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PANASONIC 65" 1080p PLASMA (TH-65PX600U) Owners Thread - Page 8

post #211 of 737
Quote:
Originally Posted by R Harkness View Post

As I've mentioned before, I've actually experimented with ND filter gel on my Panasonic plasma, and it's fascinating to see a plasma with such deep black levels. But of course I do take a hit on overall brightness to get it there, and the NG gel isn't optical-quality, and so there's a little hit in clarity.

It seems to me very good, but I think still not as vividly rich as the Pioneer models. When I see the new Pro FHD1 and the 60" Pioneer I can hardly believe how richly colored those displays are.

You comments about testing the Neutral Density filter made me think about one of the differences between the (non-Elite) Pioneer 6070 and the forthcoming Pioneer Elite 1540, that distinction being that the Elite display has what Pioneer terms their "First-Surface PRO Color Filter". I read a blurb on Vann's web site that describes this is as:

"Reducing reflected light is critical to producing accurate color values. In the PRO1540HD, Pioneer has eliminated one layer of internal glass by instead using a new First Surface PRO Pure Color Filter. This optical-grade filter is actually bonded directly to the plasma glass, eliminating refracted light. This results in sharper, more accurate color images even in a brightly lit room."

Does that sound like Pioneer is using a ND filter? I believe this is the same filter that is being used on the Pro FHD1, which should bode well for the 1540's potential for having the best black levels from a big Pio this model year. At any rate, I agree with your comments about the vivid richeness of the Pios and have been giving serious consideration to going with a 1540 for now, and waiting on the plus-sized 1080p display technology to mature a bit. I'll be most interested to read your thoughts on this display, once you get a chance to see the 1540, which I'm told is coming early in November.
post #212 of 737
So by reading all of this....the new 65" Panny does not have deep black levels like the 9th gen smaller models?
post #213 of 737
Quote:
Originally Posted by zaracsan View Post

You comments about testing the Neutral Density filter made me think about one of the differences between the (non-Elite) Pioneer 6070 and the forthcoming Pioneer Elite 1540, that distinction being that the Elite display has what Pioneer terms their "First-Surface PRO Color Filter". I read a blurb on Vann's web site that describes this is as:

"Reducing reflected light is critical to producing accurate color values. In the PRO1540HD, Pioneer has eliminated one layer of internal glass by instead using a new First Surface PRO Pure Color Filter. This optical-grade filter is actually bonded directly to the plasma glass, eliminating refracted light. This results in sharper, more accurate color images even in a brightly lit room."

Does that sound like Pioneer is using a ND filter? I believe this is the same filter that is being used on the Pro FHD1, which should bode well for the 1540's potential for having the best black levels from a big Pio this model year. At any rate, I agree with your comments about the vivid richeness of the Pios and have been giving serious consideration to going with a 1540 for now, and waiting on the plus-sized 1080p display technology to mature a bit. I'll be most interested to read your thoughts on this display, once you get a chance to see the 1540, which I'm told is coming early in November.

The 1540 Elite was on display at the local Best Buy/Magnolia this past weekend.
post #214 of 737
Quote:
Originally Posted by jsf2001 View Post

The 1540 Elite was on display at the local Best Buy/Magnolia this past weekend.

Thanks for the heads up. I'll have to see if we have one at my local BB/M store.

So, what did you think of the 1540 compared to new Panny 65?
post #215 of 737
Quote:
Originally Posted by zaracsan View Post

Thanks for the heads up. I'll have to see if we have one at my local BB/M store.

So, what did you think of the 1540 compared to new Panny 65?

