Why does the movie industry bother to mix 8hz signals when most,if not all movie theaters cannot reproduce signals that low to an audience that large.
Now we have threads on how the infrasonics that low don't impact a film as the frequencies two octaves above.
I understand the theory and where the impact of a film lies, but we use to be in a race to get the lowest possible frequency response to capture what was recorded in a film.
My reason for designing a system that can play that low and sustain that signal was that the director intended for me to hear and feel it.
Just wondering.........KG
Now we have threads on how the infrasonics that low don't impact a film as the frequencies two octaves above.
I understand the theory and where the impact of a film lies, but we use to be in a race to get the lowest possible frequency response to capture what was recorded in a film.
My reason for designing a system that can play that low and sustain that signal was that the director intended for me to hear and feel it.
Just wondering.........KG












Where is that FR graph link ?
Morons 






Sherv is on the right path.



