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"Official" Audyssey thread (FAQ in post #1) - Page 1832

post #54931 of 62227
This is how I explained it to my lady friend.

There's a little man than lives in the AVR, and his job is to manage DEQ. All he knows is to look up reference level and apply the appropriate DEQ settings. But he's not too bright, all he knows really is how to check RL and then look up the tables for DEQ.

So, if you sneak in when he's snoozing and change RL, he doesn't know that, he just checks RL (now RLO) and applies the tables based on whatever RL is (now reduced by you.)
post #54932 of 62227
Quote:
Originally Posted by jdsmoothie View Post


It's likely just semantics here, and you're saying the same thing as Keith especially if you can agree that, for example, at a MV of -40db, the bass/surround boost is reduced when the RLO is changed from 0db to 5,10, or 15db.


I certainly agree with that, JD.

post #54933 of 62227
Quote:
Originally Posted by Roger Dressler View Post

I have seen a lot of DSX information, but not a doc file with that name. Presumably, the ITU diagram you mention looks like the one below.
576
The shaded area means that the side and rear surrounds can be placed anywhere in that zone. They are not showing the surrounds at 60° specifically.
Among others, DTS, Dolby, and THX all recommend the surrounds be at the 90° position. If they cannot be there, then slightly forward, up to 80° is a good choice. In a 7.1 system, 80-90° gives the best surround envelopment. Pushing them back to 100-120° as Audyssey shows is not a good idea (except for 5.1 setups).
Thanks for the info.
Quote:
Originally Posted by Gellidius View Post

 Skylinestar, I'm curious to know what kind of reading did you do, dBA or dBC.
C weighting
post #54934 of 62227
I just got a Avr 1612 and am having trouble getting the sub adjusted right. I have a DIY sub (TC 12K) powered by a Behringer Ep2500. On my old non-Audyssey Sony I set the sub level to +10 and adjusted the volume with the gain on the amp. Its my understanding that you need to max the sub level out when going into a pro level amp. After running Audyssey the sub out level is +4 and I have hardly any output on the sub at my regular listening level (+/-75db) the amp lights are hardly even flickering. They light when they receive signal.

How am I supposed to adjust the two together?

Thanks,
Ryan
post #54935 of 62227
^^ In the past I have found that Audyssey cal set the sub lower than my desired level, so you can add some gain afterward. As in advancing the +4 trim to some higher value like +10. Would another 6 dB be good? How low is too low?
post #54936 of 62227
Quote:
Originally Posted by jdsmoothie View Post

It's likely just semantics here, and you're saying the same thing as Keith especially if you can agree that, for example, at a MV of -40db, the bass/surround boost is reduced when the RLO is changed from 0db to 5,10, or 15db.

Agree. Nothing more to add on my side. Added enough, eh? tongue.gifcool.gifsmile.gif
post #54937 of 62227
Quote:
Originally Posted by mogorf View Post


Agree. Nothing more to add on my side. Added enough, eh? tongue.gifcool.gifsmile.gif


Then the horse is officially declared dead. Cause of death, flogging. biggrin.gif

post #54938 of 62227
Quote:
Originally Posted by kbarnes701 View Post


Then the horse is officially declared dead. Cause of death, flogging. biggrin.gif

smile.gif
post #54939 of 62227
back from out of town, allow me to weigh in here... this statement by Keith is 100% correct:
Quote:
MV at -5dB, RLO at 5dB = no DEQ. RLO moves 'Reference' from 0dB to whatever the RLO is set to.

as was Max's statement:
Quote:
Setting the RLO to -5db and turning the MV to -5db has the same effects as setting DEQ with RLO of '0' and leaving the MV at '0'. It should be doing nothing.


Feri's response to Max: "DEQ is inactive only with MV at 0 dB and RLO at 0 dB." is NOT correct. In that situation -- MV at -5dB with a 5dB RLO -- DEQ will be doing NOTHING, just as if MV was at 0dB and RLO was at the default 0. Obviously the overall program level will be 5dB softer, but Dyn EQ will be INACTIVE.

Somebody (can't remember who?) actually demonstrated this empirically by measuring the pre-outs with Dyn EQ active at different offset values. RLO just changes the reference level, which by extension changes the point at which DEQ is inactive.
post #54940 of 62227
however, on the other topic of 3 days ago (Dyn EQ adjusting not only based on MV setting, but also actively monitoring program loudness and making on-the-fly adjustments) Feri was 100% correct.

