if you don't want to send your unit back to Anthem for them to do the same thing.
post #37091 of 40880
Quote:
Originally Posted by dmusoke View Post

Oh yeah ...mine (and another poster Simon10) failed as well about 2 weeks ago. We ended up getting programming kits suggested by Anthem to reprogram the Atmel micro-controller (they sned you q all the instructions and programming files). Then we had to upload the new FW which it did successfully. The process was very easy and painless. you might want to look into it if you don't want to send your unit back to Anthem for them to do the same thing.

Thanks for the info. The good news is that unplugging the unit for a while seems to have done the trick, I was able to reinstall 2.11 this morning. Whew!

Not I just have to look into my 1080p60 problem
post #37092 of 40880
Quote:
Originally Posted by dweltman View Post


Thanks for the info. The good news is that unplugging the unit for a while seems to have done the trick, I was able to reinstall 2.11 this morning. Whew!

Not I just have to look into my 1080p60 problem

Glad it worked.
John
post #37093 of 40880
Hello Bob.

I have now chekked the cross over on aix test disc. And i having a hard time to hear any difference 140/120 vs 80/120. It dosens Sound like somthing is missing.
I also have tryed on film. The difference is in some Way small - there is a tab more bass on the 140/120 vs 80/120. But there is more attack on 80/120 vs 140/120. Tings that my speakers i known for. It was getting late so i have not played very loud ........- 14db
post #37094 of 40880
Has anyone tried out headphones with the D2? I have a pair of Sennheiser HD 650's and was just curious how they might sound with home theatre, and music. I'm assuming the audiophile grade DAC in the D2 splits off to the headphone output in additon to the other analog outputs
post #37095 of 40880
Quote:
Originally Posted by p.las View Post

Hello Bob.

I have now chekked the cross over on aix test disc. And i having a hard time to hear any difference 140/120 vs 80/120. It dosens Sound like somthing is missing.
I also have tryed on film. The difference is in some Way small - there is a tab more bass on the 140/120 vs 80/120. But there is more attack on 80/120 vs 140/120. Tings that my speakers i known for. It was getting late so i have not played very loud ........- 14db

OK, then it sounds like your sub Phase is good, as you thought.

Now, the next step is to see how far you can lower main speaker crossovers below 140 before you start running into trouble. I notice you also lowered Room Gain, which will also help reduce the impact of those dips and give you more room to lower main speaker crossovers.

As an experiment, start with just adjusting Center. Leave the Sub at 120. See if you can get Center down to at least 100 before the residual error through the dip exceeds 2dB below Target. That will be crucial to keep dialog out of the Sub.

Next see how far you can go down with LF/RF. Only go as far as you can before the residual error starts showing in the dip in LF.

We already know that 80Hz is too low. So the answer will be somewhere between 80 and 140. NOTE: You do *NOT* have to have all the speakers set to the same crossover. Adjust each according to its own capabilities.

Finally you can lower the Surrounds which should give you no problems.
--Bob
post #37096 of 40880
Quote:
Originally Posted by wasteofmoney View Post

Has anyone tried out headphones with the D2? I have a pair of Sennheiser HD 650's and was just curious how they might sound with home theatre, and music. I'm assuming the audiophile grade DAC in the D2 splits off to the headphone output in additon to the other analog outputs

Headphones will sound best if you play stereo content. Down-mixing multi-channel movie tracks to stereo will be OK but not great.
--Bob
post #37097 of 40880
Quote:
Originally Posted by jayray View Post

Do they work now?
John

No.

I have been getting by with the other four because I figured as soon as I pulled it out and sent it back to get fixed the update would come out. I do need two more HDMI connections but, I'm using component video and Toslink audio in the mean time.

I'm not one to complain about slow updates. I've been on the update train since the very early HD-DVD days but, this one has really frustrated me. I mean two frik'n years? Geesh.....
post #37098 of 40880
Quote:
Originally Posted by Stevetd View Post


No.

I have been getting by with the other four because I figured as soon as I pulled it out and sent it back to get fixed the update would come out. I do need two more HDMI connections but, I'm using component video and Toslink audio in the mean time.

I'm not one to complain about slow updates. I've been on the update train since the very early HD-DVD days but, this one has really frustrated me. I mean two frik'n years? Geesh.....

It is quite easy to install that daughter board. You should have called Anthem and they would have sent one out to you. Did you ever contact them?
John
post #37099 of 40880
^ It wouldn't surprise me if the problem with HDMI inputs 1-4 is simply that the current daughter board in there has come loose -- i.e., isn't properly seated.
--Bob
post #37100 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

^ It wouldn't surprise me if the problem with HDMI inputs 1-4 is simply that the current daughter board in there has come loose -- i.e., isn't properly seated.
--Bob

That has occurred a number of times so it wouldn't surprise me as well. If I called Anthem I suspect they would have told me the same.
John
post #37101 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

OK, then it sounds like your sub Phase is good, as you thought.

