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"Official" Audyssey thread (FAQ in post #1) - Page 1865

post #55921 of 62224
Quote:
Originally Posted by kbarnes701 View Post


I definitely always suggest getting rid of the coffee table, Feri! smile.gif  They are repositories for junk, get in the way of good sound, clutter the central area of any room and are almost never used for coffee!  Now side-tables, they get my vote every time smile.gif

Keith, I just recently read somewhere else that a Hi-Fi system will sound the best when there in nobody in the room!!! Ha! cool.giftongue.gifsmile.gif
post #55922 of 62224
Quote:
Originally Posted by mogorf View Post

Gentlemen, are we (you) back in the Kindergarten or what? This makes an interesting discussion a bit tiresome to follow. Peace to all members and sorry for the OFF. smile.gif


I don't normally follow Markus767's 'discussions' as they never seem to lead anywhere - this one appeared to be an exception for a while, but I can live without knowing whatever conclusions he may, or probably won't, come to. I was trying to get a view on distilling down all the hypothesis, speculation, graphing and 'yes it does, no it doesn't' debate into something that might actually help users in the real world.  But you are right - it is too tiresome to bother with.

post #55923 of 62224
Quote:
Originally Posted by mogorf View Post

Quote:
Originally Posted by kbarnes701 View Post


I definitely always suggest getting rid of the coffee table, Feri! smile.gif  They are repositories for junk, get in the way of good sound, clutter the central area of any room and are almost never used for coffee!  Now side-tables, they get my vote every time smile.gif

Keith, I just recently read somewhere else that a Hi-Fi system will sound the best when there in nobody in the room!!! Ha! cool.giftongue.gifsmile.gif

 

How do they know? :)

post #55924 of 62224
Quote:
Originally Posted by kbarnes701 View Post

How do they know? smile.gif

They use long cables from in-room mics to laptop in another room and they watch the graphs very carefully!!!!! tongue.gif
post #55925 of 62224
Quote:
Originally Posted by mogorf View Post

Quote:
Originally Posted by kbarnes701 View Post

How do they know? smile.gif

They use long cables from in-room mics to laptop in another room and they watch the graphs very carefully!!!!! tongue.gif

 

Ah yes - the category of users who listen with their eyes.

post #55926 of 62224

kb, check the first line in my sig.

and have a good day too.  :-)

 

Quote:

Originally Posted by kbarnes701 View Post

Quote:
Originally Posted by mogorf View Post

Quote:
Originally Posted by kbarnes701 View Post

How do they know? smile.gif

They use long cables from in-room mics to laptop in another room and they watch the graphs very carefully!!!!! tongue.gif

 

Ah yes - the category of users who listen with their eyes.

post #55927 of 62224
Quote:
Originally Posted by Gellidius View Post

kb, check the first line in my sig.

and have a good day too.  :-

Most apt! And a great day to you too.

post #55928 of 62224
Quote:
Originally Posted by markus767 View Post

Good question and I really don't know. Fuzzy logic? smile.gif
I would have to re-run the whole test to see if it's repeatable...might have something to do with how MultEQ determines the -3dB point. I see another can of worms delivered smile.gif

Hi Max,

puzzle solved - it was indeed the -3dB point. After applying a 6dB high pass at 20Hz, Sub EQ HT and Y-cord produced the same low frequency roll-off.
In most of the cases my subs obviously produce enough output to make MultEQ detect a low -3dB point. In a single case yesterday the output was obviously not enough to trigger the low -3dB point. Probably just a fraction of a dB is enough. To software -2.999dB is different from -3dB smile.gif
post #55929 of 62224
Quote:
Originally Posted by kbarnes701 View Post

Rest in peace, Tony Scott. Top Gun, Crimson Tide, Unstoppable, True Romance, Pelham 123, Déjà Vu, Man on Fire, Enemy of the State - some of my favourite movies. He will be greatly missed.
+1
post #55930 of 62224
Quote:
Originally Posted by markus767 View Post

I'd like to see that evidence too smile.gif

Markus,

Please find attached a document explaining the procedures for adjusting the subwoofer distances after running MultEQ XT32. I don't know if this qualifies as evidence to you, but it has graphs, which I know you like. cool.gif

We had discussed this document I put together back in April / May timeframe, I believe, but I think you were absent from the thread at that time. The document can also be found in my Audyssey Setup Guide post linked in my signature below. Don't ask me to explain it to you, I just assembled the document to capture the procedure identified by Mark Seaton and brought to the AVSForum community by CraigJohn.