Dyn EQ does NOT simply make its adjustments based on MV setting. Chris corrected me on this years ago when I assumed the same thing that Jerry did in this statement:
Quote:
I agree. The only dynamic aspect of DEQ is that it adjusts its compensation dynamically as one adjusts the MV up or down.

That's wrong and Feri's explanation was correct. I'll see if I can dig up Chris' post correcting me....

I'm surprised that so many of you regulars (Keith, Max, etc) forget this, as there was a HUGE discussion about this between Chris and Markus back in the day with Chris trying to demonstrate to Markus why it was necessary to constantly be adjusting the loudness contour based on program content, whereas Markus couldn't be convinced that you needed to do anything other than use a single contour based on MV setting. Do we not remember the good old days of trying to measure the vertical separation between equal loudness contours? tongue.gif
post #54941 of 62227
hmm, what happened to the "Advanced Search" feature in the "Search this Thread" thingy? I want to search for posts in this thread by Chris...
post #54942 of 62227
Quote:
Originally Posted by batpig View Post

hmm, what happened to the "Advanced Search" feature in the "Search this Thread" thingy? I want to search for posts in this thread by Chris...

For me when I mouse over the magnifying glass next to the search window there is a drop down for advanced search.
post #54943 of 62227
hmm, not getting that. Maybe it's because I am using Chrome as my browser?

anyway, I found the argument about Dyn EQ and here's a good post from Chris: http://www.avsforum.com/t/795421/official-audyssey-thread-faq-in-post-1/29970#post_19094495

Quote:
Originally Posted by audyssey View Post

The curves you posted are just a measurement of the static Dynamic EQ response. What's missing is the most important part: the Dynamic part! The adjustment being applied depends on two factors: (1) the volume control setting (those are the curves in the picture) and (2) a real time estimation of the content loudness in each channel. That last part is the tricky one to get right. Think of it this way: content comes along and it varies between soft and louder parts as its playing. Then you turn the volume down. The softer parts will need different adjustment than the louder parts. The trick is to do this with the right time constants so you don't have the listener go crazy. The other trick is to make sure you are not messing the spatial balance of the mix (in surround). And finally, you have to come up with the right way to measure loudness in real time.

Quote:
Originally Posted by markus767 View Post

Hi Chris,


I think this is not what we want to do. We don't want the loudness compensation EQ to change within a single track. This track was mixed at a certain fixed reference level, so the compensating equal-loudness contour EQ must not change as long as the overall listening level is not changed.

Quote:
Originally Posted by audyssey View Post

Actually it is exactly what's needed. When the track was mixed at the "fixed" level they were listening to the softer and louder parts of that track and making decisions about the mix. Now, when you turn down the level the softer part of the track turns down more (in the bass region) because the loudness curves are not parallel! They start to diverge as you go lower in level. Therefore the soft part of the track now needs different adjustment than the loud part that falls on a different curve.
post #54944 of 62227
Quote:
Originally Posted by kbarnes701 View Post

AFAIK, DEQ looks at the setting of the MV and then adjusts for deficiencies in human hearing as the MV is moved away from Reference. So quiet sounds from behind are boosted at lower MV settings, so that the perception of those sounds is the same as at reference - sounds from behind 'disappear' rapidly as MV is lowered so at some point, without DEQ, we would lose the surround information. Similar thing with bass frequencies. The 'dynamic' part comes in as DEQ listens ahead and says to itself "oh, this sound that is about to occur is from the surround channels and as the MV is set at -15dB the upcoming sound needs to be boosted in loudness so that the perception of the surround effect is the same as if the listener was using Reference level on the MV (0db)".

