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B&W Owner's Thread - Page 194

post #5791 of 13876
does anyone here use/have heard a system with Marantz electronics with B&W speakers? specifically, the 600 series?

im thinking about getting a Marantz integrated for 2ch, and would like to hear impressions of the Marantz sound with B&W speakers
post #5792 of 13876
Quote:
Originally Posted by crimscrem View Post

I appreciate your response.

I have not heard the sub. What I was really wondering is whether I should just buy a Velodyne or another brand sub and save money. Or get two subs for the price of the B&W sub, which is $1500.

Velodynes are really the best of subs available, especially the Digital Drive series. (I owne(d) 2 myself) But you pay for the name and quality. You get more bang for the buck with SVS or HSU IMHO.

If you have a receiver that supports stereo subs with auto eq (ie: Yamaha Z11) then this is actually the better way to go. Having multiple subs in the room makes it easier to flatten out the stubborn bass EQ curves.
post #5793 of 13876
Quote:
Originally Posted by winged creature View Post

Let those B&Ws break in more and you should notice a much bigger improvement in the mid range.

Unless those speakers have been sitting a long long time, there is no such thing as "break in".*

Lab test have shown the electrical, distortion, and frequency response of several brand names of speakers are identical even after 200 hours break in.

In fact, you want zero change out of your cone material itself. If it changes sound, it has changed shape and response. Then it was not a perfect piston. Cones are supposed to be rigid with no change.

*Disclaimer: Certain types of capacitors used in crossovers do depolarize (ie: Mylar film caps) if they aren't used. However they will repolarize after some reuse. For this depolarization to happen they have to sit a very very long time without use.

I'm sure one of our experts like Paul Scarpelli could chime in and offer his opinion.

Edit: I will admit that I used to believe in "break-in" myself. As an engineer, I know certain metals "work-harden" or become stiffer when you bend them. But for work hardening to occur you really have to push a metal cone more than the speaker is probably designed for. Metal strain deformation is rated typically in um/mm / N. Or on the order of 10^-6th.

Most aluminum speaker cones and domes are formed in a drop forge (press) process. This produces most of the work hardening already to make a stiffer cone. The relative level of stress of being driven by an amplifier does not really constitute a significant force necessary to dislocated more crystals and make the cone stiffer.

http://en.wikipedia.org/wiki/Work_hardening
post #5794 of 13876
My nephew stuck his finger into the tweeter of my speaker and damaged (break) the foil cap. It still plays but I can't tell the difference between the original and new sound. Does the damaged foil make a difference in the sound? Does the tweeter need to be replaced?

Thanks
Kevin
post #5795 of 13876
Quote:
Originally Posted by Kevin McN View Post

My nephew stuck his finger into the tweeter of my speaker and damaged (break) the foil cap. It still plays but I can't tell the difference between the original and new sound. Does the damaged foil make a difference in the sound? Does the tweeter need to be replaced?

Thanks
Kevin

Sorry Kevin, but yeah it will need to be replaced.

Play some flute or picollo music and shift the balance from left to right. You will hear the difference.
post #5796 of 13876
Quote:
Originally Posted by DigitalGriffin View Post

Sorry Kevin, but yeah it will need to be replaced.

Play some flute or picollo music and shift the balance from left to right. You will hear the difference.

That sucks man! Thanks DigitalGriffin.
post #5797 of 13876
Any idea what changes are coming to the 802D with the new refresh? My dealer sold the "old" 802D floor models which tells me there's a "new" 802D coming. I thought the 800 refresh was only going to include converting the S models to D. Apparently there are more changes?
post #5798 of 13876
Quote:
Originally Posted by rabident View Post

Any idea what changes are coming to the 802D with the new refresh? My dealer sold the "old" 802D floor models which tells me there's a "new" 802D coming. I thought the 800 refresh was only going to include converting the S models to D. Apparently there are more changes?

Word is some minor crossover changes.
post #5799 of 13876
Quote:
Originally Posted by DigitalGriffin View Post

Velodynes are really the best of subs available, especially the Digital Drive series. (I owne(d) 2 myself) But you pay for the name and quality. You get more bang for the buck with SVS or HSU IMHO.

If you have a receiver that supports stereo subs with auto eq (ie: Yamaha Z11) then this is actually the better way to go. Having multiple subs in the room makes it easier to flatten out the stubborn bass EQ curves.