Please see my comments in one of my notes above. Unfortunately, the remote control to the Elite would not work for some reason. As a result, I wasn't able to adjust some of the settings to compensate for what appeared to be a soft picture with green push. It's really not fair to evaluate any of these panels unless one can adjust them and ensure that the panel is getting a good video feed. What I can say is that the new Pioneer 60" panels are far better than those offered for the past couple of years. They are much brighter than before and are much more competitive to the larger Panny models. Having said this, I still prefer the Panny (both 58" and 65" versions) although the comparison wasn't fair given the problem with the Pioneer remote.
post #216 of 737
Quote:
Originally Posted by jsf2001 View Post

Please see my comments in one of my notes above. Unfortunately, the remote control to the Elite would not work for some reason. As a result, I wasn't able to adjust some of the settings to compensate for what appeared to be a soft picture with green push. It's really not fair to evaluate any of these panels unless one can adjust them and ensure that the panel is getting a good video feed. What I can say is that the new Pioneer 60" panels are far better to those offered for the past couple of years. They much brighter than before and are much more competitive to the larger Panny models. Having said this, I still prefer the Panny (both 58" and 65" versions) although the comparison wasn't fair given the problem with the Pioneer remote.

My bad... Somehow I didn't pickup the "new" Elite mention in your review (Post #197) and the lightbulb simply did not come on for me. Yours is the first mention of a 1540 sighting I have noticed and as much as I appreciate the info, I really wish it were in a better setting and the remote had been functional. The Elites enjoy much more tweakabiltiy than do the Panny sets (or Pio 6070 for that matter), so it will be interesting to see what one of these looks like, once someone has a chance to wring out a bit more of the sets potential than you were able to observe.

Anyway, I re-read your comments with more interest and thought you being a gen 8 65 owner gave you a unique perspective to compare the relative worth of the 1080p's extra resolution. Combined with all of the other observations posted here, it is becoming clearer that cost-to-benefit ratio makes me more inclined to get a 'fallback' display for now and replace it when the technology matures further and the screen sizes move to 70" and beyond.

Thanks for posting the comparison earlier.
post #217 of 737
Quote:
Originally Posted by jsf2001 View Post

It's their store in East Gate, located in Mt. Laurel/Moorestown, NJ. They just opened the Magnolia Section within an existing Best Buy store. I too was surprised to see it on display this weekend.

Yowser! Looks like it should be at one of my BBs by now. If not I'll head out to N.J. and take a look. Thanks.
post #218 of 737
Quote:
Originally Posted by LJ25 View Post

So by reading all of this....the new 65" Panny does not have deep black levels like the 9th gen smaller models?

Correct. The 65" Panny does not have as deep black levels, however, the black levels are not bad by any means.

The first day I got my set, I said, "Wow! The size, the sharpness, the detail!"
The next day, while watching more content I was somewhat disappointed that the black levels did not match or beat my old RPTV.
After having the set for a week and watching more and more content, I've grown to be enthralled with the picture quality of this large TV and recognize that the difference in black levels are now minimal (to me). The trade-off for the lighter blacks levels is certainly worth it (to me) when I'm getting such an outstanding, detailed picture.
post #219 of 737
I had my set delivered last week and my observations are similar to what I posted 2 weeks ago after seeing it in a good Home Theater store setting (click on my link to see my posts).

Overall, I am pleased. I am a sports fans and watching NFL SUnday ticket in HD was better than I had hoped for. I was surprised that the OTA built in tuner did not present a significantly better picture than through my DirecTivo 10-250 as it had in the past. I almost felt as though DirecTV was sending out a better signal (higher bit rate or whatever) for the live NFL games.

I am very picky. This set, just like every other one has flaws and drawbacks. IF you are a sports fan or plan on watching HD DVD's and size matters, this is it. To be sure, colors are not as deep (skin tones in particular) and the 3 dimensional quality not the same as the FHD1, but the size makes a BIG difference. On Saturday evening I went into Best buy to return something and saw the FHD1 again. While it was beautiful, after watching the Panny 65" all day, it looked small and confirmed that my choice would be final.

Black levels are more than acceptable on this set (read Very good - not the very best). There are other issues which trouble me more in the end which lead me to the conclusion about compromises overall with everything on the market.

