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"Official" Audyssey thread (FAQ in post #1) - Page 239

post #7141 of 62235
Quote:
Originally Posted by yngdiego View Post

If I change the input trim (not speaker trim) for the BD30 HDMI on the 3808 to bump it back up so I get a 85dB with Avia will DEQ realize that like you said it does for the channel trims and have a net effect of zero?

From my quick tests, it appears boosting the digital input +3 on my BD30 has returned my normal listening levels to -10dB. In addition A/B testing now shows a subtle but noticeable difference using DEQ. So I think for now this will solve my problem. But if Chris can confirm DEQ ignores input trims, that would be helpful so I know it's not a placebo effect.

It's still odd with 1.95 it re-running Audyssey drastically lowered my sub trim to -10dB down from about -3dB. I'm going to move the volume knob on my sub a tad and re-run Audyssey to get it closer to 0.
post #7142 of 62235
Quote:
Originally Posted by Hughmc View Post

Bumping this up as it got missed. Chris could you repsond to this? Thanks.

Similar question, Chris. After running Audyssey (8 positions as recommended in this forum) with the new feature pack, I checked the channel levels with a Galaxy CM-140 Check Mate SPL meter and to achieve 75dB I had to bump up all levels by 2-3. Have I defeated the purpose of Audyssey? Any negative impact to what I've done? Thanks!
post #7143 of 62235
Why not achieve 75dB by turning up the volume knob?
post #7144 of 62235
Quote:
Originally Posted by yngdiego View Post

I just measured the SPL for all five speakers, and they read 74 dB with my RS meter using the Denon built-in test tones. I have the Avia disc and played their 5.1 level test sounds which they say should read 85dB when played at reference level. So I set the 3808 to "0" master volume and the SPL was 81-82 dB for all channels. Now to be honest I haven't run Avia in ages so I can't say pre 1.95 was 85dB. But given the decreased volume at the same master volume setting, I tend to believe the differences.

If I change the input trim (not speaker trim) for the BD30 HDMI on the 3808 to bump it back up so I get a 85dB with Avia will DEQ realize that like you said it does for the channel trims and have a net effect of zero?

Basically I want to get my master volume back down to -10 with for my normal listening volume and make sure DEQ knows I'm at -10dB so it can work its DSP magic accordingly.

The Avia disc was not mastered with the proper dialnorm and is 4 dB off. Unfortunately, the default setting for dialnorm in many DVD authoring programs is -31 dB, when it should be -27 dB to follow film standards. So, I think that MultEQ is setting the levels correctly to 75 for the internal noise (you read 74 with the SPL meter, so that's very close). The Avia should give you a reading of 81, which it does.

I believe you are saying that you used to listen at -10 and now -10 is too soft? Do have just Dynamic EQ on or is Dynamic Volume on as well? That would explain it.

I'm not really sure what the problem is that you are having. Dynamic EQ knows what the master volume setting is at all times. MultEQ has calibrated your speaker levels correctly and you have verified that. Help me understand the problem.

Chris
post #7145 of 62235
Quote:
Originally Posted by diverdra View Post

Similar question, Chris. After running Audyssey (8 positions as recommended in this forum) with the new feature pack, I checked the channel levels with a Galaxy CM-140 Check Mate SPL meter and to achieve 75dB I had to bump up all levels by 2-3. Have I defeated the purpose of Audyssey? Any negative impact to what I've done? Thanks!

If you trust the Galaxy meter, then you are fine.
post #7146 of 62235
There seem to be a few Denon 3808 owners who are reporting their trims coming in about -3db below reference. Glad I am not the only one.. I wonder if this is a Denon issue? I think a few posts back Chris said it was ok to bump up the channels 3db if I trusted the RS meter more, but that the difference with Dynamic EQ would be subtle.
post #7147 of 62235
Quote:
Originally Posted by audyssey View Post

The Avia disc was not mastered with the proper dialnorm and is 4 dB off. Unfortunately, the default setting for dialnorm in many DVD authoring programs is -31 dB, when it should be -27 dB to follow film standards. So, I think that MultEQ is setting the levels correctly to 75 for the internal noise (you read 74 with the SPL meter, so that's very close). The Avia should give you a reading of 81, which it does.

I believe you are saying that you used to listen at -10 and now -10 is too soft? Do have just Dynamic EQ on or is Dynamic Volume on as well? That would explain it.

