I can't answer but Ihave them installed and I have plenty of volume and power.
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Audyssey FAQ and New User '101' Help & Setup Guide
Edited on 1/20/13
- Audyssey FAQ and Beginners '101' Setup Guide
Edited on 8/22/12Related Reviews
- Audyssey FAQ and Beginners '101' Setup Guide
"Official" Audyssey thread (FAQ in post #1) - Page 1984
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Well bat pig I am simply trying to learn. I figured such a question would elicit such a response...
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quote name="SeaNile" url="/t/795421/official-audyssey-thread-faq-in-post-1/59460#post_22882602"]Quick question about running Audyssey. Do I level adjust the volume first within the speaker adjustments and then run Audyssey? Or do I let Audyssey run and then adjust the speakers? I've noticed when I run Audyssey it sets my LCR speakers to -12 all the time. Heading out now to get a boom mic stand and a SPL meter.[
A -12 L/C/R setting typically results from having your subwoofer gain set too high. Try Decreasing the gain on your subwoofer , and rerun Audyssey - that should result in lower speaker trims and allow Audyssey to properly equalize your speakers . No need to adjust your speakers with an SPL - you can certainly check speaker levels post Audyssey - but Audyssey microphone is usually more accurate than most SPL meters.
It's his LCR that are being set to -12....
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Quick question about running Audyssey. Do I level adjust the volume first within the speaker adjustments and then run Audyssey? Or do I let Audyssey run and then adjust the speakers? I've noticed when I run Audyssey it sets my LCR speakers to -12 all the time. Heading out now to get a boom mic stand and a SPL meter.
b)6. Does it matter how I set the controls on my AVR when running Audyssey?
e)6. What do I do if my trim levels are at the limits of their adjustment ('maxed out')?
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I have the same issue with the LCR Quintuples. This is a avr/prepro problem with running out of range for the trims due to the speaker high db and with amp wpc. I used a Harrison Labs 12 dB RCA Line Level Attenuator on each interconnect going into the amp. It reduces the signal from the prepro to the amp so the trims can get down around "0" instead of -12. This will let the prepro do a better job with the trim levels.
Does adding the attenuator change the overall volume? Last thing I want to do is tame my system.
No - the attenuator is a gain control not a volume control. Your system will still output all you need, but from a smaller input signal. You can't leave the speakers at -12 - if you do you do not have a calibrated system.
Right now your system is being 'tamed' by having a volume control (the trim) set at -12dB isn't it? If you put a 12dB attenuator in, then the trim will be set at or around 0dB. The volume will be the same. The reason you shouldn’t run a -12dB trim is explained in the FAQ answer I posted.
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I’d be obliged if you would delete your two posts please, Jeff. I will mark the third post (my own) as 'Reserved for FAQ' and then try to figure out how to hyperlink from post to post (which can be done so I am told). Thanks buddy.
EDIT: I now know how to carry the FAQ over into two or more posts in a transparent and elegant manner. The 'trick' is that the posts need to be on the same AVS page. This means we now have no worries about the length of the FAQ for the future, as I 'own' several consecutive posts after the one we are discussing here. I will move the '101' to the next post which is probably a good idea in itself anyway and which will leave plenty of room for expansion of the main FAQ, if needed.
EDIT:
For ease of reference, the two posts are:
This one
and
This one
Done!
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Try this:
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FAQ UPDATE!
I have now split the FAQ across two consecutive posts to overcome the problems of AVS post-length limitations, which meant I could no longer add new information to the FAQ as and when it is needed.
I have moved the '101' section of the FAQ to its own post now, thus freeing up the space it took in the main FAQ.
To the user this will be transparent - if you click the link in the main FAQ that takes you to the 101, you are just taken there instantly, as with any other hyperlink. When in the 101, if you click the link to the main FAQ, you are also taken straight back to it, instantly, just as when it was all in one post. This 'hyperlinking' from post to post is only possible when the posts in question are all on the same AVS page, as the FAQ and 101 now are thanks to Jeff (pepar) kindly deleting two of his posts for me.
Since it has XT32 I'm now thinking of adding a second subwoofer. However, I have constraints on where to put the sub - at the moment I have a sub in the left front corner of the room facing the listening position. I don't have room to setup another sub in the front of the room facing the listening position so I would have to add it in the back left corner and I guess I was wondering is whether doing this is likely to yield an improvement or whether given the less than ideal location I would be forcing something that is unlikely to provide any benefit?
Basically, the two subs would be facing each other - though with about 16 feet between them. The one option I do have is to turn the sub that would go in the back of the room 90 degrees so that it is firing to the opposite side of the room as opposed toward the front at the existing sub.
Anyway, any input from those with any experience in such a situation would be appreciated.
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If you have some options, placement of sub(s) should be guided by a measured sub haul, (use of a measuring system like REW or OmniMic), done with all EQ including Audyssey disengaged. You simply check which location yields FR graphs showing smoothest overall bass response overall.
