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Samsung HLS-5679W LED DLP Owners Thread (*NO PRICE TALK) - Page 29

post #841 of 2915
Quote:
Originally Posted by orsetto View Post

Something I've been wondering about current consumer displays, and specifically the HLS series, is if the primaries are sufficiently saturated to cover the entire color gamut of the HD standard.

If so by what margin (i.e., how much more is the display capable of), and is there a way to see the richer colors (maybe RGB over HDMI instead of YCbCr?)

If not, how close do current displays come, and is the HLS-xx79 capable of displaying a wider gamut of colors than the 87/88?

I'm sure this has been discussed on avsforum but I was unable to find answers via search. Pointers to old threads are welcome. If my question makes no sense because I'm confused, please tell me I'm confused. By the way, is ITU-R BT.709 the actual broadcast standard that governs the HD color gamut?

They definitely are wide enough or the results I have achieved would not be possible. These LED sets have the widest gamut I have seen because the primaries are very saturated. You would need to deactivate CCA in the service menu to see them. 709 is the standard that governs HD color space.
post #842 of 2915
Hi Jeff

I was reading that you were able to correct the banding issue for the 5679.
I was wondering if you could give us more details as to what adjustments
you made to correct the banding issue.

I am already having the digital board replaced. I would suggest that everybody
contact samsung and let them know that the banding issue is unacceptable
and needs to be corrected.

Thanks
Stephen M.
post #843 of 2915
Quote:
Originally Posted by umr View Post

They definitely are wide enough or the results I have achieved would not be possible. These LED sets have the widest gamut I have seen because the primaries are very saturated. You would need to deactivate CCA in the service menu to see them. 709 is the standard that governs HD color space.

It appears, on the surface at least, that you were happy with the results you achieved with this set.

How can you (or anyone) tell if RBE has been eliminated? I assume we dont need violent head shaking to see if it is produced, LOL. Is it something that can be deduced by having no color wheel, and the speed of the machine changing LED's, etc.?

The only thing that has traditionally kept me away from DLP was the RBE, I haven't witnessed it personally, but my wife has gotten a headache twice at our friends house watching movies, I assume caused by RBE/eye strain, or something.

Now with this technology I was to re-visit DLP, until the severe color banding issue popped up, but it sounds as if you can calibrate that out of this set.

Is this the set to beat in your opinion? Or is SSE still the only flaw, which is also quite evident in the LcOs sets currently?

Thanks for any insight.

Doug
post #844 of 2915
Quote:
Originally Posted by umr View Post

I just finished calibrating one of these today. The display turned out very nice. The initial mode was Movie. The banding problem is fixable in the service mode. The weakest element of this display is the black level is higher than the lamp based HLS series products. The reports of the iris not being adjustable are also false.

I have attached the calibration data to this post.

I own the 5679 Set that UMR calibrated yesterday. First things first, the difference is stunning. I went from an absolutely unwatchable "custom" mode to a beautifully colored picture with none or *very* little banding in custom mode. When I say very little I mean equal to or less than the previously uncalibrated movie mode. Now I leave movie mode alone and go custom for everything. He does have some minor tweaks in the user menu depending on my source but the overall user menu stuff leaves sharpeness off (zero), and contrast set at 95 or 100 depending on the source.

The only real downside of the set that he could see what the contrast ratio looked to be around 1000:1 but I honestly don't think I could tell the difference in my viewing area.

Another major improvement he made was black levels. I used to see a thin grey stripe in the black bars on certain SD Dish Network channels (namely Sci-Fi). That strip is supposed to be invisible but showed up on my set pre-calibration. He can get into the details of that as I don't know what he did to correct it. It's gone now.

To sum things up:

1) I no longer use movie mode. Post-Calibration custom mode blows away movie mode pre-calibration.

2) My colors are now balanced and the "cartoonish" colors are gone. The colors are consistent from source to source. He took extra time to examine my Dish VIP622 HD-DVR, my Samsung 1080p DVD player, and my OTA signal.