I'm not really sure what the problem is that you are having. Dynamic EQ knows what the master volume setting is at all times. MultEQ has calibrated your speaker levels correctly and you have verified that. Help me understand the problem.

The problem is with DEQ/DV "OFF" that at -10dB master volume that program material is no longer as loud as it used to be. Specifically Blu-Ray movies from my BD30 via HDMI. I found myself turning up the volume a few dB after the 3808 1.95 upgrade, and prior to the feature pack installation. Yes, enabling DV knocks several dB off the volume and but that didn't have me concerned.

Now adjusting the input trim for my BD30 +3dB seemed to do the trick as I was able to play material at -10dB master volume and it felt normal. But from your explanation of Avia, my initial meter readings were correct. And now they are 3dB too hot due to the input trim change. Go Avia!

I'll reset the input trim back to 0 and watch a movie tonight. Maybe it was a temporary glitch that made the volume reduce. I'll listen for a few days and report back. But I'm not the only one that noticed this issue. I may do a soft reset as well.
post #7148 of 62235
Quote:
Originally Posted by Hughmc View Post

I ran Audyssey again with my Denon 4308. This is the second time I have run it after installing the new feature pack upgrade. I am not happy with how it is setting speaker level, all minus, where before the update they were coming in all plus.

Why does this make you unhappy? As long as the levels are correct, why does it matter what the trims are? This is a different calibration, right? It's possible that the mic was in a different position or that something else changed in your system.

Quote:


Like so many others I was listening to most material, BD's, music, PS3 and more between -15 -12 db master volume. Now I have to turn the volume to -5db to get the same results.

It sounds like you have Dynamic EQ and Dynamic Volume on. That means that Dynamic Volume is working properly and is turning down louder parts. If you want to listen louder, then turn off Dynamic Volume and keep Dynamic EQ on.

Quote:


Now I also turned down the sub from the halfway 12 oclock position to 10 oclock since I got -12 db on the sub before. I got the same again, -12db. I also used to get the crossover for my fronts and rears at 40hz. They are now at 80hz.

That means that your sub level is too hot. Turn it down more if you want a smaller trim adjustment. The crossover point is calculated from the combination of all room measurements. So, if your mic positions are different than your original run it's possible that the data is giving you a different answer.

Quote:


I use LFE+Main setting as I have found that to be the best. I set my front L/R/C to large and when running Audyssey it sets them to large as well. It also sets my center 2db's lower than my mains and yet the center IMOP should be equal to or great than the mains for obvious reasons. The manual says if I set the sub to LFE+ Main that all the bass goes to the sub. I have found just the opposite.

None of the above is true. If your center channel trim setting is 2 dB lower than the fronts, then this does not mean that the center channel is playing softer than the L and R. It means that it needed a different adjustment in order to play at the same level as L and R.

LFE + Main means that the bass from the satellite speakers goes to the sub and the main speakers. Some of the bass content is thus doubled and so this is not really an optimal configuration.

Quote:


Here is another question. If I run Audyssey and save the settings, if I go into speaker and sub levels and change the levels will they be used and override the Audyssey levels or is that only if Audyssey is off?

If by "Audyssey" you mean MultEQ, then the trim levels remain in effect whether you have MultEQ on or off.

Chris
post #7149 of 62235
Quote:
Originally Posted by yngdiego View Post

The problem is with DEQ/DV "OFF" that at -10dB master volume that program material is no longer as loud as it used to be. Specifically Blu-Ray movies from my BD30 via HDMI. I found myself turning up the volume a few dB after the 3808 1.95 upgrade, and prior to the feature pack installation. Yes, enabling DV knocks several dB off the volume and but that didn't have me concerned.

Does the BD30 have DRC or Night Mode built-in? If it does, it may be triggered automatically by a flag on the disc content and this would cause the content to play at a lower level.

Nothing in the Audyssey-related firmware upgrade had to do with setting levels. It simply added Dynamic EQ and Dynamic Volume, which both make use of the levels that MultEQ sets as it always did.
post #7150 of 62235
Quote:
Originally Posted by audyssey View Post

Does the BD30 have DRC or Night Mode built-in? If it does, it may be triggered automatically by a flag on the disc content and this would cause the content to play at a lower level.