Thanks for the feedback. I had heard that two subs were harder to eq than one.

I think I'm going just one sub for the moment. But with my rotel 1560, can you even do two subs? It's a 7.1. (sorry if these are idiotic questions.)
post #5800 of 13876
Quote:
Originally Posted by crimscrem View Post

Thanks for the feedback. I had heard that two subs were harder to eq than one.

I think I'm going just one sub for the moment. But with my rotel 1560, can you even do two subs? It's a 7.1. (sorry if these are idiotic questions.)

It takes more time to properly setup two subs versus one. However the end result is better bass.

There is a sub1 and sub2 pre-out on the rotel. But I'm not sure if they are independent on just a duplicate of each other. I would have to read the manual to be sure.
post #5801 of 13876
Quote:
Originally Posted by aquaphile View Post

does anyone here use/have heard a system with Marantz electronics with B&W speakers? specifically, the 600 series?

im thinking about getting a Marantz integrated for 2ch, and would like to hear impressions of the Marantz sound with B&W speakers

For what it's worth I have been running a pair of 685s on a Marantz SR8002 for about five months now. Sound in Classical and Jazz is really nice although it can do Rock pretty good too.

With that being said while I love my 685s the upgrade bug has bit me and I'm debating whether or not to go to a B&W CM5 in June or so.
post #5802 of 13876
Hi Guys, I am looking into getting B&W speakers.

I started a topic but not much replies so I thought I'll post the question here.

My Home Theater room is roughly 4m x 5m (width x length), carpeted floor, plastered walls. It will be mostly for 80% movies and 20% music. I am getting the Denon AVR-2310CI receiver.

Anyway I am looking at the 685 Theatre System.
Will it be enough for my room size or would I better off going for the 684 Theater System?
As I understand there are much better subs than the ASW608. Any recommended brands?

Thanks
post #5803 of 13876
Quote:
Originally Posted by Kurusawa View Post

Hi Guys, I am looking into getting B&W speakers.

I started a topic but not much replies so I thought I'll post the question here.

My Home Theater room is roughly 4m x 5m (width x length), carpeted floor, plastered walls. It will be mostly for 80% movies and 20% music. I am getting the Denon AVR-2310CI receiver.

Anyway I am looking at the 685 Theatre System.
Will it be enough for my room size or would I better off going for the 684 Theater System?
As I understand there are much better subs than the ASW608. Any recommended brands?

Thanks

With a room that size, you'll be fine with either system.

The ASW608 is a lil on the pricey side for what it offers.

If you are looking for "bang for your buck" try looking at HSU or SVS.

If you want the definitive standard in subs, go Velodyne. But be prepared to dig deep to pay for the upper end models.

This should help you decide which size sub you'll need.
http://www.velodyne.com/wproduct/whp...x?sid=243g278f

Your room size is approximately 157" x 197" x 8' or 1717 cu ft.
post #5804 of 13876
Also, you are just about always better off getting a pair of subwoofers instead of a single one.
post #5805 of 13876
Anyone get an early scoop on the new 800 series lineup at CES other than what has been reported here all ready (i.e all diamond tweeters, the dropping of the 801D, HTM1D, etc and the price increases)? I'm still curious what will happen with the surrounds.

Thanks
post #5806 of 13876
Quote:
Originally Posted by Rod#S View Post

Anyone get an early scoop on the new 800 series lineup at CES other than what has been reported here all ready (i.e all diamond tweeters, the dropping of the 801D, HTM1D, etc and the price increases)? I'm still curious what will happen with the surrounds.

Thanks

I just read that there is supposed to be a press conference tomorrow at 10am to speak about the new speakers.
post #5807 of 13876
Quote:
Originally Posted by GermanMan View Post

So there it is... well, its me counting the chickens a bit early, but people have put their hands on things and the gear is available... all in rosenut, some of it in B-Stock / Store Demo.. but I'm fine in using gear someone breathed on so long as its not damaged or electrically abused....


I promised an update on things and now is a good time to provide that since gear is connected and is operating.

