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"Official" Audyssey thread (FAQ in post #1) - Page 1986

post #59551 of 62237
Quote:
Originally Posted by jlpowell84 View Post

Quote:
So that means you can set the crossover anywhere (40Hz and up) as the speaker is producing bass across all available crossover points, and it will depend on other factors (room acoustics, subwoofer quality, etc) and the Audyssey "recommendation" is irrelevant.

So what if audyssey sets/recommends 40hz for my towers, can I set them to large or full band is what my receiver says. New Marantz coming today so not sure if it will be different. Thanks.

 

Pretty much everything said in the last several posts is in this FAQ answer:

 

c)3.   I have big tower speakers at the front. Shouldn't I set these to Large'?

post #59552 of 62237
Quote:
Also, remember that if you set your main speakers to Large, you are bypassing the bass Management in your AVR and sending no sound at all (apart from the .1 Low Frequency Effects channel) to your sub. Your sub has been specifically designed to handle bass frequencies and will almost certainly do so better than your main speakers.

So when I set my towers to full band/large this audyssey info tells me I am not getting any bass to my subwoofer other than LFE. So how come the sub was working when my towers were at full band and music was playing? No LFE in music right.
post #59553 of 62237
you probably had "double bass" enabled.
post #59554 of 62237
^I think that answers it. thanks for putting up with a novice smile.gif
post #59555 of 62237
Quote:
Originally Posted by Theresa View Post

Frankly, IMHO, it is a weak point with Audyssey.

That's not really a fair criticism because Audyssey has no control over this. The receiver manufacturers have consistently refused to give up control of the bass management block to Audyssey. That's why we continuously need to bring up the (seemingly pedantic) distinction that Audyssey doesn't "set" the crossovers. It leads to discussions like this where people (for good reason) assume that the crossover they get after auto setup is the "recommended" setting and they will mess things up if they deviate from the "recommendation", when nothing could be further from the truth.

Chris K has said many times that they have asked for this control but have been turned down; trust me, if Audyssey was actually in control you would not see this happen.
post #59556 of 62237
Quote:
Originally Posted by batpig View Post

That's not really a fair criticism because Audyssey has no control over this. The receiver manufacturers have consistently refused to give up control of the bass management block to Audyssey.

Chris K has said many times that they have asked for this control but have been turned down; trust me, if Audyssey was actually in control you would not see this happen.

I did not know this.
post #59557 of 62237
Quote:
Originally Posted by batpig View Post

That's not really a fair criticism because Audyssey has no control over this. The receiver manufacturers have consistently refused to give up control of the bass management block to Audyssey. That's why we continuously need to bring up the (seemingly pedantic) distinction that Audyssey doesn't "set" the crossovers. It leads to discussions like this where people (for good reason) assume that the crossover they get after auto setup is the "recommended" setting and they will mess things up if they deviate from the "recommendation", when nothing could be further from the truth.

Chris K has said many times that they have asked for this control but have been turned down; trust me, if Audyssey was actually in control you would not see this happen.

Maybe we're (consumer Audyssey users) lucky they don't? Pro seems to like to recommend unusually high x-over points - which supports the idea of Audyssey knows what Audyssey knows, and nothing else. No matter what the hypothetically perfect crossover point would be for dealing with the area under the curve, localizing the bass would negate it for me. Might not be fair to compare consumer and pro though ...
post #59558 of 62237
^I don't think it is at all accurate to say "Pro seems to like to recommend unusually high x-over points." IIRC most of us on the Pro thread have to take second or third choice of crossovers to select 80. But of course it depends on your speakers, your room and placement.
post #59559 of 62237
Audyssey was able to build an EQ profile down to 40Hz for my mains. I started with an 80Hz crossover, but have been experimenting with 60. For music in particular, I may refer it to 80, but I'm still evaluating.
post #59560 of 62237
Ok, Marantz 5007 home and hooked up. Ran Multi EQ XT for the first time. Measurements are: front left -5.5db, front right -6.0db, center -5.5db, subwoofer -12db, surround left -9.0db, surround right -6.0db, front height left -3.5db, and front height right -5.5db. Front-full band, center 40hz, surround 150hz, front height 80hz,
post #59561 of 62237
hmmmm
post #59562 of 62237
Quote:
Originally Posted by jlpowell84 View Post

Ok, Marantz 5007 home and hooked up. Ran Multi EQ XT for the first time. Measurements are: front left -5.5db, front right -6.0db, center -5.5db, subwoofer -12db, surround left -9.0db, surround right -6.0db, front height left -3.5db, and front height right -5.5db. Front-full band, center 40hz, surround 150hz, front height 80hz,

 

The low trim values for the satellite speakers indicate you have reasonably efficient speakers, and look fine.