I hope this helps.

Mark

Subwoofer Distance Tweak Instructions & Examples (Requires Acoustic Measurement Tools).doc 1688k .doc file
post #55931 of 62224
Thanks Mark but all graphs seem to be based on changing the sub delay equally for each sub involved. Maybe I just didn't see it but where's the case showing that adjusting individual subwoofer delays independently from each other (after running MultEQ) created a smoother response? A single point measurement wouldn't qualify.
post #55932 of 62224
Quote:
Originally Posted by markus767 View Post

Thanks Mark but all graphs seem to be based on changing the sub delay equally for each sub involved. Maybe I just didn't see it but where's the case showing that adjusting individual subwoofer delays independently from each other (after running MultEQ) created a smoother response? A single point measurement wouldn't qualify.

I thought I recall a couple of posts in there discussing adjusting the sub distances individually, but it has been some time, and my brain frequently acts like a FIFO buffer. Perhaps that is in there, and you missed it, or perhaps I did not include it, or perhaps I am mis-remembering. All of the above are possible, but if some others with better memories do not chime in, we can just inquire with Mark Seaton or CraigJohn.

I looked at the adjustment process instructions I wrote, and it does say to adjust both at the same time, but then in step 5 it states to start making finer adjustments. I think we should clarify this and then I can update the instructions. Sorry, I just cannot remember definitively.

Mark
post #55933 of 62224
Quote:
Originally Posted by giomania View Post


I thought I recall a couple of posts in there discussing adjusting the sub distances individually, but it has been some time, and my brain frequently acts like a FIFO buffer. Perhaps that is in there, and you missed it, or perhaps I did not include it, or perhaps I am mis-remembering. All of the above are possible, but if some others with better memories do not chime in, we can just inquire with Mark Seaton or CraigJohn.
I looked at the adjustment process instructions I wrote, and it does say to adjust both at the same time, but then in step 5 it states to start making finer adjustments. I think we should clarify this and then I can update the instructions. Sorry, I just cannot remember definitively.
Mark

As I posted recently (and a number of times previously), I adjust the distance setting on each of the two sub channels separately.  Flattest response is achieved with a significant adjustment on Sub1, but only a minor adjustment on Sub2.

post #55934 of 62224
Quote:
Originally Posted by AustinJerry View Post

As I posted recently (and a number of times previously), I adjust the distance setting on each of the two sub channels separately.  Flattest response is achieved with a significant adjustment on Sub1, but only a minor adjustment on Sub2.

But you optmimized a single point only, right? You would need to verify more points to make sure the optimization works for the whole listening area.

Found your measurements but don't know how the single curves correlate to locations in your room. Do you remember the mic pattern in "Baseline No EQ Subs only"?
post #55935 of 62224
Quote:
Originally Posted by AustinJerry View Post

Quote:
Originally Posted by giomania View Post


I thought I recall a couple of posts in there discussing adjusting the sub distances individually, but it has been some time, and my brain frequently acts like a FIFO buffer. Perhaps that is in there, and you missed it, or perhaps I did not include it, or perhaps I am mis-remembering. All of the above are possible, but if some others with better memories do not chime in, we can just inquire with Mark Seaton or CraigJohn.
I looked at the adjustment process instructions I wrote, and it does say to adjust both at the same time, but then in step 5 it states to start making finer adjustments. I think we should clarify this and then I can update the instructions. Sorry, I just cannot remember definitively.
Mark

As I posted recently (and a number of times previously), I adjust the distance setting on each of the two sub channels separately.  Flattest response is achieved with a significant adjustment on Sub1, but only a minor adjustment on Sub2.

