Thanks. It's good to see what people come from. Looking forward to some more thoughts and measurements.
post #5161 of 8071
3/2/11 at 7:15am
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I installed my HP amp upgrade and watched Megamind over the weekend. The final "combat" sequence between Megamind/Metro Man and Titan were just incredible with the increased HorsePower!
I don't know if I will ever get the okay for a second SubM, but I will throw out this question anyway. I left the DSP to program 1. With dual/multiple HPs, is there any advantage to setting one SubM on DSP 1 for more headroom, and on on DSP 2 for lower bass excursion? Or should both be set to DSP 2? Would mixed modes give a wider bass response, or would it actually somewhat defeat the purpose of duals? |
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One thing is for certain, these dual Submersive HP's are easily most bass I've ever had in any size room. What surprises me is that I expected a little gain from running duals, but after level matching, they still provide what seems more than double the impact for movies.
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The reality is that the acoustic interactions with the room greatly dominate such issues. As one sub gets much closer you can get into time of arrival differences with the mains (dependent on the mains used as well) which can make for a slight pull to the rear on percussive bass. A little delay or additional low passing of the rear sub (which adds group delay) helps this perception effect. In your case of getting better upper bass from the rear sub, some delay would be the preferred solution.

The reality is that the acoustic interactions with the room greatly dominate such issues. As one sub gets much closer you can get into time of arrival differences with the mains (dependent on the mains used as well) which can make for a slight pull to the rear on percussive bass. A little delay or additional low passing of the rear sub (which adds group delay) helps this perception effect. In your case of getting better upper bass from the rear sub, some delay would be the preferred solution.





And the *ONLY* way to know this stuff is with measurements. My system sounds SOOOO much better since I acquired the ability to measure it. Once you can "see" what's going on in your room with your frequency response and your time domain response, you can address the *REAL* problems in your room. You can have the flattest reproducers of bass on the planet, but if you can't utilize that flatness in your room, it's worthless.

And the *ONLY* way to know this stuff is with measurements. My system sounds SOOOO much better since I acquired the ability to measure it. Once you can "see" what's going on in your room with your frequency response and your time domain response, you can address the *REAL* problems in your room. You can have the flattest reproducers of bass on the planet, but if you can't utilize that flatness in your room, it's worthless.