 

Of course, you should change the fronts from full-band (i.e. large) to small in order to invoke proper bass management.  The second recommendation would be to up the crossover values to 80Hz for left, right, and center, and leave the other crossovers where they are.

 

However, the -12dB trim for the sub is an issue.  It indicates that the gain on the sub amp is set too high.  You must dial down the gain and re-run the Audyssey calibration until the sub trim is no longer "pegged" at -12dB.  A more comfortable range for the sub would be -5dB to +5dB.

post #59563 of 62237
Is anyone running a velodyne DD sub with auddyssey? I have a DD-12 and DD-15 in my room, my AVR is a onkyo tx-nr3009 that has auddyssey xt32. I have decided to bypass the DD's internal eq (SMS) and use the xt32. My question is after I run the xt32 with my subs and I change the setting ( jazz, movie, etc.) with the DD remote, does that affect the xt32 calibration? For instance if when I ran the xt32 when the DD was set to jazz, then after all is done I change the DD to movie would that change the eq? I think it does because it sounds boomy now. I just would like to see if anyone can confirm this for me. I like the ability to change settings with the DD and like the way number one sounds (cant think of what it's called at the moment). So when I run xt32 should I set the DD to number one, and that's what I'm stuck with? Any help or advice would be appreciated.
post #59564 of 62237
Quote:
Originally Posted by SoundofMind View Post

^I don't think it is at all accurate to say "Pro seems to like to recommend unusually high x-over points." IIRC most of us on the Pro thread have to take second or third choice of crossovers to select 80. But of course it depends on your speakers, your room and placement.

A fair observation, but what i was getting at was if Audyssey had control over the consumer x-over, and pro gives you choices, it's a reasonable speculation that there would be no choice on the consumer end? So some would get stuck with triple digit x-over points, since Audyssey doesn't seem to consider variables outside its specific function.

It can be funny - discussing AVR makers insisting on keeping control over bass management, often setting x-over too low, but on my Denon, it clearly says - Set it at 80, even though its after-Audyssey x-over is often 40.

It is an interesting question to me though, what would the x-over options be on the consumer side if Audyssey had full control?

And while I'm wishing upon a star, would it be so hard for them to give us a simple toggle for applying Audyssey full range, or just below Schroeder (or a reasonable approximation?) I'd wear that thing out smile.gif
post #59565 of 62237
Quote:
The low trim values for the satellite speakers indicate you have reasonably efficient speakers, and look fine.

Of course, you should change the fronts from full-band (i.e. large) to small in order to invoke proper bass management. The second recommendation would be to up the crossover values to 80Hz for left, right, and center, and leave the other crossovers where they are.

However, the -12dB trim for the sub is an issue. It indicates that the gain on the sub amp is set too high. You must dial down the gain and re-run the Audyssey calibration until the sub trim is no longer "pegged" at -12dB. A more comfortable range for the sub would be -5dB to +5dB.

Ok, I discovered how to change things. All speakers are now set to small and crossovers at 80hz. I will rerun audyssey tomm and lower the gain on the sub. If I can get it in that range then I can just turn up the db's on the receiver. It just seems like it's too little.
post #59566 of 62237
^I must say it seems like my lower level Onkyo had more settings than this Marantz...
post #59567 of 62237
New with audyssey xt...The second set of three measurements. Is that a couple feet in front of the couch/main listening area or half way in between the couch and tv/front speakers? Can't quite tell from the little picture on the screen.
post #59568 of 62237
Quote:
Originally Posted by jlpowell84 View Post


Ok, I discovered how to change things. All speakers are now set to small and crossovers at 80hz. I will rerun audyssey tomm and lower the gain on the sub. If I can get it in that range then I can just turn up the db's on the receiver. It just seems like it's too little.

 

Keep in mind that when you lower the sub amp gain, Audyssey will raise the trim, and the result is a wash.  Regardless of what you set the sub gain at, Audyssey will attempt to set the trim so that the sub's level is at 75dB, equal to the other speakers in your system.  The only time you run into trouble is when the sub gain is either too high or too low such that Audyssy "runs out of room" to adjust the trim to 75dB.