Nothing in the Audyssey-related firmware upgrade had to do with setting levels. It simply added Dynamic EQ and Dynamic Volume, which both make use of the levels that MultEQ sets as it always did.

I will check, but never ran into this problem before. But thanks for the suggestion and I'll verify the configuration. I don't remember seeing the setting, though.

Edit: "Dynamic compression" is "off".
post #7151 of 62235
Quote:
Originally Posted by audyssey View Post

Why does this make you unhappy? As long as the levels are correct, why does it matter what the trims are? This is a different calibration, right? It's possible that the mic was in a different position or that something else changed in your system.



It sounds like you have Dynamic EQ and Dynamic Volume on. That means that Dynamic Volume is working properly and is turning down louder parts. If you want to listen louder, then turn off Dynamic Volume and keep Dynamic EQ on.



That means that your sub level is too hot. Turn it down more if you want a smaller trim adjustment. The crossover point is calculated from the combination of all room measurements. So, if your mic positions are different than your original run it's possible that the data is giving you a different answer.



None of the above is true. If your center channel trim setting is 2 dB lower than the fronts, then this does not mean that the center channel is playing softer than the L and R. It means that it needed a different adjustment in order to play at the same level as L and R.

LFE + Main means that the bass from the satellite speakers goes to the sub and the main speakers. Some of the bass content is thus doubled and so this is not really an optimal configuration.



If by "Audyssey" you mean MultEQ, then the trim levels remain in effect whether you have MultEQ on or off.

Chris

Thanks for your response. I am going to make and try the changes you suggest. I did mean MultEQ. I think you and others already answered, but you mean if I have MultEQ on and change the speaker levels manually, the levels I changed to will hold and yet MultEq will still be in affect.

I have 4 seats across in my listening area and no other seating. Should I runa circle around the lmain listening position as you suggest or do like the manual on the 4308ci and some have done which is do 4 positions in my row and then four in front of my seating?
post #7152 of 62235
When doing Crossover Check it has no settings for front and center and says surround A 90HZ. Does this sound correct? I have a 5.1 setup.
post #7153 of 62235
Quote:
Originally Posted by Hughmc View Post

I have 4 seats across in my listening area and no other seating. Should I runa circle around the lmain listening position as you suggest or do like the manual on the 4308ci and some have done which is do 4 positions in my row and then four in front of my seating?

I think you will find very little difference with either method, given that your couch is not up against the back wall.
post #7154 of 62235
I recalibrated Audyssey on my 805 after reading the Audyssey FAQs in regard to mic placement. I measured 8 positions (per the FAQ) when I noticed with every run the center channel and R&L surround tone output to be louder than the front R&L.

I thought it might have to do with the fact that I have a Bel Canto PRe3 (with HT Bypass) being fed off the R&L pre-outs of the 805 to the PRe3 then to a Bel canto S300 amp. All other speakers are being powered by the 805s amps. I thought Audyssey would set the channel levels properly (or close as possible).

But when I checked the channel levels with a RS SPL (set at 70db, C and Slow) meter the levels were off. The center level was at 82db, R&L front at 70-71db and the R&L surrounds at 78-79db. I set all channels to 75db which from what I recall it is fine and will not effect the other Audyssey settings. The LCR (Dynaudio Focus 140s and 200C) were set to large but from what I have read it might be best if I set them to small. I will experiment with those settings.

I know it might not be common but if you have a 2 Channel pre-amp in place with a AVR/SSP can this effect the way Audyssey will calibrate said system?

I found once I set the channel levels to 75db and watched BR version of Harry Potter and the Chamber of Secrets that the SQ was excellent. Much better overall SQ than when I calibrated before which I took readings from a much wider and unequal area. The bass response from my sub (I raised the level 2-3db) was much less boomy but with more impact. So much so my neighbors who were outside last night thought there was either fireworks or thunder in the distance. I am glad I finally checked out this thread.

Bill
post #7155 of 62235
After re-running the setup on the new upgrade, there is a very noticeable increase in bass. It seems clean, but just a lot louder. I don't have measurment software/mike.

I mostly listen to internet radio.

I only have two front L&R speakers at present. Normal levels for us are -20 to -25 dB

Is this just DEQ showing me how much bass I was missing at my lower-than-reference listening levels?
post #7156 of 62235
Quote:
Originally Posted by kjgarrison View Post

After re-running the setup on the new upgrade, there is a very noticeable increase in bass. It seems clean, but just a lot louder. I don't have measurment software/mike.