Let me preface with: I'm really disappointed (though maybe should not be surprised by) the Bowers & Wilkins supply chain. For a company that extracts maximum profit from its product sales by enforcing such a strict supply chain from factory to end consumer, the execution of the supply chain, as implemented from England through to the United States is not very good. The transparency of the chain to the end retailer - the only point of contact the end consumer has, is awful. Even the end retail doesn't get clear information. What flows down from B&W could be true but just as likely could be totally false. Thats pretty bad when such a tight supply chain could be easily enough queried to get an answer rather than guesses. I'd expect my Radio Shack guy to make up stuff or guess when I'm buying $100 worth of electronics. Not when I'm buying $10,000 worth of speakers.

To recap: My intent was to purchase five 8-series Standard spec speakers: 2x 803S, 2x 805S, 1x HTM3S, all in rosenut, back in November on the Thanksgiving weekend. Then the fun began. Order was taken and weeks later I was informed that no new rosenut 803S's existed, but a new HTM3S did and 805S's were on their way from England. That deteriorated into no 805S's were likely to be seen from England but I could have the store demo 805S's and finally, this past week, right before delivery, that while a new HTM3S was ordered and supposedly shipped, a refurb HTM3S was delivered.

So there I stood, with five rosenut speakers (and the only new items, the FS-805 stands) ready to be delivered, but rather than all new, ALL of the speakers were store demo/bstock/refurb. Not what one expects, but when looking to get the gear and the gear has been discontinued, one is willing to make do with what one can find. Especially as I cannot justify the significantly higher cost of going with all 2010 D class speakers.

But, as I'd inspected the 805S's, and was assured I could return the entire set if there was a problem, I said: send them on over. Now I've got a hall way stacked full of very large cardboard boxes and the speakers set up in the room.

There was a small (tiny, pin-head sized) nick on the top of one of the 805S's I knew about going in. No visible damage to the HTM3S. The 803S's, which had been taken back due to their boxes being damaged and had sat in Boston waiting for new boxes to allow them to be shipped to the west coast looked ok except for one speaker had a dent on the finish, just smaller than a dime, on the back side, where the veneer shows a very slight indentation. Likely the result of whatever damaged the box for it. Listening to the speakers, nothing sounded amiss.

So my attempt to purchase 5 new high end speakers resulted in me purchasing 5 used/b-stock high end speakers, but at least with full manufacturers warranty. It doesn't bother me so much because unless you live alone and are very careful, you will inevitably ding the cabinets of your gear. Heck, I dinged the Sanus console just in trying to put it together (and those things nick just if you look at them funny... talk about sensitive veneer). So a tiny nick you need a magnifying glass to really see, or a small dent in the veneer on the back side no one will see are irrelevant to me. In exchange for the state, I was able to get the order at 25% off of retail, which, for me, was a satisfactory arrangement so long as electrically and acoustically the speakers performed as they should.

So given it is winter and the trucks and warehouse where cold, I'm allowing some time to get up to temperature and humidity in the house... but so far I'm very happy with the set. I've got to get used to the difference in sound from the much brighter sounding Infinity bookshelf's from 1990. My initial impression was that the sound was muddy, but I am hearing things in just broadcast 5.1 soundtracks I've not heard before. I've got another week to listen to them and be able to change my mind.

Has anyone else experienced this phenomenon coming from a much brighter speaker to the 803/HTM3 line to feel they sound a bit odd? I'm feeling its the same way that the built in TV speakers sound nicer to the external speakers... because the smaller speakers are just more focused on that important midrange (and limited to it).
post #5808 of 13876
Quote:
Originally Posted by GermanMan View Post

Has anyone else experienced this phenomenon coming from a much brighter speaker to the 803/HTM3 line to feel they sound a bit odd? I'm feeling its the same way that the built in TV speakers sound nicer to the external speakers... because the smaller speakers are just more focused on that important midrange (and limited to it).

Odd really. Most people are rather offset by the tweeter which is described as "shrill" at first.

What you might be experiencing in the slightly "rounder" mid section B&W's have. They are warmer in the middle, which makes them louder there. This MIGHT be what make it sound muddy to you.

What amp are you using to drive the 803's?

Might I suggest listening to a single instrument like a piano, a female voice, or solo guitar and form your opinions this way. I'm partial to Diana Krall myself.
post #5809 of 13876
Quote:
Originally Posted by Hammie View Post

I just read that there is supposed to be a press conference tomorrow at 10am to speak about the new speakers.