I have not had a chance to calibrate and will not for several weeks. What are the settings that Franchot and some others running in Vivid and Normal mode? I too find that Vivid works on this set (unlike previous Panny's). Please list all settings if possible.
post #220 of 737
Quote:
Originally Posted by Owen View Post

...
Digitized video has strict Nyquist limits and is filtered accordingly to avoid artifacts above the Nyquist limit of 960 horizontal, and that is before video compression degrades it further.
Lenses on HD video and even cinema film cameras have very significant limitations that mean 1920x1080 resolution (fully resolved) is unattainable.
Sonys top range studio 1080 video cameras, fitted with the best available lenses, have an MTF of only about 45% at 800 horizontal, and little more then 10% at 1400 horizontal, which is considered the maximum usable resolution of those cameras.
An MTF of 45% means that pixel to pixel contrast is only 45% at the specified resolution, so at 1400 horizontal a typical 1920x1080 HD camera will reproduce an alternating black and white line pattern as 5% white and 5% black, which is not exactly impressive now is it.
Film sources can be better, as they can be digitizes at much higher resolutions, like 3840x2160, or double 1920x1080 to alleviate the Nyquist sampling limit.
However film stock and lens performance in cinema cameras is still a significant limitation, so that fully resolved 1920x1080 resolution (100% MTF) is not possible.
The best one can expect from film is around 1700 horizontal, and with a low MTF of less then 50%.

BluRay and HDDVD are still heavily compressed formats that will degrade the resolution of the master, so 1920x1080 visible resolution is a myth in practice, and is not even available from the master.
The only single pixel detail available in video is the sharp edges of compression artifacts, and there is no advantage in reproducing those faithfully.

So, for video playback, a digital 1920x1080 display has little practical advantage over a good 1080 CRT RPTV.
....

Though generally I think there is merit in what you said above I think it is slightly misleading for the future. It is confusing that you quote resolution values which are in both pixels and line-pairs without clearly identifying which you are using in each case (line pair values will be half of pixel values). I would note that the lens MTF can and is compensated for by signal processing. Two megapixels is not very difficult for optics- for instance many inexpensive digicams have lenses that can easily achieve 2 megapixel resolution. Nearly the full 1920x1080 resolution with equalized contrast versus frequency is possible if a source is captured with film or an oversampling digital camera then downsampled before recording. Although HD discs are compressed many scenes do not stress the bit rate without any softening of spatial details because there is not much temporal change occurring. So while it has been true in the past that full 1920x1080 source material with an equalized system MTF to near nyquist didn't exist in the home it is not possible to extrapolate that to the future nor even the present with HD discs. [Edit] I meant to conclude that because with digital 1920x1080 displays it is possible to convey nearly the full resolution of the source to the image without a reduction of contrast with frequency while this is essentially impossible for a CRT projector with 7" guns that the perceived resolution with an HD disc source (at an appropriate viewing distance) of the digital display can be better. In fact if the disc uses a downsampled source then up-sampling to greater than 1920x1080 at the display can be even better than just using 1920x1080.
post #221 of 737
Thread Starter 
Quote:
Originally Posted by zaracsan View Post

"Reducing reflected light is critical to producing accurate color values. In the PRO1540HD, Pioneer has eliminated one layer of internal glass by instead using a new First Surface PRO Pure Color Filter. This optical-grade filter is actually bonded directly to the plasma glass, eliminating refracted light. This results in sharper, more accurate color images even in a brightly lit room."

Does that sound like Pioneer is using a ND filter?

I think ALL plasmas use a ND filter. Otherwise they would not look as dark as they do in ambient light when off.

What Pioneer is doing is bonding the filter to the plasma glass rather than using an additional sheet of glass and thus reducing reflections.
post #222 of 737
Quote:
Originally Posted by gkouri View Post

I have not had a chance to calibrate and will not for several weeks. What are the settings that Franchot and some others running in Vivid and Normal mode? I too find that Vivid works on this set (unlike previous Panny's). Please list all settings if possible.

I find myself switching between two settings.

For films that are widescreen with black bars, I began in the Vivid mode and then tweaked the levels down so that the blacks are dark and solid and shadow detail is very good without any high contrast "noise" in the picture. The added higher contrast helps to bring the widescreen black bars to an acceptable level of black for me.

For films that completely fill the screen, I began in Standard mode and then tweaked the levels upwards slightly so that I get a punchy, colorful picture with good detail and shadows.

Cinema mode on this set just looks to dark to me and doesn't reveal enough detail to my eyes.