Now, the next step is to see how far you can lower main speaker crossovers below 140 before you start running into trouble. I notice you also lowered Room Gain, which will also help reduce the impact of those dips and give you more room to lower main speaker crossovers.

As an experiment, start with just adjusting Center. Leave the Sub at 120. See if you can get Center down to at least 100 before the residual error through the dip exceeds 2dB below Target. That will be crucial to keep dialog out of the Sub.

Next see how far you can go down with LF/RF. Only go as far as you can before the residual error starts showing in the dip in LF.

We already know that 80Hz is too low. So the answer will be somewhere between 80 and 140. NOTE: You do *NOT* have to have all the speakers set to the same crossover. Adjust each according to its own capabilities.

Finally you can lower the Surrounds which should give you no problems.
--Bob

regards room gain. i always end up with gain 2 - 2.2. shal i leave it on the calculated gain 3.3 ? or shout i lower it?
post #37102 of 40880
Quote:
Originally Posted by p.las View Post


regards room gain. i always end up with gain 2 - 2.2. shal i leave it on the calculated gain 3.3 ? or shout i lower it?

Given the severe dips, I'm surprised ARC isn't getting confused and deciding you have NO Room Gain. It may be they are just high enough in frequency that ARC is instead seeing the rise at lower frequencies as higher Room Gain.

In the ARC solution, the high (140) crossover for the speakers means Room Gain doesn't affect those. It only lifts the sub. If you really can lower the crossover for the speakers then Room Gain will lift their lower bass. You'll see this as a lift in their Target curves at lower frequencies (but above the crossover).

Now as for what to choose, lowering the Room Gain will mean less boost needed in those dips, and so you'll be able to use a lower crossover. But try to keep at least 2dB of Room Gain. Higher Room Gain, say 3 or 3.5, will make bass sound fuller but is pointless if that means the dips are not corrected.

(It is "normal" for the "real" Room Gain to be low in a large room or a room with lots of bass treatments. But if you can keep at least 2dB of Room Gain then it should sound fine. I tend to prefer somewhat more Room Gain -- perhaps 0.5 to 1.0 dB more -- in the Movie solution, which I also use for multi-channel music, then in the Music solution I only use for stereo music content.)

So I suspect you will HAVE TO lower Room Gain to have any chance of lowering the crossovers for the speakers at all while still correcting those dips.

If you can't fix the room or move the speakers, finding Targets that correct those dips (at lower crossover) has to be your priority.

--------------------------------

If like me you use your Music solution only for playing stereo music content -- whether or not you use something like PLIIx-Music to raise that into the surround speakers, then you should seriously consider excluding the Center speaker from the Music solution.

Do that by putting "n" (for "no speaker" in the ARC Targets Cutoff value for Center in just the Music column.

That means you wont have to solve the dip for Center in the Music solution, and can concentrate on solving the dip in LF.

Even folks without problems in Center like to do this to "improve the front sound stage" even when using the surrounds during playback of stereo content.
--Bob
post #37103 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

Given the severe dips, I'm surprised ARC isn't getting confused and deciding you have NO Room Gain. It may be they are just high enough in frequency that ARC is instead seeing the rise at lower frequencies as higher Room Gain.

In the ARC solution, the high (140) crossover for the speakers means Room Gain doesn't affect those. It only lifts the sub. If you really can lower the crossover for the speakers then Room Gain will lift their lower bass. You'll see this as a lift in their Target curves at lower frequencies (but above the crossover).

Now as for what to choose, lowering the Room Gain will mean less boost needed in those dips, and so you'll be able to use a lower crossover. But try to keep at least 2dB of Room Gain. Higher Room Gain, say 3 or 3.5, will make bass sound fuller but is pointless if that means the dips are not corrected.

(It is "normal" for the "real" Room Gain to be low in a large room or a room with lots of bass treatments. But if you can keep at least 2dB of Room Gain then it should sound fine. I tend to prefer somewhat more Room Gain -- perhaps 0.5 to 1.0 dB more -- in the Movie solution, which I also use for multi-channel music, then in the Music solution I only use for stereo music content.)

So I suspect you will HAVE TO lower Room Gain to have any chance of lowering the crossovers for the speakers at all while still correcting those dips.

If you can't fix the room or move the speakers, finding Targets that correct those dips (at lower crossover) has to be your priority.