By ear you'd listen with all EQ including Audyssey disengaged to your current one sub. Place the second sub in various positions and listen to bass-laden content. Repeat till you feel you've got the best spot.
Either way, next step is to rerun Audyssey. A few folks with measuring system have taken it even further, measuring while tweaking distance.
Opposite midwall placements is reportedly frequently pretty good and works for me. AFAIK it shouldn't matter much if both are firing towards the middle or not. I prefer matched subs when practical.
Edited by SoundofMind - 1/27/13 at 7:49am
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Good advice from SoM. As he says, there is no reason to think that the placement you mention would by necessarily bad. Unfortunately, you never really know until you purchase the second sub, place both subs in all possible locations, and measure the results. The only additional advice I would offer is to add an identical sub, if you purchase another one. Configuring identical subs for best bass response is considerably easier than if you have two different subs.
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Good advice from SoM. As he says, there is no reason to think that the placement you mention would by necessarily bad. Unfortunately, you never really know until you purchase the second sub, place both subs in all possible locations, and measure the results. The only additional advice I would offer is to add an identical sub, if you purchase another one. Configuring identical subs for best bass response is considerably easier than if you have two different subs.
+1

So I picked up a Denon 4520 on Friday night and after setting it up I'm quite happy with it.
Since it has XT32 I'm now thinking of adding a second subwoofer. However, I have constraints on where to put the sub - at the moment I have a sub in the left front corner of the room facing the listening position. I don't have room to setup another sub in the front of the room facing the listening position so I would have to add it in the back left corner and I guess I was wondering is whether doing this is likely to yield an improvement or whether given the less than ideal location I would be forcing something that is unlikely to provide any benefit?
Basically, the two subs would be facing each other - though with about 16 feet between them. The one option I do have is to turn the sub that would go in the back of the room 90 degrees so that it is firing to the opposite side of the room as opposed toward the front at the existing sub.
Anyway, any input from those with any experience in such a situation would be appreciated.
Here's a link to the Audioholics site that you might find informative;
http://www.audioholics.com/tweaks/get-good-bass/subwoofer-placement-the-place-for-bass-part-1/subwoofer-placement-the-place-for-bass-part-1-page-6
I have identical subs placed side mid-wall and they sound great. Smooth, clean and not localizable. They also are able to be measured correctly if you don't have SubEq HT.
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I am really beginning to hate Audyssey, but I am going to learn this! So I just put my amp gain from about 4 oclock to noon, reran Audyssey and the numbers look jacked up to me. Still puts LCR and subs at -12. Pulled out the SPL meter and the LCR's are at 75db (at -12) rears are 71db (at -2) and sub is at 55db. Shouldn't all of the speakers be at 75db during level calibration?
Look for problems in your rear surrounds. It is like Audyssey is not hearing a driver in them and trying to compensate by pulling down all the other speakers.
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During the calibration process, it calibrated the subwoofer levels then played pulses through each channel at the main listening position. After that, it had me move the mic to seven other locations around the listening area where it played pulses just through the connected channels. I had the mic mounted facing the ceiling on a boom mic stand.
Any ideas as to what the issue might be?

I am really beginning to hate Audyssey, but I am going to learn this! So I just put my amp gain from about 4 oclock to noon, reran Audyssey and the numbers look jacked up to me. Still puts LCR and subs at -12. Pulled out the SPL meter and the LCR's are at 75db (at -12) rears are 71db (at -2) and sub is at 55db. Shouldn't all of the speakers be at 75db during level calibration?
you have goodadvice above. The-12 calibrations indicate that your amps are too hot for the receiver to properly calibrate (assuming its a Denon, it runs out of adjustment at -12 dB). So turn down more. If the potentiometers in the amps happen to be linear, turning down from 4 oclock to 12 oclock is likely less than a 2 dB adjustment. To get such devices into range you may have to go into the lowest ten percent of the volume control range. Because there's only 10 dB of adjustment above the 10 percent setting . . . the nature of the beast.
What signal are you using to test post-autosetup speaker levels?
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you have goodadvice above. The-12 calibrations indicate that your amps are too hot for the receiver to properly calibrate (assuming its a Denon, it runs out of adjustment at -12 dB). So turn down more. If the potentiometers in the amps happen to be linear, turning down from 4 oclock to 12 oclock is likely less than a 2 dB adjustment. To get such devices into range you may have to go into the lowest ten percent of the volume control range. Because there's only 10 dB of adjustment above the 10 percent setting . . . the nature of the beast.
What signal are you using to test post-autosetup speaker levels?
I believe part of the issue is my LCR are incredibly efficient compared to the rears. Even at -12 for the LCR it gets them to 75db testing with that horrible static sound that comes out of the Onkyo when I use the level calibration adjust. What has me scratching my head is the speakers read 75db yet the subs read about 60db. Shouldn't the subs also be at 75db?