 

Also, if you prefer to run the subs hotter than 75dB, there is nothing wrong with raising the trim level in the AVR--just don't touch the sub's gain after the calibration has completed.

post #59569 of 62237
Quote:
Quote:
Originally Posted by jlpowell84


Ok, I discovered how to change things. All speakers are now set to small and crossovers at 80hz. I will rerun audyssey tomm and lower the gain on the sub. If I can get it in that range then I can just turn up the db's on the receiver. It just seems like it's too little.

Keep in mind that when you lower the sub amp gain, Audyssey will raise the trim, and the result is a wash. Regardless of what you set the sub gain at, Audyssey will attempt to set the trim so that the sub's level is at 75dB, equal to the other speakers in your system. The only time you run into trouble is when the sub gain is either too high or too low such that Audyssy "runs out of room" to adjust the trim to 75dB.

Also, if you prefer to run the subs hotter than 75dB, there is nothing wrong with raising the trim level in the AVR--just don't touch the sub's gain after the calibration has completed.

much appreciated.
post #59570 of 62237
I don't know which Audyssey target curve I should use because I don't know whether I am in the near field or reverberant field. My room isn't acoustically treated BTW. However I suspect I might be in the near field because of the speaker distances of my main LP that Audyssey Multi EQ XT calculated. Can someone confirm if I am in the near field with the distances I've listed below?

Front L - 5.8 ft
Front R - 6.0 ft
Center - 5.3 ft
Surround L - 5.8 ft
Surround R - 5.9 ft
post #59571 of 62237
Quote:
Originally Posted by jlpowell84 View Post

New with audyssey xt...The second set of three measurements. Is that a couple feet in front of the couch/main listening area or half way in between the couch and tv/front speakers? Can't quite tell from the little picture on the screen.
Have another look through the guide at the start of the thread, it gives excellent advise on mic placement. The picture on your screen is not a placement guide. Generally you need to measure where people's heads will be when listening to the system, that why Audyssey hears what you hear, and compensates for the effects of the room/speakers. No point measuring where you won't be sitting, as you might give Audyssey useless data - and get a useless result (garbage in, garbage out scenario)
Regards, Mike.
post #59572 of 62237
Quote:
Originally Posted by fjames View Post

 
Maybe we're (consumer Audyssey users) lucky they don't? Pro seems to like to recommend unusually high x-over points - which supports the idea of Audyssey knows what Audyssey knows, and nothing else. No matter what the hypothetically perfect crossover point would be for dealing with the area under the curve, localizing the bass would negate it for me. Might not be fair to compare consumer and pro though ...

 

I'd like to see your evidence for that. When I run Pro I get recommended XOs from 40Hz up to 120Hz. Every time. The advantage with Pro is that when you select a XO from the list the filters are created after your selection.

post #59573 of 62237
Quote:
Originally Posted by fjames View Post

Quote:
Originally Posted by SoundofMind View Post

^I don't think it is at all accurate to say "Pro seems to like to recommend unusually high x-over points." IIRC most of us on the Pro thread have to take second or third choice of crossovers to select 80. But of course it depends on your speakers, your room and placement.

A fair observation, but what i was getting at was if Audyssey had control over the consumer x-over, and pro gives you choices, it's a reasonable speculation that there would be no choice on the consumer end? So some would get stuck with triple digit x-over points, since Audyssey doesn't seem to consider variables outside its specific function.
 

 

You wouldn't be 'stuck' with the XO choice Audyssey makes. You can change it in an upwards direction with no negative effect on the calibration. I can't see how it is any different from the way it is done done now in this regard, with the AVR maker selecting the XO. You may as well say you are 'stuck' with that.

 

Your assertion that the XOs would be "triple digit" is just an assumption on your part unless you can provide some evidence to back it up.

post #59574 of 62237
Quote:
Originally Posted by kbarnes701 View Post

You wouldn't be 'stuck' with the XO choice Audyssey makes. You can change it in an upwards direction with no negative effect on the calibration. I can't see how it is any different from the way it is done done now in this regard, with the AVR maker selecting the XO. You may as well say you are 'stuck' with that.

Your assertion that the XOs would be "triple digit" is just an assumption on your part unless you can provide some evidence to back it up.

