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Seaton Sound SubMersive1 - Page 264

post #7891 of 8062
Quote:
Originally Posted by bsoko2 View Post

A poor crosssover can make you a bad sound.
OK. But, as I think I mentioned, I had someone come over, take measurements, and we then made cross over decisions based on the results we recorded. I understand that it's not just one thing that contributes to how good or how bad a room and system will sound. The idea is to try your best to take as many of those variables out of the equation and get the best sound you can. Everything taken together makes a system. I never said that it was only one thing that made a system sound bad or good. I was just saying that room treatments can work in a small room. I don't know how you got "A poor crosssover can make you a bad sound" from my post.
post #7892 of 8062
Quote:
Originally Posted by kbarnes701 View Post

“…My main problem is my room - it is too small……. Actually, it graphs worse than it sounds.”

My upstairs sealed media room is pretty small (14x8). It has a sealed Emotiva Ultra Sub12 and sounds remarkable. I haven’t done (and don’t plan to do) any measurements in that room. Space limits placement, so measurements would be more of a confirmation tool and less of a tweaking tool in that room. I believe good sound is more than just measurements, as I only started measuring and tweaking my Submersives last fall, but have been enjoying my theater and Media Room for over 6 years without measurement-based tweaking. I would have no problem showing someone a graph that’s less than impressive of my secondary room and saying “…yeah, but it sounds great--sue me!”
post #7893 of 8062
Quote:
Originally Posted by MIkeDuke View Post

Unless I really missed something in your posts , KB, small rooms don't have to sound bad. I mean unless you have a WAF, treatments should not be an issue either. I have 8 treatments in my 9 1/2x12 1/2 x8f room. That plus proper speaker placement and XT32 has given me fantastic sound. I have treatments hanging on the all and the ceiling. Trust me, I did not want to do it and then when I did decide to do it I was only going to put 4 up. But after talking to a number of people, I ended up with 8. If you can't take pictures down for some reason or another, then you are just left with what a RC system can do for you. But my room went pretty far just with treatments. Even with my chairs very close to the back wall which I know is a no no. I could tell right away just by listening and looking at some measurements. With treatments and EQ, my combined FR is not too bad(sub is really flat). Plus it sounds really good. Craig can confirm this since he was the one that did all the EQ'ing. Don't let the fact that you have a small room make you think you are destined to have bad sound.

Hi Mike - nice to type to you again.

 

Sorry if I have given a mis-impression. I agree that small rooms don't have to sound bad. Mine, like yours, sounds terrific. Way better than probably 95% of rooms that most people use. I too have 8 treatments currently and am about to add more in all probability so I am with you there. WAF is not an issue for me as it is a dedicated room. The SQ is fabulous, helped by good speakers, superb subs and a lt of effort with what placement options are available (limited, as yours are). Plus XT32 of course and a lot of measuring with OmniMic and, more lately, REW.

 

What I was trying to say is that the small, squarish room is now the major limitation on the SQ. My equipment is all first class, FR is pretty flat, my ETCs are not bad at all and will soon be more or less excellent (when I add a little more absorption to control a couple of reflections that are bugging me) but I have a persistent issue at 20-30Hz which is very difficult to resolve. So it is far from bad sound and probably not far from as good as it can ever be in this room. Like a lot of people around these parts, I am striving for the impossible - the perfect SQ I guess - and perfect measurements to go with it.

post #7894 of 8062
Quote:
Originally Posted by BrolicBeast View Post

Quote:
Originally Posted by kbarnes701 View Post

“…My main problem is my room - it is too small……. Actually, it graphs worse than it sounds.”

My upstairs sealed media room is pretty small (14x8). It has a sealed Emotiva Ultra Sub12 and sounds remarkable. I haven’t done (and don’t plan to do) any measurements in that room. Space limits placement, so measurements would be more of a confirmation tool and less of a tweaking tool in that room. I believe good sound is more than just measurements, as I only started measuring and tweaking my Submersives last fall, but have been enjoying my theater and Media Room for over 6 years without measurement-based tweaking. I would have no problem showing someone a graph that’s less than impressive of my secondary room and saying “…yeah, but it sounds great--sue me!”