3) My black levels are vastly improved which makes me very happy. This not only adds depth I can percieve but removes artifacts on the screen in many cases (that damn thin grey line on the black bar)

He's also very knowlegable about audio but I don't have much to work with in that department, yet.

I would also like to add the UMR came *exactly* when he said he would and was very professional. That's saying a lot because he traveled from Texas to North Carolina on this tour. I sure hope he's around when I get my next set.

There's a consumer reports post for calibrators somewhere on the forums but I forget where. Can someone tell me where to post this great experience in the proper place?
post #845 of 2915
Quote:
Originally Posted by stephenpackers1@ View Post

Hi Jeff

I was reading that you were able to correct the banding issue for the 5679.
I was wondering if you could give us more details as to what adjustments
you made to correct the banding issue.

I am already having the digital board replaced. I would suggest that everybody
contact samsung and let them know that the banding issue is unacceptable
and needs to be corrected.

Thanks
Stephen M.

I was going to have my board replaced as well but the timing worked out wrong. UMR showed up first and fixed everything. I'm glad because I wasn't thrilled about a Samsung tech touching my pristine factory-installed set.
post #846 of 2915
Don't waist your time changing the board to fix the color banding. Samsung was going to replace my board, but opted to replace the entire set because of the lack of parts. The new TV arrived last week and it still has the color banding in all modes except movie mode. I will be getting my television calibrated in the next few weeks. I wish I could complain enough to Samsung to get them to pay for the calibration since they did such a horrible job setting them up.
post #847 of 2915
NOW ..... will UMR travel to Canada ????

Hahahaha, guess not. But if anyone knows of a good CALIBRATION guy near or in Ottawa, Canada ... Please let me know.

Still on the fence between this set and the 52" Sammy LN-S5296D LCD Set. It's just that I know I see pixel break-up on LCD. Not sure if this is corrected with the new LCD models on the market. Either way .. "GOTTA GO SAMSUNG" .....

BTW, if you did not see it GO HERE and see that the LED DLP came second for best showing in Projection sets at "Best @ CEDIA". SXRD is nice .. but lamp replacment at 3000 hours and no 1080p over VGA or Component ... Nahhh ... I'll stay on the Sammy side of things.
post #848 of 2915
Quote:
Originally Posted by Mikey_Gee View Post

NOW ..... will UMR travel to Canada ????

Hahahaha, guess not. But if anyone knows of a good CALIBRATION guy near or in Ottawa, Canada ... Please let me know.

Still on the fence between this set and the 52" Sammy LN-S5296D LCD Set. It's just that I know I see pixel break-up on LCD. Not sure if this is corrected with the new LCD models on the market. Either way .. "GOTTA GO SAMSUNG" .....

BTW, if you did not see it GO HERE and see that the LED DLP came second for best showing in Projection sets at "Best @ CEDIA". SXRD is nice .. but lamp replacment at 3000 hours and no 1080p over VGA or Component ... Nahhh ... I'll stay on the Sammy side of things.

I'm pretty sure he travels all over the place if you're willing to wait till he's on tour near your area. He acutally drove from Washington D.C. to Charlotte (5-6 hour drive?) to do my job for a little extra traveling expense. I waited almost 3 months and it was well worth it.
post #849 of 2915
Quote:
Originally Posted by jrdnyquist View Post

I own the 5679 Set that UMR calibrated yesterday. First things first, the difference is stunning. I went from an absolutely unwatchable "custom" mode to a beautifully colored picture with none or *very* little banding in custom mode. When I say very little I mean equal to or less than the previously uncalibrated movie mode. Now I leave movie mode alone and go custom for everything. He does have some minor tweaks in the user menu depending on my source but the overall user menu stuff leaves sharpeness off (zero), and contrast set at 95 or 100 depending on the source.