Excellent, thanks!
post #5810 of 13876
I know some dealers basically take whatever stocks available, put them into a stroage room and selling it AFTER the new series arrive. Since the price difference are huge, they can make more profit out of them. One dealer i know got 500 pairs of 804s and 805s alone. Yes, it's not a typo, five hundred pairs. most of them are rosenut, because that's the color most people desire. very few are black.


Quote:
Originally Posted by GermanMan View Post

I promised an update on things and now is a good time to provide that since gear is connected and is operating.

Let me preface with: I'm really disappointed (though maybe should not be surprised by) the Bowers & Wilkins supply chain. For a company that extracts maximum profit from its product sales by enforcing such a strict supply chain from factory to end consumer, the execution of the supply chain, as implemented from England through to the United States is not very good. The transparency of the chain to the end retailer - the only point of contact the end consumer has, is awful. Even the end retail doesn't get clear information. What flows down from B&W could be true but just as likely could be totally false. Thats pretty bad when such a tight supply chain could be easily enough queried to get an answer rather than guesses. I'd expect my Radio Shack guy to make up stuff or guess when I'm buying $100 worth of electronics. Not when I'm buying $10,000 worth of speakers.

To recap: My intent was to purchase five 8-series Standard spec speakers: 2x 803S, 2x 805S, 1x HTM3S, all in rosenut, back in November on the Thanksgiving weekend. Then the fun began. Order was taken and weeks later I was informed that no new rosenut 803S's existed, but a new HTM3S did and 805S's were on their way from England. That deteriorated into no 805S's were likely to be seen from England but I could have the store demo 805S's and finally, this past week, right before delivery, that while a new HTM3S was ordered and supposedly shipped, a refurb HTM3S was delivered.

So there I stood, with five rosenut speakers (and the only new items, the FS-805 stands) ready to be delivered, but rather than all new, ALL of the speakers were store demo/bstock/refurb. Not what one expects, but when looking to get the gear and the gear has been discontinued, one is willing to make do with what one can find. Especially as I cannot justify the significantly higher cost of going with all 2010 D class speakers.

But, as I'd inspected the 805S's, and was assured I could return the entire set if there was a problem, I said: send them on over. Now I've got a hall way stacked full of very large cardboard boxes and the speakers set up in the room.

There was a small (tiny, pin-head sized) nick on the top of one of the 805S's I knew about going in. No visible damage to the HTM3S. The 803S's, which had been taken back due to their boxes being damaged and had sat in Boston waiting for new boxes to allow them to be shipped to the west coast looked ok except for one speaker had a dent on the finish, just smaller than a dime, on the back side, where the veneer shows a very slight indentation. Likely the result of whatever damaged the box for it. Listening to the speakers, nothing sounded amiss.

So my attempt to purchase 5 new high end speakers resulted in me purchasing 5 used/b-stock high end speakers, but at least with full manufacturers warranty. It doesn't bother me so much because unless you live alone and are very careful, you will inevitably ding the cabinets of your gear. Heck, I dinged the Sanus console just in trying to put it together (and those things nick just if you look at them funny... talk about sensitive veneer). So a tiny nick you need a magnifying glass to really see, or a small dent in the veneer on the back side no one will see are irrelevant to me. In exchange for the state, I was able to get the order at 25% off of retail, which, for me, was a satisfactory arrangement so long as electrically and acoustically the speakers performed as they should.

So given it is winter and the trucks and warehouse where cold, I'm allowing some time to get up to temperature and humidity in the house... but so far I'm very happy with the set. I've got to get used to the difference in sound from the much brighter sounding Infinity bookshelf's from 1990. My initial impression was that the sound was muddy, but I am hearing things in just broadcast 5.1 soundtracks I've not heard before. I've got another week to listen to them and be able to change my mind.