 

 

Quote:
Originally Posted by batpig View Post

I'm surprised that so many of you regulars (Keith, Max, etc) forget this, as there was a HUGE discussion about this between Chris and Markus back in the day with Chris trying to demonstrate to Markus why it was necessary to constantly be adjusting the loudness contour based on program content, whereas Markus couldn't be convinced that you needed to do anything other than use a single contour based on MV setting. Do we not remember the good old days of trying to measure the vertical separation between equal loudness contours? tongue.gif

 

I didn't think I'd forgotten it, Baptpig ;)  That post of mine that I requoted above is a correct interpretation of how DEQ works, isn’t it? 

post #54945 of 62227
not trying to single you out wink.gif but, in catching up on this thread after being gone a few days, I was surprised that Feri encountered so much resistance to his accurate statements, when this exact topic has been hashed out before and many of us were there when it happened. The key distinction is that Dyn EQ is NOT just operating based on the MV setting, it is actively monitoring program content in real time and will make different freq response adjustments based upon the actual loudness in the content.
post #54946 of 62227
Quote:
Originally Posted by batpig View Post

not trying to single you out wink.gif but, in catching up on this thread after being gone a few days, I was surprised that Feri encountered so much resistance to his accurate statements, when this exact topic has been hashed out before and many of us were there when it happened. The key distinction is that Dyn EQ is NOT just operating based on the MV setting, it is actively monitoring program content in real time and will make different freq response adjustments based upon the actual loudness in the content.

 

I don't think we meant any disrespect to Feri.  The quotes you cited have cleared up my misunderstanding of the complex DEQ technology, for which I am grateful. 

 

Regarding your question on Advanced Search, I have been trying to figure out how to search this thread for postings by userid=Audyssey, and I can't seem to figure it out either.  There is an "Advanced Search" capability if you go to the "Search AVS Forum" box in the upper right corner, but its capabilities seem limited.  Hopefully, someone has the answer.  I posted a question in the Forum Operations Center to see if they can help.

post #54947 of 62227
Quote:
Originally Posted by batpig View Post

not trying to single you out wink.gif but, in catching up on this thread after being gone a few days, I was surprised that Feri encountered so much resistance to his accurate statements, when this exact topic has been hashed out before and many of us were there when it happened. The key distinction is that Dyn EQ is NOT just operating based on the MV setting, it is actively monitoring program content in real time and will make different freq response adjustments based upon the actual loudness in the content.

Semantics? Isn't the operation of DEQ mainly based on the position of the MV which, for cinema anyway, informs DEQ about the relationship of the room's SPL to that of Reference Level? Have we ever been told what amount of "frequency response adjustments" are due to content and if any of them are independent of the MV position?

Semantics? Possibly. What links are there that would illuminate this a bit more?

Jeff
post #54948 of 62227
Jerry, I didn't read any disrespect smile.gif ... just disagreement!

I definitely hope someone can clue me in on the "Advanced Search" functionality. I tried with Firefox and still couldn't get the dropdown when I moused over the magnifying glass. I really miss the ability to be in the Audyssey thread and be able to quickly search for posts by a specific userid, it's really helpful to be able to find Chris' exact words on topics like this.

Plus looking at those old messages makes me miss the old days when Chris, Markus, and Larry were regulars here...
post #54949 of 62227
Quote:
Originally Posted by pepar View Post

Quote:
Originally Posted by batpig View Post

not trying to single you out wink.gif but, in catching up on this thread after being gone a few days, I was surprised that Feri encountered so much resistance to his accurate statements, when this exact topic has been hashed out before and many of us were there when it happened. The key distinction is that Dyn EQ is NOT just operating based on the MV setting, it is actively monitoring program content in real time and will make different freq response adjustments based upon the actual loudness in the content.

Semantics? Isn't the operation of DEQ mainly based on the position of the MV which, for cinema anyway, represents the offset from Reference Level (if the MV is anything but 0dB)? Have we ever been told what amount of "frequency response adjustments" are due to content and it any of them are independent of the MV position?

Semantics? Possibly. What links are there that would illuminate this a bit more?

Jeff

I don't think it's semantics at all. It's a very clear distinction -- either Dynamic EQ's adjustment is based ONLY on the MV setting, or it isn't. And the correct answer is the latter. MV is part of it, but then DEQ is additionally monitoring actual loudness of the program content and modifying its adjustment so that different compensation is applied to soft parts vs. loud parts.
post #54950 of 62227
Quote:
Originally Posted by batpig View Post

I don't think it's semantics at all. It's a very clear distinction -- either Dynamic EQ's adjustment is based ONLY on the MV setting, or it isn't. And the correct answer is the latter. MV is part of it, but then DEQ is additionally monitoring actual loudness of the program content and modifying its adjustment so that different compensation is applied to soft parts vs. loud parts.
Yes, of course. Plus [sheepish grin] I just re-read Chris' posts.
post #54951 of 62227
Quote:
Originally Posted by Roger Dressler View Post

I have seen a lot of DSX information, but not a doc file with that name. Presumably, the ITU diagram you mention looks like the one below.
576
The shaded area means that the side and rear surrounds can be placed anywhere in that zone. They are not showing the surrounds at 60° specifically.
Among others, DTS, Dolby, and THX all recommend the surrounds be at the 90° position. If they cannot be there, then slightly forward, up to 80° is a good choice. In a 7.1 system, 80-90° gives the best surround envelopment. Pushing them back to 100-120° as Audyssey shows is not a good idea (except for 5.1 setups).