(I wonder if there are any "behind the scenes" settings (settings that are not available in the basic user menus) that are being manipulated between the different modes. It seems that picture, brightness, sharpness, and color temp are the settings that are changing the most between the different modes.)

Of course, all these settings and calibrations will continue to change for me as I hit the 100 hour mark on this set.
post #223 of 737
Quote:
Originally Posted by Franchot View Post

I find myself switching between two settings.

For films that are widescreen with black bars, I began in the Vivid mode and then tweaked the levels down so that the blacks are dark and solid and shadow detail is very good without any high contrast "noise" in the picture. The added higher contrast helps to bring the widescreen black bars to an acceptable level of black for me.

For films that completely fill the screen, I began in Standard mode and then tweaked the levels upwards slightly so that I get a punchy, colorful picture with good detail and shadows.

Cinema mode on this set just looks to dark to me and doesn't reveal enough detail to my eyes.

(I wonder if there are any "behind the scenes" settings (settings that are not available in the basic user menus) that are being manipulated between the different modes. It seems that picture, brightness, sharpness, and color temp are the settings that are changing the most between the different modes.)

Of course, all these settings and calibrations will continue to change for me as I hit the 100 hour mark on this set.

I don't have this Plasma but on my 65, the Advanced Menu settings can be turned on to reveal additional settings. Vivid also included S-Curve Gamma and Automatic Gain Control which I prefer off. The other settings uses standed 2.2 gamma and AGC off. I never user Black Extension because it is a super black crusher.

- Rich
post #224 of 737
Quote:
Originally Posted by RichB View Post

I don't have this Plasma but on my 65, the Advanced Menu settings can be turned on to reveal additional settings. Vivid also included S-Curve Gamma and Automatic Gain Control which I prefer off. The other settings uses standed 2.2 gamma and AGC off. I never user Black Extension because it is a super black crusher.

- Rich

Rich,

If I remember correctly you have the commercial set. The only setting from the ones you mentioned that are carried over to this set is the Black Extension and it also crushes the blacks on this set.

One setting which I've experimented with which absolutely gives me a horrible picture is:
"C.A.T.S. Adjusts the brightness and gradation accordingly, to optimize contrast."

I can't figure how this setting could benefit me. (Well, actually I leave almost all controls that manipulate the picture in their OFF positions.)
post #225 of 737
Quote:
Originally Posted by Franchot View Post

Rich,

If I remember correctly you have the commercial set. The only setting from the ones you mentioned that are carried over to this set is the Black Extension and it also crushes the blacks on this set.

One setting which I've experimented with which absolutely gives me a horrible picture is:
"C.A.T.S. Adjusts the brightness and gradation accordingly, to optimize contrast."

I can't figure how this setting could benefit me. (Well, actually I leave almost all controls that manipulate the picture in their OFF positions.)

Maybe CATS = ACG, because it is pretty bad on my display.

Right. I do have the commercial set. I must have had too much or too little coffee, I can't remember

- Rich
post #226 of 737
OK, so you people who now own the Panasonic 1080p plasma (either consumer or commercial) what is your take on where this display stands compared to the competition? Where does it fall in terms of a picture quality/viewing experience, vs what you've seen on other displays (I guess I'd exclude front projection as that's not fair size-wise - maybe just compared to other plasmas/RPTVs etc).
post #227 of 737
Franchot -

Can you please post all of the detailed settings you ended up with for Picture, Brightness etc for the Vivid and Standard modes.

Since I will not be calibrating for a little while, I am interested in seeing what you are looking at (approximately) compared to where I have set it with my eye.

Thanks.
post #228 of 737
Thread Starter 
Quote:
Originally Posted by R Harkness View Post

OK, so you people who now own the Panasonic 1080p plasma (either consumer or commercial) what is your take on where this display stands compared to the competition? Where does it fall in terms of a picture quality/viewing experience, vs what you've seen on other displays (I guess I'd exclude front projection as that's not fair size-wise - maybe just compared to other plasmas/RPTVs etc).

Well, compared to my previous set (Pioneer Elite 610,) the plasma is like a veil had been lifted over my eyes. A dramatic improvement.