--------------------------------

If like me you use your Music solution only for playing stereo music content -- whether or not you use something like PLIIx-Music to raise that into the surround speakers, then you should seriously consider excluding the Center speaker from the Music solution.

Do that by putting "n" (for "no speaker" in the ARC Targets Cutoff value for Center in just the Music column.

That means you wont have to solve the dip for Center in the Music solution, and can concentrate on solving the dip in LF.

Even folks without problems in Center like to do this to "improve the front sound stage" even when using the surrounds during playback of stereo content.
--Bob

regards the high room gain and front speakers dip. first time i was setting my system up with ARC ther was only the 3 front and the two subs - no surrounds. ARC roomgain was 0db . then i intalled the side surrounds. ARC roomgain was then 2.8.
2 month after i intalled the surround back - ARC roomgain was then 3.3db.

the thing i will do is to set the roomgain to 2.2 and then lower the cross over , just about to the point when i hit the 2 db limit - isent that the way to do it?

i hope that you are better to read my english, than i am to right it :-)
post #37104 of 40880
Hello,

I'm wanting to know if anyone in thread has AVM50v connected to a HTPC.

I have had an AVM50 for years and am very familiar with Anthem products, setting up and updating firmware.

When I had the AVM50- I used a ATI 4670 with 10.8-11.4 catalyst driver and the Realtek HDMI audio drivers and recently an Intel HD3000 for graphics and HDMI audio.

I never really had any problems other than with the Intel HD3000 I could not playback DTS MA 7.1 discrete tracks.

I just recently recieved my AVM50V and I'm in the early stages of testing it out with my HTPC.

I was having problems playing back DVD's and I would just be kicked out of the movie and back to Media Browser. To me the AVM50V is having problems locking on the audio. I played back I Robot on Blu Ray and that seemed to play fine. I will test more tonight on DVD and Blu Ray playback.

Anthem AVM50V is on 2.11 firmware. I will be updating it tonight to 2.14d


My current Setup:
HTPC-AVM50V-Sony VPL-VW100
Intel I5(HD3000) Latest Intel Video and Audio Drivers
Windows 7 32 Bit
Media Browser 2.53
Arcsoft TMT 5 version 5.120

If anyone has a specific known working setup please describe the hardware used( Intel, AMD, Nvidia) and drivers used.


Thanks in advance for everyone's help.

Cheers Jason
post #37105 of 40880
Quote:
Originally Posted by p.las View Post

regards the high room gain and front speakers dip. first time i was setting my system up with ARC ther was only the 3 front and the two subs - no surrounds. ARC roomgain was 0db . then i intalled the side surrounds. ARC roomgain was then 2.8.
2 month after i intalled the surround back - ARC roomgain was then 3.3db.

the thing i will do is to set the roomgain to 2.2 and then lower the cross over , just about to the point when i hit the 2 db limit - isent that the way to do it?

i hope that you are better to read my english, than i am to right it :-)

Experiments like this take no time at all since you are just recalculating the charts. I suggest you start by seeing how low you can go with Crossover using the Room Gain ARC found.

And THEN lower the Room Gain to, for example, 2.2, and see how much LOWER (if any) you can go with Crossover.

Again keep in mind that it's OK to have different crossover values for the different speakers. Keep the sub at 120 while doing all this.
--Bob
post #37106 of 40880
Quote:
Originally Posted by Bob Pariseau View Post

Experiments like this take no time at all since you are just recalculating the charts. I suggest you start by seeing how low you can go with Crossover using the Room Gain ARC found.

And THEN lower the Room Gain to, for example, 2.2, and see how much LOWER (if any) you can go with Crossover.

Again keep in mind that it's OK to have different crossover values for the different speakers. Keep the sub at 120 while doing all this.
--Bob

yes - ARC is very user friendley.

when i listen to the 80/120 setup vs 140/120 ARC it dosen't seam's to be much off a difference regards bas. that is surpricing when i look at the graphs. the graphs indicating that there shout be som lack off bass in the 80/120 vs 140/120 - but there aint
post #37107 of 40880
I have an Anthem AVM50v. When I power off my system I get a low level pop from my speakers. Anyone have an idea on what might be causing this?
post #37108 of 40880
Quote:
Originally Posted by cougar75 View Post

I have an Anthem AVM50v. When I power off my system I get a low level pop from my speakers. Anyone have an idea on what might be causing this?

Not a big deal if it is a low level. In most cases it is amplifier which does this pop.
post #37109 of 40880
I get a similar pop it is due to my amps turning off after the AVM.
post #37110 of 40880
I also get the pop when i turn off my D2v and it can be loud if the prior volume was load. This is the first pre-pro that i've had with such an audible turn-off pop. I wish there was a way to reduce/eliminate the pop
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