 

I have always adjusted the sub distances separately for each sub too, and my bass currently sounds the best it has ever been (and measures OK too). I can believe I have been doing it wrong of course - I wasn't even consciously aware that I was supposed to adjust each sub by the same amount, so I never actually tried to do it. Something perhaps for the next time I do a calibration, although that will be no time soon as I am happy right now with the setup and am spending what spare time I have watching movies, not charts.

 

I perhaps should mention that I measure a single point too. I am not interested in getting a good result right across the room - just where I sit.

post #55936 of 62224
Quote:
Originally Posted by giomania View Post

we can just inquire with Mark Seaton or CraigJohn.

Good idea.
post #55937 of 62224
Quote:
Originally Posted by AustinJerry View Post

As I posted recently (and a number of times previously), I adjust the distance setting on each of the two sub channels separately.  Flattest response is achieved with a significant adjustment on Sub1, but only a minor adjustment on Sub2.

My FIFO buffer brain has been running on a very short cycle time lately. rolleyes.gif

Mark
post #55938 of 62224
Quote:
Originally Posted by markus767 View Post

Good idea.

Markus, are we going to see some pre-optimization ideas that are based on your analysis of single point measurement graphs that maybe useful for the Audyssey users? Just asking? smile.gif
post #55939 of 62224
Quote:
Originally Posted by mogorf View Post

Markus, are we going to see some pre-optimization ideas that are based on your analysis of single point measurement graphs that maybe useful for the Audyssey users? Just asking? smile.gif

Feri, isn't there a wealth of information out there regarding various approaches to optimizing in-room response for subs? I don't think we are talking about frame-breaking knowledge here, are we? Are pre-optimization techniques OT for this thread?
post #55940 of 62224
Quote:
Originally Posted by AustinJerry View Post

Feri, isn't there a wealth of information out there regarding various approaches to optimizing in-room response for subs? I don't think we are talking about frame-breaking knowledge here, are we? Are pre-optimization techniques OT for this thread?

Let's read between the lines Jerry, I just wanted to poke our Markus to come back with his own findings. On a serious note I do respect what he does, coz I do belive in "keep talking, something has to come out". Agree? smile.gif

On a second note, why only subs? Isn't there anything to do in the mid- to upper frequency range in the name of pre-optimization?
post #55941 of 62224
Quote:
Originally Posted by mogorf View Post


Let's read between the lines Jerry, I just wanted to poke our Markus to come back with his own findings. On a serious note I do respect what he does, coz I do belive in "keep talking, something has to come out". Agree? smile.gif
On a second note, why only subs? Isn't there anything to do in the mid- to upper frequency range in the name of pre-optimization?

 

I agree, Feri, I think Markus' discussion has been interesting.  As far as pre-optimization of mid to upper frequencies, of course there are recommendations in that area as well, but this conversation specifically addressed low frequencies and whether Sub EQ HT improved or did not improve end results.

post #55942 of 62224
Quote:
Originally Posted by AustinJerry View Post

I agree, Feri, I think Markus' discussion has been interesting.  As far as pre-optimization of mid to upper frequencies, of course there are recommendations in that area as well, but this conversation specifically addressed low frequencies and whether Sub EQ HT improved or did not improve end results.

Agree Jerry, but when someone has his measuring gear pulled out why limit it to only low frequencies? Couldn't the discussion be turned around to full range? Or is it to much to ask?

See Ya later, it's getting too late already in my neck of the woods! smile.gif
post #55943 of 62224
Quote:
Originally Posted by mogorf View Post

Agree Jerry, but when someone has his measuring gear pulled out why limit it to only low frequencies? Couldn't the discussion be turned around to full range? Or is it to much to ask?
See Ya later, it's getting too late already in my neck of the woods! smile.gif

Feri, you can optimize subs by moving them around because their output is, more or less, non-directional. Main speakers are where they are for imaging with respect to the picture on the screen, and surrounds are where they are because of their relationship with the listener(s).

There seems to be a Markus post that has been deleted ...

Jeff
post #55944 of 62224
Quote:
Originally Posted by markus767 View Post

Thanks Mark but all graphs seem to be based on changing the sub delay equally for each sub involved. Maybe I just didn't see it but where's the case showing that adjusting individual subwoofer delays independently from each other (after running MultEQ) created a smoother response? A single point measurement wouldn't qualify.