But (there's always a but,) there seems to be detail missing in shadows or dark pictures. I found that setting the black level to dark really clips detail (and does nothing to the actual black level.) In fact, this morning I generated a JPEG with a 0 to 255 ramp and displayed it via the SD card. Although smooth, the bottom 5-10% was clipped to black. Don't know if this relates to video or not.

BTW, I previously reported a poor value for the black level of 0.09 ftL. It turns out, as someone suggested, that an input with a missing signal is not quite pure black. I'll be remeasuring things later.
post #229 of 737
Anyone have an update on the availability date for Panny table stands? Sound Advice (Tweeter) told me 10/25 when I purchased mine. Thanks
post #230 of 737
'Saw the 65" at Sound Advice in Orlando today. 'A bit hard to eval' due to direct track lighting on the screen. 'Watched some Discovery HD. 'Looked really nice when the shot was clean (DHD can vary quite a bit). 'Saw about a hour of 'Ultraviolet' on BlueRay. 'Looked very good. Great colors. Black levels seem quite good to me - Panny worthy even.
post #231 of 737
dont mind me, just subscribing to this thread
post #232 of 737
Quote:
Originally Posted by phantomhitman View Post

dont mind me, just subscribing to this thread

Do you know you can do that by clicking on "Thead Tools" just above and to the right of the top post on the page?
post #233 of 737
Thread Starter 
FWIW, I found that JPEGs on the SD card will display full screen if they are 16:9 (so far, all I have tried is 1920x1080.)

But, I have not found a way to get the controller display to go away. It interferes with the picture and could cause burn-in. Anybody know how to make it go away?
post #234 of 737
Franchot and Larry - Is this plasma a keeper??
post #235 of 737
Thread Starter 
Quote:
Originally Posted by vdmai View Post

Franchot and Larry - Is this plasma a keeper??

Yes. It was touch and go until I found solutions to the reflection problem but now I am quite happy.

(Not that I don't have any quibbles with Panasonic's engineers (or perhaps marketing.))
post #236 of 737
Quote:
Originally Posted by Larry Hutchinson View Post

Yes. It was touch and go until I found solutions to the reflection problem but now I am quite happy..))

What problems did you have?

What solutions have you found acceptable?
post #237 of 737
Thread Starter 
Quote:
Originally Posted by grimse View Post

What problems did you have?

What solutions have you found acceptable?

The problem was that we could could see ourselves sitting on the couch reflected in the plasma whenever there was a dark area at the bottom of the picture.

The solution was to tilt the panel so we couldn't see our reflection and then to fix the lighting arrangement in the ceiling to minimize its reflection. I've uploaded a picture of the problem lights but, not having done it before, am not sure how to get it to show as a link. (edit: Guess it just shows up -- just not in the preview.)
LL
post #238 of 737
I just called back my local BB/Magnolia (Syracuse-ny) who originally said earlier in the month they would receive and display the PX65. The clown I just spoke with talks to me like im wasting his time and informs me they "may or may not get one" and if they do "they may not display it", then pretty much hangs up on me. Really makes me want to spend my money at Magnolia Meanwhile still no PX65's in sight. Sucks.
post #239 of 737
I went to my local Magnolia (Westchester, NY). Although they didn't have any on display, and they said they wouldn't for a while, they said that I could order 1 and I would have it in 3 days. Hmmm. I passed at $10K.
post #240 of 737
Quote:
Originally Posted by Larry Hutchinson View Post

The problem was that we could could see ourselves sitting on the couch reflected in the plasma whenever there was a dark area at the bottom of the picture.

The solution was to tilt the panel so we couldn't see our reflection and then to fix the lighting arrangement in the ceiling to minimize its reflection. I've uploaded a picture of the problem lights but, not having done it before, am not sure how to get it to show as a link. (edit: Guess it just shows up -- just not in the preview.)

Larry,
Thanks for the information and picture. My set was delivered today. I'll watch cardboard until my Chief swing arm mount appears and I schedule an install. I just don't think I can handle 175lbs. by myself. Looks like the 16" studs are off by 4", wife is gonna kill me! I want to use the swing arm in case of reflections.
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