Has anyone else experienced this phenomenon coming from a much brighter speaker to the 803/HTM3 line to feel they sound a bit odd? I'm feeling its the same way that the built in TV speakers sound nicer to the external speakers... because the smaller speakers are just more focused on that important midrange (and limited to it).
post #5811 of 13876
I haven't seen this posted but here are some new B&W products:

MM-1 Computer Speakers
http://www.bowers-wilkins.com/display.aspx?infid=4503

P5 Mobile Hi-Fi Headphones
http://www.bowers-wilkins.com/display.aspx?infid=4534

What's interesting is that I'm in need of new PC speakers, as my JBL Media 3 speakers from '98 aren't working that great, and my Sony headphones ($250 from '96) are starting to fall apart.
I wonder when the MM-1 and P5 will be avaliable and what the prices are.
post #5812 of 13876
It's begun. You can no longer load up the 800 series on the US website and see the speakers. There is just the 800 series video and a coming soon link

And from the teaser shots it looks like there is definitely a high gloss piano black finish.
post #5813 of 13876
Not a lot of info but this is from the CES Blog on the B&W website.

http://blog.bowers-wilkins.com/thein...ium=PROMOLINK4
post #5814 of 13876
post #5815 of 13876
The surrounds are now gone from the line-up and gloss black is a new finish, so there will be 3 finishes now, the older types i.e Cherrywood and Rosenut remain.

There was a comment from the release that the dedicated rear channel speakers were removed because users chose the 805s over those models which I find odd as a 7.1 user. This would make sense in a 5.1 setup with the "rear" speakers actually behind the user and not to their side. Personally I would only consider a direct firing speaker be placed behind my location as I prefer dipole type design for the sides. I am putting preference to home theater not music in my example. I guess if a music setup was being put together then direct firing speakers would be the way to go.
post #5816 of 13876
Quote:
Originally Posted by Rod#S View Post

The surrounds are now gone from the line-up and gloss black is a new finish, so there will be 3 finishes now, the older types i.e Cherrywood and Rosenut remain.

There was a comment from the release that the dedicated rear channel speakers were removed because users chose the 805s over those models which I find odd as a 7.1 user. This would make sense in a 5.1 setup with the "rear" speakers actually behind the user and not to their side. Personally I would only consider a direct firing speaker be placed behind my location as I prefer dipole type design for the sides. I am putting preference to home theater not music in my example. I guess if a music setup was being put together then direct firing speakers would be the way to go.

Makes perfect sense. Dipoles were always about creating atmosphere. But as such, because they are off axis, you would never benefit from the Nautilus Daimond tweeter.

Plus the dipole enclosure was boxy. You lost a lot of cabinet strength that way, and it's march harder to control reflections/colorations as you have speakers firing from difference point sources in the cabinet.
post #5817 of 13876
I find it interesting they went with a metal center dispersion unit. Metal while being very rigid and strong, also resonates and creates standing waves on the surface.

Oddly I found the older plastic center one offensively cheap. You could see where they broke it off from the mold spru. For something that was so expensive, they could have spent an extra 2 cents on a properly formed plastic piece.
post #5818 of 13876
Quote:
Originally Posted by DigitalGriffin View Post

Makes perfect sense. Dipoles were always about creating atmosphere. But as such, because they are off axis, you would never benefit from the Nautilus Daimond tweeter.

Plus the dipole enclosure was boxy. You lost a lot of cabinet strength that way, and it's march harder to control reflections/colorations as you have speakers firing from difference point sources in the cabinet.

Both are very good points.
post #5819 of 13876
I'm looking to add a center channel (and some wireless rears) to by two channel setup of B&W 685 and M&K sub. My constraint and thus my question relates to my desire and need to go physically minimalist in the middle. I neither want nor can necessarily fit either a tall or deep matching 68 series center. So, what do you folks think or suggest for sizing it down? Let's say that under 6" tall and 10" deep would be ideal. Width is not an issue. What about the FPM's from B&W? Would they match better than, say, a smaller, more conventional cabinet? I'm hoping to go hear the FPM sometime within a week or two.

Any thoughts?
post #5820 of 13876
Quote:
Originally Posted by DigitalGriffin View Post

I find it interesting they went with a metal center dispersion unit. Metal while being very rigid and strong, also resonates and creates standing waves on the surface.

Oddly I found the older plastic center one offensively cheap. You could see where they broke it off from the mold spru. For something that was so expensive, they could have spent an extra 2 cents on a properly formed plastic piece.


Well actually it was metal already but they only changed the color. I have the 800Ds and the plastic one you mention is only used as a placeholder for the grill. However, since most users remove the grills for the midrange unit a metal unit was already provided in the box so you only had to unscrew the plastic one and screw in the metal one which was black metal.
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