Roger,

The document mentioned is one I put together (hosted in the Audyssey Setup Guide post) with some key posts from a discussion in March, 2011 that you participated in. The ITU diagram is indeed the one you posted above. It was such good information, I wanted to consolidate it for future use.

Mark

Edit: Attached the document for convenient reference.

Audyssey DSX Surround Speaker Placement Theory.doc 243k .doc file
Edited by giomania - 7/2/12 at 1:04pm
post #54952 of 62227
Quote:
Originally Posted by batpig View Post

not trying to single you out wink.gif but, in catching up on this thread after being gone a few days, I was surprised that Feri encountered so much resistance to his accurate statements, when this exact topic has been hashed out before and many of us were there when it happened. The key distinction is that Dyn EQ is NOT just operating based on the MV setting, it is actively monitoring program content in real time and will make different freq response adjustments based upon the actual loudness in the content.

I think the resistance was to the inaccurate statements - such as the assertion that DEQ has zero effect only when the MV is at 0dB and RLO is off.

post #54953 of 62227
Quote:
Originally Posted by batpig View Post

I don't think it's semantics at all. It's a very clear distinction -- either Dynamic EQ's adjustment is based ONLY on the MV setting, or it isn't. And the correct answer is the latter. MV is part of it, but then DEQ is additionally monitoring actual loudness of the program content and modifying its adjustment so that different compensation is applied to soft parts vs. loud parts.

And now Guys I think we can get back to the original question that sparked this lengthy discussion with the hope that everything is fully clear for all.

So, here's the original question: does anyone know of any other loudness control solution on the market that monitors the MV as well as contents at the same time? smile.gif
post #54954 of 62227
Quote:
Originally Posted by batpig View Post

I definitely hope someone can clue me in on the "Advanced Search" functionality.

Upper right corner., then select Posts Only


311
post #54955 of 62227
Quote:
Originally Posted by Gary J View Post

Upper right corner., then select Posts Only
311

Yeah, not the same as "search this thread." If you click there and then "advanced" you still don't have a way of searching the specific thread - just the category, e.g. AMPs, Receivers, and Processors.

OMG, I just noticed that "search this thread" is at the bottom of the page. In fine print.

279
post #54956 of 62227
Pretty useful for who matters most though. wink.gif Chris tended to post only here.
Edited by Gary J - 7/2/12 at 1:32pm
post #54957 of 62227
Quote:
Originally Posted by Gary J View Post

Quote:
Originally Posted by batpig View Post

I definitely hope someone can clue me in on the "Advanced Search" functionality.

Upper right corner., then select Posts Only


311

ahh... there's the mouse over for Advanced Search. Thanks. Definitely would be nice to restrict it to a specific thread but in the case of posts by Chris K. it's sufficient.
post #54958 of 62227
Quote:
Originally Posted by kbarnes701 View Post

I think the resistance was to the inaccurate statements - such as the assertion that DEQ has zero effect only when the MV is at 0dB and RLO is off.

just because it hurts me so bad to not get the last word when I think there are still wrongs to be righted... but that is not accurate based on what I read this morning. You have conflated two separate discussions, the first of which was DEFINITELY people disagreeing with Feri about the specific point of the "two part" adjustments of Dyn EQ (where Feri was 100% right), and then there was second, separate discussion about the relationship of MV and RLO (in which Feri was wrong about DEQ having zero effect ONLY when MV and RLO are both at 0).

anyway, I'm over it now tongue.gif you can go back and re-read the discussion and it's pretty clear wink.gif
post #54959 of 62227
Quote:
Originally Posted by batpig View Post

just because it hurts me so bad to not get the last word when I think there are still wrongs to be righted


330
post #54960 of 62227
exactly smile.gif
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