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High-end network music player - Page 3

post #61 of 298
Quote:
Originally Posted by Dizzman View Post

I mean if a Video player with both digital surround and the video does not need it, why does the audio playback?

I AM NOT TALKING THEORY!!!!!!!! I am talking for real.

You may want to qualify that to exclude PAL. There is a 5% speedup problem with PAL that is corrected via an external 100khz Master Clock. You can read about it on the Esoteric website. Television studios use atomic global master clocks but primarily for time synching.
post #62 of 298
Quote:
Originally Posted by QQQ View Post

Could you elaborate on this. How are you able to access your media with the PC off? What "enables" that feature? Is it the fact that your Infrant is acting as a web server and the Slimbox can access your music that way?

Edit: I looked at the web site and see that Infrant is preloading the NAS with Slimbox software to enable this.

Sure, the Infrant 'CPU' runs Slimserver (the Squeezebox & Transporter software) on their NAS products (600, X6, NV, even after-market NAS devices featuring the Infrant board). As I mentioned, the PC interface is quite handy for setting up the player, building playlists, customizing user settings, and a myriad of other tasks (see the Slimserver page here.), but one of the most important aspects of the interface is that these same functions (for the most part) can be accessed via the remote control and verified on the VFD. Looking at the Transporter remote, it appears to be even more versatile.

When I have guests over or simply want some mood music for various extracurricular activites, the last thing I want to be doing is dicking around with my PC. If I was listening to one of my mellow playlists when I shut off the Squeezebox, I just grab the remote and hit the PLAY button (yes, only 1 button since my bedroom amp has auto-signal sensing) and viola', instant romance! Else, I just click through the "Now Playing" menu and select the correct playlists or favorites, done deal.

I keep my NAS in a basement storage room plugged into a UPS, then route the data via gigabit switch to my Squeezeboxes.



Nice audio setup, no? Jealous OB?

You can download and play with Slimserver for free from the Slim Devices website.

BTW, since I switched to the Home Depot steel & particle board rack, it is as if a 'veil' has been lifted from the music. The bass is 'tighter', the highs 'airier', and the soundstage has gotten both deeper and wider. Although, I still prefer the sound of CAT5e cables over newer CAT6.

p.s. QQQ, I promise to clean out my inbox soon

p.s.s If anyone is coming to Denver for CEDIA I would love to get together with the folks I have come to know via this forum and finally put some faces to the various screen names. I'm a Denver local, so if you need any intel on Denver, please PM me (after I clean out my inbox and make room that is)
post #63 of 298
Thread Starter 
Dizzman,
Quote:


Has anybody compared a "non" externally clocked network audio player to one that is?

No, probably not. But I don't think it's necessary to get this specific. The network aspects of the player really don't figure into quality issues here. The prebuffering you get in a network player is not materially different from the prebuffering you can get from a good transport.

It's entirely reasonable, IMO, to extrapolate experience from standard RedBook transports to this setting. The question really boils down to the clocking architecture of the audio connection (master/slave versus standard S/PDIF-style clock recovery): which delivers less jitter to the analog outputs, and whether such jitter is audible in the first place.

So, is jitter audible at the levels that occur in commone equipment? Well, I'm not willing to say no, for two reasons. First, I haven't personally done the blinded listening tests. And second, I understand the physical mechanism by which jitter corrupts an analog signal, having encountered it in my own work. So because I am certain that jitter produces measurable differences, I'm willing to consider the possibility that those differences are also audible. I'm skeptical, but that's as far as I'll go.

This is in stark contrast to tweaks that claim to actually alter the bitstream---which is of course a load of crap.
post #64 of 298
Quote:
Originally Posted by CINERAMAX View Post

These jitter readings are in ps, I thought that jitter is traditionally measured in BERTs? (Bit Error Rates).

This VIDEO demonstrates an applications procedure for testing BER.

BER is a result that can be predicted by knowing jitter, but now we are talking about jitter as it pertains to high-speed communication, not audio. the implications are different.

On a gig ethernet line for example, if you have too much jitter you will lose bits because the data may be misaligned with the clock. This is not really an issue in audio - instead we are concerned with how clean the received clock signal is, something that does NOT matter in telecom provided it is clean enough to receive the data.