I mostly listen to internet radio.

I only have two front L&R speakers at present. Normal levels for us are -20 to -25 dB

Is this just DEQ showing me how much bass I was missing at my lower-than-reference listening levels?

Yes, it is Dynamic EQ causing the bass rise. But...internet radio is doubtful to be coming in at film industry standards. In fact, there is no standard known for it so you may have to adjust the bass level down a bit.
post #7157 of 62235
Quote:
Originally Posted by Bill Mac View Post

I recalibrated Audyssey on my 805 after reading the Audyssey FAQs in regard to mic placement. I measured 8 positions (per the FAQ) when I noticed with every run the center channel and R&L surround tone output to be louder than the front R&L.

I thought it might have to do with the fact that I have a Bel Canto PRe3 (with HT Bypass) being fed off the R&L pre-outs of the 805 to the PRe3 then to a Bel canto S300 amp. All other speakers are being powered by the 805s amps. I thought Audyssey would set the channel levels properly (or close as possible).

But when I checked the channel levels with a RS SPL (set at 70db, C and Slow) meter the levels were off. The center level was at 82db, R&L front at 70-71db and the R&L surrounds at 78-79db. I set all channels to 75db which from what I recall it is fine and will not effect the other Audyssey settings. The LCR (Dynaudio Focus 140s and 200C) were set to large but from what I have read it might be best if I set them to small. I will experiment with those settings.

I know it might not be common but if you have a 2 Channel pre-amp in place with a AVR/SSP can this effect the way Audyssey will calibrate said system?

I found once I set the channel levels to 75db and watched BR version of Harry Potter and the Chamber of Secrets that the SQ was excellent. Much better overall SQ than when I calibrated before which I took readings from a much wider and unequal area. The bass response from my sub (I raised the level 2-3db) was much less boomy but with more impact. So much so my neighbors who were outside last night thought there was either fireworks or thunder in the distance. I am glad I finally checked out this thread.

Bill

Hi Bill,

The fact that there is an additional stage on the L and R channels is likely causing this issue. You said that the C, LSurr, RSurr and louder than the front L&R. But there is an additional volume control on the Pre3 that affects the L&R levels. Where do you have that set when MultEQ runs and where is it set when you listen? If you want to use the Bel Canto for 2 channel content, I suggest you set the volume control on it so that the internal test noise on the 805 measures 75 dBC-slow and then run MultEQ. After that, the Bel Canto volume control should remain unchanged. Does the Bel Canto have a marking for unity gain on the volume control?
post #7158 of 62235
I posted about this earlier, but I want to repeat it because it keeps coming up.

For the past several years, receivers have included a dynamic range compression method called Night Mode and now DRC for TruHD content. It is supposed to solve the problem of content getting too loud, but it has failed to do so for a number of reasons including wrong setting of the flags during production, inability of the method to adjust the reaction time, and no capability for perceptual loudness correction when the volume is turned down.

Despite these shortcomings, manufacturers continue to include it in their products. Audyssey Dynamic Volume was designed to address the problems described above and with its ability to look ahead it can vary the reaction time to increases in loudness so that no artifacts are heard.

DRC is set to AUTO by default in the Denon AVRs. Although its menu disappears when you turn on Dynamic Volume, it's possible for it to still be turned on if the content flag is set in the Bluray disc. An example of this is the recent Iron Man release.

Please make sure you set DRC to OFF and not AUTO. To do this, turn off MultEQ and Dynamic Volume, then go to Parameters-->Audio-->Surround Parameters-->DRC and set it to off. Do the same for D.COMP. Also, go to Parameters-->Audio-->Night Mode and set it to OFF.
post #7159 of 62235
Quote:
Originally Posted by audyssey View Post

I posted about this earlier, but I want to repeat it because it keeps coming up.

For the past several years, receivers have included a dynamic range compression method called DRC or Night Mode. It is supposed to solve the problem of content getting too loud, but it has failed to do so for a number of reasons including wrong setting of the flags during production, inability of the method to adjust the reaction time, and no capability for perceptual loudness correction when the volume is turned down.

Despite these shortcomings, manufacturers continue to include it in their products. Audyssey Dynamic Volume was designed to address the problems described above and with its ability to look ahead it can vary the reaction time to increases in loudness so that no artifacts are heard.