The only real downside of the set that he could see what the contrast ratio looked to be around 1000:1 but I honestly don't think I could tell the difference in my viewing area.

Another major improvement he made was black levels. I used to see a thin grey stripe in the black bars on certain SD Dish Network channels (namely Sci-Fi). That strip is supposed to be invisible but showed up on my set pre-calibration. He can get into the details of that as I don't know what he did to correct it. It's gone now.

To sum things up:

1) I no longer use movie mode. Post-Calibration custom mode blows away movie mode pre-calibration.

2) My colors are now balanced and the "cartoonish" colors are gone. The colors are consistent from source to source. He took extra time to examine my Dish VIP622 HD-DVR, my Samsung 1080p DVD player, and my OTA signal.

3) My black levels are vastly improved which makes me very happy. This not only adds depth I can percieve but removes artifacts on the screen in many cases (that damn thin grey line on the black bar)

He's also very knowlegable about audio but I don't have much to work with in that department, yet.

I would also like to add the UMR came *exactly* when he said he would and was very professional. That's saying a lot because he traveled from Texas to North Carolina on this tour. I sure hope he's around when I get my next set.

There's a consumer reports post for calibrators somewhere on the forums but I forget where. Can someone tell me where to post this great experience in the proper place?

Hi, congrats!!! same experience here, except that my calibrator worked on Movie Mode, now the colors are stunning, black levels etc.... is like having a new TV.

Do a search for "htwaits" ISF Calibration Customer Reports, he will post your experience right under mine in the 5679 calibration report.

Enjoy.
post #850 of 2915
Quote:
Originally Posted by jrdnyquist View Post

I'm pretty sure he travels all over the place if you're willing to wait till he's on tour near your area. He acutally drove from Washington D.C. to Charlotte (5-6 hour drive?) to do my job for a little extra traveling expense. I waited almost 3 months and it was well worth it.

I think Canada may be a bit much for him ....... and a bit to much $$$ for me to pay

post #851 of 2915
How is the SSE effect, post calibration, is that controllable?

Thanks
post #852 of 2915
Quote:
Originally Posted by jrdnyquist View Post

I'm pretty sure he travels all over the place if you're willing to wait till he's on tour near your area. He acutally drove from Washington D.C. to Charlotte (5-6 hour drive?) to do my job for a little extra traveling expense. I waited almost 3 months and it was well worth it.


So what's the secret to getting rid of the banding? There's about zero chance I could convince my wife to shell out for a calibration after spending the ca$h on the TV. I don't need perfection, but getting closer would be nice.
post #853 of 2915
Quote:
Originally Posted by umr View Post

They definitely are wide enough or the results I have achieved would not be possible. These LED sets have the widest gamut I have seen because the primaries are very saturated. You would need to deactivate CCA in the service menu to see them. 709 is the standard that governs HD color space.

Hi Jeff:

I am glad you have been able to tackle the banding or polarization artifact of these sets, I am very happy with Movie Mode after ISF calibration.

Maybe you can answer this question, which I ran into, purely by chance after my set was calibrated in Movie Mode, but still has the the banding artifact in the other Modes.

I started playing back HiDef tapes (MiniDV) from my recently adquired HV-10 Canon camcorder that records in HiDef 1080i thru the Firewire connection using D-Net and thru component connection straight from the camcorder (the HV-10 does not have an HDMI out connection) and while playing on Movie Mode everything was perfect, no banding and colors superb, so I said let's try the other modes on the recorded tapes.

To my surprise STD, Custom, and Dynamic Modes showed NO BANDING ARTIFACT!! anywere, shadows, dark scenes, available light shots, you name it, NADA!!

I was even able to turn on DNle while watching the tapes on Dynamic Mode and you guess it, No banding..... I even recorded in SD, played back the tapes in ALL the Modes and no banding.