To predict BER you look at the distribution of the jitter and the figure out the probably of a cycle being far enough out on the outlying "tails" of the distribution that it would cause a bit error.

Hopefully you get a very small number, maybe one bit error every couple years or something. That is why it is done this way - it is not feasible to measure a statistically significant number of _actual_ errors, but you can predict them by knowing the jitter. Thus you (more or less) can get the figure in seconds instead of decades.

So BER is not a unit of jitter. However, there is one other very common unit you will see which is "UI" or "unit interval". This just means whatever fraction of one clock cycle, and can be converted back and forth to (pico)seconds depending on the clock rate.
post #65 of 298
Quote:
Originally Posted by CINERAMAX View Post

Television studios use atomic global master clocks but primarily for time synching.

Gee, and i thought they used things like a grass valley frame synchronizer
post #66 of 298
Quote:
Originally Posted by Mr.Poindexter View Post

T, you do realize the $20K component membership requirement isn't for a lifetime? It has to be renewed every 3 years with another component or you get kicked out of the club. We'll all miss you dearly.


Fine.. this is one club I can stand to get kicked out of!
post #67 of 298
Quote:
Originally Posted by Michael Grant View Post

Has anyone built a DIY audiophile-quality streaming music server, one which specifically feeds to an external DAC supplying a master clock? I mean, I know you and I have looked at various sound cards, etc., but I know I've not bothered to actually build one.

I don't think anyone else has, either. And that points to a rather large difference here. In the ways that matter (to you in particular), the Transporter is truly unprecedented.

I agree. Still... $1700... I would only buy if I could get an eval unit to compare against my DCS transport. I am not interested in trading sound quality for convenience.
post #68 of 298
But T, even assuming for purposes of discussion there is an audible difference in sound quality, it still does not have to be either/or. It can be both.

-----------------------------------
Ron Party
post #69 of 298
Quote:
Originally Posted by Dizzman View Post

here is the question though... Has anybody compared a "non" externally clocked network audio player to one that is?

Do we really need that when we have a clean TCP/IP stream coming in? I mean if a Video player with both digital surround and the video does not need it, why does the audio playback?

I AM NOT TALKING THEORY!!!!!!!! I am talking for real.

I just placed an order for a Transporter, so if anyone here in the NY/NJ area wants to give it a shot when I receive it in September, I'm more than happy to coordinate. (my DAC does not have a word clock output , so I would need someone else who has one).

Also fyi - I just signed up as a reseller for SlimDevices, so obviously from this point forward, my comments on the subject are no longer unbiased....
post #70 of 298
Thread Starter 
A simple test would be to compare a Transporter to a SqueezeBox. Connect the S/PDIF optical or coax ouptuts of both to the DAC in question, and the master clock output of the DAC to the Transporter. I believe you can actually sync the streams being sent to both devices, so they both can play the same tune at the same time, with only a small delay between them due to differences in network timing and clocking delays.

If jitter really matters at these levels, this kind of test is likely to reveal it. The bits, after all, will be the same between the two.
post #71 of 298
But what if one stream uses Monster Cable and the other uses Belden. THAN you could be hearing the differences between the cable!

post #72 of 298
Thread Starter 
You got me there!
post #73 of 298
Quote:
Originally Posted by QQQ View Post

But what if one stream uses Monster Cable and the other uses Belden. THAN you could be hearing the differences between the cable!


No worries...I will use a coat hanger for both...
post #74 of 298
Quote:
Originally Posted by PhilNYC View Post

Also fyi - I just signed up as a reseller for SlimDevices, so obviously from this point forward, my comments on the subject are no longer unbiased....

Hey everyone; PhilNYC is going to sponsor an unbelievable super special power buy price for AVS Forum members! Pass it on!
post #75 of 298
if anyone in the bay area is going to resell these or has one I can borrow for a night of testing, that would be great to hear.