 

I hear you. And especially when you say that in a small room, space limits what you can do, so measuring can be a force for evil - you measure, it shows a problem, but you cannot resolve it because there is just no way you can put the subs (for example) where they need to go to fix the issue you can see plain as day in the measurements. I am a huge believer though in the value of measuring, so that I can be really sure what is going on and know with great precision the problem areas. I am probably a little obsessive about it - I know, for example, that my FR which is flat + or - 6dB across the entire spectrum is perfectly good for any normal purpose - but I'd still like to try to get it to + or - 3dB. Don't get me wrong - the SQ in my room is stunning IMO - but that waterfall showing a persistent resonance at 20-30z really bugs me... ;)

post #7895 of 8062
Quote:
Originally Posted by JapanDave View Post

How about solid concrete bunkers, all 4 walls , floor and ceiling solid 10-12" concrete?
I doubt that would ring much.
Quote:
Indeed. I have graphed the response in REW using waterfalls. I have no problems until I get down to about 30Hz, which isn't so bad, then more at 20Hz or so, which is, as expected, worse.
You may be a victim of Graphitis Nervosa: You see it on a graph and then endlessly kvetch about it, even though it's exceedingly unlikely you can actually hear it. Ringing at 80-100Hz, very audible. Ringing at 20Hz... hey, you can barely hear the first impulse at 20Hz, let alone any ringing. And, shy of the above mentioned method, not likely you can do anything about it.
post #7896 of 8062
Quote:
Originally Posted by kbarnes701 View Post

My equipment is all first class, FR is pretty flat

If you don't mind sharing, besides the SubM's what is the rest of your equipment?

Travis
post #7897 of 8062
Quote:
Originally Posted by Bill Fitzmaurice View Post

Quote:
Indeed. I have graphed the response in REW using waterfalls. I have no problems until I get down to about 30Hz, which isn't so bad, then more at 20Hz or so, which is, as expected, worse.
You may be a victim of Graphitis Nervosa: You see it on a graph and then endlessly kvetch about it, even though it's exceedingly unlikely you can actually hear it. Ringing at 80-100Hz, very audible. Ringing at 20Hz... hey, you can barely hear the first impulse at 20Hz, let alone any ringing. And, shy of the above mentioned method, not likely you can do anything about it.

Good points Bill. I suspect you are right on the money with your diagnosis of Graphitis Nervosa ;)  Also, I hadn't considered your point about the barely-audibly 20Hz level - excellent point. That also explains why it sounds so much better than it looks.

post #7898 of 8062
Quote:
Originally Posted by FroggyTaco View Post

Quote:
Originally Posted by kbarnes701 View Post

My equipment is all first class, FR is pretty flat

If you don't mind sharing, besides the SubM's what is the rest of your equipment?

Travis

 

MK S150s left, right, centre, M&K SS150 tripoles surround, M&K LCR55 heights, Onkyo 5509 prepro, Emotiva XPA-3 driving LCR, Emotiva UPA-2 driving surrounds, Emotiva UPA-2 driving heights, Oppo 93 BD player, Crown XLS1000 Drivecore driving Buttkicker, Panasonic BDDM35 BD player (Region 1 modded). 

post #7899 of 8062
Can Some one please explain these subs to me? The web site is under repairs and I would like to research. I'm sitting in my room scratching my head looking for somthing to upgrade. I currently have a velodyne DD-12, and DD-15. I like them but have been hearing many good things about seatons. I got the velo's because of the eq feature. I recently acquired a onkyo 3009 that has xt32, so I can let that handle the eq. Velo's have a good resale value so I'm thinking I can sell the two and get two brand new seatons? How much do they run? Had anyone compared velo's to seatons? Any help would be appreciated.
post #7900 of 8062
Go to the seaton sound forum. Much info there. They are excellent subs. An upgrade over the Velos.
post #7901 of 8062
I had dual DD-18s and SubMersives destroyed them no contest!
post #7902 of 8062
Quote:
Originally Posted by audioguy View Post

I had dual DD-18s and SubMersives destroyed them no contest!