Is my system asking too much of Audyssey? These JTR speakers are really efficient and I do have 4 18" subs with an inuke6000 amp feeding them about 1800w.
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you have goodadvice above. The-12 calibrations indicate that your amps are too hot for the receiver to properly calibrate (assuming its a Denon, it runs out of adjustment at -12 dB). So turn down more. If the potentiometers in the amps happen to be linear, turning down from 4 oclock to 12 oclock is likely less than a 2 dB adjustment. To get such devices into range you may have to go into the lowest ten percent of the volume control range. Because there's only 10 dB of adjustment above the 10 percent setting . . . the nature of the beast.
What signal are you using to test post-autosetup speaker levels?
I believe part of the issue is my LCR are incredibly efficient compared to the rears. Even at -12 for the LCR it gets them to 75db testing with that horrible static sound that comes out of the Onkyo when I use the level calibration adjust. What has me scratching my head is the speakers read 75db yet the subs read about 60db. Shouldn't the subs also be at 75db?
Is my system asking too much of Audyssey? These JTR speakers are really efficient and I do have 4 18" subs with an inuke6000 amp feeding them about 1800w.
You previously mentioned that you're using an XPA-5 amp. Emotiva amps are well known to have very high gain. When combined with efficient speakers, this causes problems for Audyssey. You need to use inline attenuators between the preamp outputs of the receiver and the inputs of the amplifier because the receiver is unable to reduce its output low enough to be compatible. 12dB or 15dB attenuators would be appropriate. Attenuators will not make any difference in the resulting output volume or audio quality. The intent of Audyssey's calibration procedure is to ensure all of the speakers produce accurate, reference level sound in your room -- enough to damage your hearing and annoy the neighbors if you like to turn the volume up.
Attenuators are available for both RCA and XLR connections from many vendors.
e.g.
http://www.amazon.com/Harrison-Labs-Line-Level-Attenuator/dp/B0006N41B0
http://www.amazon.com/Dayton-Audio-XATT10-In-Line-Attenuator/dp/B0024TDIN6
Thanks for all the good sub advice. It sounds like an additional subwoofer should help! I have two nearly identical Velodyne subs (one in each my HT setups) so I'm going to give that a try and see how it goes. Basically I have exactly two spots that I can use so I don't have much flexibility in placement other than which direction to face the subs.
I was actually considering adding a 15" sub to my existing 12", but from the information you guys provided I guess I get the sense it would be better to add an additional 12" Velodyne sub instead. Do I have that correct?
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Hey guys, I bought an Onkyo TX-NR3008, because I was very excited to try XT-32. Right now, I just have fronts (2 Polk SDA-2B) and subwoofers (2 Epik Legend). I ran the Audyssey calibration triggered by plugging in the mic, which successfully set the speaker levels and delays; however, when I measue with REW, the Audyssey EQ curve is identical to the no EQ curve. I'm not sure what else I need to do to get room correction?
During the calibration process, it calibrated the subwoofer levels then played pulses through each channel at the main listening position. After that, it had me move the mic to seven other locations around the listening area where it played pulses just through the connected channels. I had the mic mounted facing the ceiling on a boom mic stand.
Any ideas as to what the issue might be?
Basic question - after running Audyssey you did SAVE the calibration? You have to do this step manually - it isn't automatic.
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quote name="SeaNile" url="/t/795421/official-audyssey-thread-faq-in-post-1/59460#post_22882602"]Quick question about running Audyssey. Do I level adjust the volume first within the speaker adjustments and then run Audyssey? Or do I let Audyssey run and then adjust the speakers? I've noticed when I run Audyssey it sets my LCR speakers to -12 all the time. Heading out now to get a boom mic stand and a SPL meter.[
A -12 L/C/R setting typically results from having your subwoofer gain set too high. Try Decreasing the gain on your subwoofer , and rerun Audyssey - that should result in lower speaker trims and allow Audyssey to properly equalize your speakers . No need to adjust your speakers with an SPL - you can certainly check speaker levels post Audyssey - but Audyssey microphone is usually more accurate than most SPL meters.
{buzzer} False. L/C/R trim settings are not related to the subwoofer trim when the trims are adjusted to achieve reference playback levels. Each trim is solely a function of the efficiency and gain structure of the entire chain from receiver/processor to speaker drivers in that channel.
Jeff
Edited by pepar - 1/27/13 at 1:32pm
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I have two nearly identical Velodyne subs (one in each my HT setups) so I'm going to give that a try and see how it goes. Basically I have exactly two spots that I can use so I don't have much flexibility in placement other than which direction to face the subs.
I was actually considering adding a 15" sub to my existing 12", but from the information you guys provided I guess I get the sense it would be better to add an additional 12" Velodyne sub instead. Do I have that correct?
This is a very good plan-a big plus is that since you have another Velo 12" sub in the other room, the test costs you only the effort involved.
- "Official" Audyssey thread (FAQ in post #1)
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