Any ideas ???........Is this baby so sensitive that it can discriminate what kind of signal is being fed ????
Your input will be greatly appreciated.
Thanks You.
post #854 of 2915
Quote:
Originally Posted by jrdnyquist View Post

I'm pretty sure UMR travels all over the place if you're willing to wait till he's on tour near your area. He acutally drove from Washington D.C. to Charlotte (5-6 hour drive?) to do my job for a little extra traveling expense. I waited almost 3 months and it was well worth it.

I'm including a link to your post about UMR's calibration. I somehow missed it.
post #855 of 2915
Quote:
Originally Posted by luidoly View Post

Do a search for "htwaits" ISF Calibration Customer Reports, he will post your experience right under mine in the 5679 calibration report.

Enjoy.

Done.

It's best to PM me if I miss a calibration post like I did today.

The easy way to find the calibration list is to use the link at the bottom of my posts or use a "user name" advanced search on "htwaits".
post #856 of 2915
Quote:
Originally Posted by ><</strong> View Post

So what's the secret to getting rid of the banding? There's about zero chance I could convince my wife to shell out for a calibration after spending the ca$h on the TV. I don't need perfection, but getting closer would be nice.

You might try a copy of the DVE calibration disk along with the "Eliab-David Abrams" instructions, and using "movie" mode.
post #857 of 2915
Quote:
Originally Posted by luidoly View Post

To my surprise STD, Custom, and Dynamic Modes showed NO BANDING ARTIFACT!! anywere, shadows, dark scenes, available light shots, you name it, NADA!!
I was even able to turn on DNle while watching the tapes on Dynamic Mode and you guess it, No banding..... I even recorded in SD, played back the tapes in ALL the Modes and no banding.
Any ideas ???........

8-bit HDMI vs. 10 (or 12) bit firewire?
post #858 of 2915
Quote:
Originally Posted by jrdnyquist View Post

I own the 5679 Set that UMR calibrated yesterday.

I'd be very interested to hear how much SSE your set has (particularly compared to other Samsungs). The in-store 5679 I saw appeared to have significantly less than the 5687, but its pic (in the absence of calibration) was so messed up generally that it was hard to tell what was going on. Thanks.
post #859 of 2915
Quote:
Originally Posted by trefork View Post

8-bit HDMI vs. 10 (or 12) bit firewire?

Well maybe or not so, how can you explain the fact that I get no banding when I feed the tape thru componet inputs either.???.......In addition I use HDMI for my STB and DVD player connection and I get no banding in Movie Mode.????
Thanks,
post #860 of 2915
Quote:
Originally Posted by Mikey_Gee View Post

I think Canada may be a bit much for him ....... and a bit to much $$$ for me to pay


I doubt it would be much more expensive, but I do not take my equipment out of the USA. I have no desire to have problems with US or foreign customs. I do come very close to Canada and have traveled there in the past for my previous job. I will say these sets are even more difficult to calibrate than the lamp based HLS products. The very saturated primaries are also likely to cause even more problems with less than stellar measurement equipment.
post #861 of 2915
Quote:
Originally Posted by DReilly1 View Post

How is the SSE effect, post calibration, is that controllable?

Thanks

Silk Screen Effect? I haven't noticed it pre or post calibration. Maybe UMR can comment more because I've never witnessed it on this set.
post #862 of 2915
SSE is lower on these displays because they are not setup to be torches. They tend to output less light which is a good thing for most people.
post #863 of 2915
Thanks for answering, and by the way, those that have used you to calibrate seem incredibly impressed.

Congrats on being so good and thorough, there need to be more techs like you so we all dont need to wait 3 months, LOL

Thanks again.

Doug
post #864 of 2915
To bad you don't bring you stuff to Canada .... but your reason is MORE THAN understandable.

I will try to find a local guy to calibrate the set if I feel I really need it. If I get it home and it blows me away, well I will keep it like that for a while. After all, I am coming from a 32" CRT RCA set that is about 10 years old.