Don't make the poor guy cry!
post #7903 of 8062
It was actually worse than that: I had the Dual DD-18s and at the same time in the same room had dual SVS PB-13's. Not even close. The SubMersives go lower, are cleaner, have more impact.

To beat SubMersives you would need well done IB's or some DIY custom subs. Or, if you are willing to spend about $24,000, you can fetch dual Gothams, and I would still take the SubMersives.
post #7904 of 8062
Lol, I'm good........hey I know the DD line is better then most, but I also know that there is better. I just want to know, from owners what they think. I love bass I would try out some subversives if it would be a benifit.
post #7905 of 8062
All I really know is the velo's and I think they sound pretty good. I would love to hear some subversives. Do they have a eq function? I hear they have a 2400 watt amp, is that rms? My wheels are turning.

P.s. I'm new to this forum stuff. I have not seen much about the DD line on avs. Is there a reason for that? Is it just that there are better subs for a better price?
post #7906 of 8062
You haven't read much about the DD because most of us in here are big Internet direct fans. They offer the highest price/performance ratio. Guys here are "in the know" and many have tried out different subs, often in multiples.

The SubMersive HP is a 2400w amp which is not rms (since that much power isn't needed all the time) with 2 opposing 15" woofers in a sealed configuration. Seaton products do not come with room EQ. I highly recommend you go to Seaton Sound forum where you can hear from owners as well as Mr. Seaton himself, as well as see photos of all the available finishes and products he offers. There is also a detailed price guide for both first time and repeat Seaton Sound customers. He is easiest to reach by phone and is a total class act. The man has forgotten more about LFE than most here could ever hope to learn.

At the risk of confusing you with an information overload, JTR also makes exceptional subs (albeit at a price often above a SubMersive HP). One rung down in price brings up companies like Rythmik, Epik and HSU.

Good luck.
post #7907 of 8062
I finished calibrating my BenQ W7000 with ChromaPure and WoW, almost looks as good as my professionally calibrated JVC X-55....almost. Now it's time to re-do Audyssey and the SubM....gulp! Got the omnimic ready, beer and some Chinese food. Might need more beer if this goes wrong.... no Ultra to get me out of a jam.

Anyone using antimode with their SubMersive(s)? any thoughts with how it compares with Audyssey (XT)? I'm thinking I might go with Pioneer for my next AVR and get Antimode for the bottom end. I like a house curve and I believe you can do that with Antimode.
post #7908 of 8062
I love my Antimode/SubMersive HP combo. My system sounds much better since I added it. Super simple to use (I am not technically inclined), but once I set it up I did not play around with the different lift modes. I have not tried out XT32 but the Antimode was certainly better than using Audessey alone.
post #7909 of 8062
Quote:
Originally Posted by audioguy View Post

I had dual DD-18s and SubMersives destroyed them no contest!

To be fair, the newer DD+ series are a significant performance bump over the original DD's which does close the gap some, but does still leaves quite a price gap. smile.gif
post #7910 of 8062
O
Quote:
Originally Posted by obxdiver View Post

Hi Everyone
I have a Velodyne HSG-18 that is great in my room (21'x30')
However, I have an itch for upgrading my sub, and I am reading lost of praise over the Submersive HP.
I always have an itch for something new, and I love my bass....deep.
I am trying to find product info and specs on it, but the Seaton Sound website just takes me to their forum.
I would like to know how this would compare to my HSG-18, how much it costs, dimensions...ect.
Can someone point me to some info about this sub?

OBX, the Seaton forum has a thread specifically for pricing and specs. I don't know much about your sub, but being a fellow Elite owner, I can assure you the Submersive's LFE will keep up with the video. smile.gif
post #7911 of 8062
Quote:
Originally Posted by Mark Seaton View Post

To be fair, the newer DD+ series are a significant performance bump over the original DD's which does close the gap some, but does still leaves quite a price gap. smile.gif

You are being far to modest. The PLUS designation still doesn't solve the problem for Velodyne.