In my case I was "stuck" with a "triple digit" crossover until I manipulated the speaker response with a miniDSP.
post #59575 of 62237
It seems that generally, most people have set their front mains to 80hz if Audyssey comes in below that. I understand why. But what about the surrounds and rear surrounds? Do most people just leave the crossovers that are set by Audyssey for those speakers? Should it be 80hz all around? My room is pretty narrow in front, and opens up in back. I am using in-wall speakers and a traditional 12" down-firing powered sub. Audyssey always tends to set my f/l mains at 60, center at 40, surrounds at 110, and rear surrounds at 120. Setting my mains to 80 makes a big difference. Just wondering what others have done for the surrounds.
post #59576 of 62237
Quote:
Originally Posted by **OptimusPrime** View Post

It seems that generally, most people have set their front mains to 80hz if Audyssey comes in below that. I understand why. But what about the surrounds and rear surrounds? Do most people just leave the crossovers that are set by Audyssey for those speakers? Should it be 80hz all around? My room is pretty narrow in front, and opens up in back. I am using in-wall speakers and a traditional 12" down-firing powered sub. Audyssey always tends to set my f/l mains at 60, center at 40, surrounds at 110, and rear surrounds at 120. Setting my mains to 80 makes a big difference. Just wondering what others have done for the surrounds.

I leave my surrounds at 110Hz crossover.
post #59577 of 62237
Quote:
Originally Posted by Theresa View Post

Quote:
Originally Posted by kbarnes701 View Post

You wouldn't be 'stuck' with the XO choice Audyssey makes. You can change it in an upwards direction with no negative effect on the calibration. I can't see how it is any different from the way it is done done now in this regard, with the AVR maker selecting the XO. You may as well say you are 'stuck' with that.

Your assertion that the XOs would be "triple digit" is just an assumption on your part unless you can provide some evidence to back it up.

In my case I was "stuck" with a "triple digit" crossover until I manipulated the speaker response with a miniDSP.

 

True, but your case is very unusual and there are factors at work, I believe, which we do not yet fully understand.

 

It's just not true that Pro first recommends triple digit XO figues as a matter of course - well not in my experience and that of others on the Pro thread. I am happy to be proven wrong but I'd need to see some objective evidence rather than just take someone's word for it. Heck, even with plain XT32 most (not all) people seem to get suggested XOs that are lower than they would expect - probably because of room reinforcement of their main speakers (many/most people have them close to boundary walls because they either don't have the space to move them further into the room or because WAF precludes it). 

post #59578 of 62237
Quote:
Originally Posted by **OptimusPrime** View Post

It seems that generally, most people have set their front mains to 80hz if Audyssey comes in below that. I understand why. But what about the surrounds and rear surrounds? Do most people just leave the crossovers that are set by Audyssey for those speakers? Should it be 80hz all around? My room is pretty narrow in front, and opens up in back. I am using in-wall speakers and a traditional 12" down-firing powered sub. Audyssey always tends to set my f/l mains at 60, center at 40, surrounds at 110, and rear surrounds at 120. Setting my mains to 80 makes a big difference. Just wondering what others have done for the surrounds.

 

I leave mine at the Audyssey suggested 110Hz. I raise my mains to 100Hz though - but that is because I have extraordinarily capable subs (dual Submersives) and Mark Seaton recommended that I try 100Hz (I always used 80Hz before - my mains are THX certified). For anyone who doesn’t doubt the ability of their sub(s) it always seems sensible to me to let them do the heavy lifting at the bottom end - as they were designed to do.

post #59579 of 62237
Quote:
Originally Posted by kbarnes701 View Post

True, but your case is very unusual and there are factors at work, I believe, which we do not yet fully understand.

It's just not true that Pro first recommends triple digit XO figues as a matter of course - well not in my experience and that of others on the Pro thread. I am happy to be proven wrong but I'd need to see some objective evidence rather than just take someone's word for it. Heck, even with plain XT32 most (not all) people seem to get suggested XOs that are lower than they would expect - probably because of room reinforcement of their main speakers (many/most people have them close to boundary walls because they either don't have the space to move them further into the room or because WAF precludes it). 

True.
post #59580 of 62237
I assure you that in my case it was very real and despite my running Audyssey a dozen times even repositioning my center speaker. Running sweeps with Omnimic did not reveal the problem. It was only experimenting with equalization that brought down the crossover point.
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