DRC is set to AUTO by default in the Denon AVRs. Although its menu disappears when you turn on Dynamic Volume, it's possible for it to still be turned on if the content flag is set in the Bluray disc. An example of this is the recent Iron Man release.

Please make sure you set DRC to OFF and not AUTO. To do this, turn off MultEQ and Dynamic Volume, then go to Parameter-->Audio-->Night Mode and set it to OFF.

DRC applies to only to Dolby-encoded content. DTS content uses D.COMP and that must be turned off as well for exactly the same reason.

Hi Chris,

Some preamps, such as the Integra DHC-9.9, feature Audyssey Dynamic Volume and THX Loudness Plus. I gather that when in one of the THX modes the owner should turn off THX Loudness Plus when enabling Audyssey Dynamic Volume?

I understand that some TVs feature Dolby Volume. I guess that should be turned off in the TV?

Thanks.

Larry
post #7160 of 62235
Quote:
Originally Posted by audyssey View Post

Please make sure you set DRC to OFF and not AUTO. To do this, turn off MultEQ and Dynamic Volume, then go to Parameter-->Audio-->Night Mode and set it to OFF.

On my 3808CI with 1.95 the only night mode options are: off, low, middle, high. No "auto" option. Mine was set to "off" but I may have done that ages ago when I first got my receiver.
post #7161 of 62235
yndiego,

If you bitstream TrueHD to your 3808 you will than see DRC mode. For regular Dolby material you get night mode.
post #7162 of 62235
There seems to be some confusion on Night Mode, DRC, and D.COMP. Here is what is (or is not) available on the Denon 3808ci.


On the 3808, Night Mode, D.COMP, and DRC are three DIFFERENT things. Their selections will appear in the menu, depending on what type of format/soundtrack/source is being sent to the 3808.


For Night Mode, go to: MENU> PARAMETERS> AUDIO> NIGHT MODE: OFF, Low, Middle, High

For D.COMP, go to: MENU> PARAMETERS> AUDIO> Surr. Parameters> D.COMP: OFF, Low, Middle, High

For DRC, go to: MENU>PARAMETERS> AUDIO> Surr. Parameters> DRC: OFF, Low, Middle, High, Auto

*DRC only appears in the menu when bit-streaming a Dolby TrueHD Soundtrack. Night Mode and D.COMP are not available as a menu selection when DRC is present.

*Night Mode is not available as menu selection when Audyssey Dynamic EQ is on, and/or bit-streaming a dts, dts-HD MA, dts-HD HR, Dolby Digital Plus, and Dolby TrueHD Soundtrack.

*D.COMP is not available as a menu selection with Multi-Channel PCM (PlayStation 3, etc.), or bit-streaming a dts, dts-HD MA, dts-HD HR, and Dolby TrueHD Soundtrack.
post #7163 of 62235
thanks Redhead! You just saved me 45mins of searching around for various settings!
post #7164 of 62235
Quote:
Originally Posted by hansangb View Post

thanks Redhead! You just saved me 45mins of searching around for various settings!

+1, thanks! Man Denon really makes it hard to find all of these settings. I hate their menu configuration. I hope their next models have a complete overhaul. Never seen such a confusing GUI menu system before.
post #7165 of 62235
I finally ran Audyssey this weekend!

I followed the Setup Guide, and spent a lot of time trying to get my two LFE subs dialed in. The time-consuming part is that you have to measure all the speakers, and then "Calculate" to see what the trim level is set at. I measured each LFE sub separately, matching their trim level settings in my Denon AVP, before measuring them together.

Anyway, at first they were both -6.5 dB, and when measured together, the trim was set at -12 dB, the maximum. Back to the drawing board. Next, I got them both to -3.0 dB, and when measured together, the trim was set at -8.0 dB. I called it good and proceeded to measure the remainder of the positions.

When everything was done, I watched a little bit of the "Cars" blu-ray with my son, and I had to bump up the trim levels for both my L/R subs (Velodyne DD-15) and the two LFE subs (JL Audio f113) by 5 dB.

The subwoofer levels as measured and set by Audyssey were not right for my taste. The correct level setting of my LFE subs can be questioned due to the SPL meter's ineffectiveness when measuring bass. However, my L/R subs were calibrated with the built-in SMS software, and the supplied microphone. I am pretty confident in the capability of the Velodyne microphone to measure bass levels.