List price of a single DD-18+ (I know you can get them for less), is $5000. Buy two SubMersive HP's and throw in an AntiMode (all for about the same money) and it is still no contest. More headroom, smoother response (with appropriate placement), etc.

There are virtually no non ID subs that can compete price/performance wise (or in some cases, performance only) with a few of the ID sub companies. I'm surprised that Velodyne (and others) have not come up with an ID subset of their standard retail products.

And I would still take a single SubMersive with Anti-Mode over a single DD-18+ if they were the same price.
post #7912 of 8062
Quote:
Originally Posted by kbarnes701 View Post

MK S150s left, right, centre, M&K SS150 tripoles surround, M&K LCR55 heights, Onkyo 5509 prepro, Emotiva XPA-3 driving LCR, Emotiva UPA-2 driving surrounds, Emotiva UPA-2 driving heights, Oppo 93 BD player, Crown XLS1000 Drivecore driving Buttkicker, Panasonic BDDM35 BD player (Region 1 modded). 

Ty. Nice gear!

Travis
post #7913 of 8062
Joined the Seaton family today with my first SubM 1kW. Very happy camper - it certainly lives up to its lofty expectations.

Some graphs - SubM w/ mains w/ 100Hz CO:



Fullsweep:



Yes, the bass is hot (+5dB) but that is because the bass rocks wink.gif

Now comes the should I/shouldn't I back and forth for the next couple of weeks/months before I inevitably buy the next one ;p

~
post #7914 of 8062
Quote:
Originally Posted by Follz20 View Post

before I inevitably buy the next one ;p

~

A true addict !! Welcome to the club !!
post #7915 of 8062
Quote:
Originally Posted by audioguy View Post


And I would still take a single SubMersive with Anti-Mode over a single DD-18+ if they were the same price.

Do i need an Anti-mode if i have a receiver with Audyssey MultEQ XT32 and Audyssey Sub EQ HT?

Sorry for the noob question. Thanks.
post #7916 of 8062
Quote:
Originally Posted by pinoy ako View Post

Do i need an Anti-mode if i have a receiver with Audyssey MultEQ XT32 and Audyssey Sub EQ HT?

Sorry for the noob question. Thanks.

I recently bought an Integra 80.3 and have tried my SubMersives with just the 80.3 with xt32 and also tried with the anti-mode hooked up. My anti mode is now sitting in the cupboard gathering dust. The improvement i found in my system with xt32 and dual sub equalising made the anti mode obsolete. So the simple answer to your question - no smile.gif
post #7917 of 8062
Quote:
Originally Posted by pinoy ako View Post

Quote:
Originally Posted by audioguy View Post


And I would still take a single SubMersive with Anti-Mode over a single DD-18+ if they were the same price.

Do i need an Anti-mode if i have a receiver with Audyssey MultEQ XT32 and Audyssey Sub EQ HT?

Sorry for the noob question. Thanks.

No, you do not need the AntiMode as well. But you might want one - the AM has user-customisable filters that you do not have in XT32 and some might consider running both together. I would absolutely want to measure the system to be able to see precisely what I was doing if I went that route, so REW or OmniMic would be on the same order when I bought the AM. Using twin forms of EQ can be tricky - unless you understand the issues fully, I would stick with XT32 - it does an exceptional job.

post #7918 of 8062
Quote:
Originally Posted by pinoy ako View Post

Do i need an Anti-mode if i have a receiver with Audyssey MultEQ XT32 and Audyssey Sub EQ HT?

Sorry for the noob question. Thanks.

What Mr Barnes said!
post #7919 of 8062
Thanks a lot guys smile.gifsmile.gif

Are they going to sell 220/240 V for Submersive HP?
Edited by pinoy ako - 2/20/13 at 11:01pm
post #7920 of 8062
I know this is personal choice for the most part, but I currently have a Marantz AV7005 and the AS-EQ1 with my Emotiva XPA-5, but if I could get a Denon 4311ci and remove the AS-EQ1 and either keep the amp or sell that too, what would you guys think? I 'hope' some day to have a second HP, so not sure if that plays into the equation more.
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