Ron, I agree, but hoping to achieve equal sound quality to my current setup, with an increase in convenience is too much to hope for... but I am eternally optimistic, hence my desire to evaluate.
post #76 of 298
JetLag...eh...you do realize that the SlimDevices CEO is reading this forum, right...?

tcuzz...if you order from SlimDevices' website, there's a 30 day return policy...
post #77 of 298
hey Phil, I realy like my new handle 'tcuzz' ... very nice.
post #78 of 298
Quote:
Originally Posted by tzucc View Post

hey Phil, I realy like my new handle 'tcuzz' ... very nice.

I don't know if it's the Lagavullin, but definitely LOL!

------------------------------
Ron Party
post #79 of 298
Quote:
Originally Posted by PhilNYC View Post

No worries...I will use a coat hanger for both...


Nice.

That must be the new cat-9 cabling standard that I've been hearing so much about. I'm sure we'll see monster introduce a new line of networking cables that will become very successful. Their new nine-tails/tales line.

And to think, all these years people have been mastering, editing, and storing digital audio sent through ethernet networks with all this jitter. Maybe we can get them to go back and redo it all.

Make sure you replace the power cord (but only up to the wall plate)
http://www.psaudio.com/products/xstr...c_overview.asp

post #80 of 298
tzucc...sorry, was posting from my Treo, and my thumbs got crossed...

bleair...ask Chu Gai about the coat hanger...
post #81 of 298
I am using Air-Tunes through my house music system. Meaning I can play all of my I-tunes songs in any zone via any of my computers around the house.... What sets this apart from the simple and reliable Airtunes (811G also)?
post #82 of 298
Quote:
Originally Posted by thebland View Post

I am using Air-Tunes through my house music system. Meaning I can play all of my I-tunes songs in any zone via any of my computers around the house.... What sets this apart from the simple and reliable Airtunes (811G also)?

In addition to doing the same thing you are doing with Air-Tunes, the theory is that you get higher sound quality because of the attention they paid in the design and selection of quality parts. Asides from that, you can look at the spec sheet to see all of the other functions (eg. word clock, RS-232 port for integration with Crestron et al, digital-input allowing cable/satellite-box/playstation/xbox/etc to use the internal DAC, etc)...

The basic SlimDevices Squeezebox is more similar to AirTunes (although still slightly more expensive)...
post #83 of 298
Quote:
Originally Posted by PhilNYC View Post

tzucc...sorry, was posting from my Treo, and my thumbs got crossed...

bleair...ask Chu Gai about the coat hanger...


Oh Crap... i did not need to know that i can feed this addiction from my treo!
post #84 of 298
Quote:
Originally Posted by thebland View Post

I am using Air-Tunes through my house music system. Meaning I can play all of my I-tunes songs in any zone via any of my computers around the house.... What sets this apart from the simple and reliable Airtunes (811G also)?

No DRM!
post #85 of 298
Check this out!
http://inguzaudio.com/RoomCorrection/

Room correction for the squeezebox.
post #86 of 298
nice link Jermmd.
post #87 of 298
Quote:
Originally Posted by PhilNYC View Post

JetLag...eh...you do realize that the SlimDevices CEO is reading this forum, right...?

Wait, so are you saying you won't be doing a power buy?

Jeff
post #88 of 298
Quote:
Originally Posted by tzucc View Post

yeah, got it, in fact, we may have gotten it before you got it... as MG says, we've been talking about this for years. Nonetheless, happy to see someone finally do it. I don't see why the box has to cost $1700 though, but that's your decision.

I would DIY with an HTPC and one of those high end audio cards that takes in a master clock, but the concept of fan noise from the HTPC power supply pretty much kills that solution.

There are passive power supplies out there, Antec Phantom to name one if thats an issue.

There is no reason why a computer now a days should output more than 25db at any given time.
post #89 of 298
Quote:
Originally Posted by Jonomega View Post

There are passive power supplies out there, Antec Phantom to name one if thats an issue.

I use Antec Phantom with Valhalla power cord and PS Audio Power Plant. See 10 MB video. It's better than $4000 Cary 303/300 as transport.
post #90 of 298
Quote:
Originally Posted by ValhallaPC View Post

I use Antec Phantom with Valhalla power cord and PS Audio Power Plant. See 10 MB video.

I think your video would be much better and get your point across in a far superior fashion if it were really shaky and poorly focused like the serious "artsy" clips you sometimes find on YouTube and elsewhere
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