That is all I had time to do...more experimentation to come.

Mark
post #7166 of 62235
Quote:
Originally Posted by giomania View Post

i finally ran audyssey this weekend!

e?
post #7167 of 62235
Hi all

I set up my new Integra DHC-9.9 this past weekend and after preliminary manual level checks and listening to various material I decided to set up Audyssey with the maximum eight positions.
I was absolutely blown away by how much of an improvement there is!!!!!!
I have conducted manual level and frequency equalization adjustments for years and Audyssey did a superb job.

Now with all the praise out of the way I do have a few questions.

1. I assume that the Dynamic equalization control system is tied to “System Reference Level” of +75 db. One of the things I have noticed is that when the Dynamic equalization is engaged at “my normal listening level”, the surrounds appear too hot. Obviously I can reduce the surround levels, but when I approach the System Reference Level (as when I watch movies) then the surround levels would most likely be too low.
Is there a way to pick a different System Reference Level to tie the Dynamic equalization start point too?

2. Where does one pick the Target Curve on the DHC-9.9? All I found was MultEQ XT, Dynamic EQ, Dynamic Vol. (Light/Heavy). Of course there are the 40+ Listening Modes which are there even if Audyssey is OFF.
post #7168 of 62235
Quote:
Originally Posted by audyssey View Post

Hi Bill,

The fact that there is an additional stage on the L and R channels is likely causing this issue. You said that the C, LSurr, RSurr and louder than the front L&R. But there is an additional volume control on the Pre3 that affects the L&R levels. Where do you have that set when MultEQ runs and where is it set when you listen? If you want to use the Bel Canto for 2 channel content, I suggest you set the volume control on it so that the internal test noise on the 805 measures 75 dBC-slow and then run MultEQ. After that, the Bel Canto volume control should remain unchanged. Does the Bel Canto have a marking for unity gain on the volume control?

Hi Chris,

I checked the Pre3 manual and it states that when Input5 (HT Bypass) is used the unity gain is set at 80. There is no mention in the manual on how to change this setting. So you are suggesting calibrating the Front R&L to 75db with the 805s test tones then try running Audyssey again?

I see you question whether people trust their SPL meter enough to change the settings. Would the mic/calibration tests done by Audyssey normally be more accurate than a SPL meter? I probably would not have adjusted the levels but they were off inregard to reference level (75db) and the differences between Front R&L/Center.

Thanks so much for your help and advice! This is an excellent thread.

Bill
post #7169 of 62235
I ran Audyssey again yesterday because I haven't been that happy with the results so far (too much bass). The results were weird.

I run a 6.1 system in a medium sized open floor plan living room. The speaker distance were all very close to exact (sub of course being off). For some reason, it was showing my rear speaker as being out of phase (I've run it 3 times and only this time did this occur). Levels seem to be pretty good, but it is still way to much bass for regular tv viewing. I know that commercials and the news aren't mastered properly, but this was ridiculous. I had to knock the bass back by 2db for regular viewing. This really lowered the amount of bass I was getting though for movie viewing.

I am running a PS3 hooked up via HDMI to my Denon 1909. My Tv transmits the audio signal to my Denon via optical (I use OTA for HD). I have for speakers a def tech 1000 pro cinema set up accross the the front, 2 bpx for the side speakers, and a pro cinema 800 for the rear speaker. My sub is a Super Cube 3.

I run the audyssey mic on a tripod for all 6 locations on my couch according to the diagram. I have the cusions removed from the couch so the tripod is getting an accurate idea of where my head is (mic is above the back of the couch so no refraction). My couch sits in the middle of the room with plenty of space away from the walls. My sub sits next to my wooden tv stand (only location because of my toddler).
post #7170 of 62235
Quote:
Originally Posted by audyssey View Post

This is a VERY good point. "Night Mode" has been around in receivers for years. It's official name is Dynamic Range Control (DRC) and it was implemented with the best of intentions: to prevent things from getting too loud. Unfortunately, it was a good idea that never materialized. One good idea in DRC was to allow the content producer to set a flag on the disc that will then trigger the DRC on the device that is playing it back. However, that link was broken a long time ago and the flag was rarely set. To make things worse, there are various DRC settings for Film, Music, etc., but they are almost never set correctly during production in the rare cases that they are even set at all.