Markus,

Here is a measurement taken at the primary LP with 3 Submersive HP's, all connected to one subwoofer output, and all placed at dissimilar distances to the primary LP. The speaker/subwoofer crossover was set at 80 Hz. This is the subs and the CC measured together:



The only difference between these traces is the subwoofer Distance setting. The Blue trace is the Audyssey set Distance of 10.4. The Green trace is my re-adjusted Distance setting of 13.8. These values are applied to all 3 subs simultaneously because they are all on the same subwoofer output.

I then re-setup my system so 1 sub was on Sub1 and 2 subs were on Sub2. The Sub2 subs were equidistant to the LP and where further away than the Sub1 sub. Since I had moved the subs around, I re-ran Audyssey and I once again got a poor blend at the crossover frequency. Unfortunately I did not save the graph of that response. However, I did record the adjustments I made:



The green trace is the best I could do by adjusting both Sub1 and Sub2 by the same amount. The Blue Trace is the additional output I got by adjusting Sub1 and Sub2 by *different* amounts. Note that I didn't lose anything below the crossover point. This the most effective setup I have found for my subs. They sound fast, tight and articulate, and it goes without saying that they dig deep and get LOUD. smile.gif

Craig
Edited by craig john - 8/20/12 at 8:09pm
post #55945 of 62224
^ Craig, too bad you didn't calibrate and measure with the subs split across two sub channels before you altered the sub positions. Since you made two changes (position and connections), it is a little more difficult to compare the two results. Just looking at the graphs, the first one actually looks a little bit better in the low range. Of course, your ears are the final judge, and both graphs look pretty darn good.

My configuration and results are exactly like yours--three subs on two channels, with independent distance adjustments to achieve flattest response. After all, I learned this from you!
post #55946 of 62224
For what it's worth, I've found that fixed but different subs distances work across calibrations. My 3 subs are connected to a MiniDSP where each is set at a different distance: the ones that give the smoothest pre-calibration blend from all 3. It's a bit difficult to say with certainty but I have seen little or no improvement the few times I've tried to vary the MiniDSP distances after calibration. Varying the receiver-based distance of the 3-subs-as-one after calibration has the usual dramatic effect.

Bottom-line: sub-sub integration appears to be Audyssey independent at my place, while subs-mains integration is heavily Audyssey dependent.
Edited by ReneV - 8/20/12 at 8:55pm
post #55947 of 62224
Quote:
Originally Posted by AustinJerry View Post

^ Craig, too bad you didn't calibrate and measure with the subs split across two sub channels before you altered the sub positions. Since you made two changes (position and connections), it is a little more difficult to compare the two results. Just looking at the graphs, the first one actually looks a little bit better in the low range. Of course, your ears are the final judge, and both graphs look pretty darn good.
My configuration and results are exactly like yours--three subs on two channels, with independent distance adjustments to achieve flattest response. After all, I learned this from you!
Hi Jerry,

When I moved the subs, I did it so the 2 subs that were on the same sub-out would be equidistant to the LP. Also, I didn't mention it, but those two graphs are not "comparable" as the upper graph is the CC + subs and the lower graph is the L/R's + subs. I wasn't trying to show a comparison as much as I was using them to explain the results I got with different setups.

Craig
post #55948 of 62224
Quote:
Originally Posted by mogorf View Post

Hi Mike. Not that it makes a difference, but as far as I know ARC is based on Audyssey technology. See here and here.

That's false information. Anthem Room Correction and ARC by IK Multimedia aren't related.
post #55949 of 62224
Quote:
Originally Posted by mogorf View Post

Agree Jerry, but when someone has his measuring gear pulled out why limit it to only low frequencies? Couldn't the discussion be turned around to full range? Or is it to much to ask?
See Ya later, it's getting too late already in my neck of the woods! smile.gif

Good reading that might help you get a better understanding of small room acoustics:
http://www.aes.org/e-lib/download.cfm?ID=13686&name=harman
post #55950 of 62224
Quote:
Originally Posted by markus767 View Post

That's false information. Anthem Room Correction and ARC by IK Multimedia aren't related.

Thanks for your clarification.
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