Actually I spend 10 years as a Videographer / Editor and have courses on color correction and calibration of Hue and contrast. Not sure if this is what you do or not. I am sure you go MUCH DEEPER than that, but at least my past job will give me a bit of an edge.

I am sure their are better out there, but I use the Home Theater Calibration DVD from "DISCWASHER DIGITAL" to help with my greys, blacks, whites and prime colors. It also has audio calibration for DTS and Dolby Digital which is nice.

It addresses
-Contrast/Black Level Setup
-Brightness Setup
-Sharpness Set-up
-Color and Tint Setup

It is a few years old, but I find it works not to bad.

Do you go into a service menu ??? I assume you do !!! Anyway us "COMMON FOLK" can get access to it and will it be useful in correcting the overscan issues some have seen?

Cheers



Quote:
Originally Posted by umr View Post

I doubt it would be much more expensive, but I do not take my equipment out of the USA. I have no desire to have problems with US or foreign customs. I do come very close to Canada and have traveled there in the past for my previous job. I will say these sets are even more difficult to calibrate than the lamp based HLS products. The very saturated primaries are also likely to cause even more problems with less than stellar measurement equipment.
post #865 of 2915
This morning I was messing around and changed some settings on my cable box. It can output 480i,720i,720p and 1080i. I changed it to only output 1080i and that moved the bar to the other side. So I selected 720p AND 1080i and that seems to have fixed my problem. I don't even have the messed up picture between SD and HD switching. YEAH!!

I am now hooked up with HDMI, yeah. I then went into the service menu and still couldn't find the overscan on/off toggle. I can't even find it grayed out.

Finally, can anyone recommend a OTA antenna? It should be a crime to not have the world series in HD and ALL football games for that matter.

Thanks
post #866 of 2915
Where are the user pics?!
post #867 of 2915
Anyone with a PC hooked to their TV who wants to try 720p and 1080p VERY NICE HD movie clips, go
HERE FOR FILES

Like to know how it will look on the set.

Let's us know and maybe even some Pics to go with it.
post #868 of 2915
Quote:
Originally Posted by Mikey_Gee View Post

...Actually I spend 10 years as a Videographer / Editor and have courses on color correction and calibration of Hue and contrast. Not sure if this is what you do or not. I am sure you go MUCH DEEPER than that, but at least my past job will give me a bit of an edge.

I am sure their are better out there, but I use the Home Theater Calibration DVD from "DISCWASHER DIGITAL" to help with my greys, blacks, whites and prime colors. It also has audio calibration for DTS and Dolby Digital which is nice.

It addresses
-Contrast/Black Level Setup
-Brightness Setup
-Sharpness Set-up
-Color and Tint Setup

It is a few years old, but I find it works not to bad.

Do you go into a service menu ??? I assume you do !!! Anyway us "COMMON FOLK" can get access to it and will it be useful in correcting the overscan issues some have seen?

Cheers


These new displays are more difficult to color correct than a professional CRT monitor. The problem is the primaries and color decoder are not correct so a simple hue, gray scale and tint adjustment will not result in accurate colors. You must adjust the primaries, secondaries and the color decoder which requires some expensive equipment and service mode understanding.

I would just work with Movie mode if you are going to do this yourself. Just realize you are starting with the initial tristimulus.
post #869 of 2915
^^

Ahh, got ya !!

Any names you know of in the Ontario area of Canada ???And do not know the term tristimulus ....

Thank you very much for the info BTW !
post #870 of 2915
Mike,

I do not know who would go to your area. The tristimulus data I was refering to is this chart.

http://www.avsforum.com/avs-vb/attac...chmentid=66674

Note that the red is too blue, green is very yellow, yellow is too red, magenta is too blue, cyan is too blue and white is too blue. It will be next to impossible to fix this without instrumentation.

Here is what you would like to see when it is done.

http://www.avsforum.com/avs-vb/attac...chmentid=66673
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