Denon has decided to leave this Night Mode (DRC) in the AVRs that have Dynamic Volume. We explicitly specify that if Dynamic Volume is on, then the AVR must remove the option for engaging DRC. You will see that the menu disappears. But DRC also lives inside DVD and Bluray players and in some of these, the default state for DRC is "Auto' and content like Ironman may set it to ON. That triggers the DRC to come on on top of Dynamic Volume. That interaction is bad news. The solution is to make sure that Night Mode (DRC) in your DVD player is set to Off and not Auto.

Quote:
Originally Posted by audyssey View Post

I posted about this earlier, but I want to repeat it because it keeps coming up.

For the past several years, receivers have included a dynamic range compression method called Night Mode and now DRC for TruHD content. It is supposed to solve the problem of content getting too loud, but it has failed to do so for a number of reasons including wrong setting of the flags during production, inability of the method to adjust the reaction time, and no capability for perceptual loudness correction when the volume is turned down.

Despite these shortcomings, manufacturers continue to include it in their products. Audyssey Dynamic Volume was designed to address the problems described above and with its ability to look ahead it can vary the reaction time to increases in loudness so that no artifacts are heard.

DRC is set to AUTO by default in the Denon AVRs. Although its menu disappears when you turn on Dynamic Volume, it's possible for it to still be turned on if the content flag is set in the Bluray disc. An example of this is the recent Iron Man release.

Please make sure you set DRC to OFF and not AUTO. To do this, turn off MultEQ and Dynamic Volume, then go to Parameters-->Audio-->Surround Parameters-->DRC and set it to off. Do the same for D.COMP. Also, go to Parameters-->Audio-->Night Mode and set it to OFF.

Quote:
Originally Posted by LarryChanin View Post

Hi Chris,

Some preamps, such as the Integra DHC-9.9, feature Audyssey Dynamic Volume and THX Loudness Plus. I gather that when in one of the THX modes the owner should turn off THX Loudness Plus when enabling Audyssey Dynamic Volume?

I understand that some TVs feature Dolby Volume. I guess that should be turned off in the TV?

Thanks.

Larry

Quote:
Originally Posted by REDHEAD View Post

There seems to be some confusion on Night Mode, DRC, and D.COMP. Here is what is (or is not) available on the Denon 3808ci.


On the 3808, Night Mode, D.COMP, and DRC are three DIFFERENT things. Their selections will appear in the menu, depending on what type of format/soundtrack/source is being sent to the 3808.


For Night Mode, go to: MENU> PARAMETERS> AUDIO> NIGHT MODE: OFF, Low, Middle, High

For D.COMP, go to: MENU> PARAMETERS> AUDIO> Surr. Parameters> D.COMP: OFF, Low, Middle, High

For DRC, go to: MENU>PARAMETERS> AUDIO> Surr. Parameters> DRC: OFF, Low, Middle, High, Auto

*DRC only appears in the menu when bit-streaming a Dolby TrueHD Soundtrack. Night Mode and D.COMP are not available as a menu selection when DRC is present.

*Night Mode is not available as menu selection when Audyssey Dynamic EQ is on, and/or bit-streaming a dts, dts-HD MA, dts-HD HR, Dolby Digital Plus, and Dolby TrueHD Soundtrack.

*D.COMP is not available as a menu selection with Multi-Channel PCM (PlayStation 3, etc.), or bit-streaming a dts, dts-HD MA, dts-HD HR, and Dolby TrueHD Soundtrack.

Chris, this looks like another good thing to include in the Setup Guide. However, some points of clarification.

First, is this interaction only a problem with Dynamic Volume, or does it also effect Dynamic EQ?

If you explicitly specify the DRC option be removed when Dynamic Volume is engaged, why do we need to turn it off? Is it to avoid the possibility that the manufacturer does not implement this properly?

I understand the need to turn off this feature separately in playback devices, and will note that separately.

Would you please address Larry's question about THX Loudness Plus and Dolby Volume? I want to include appropriate guidance on those features in relation to Dynamic Volume.

I will include Redhead's guidance as an example of adjustments to be made in Denon AVR's.

Thanks.

Mark
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AVS › AVS Forum › Audio › Receivers, Amps, and Processors › "Official" Audyssey thread (FAQ in post #1)