I'm sorry for the delay in getting back to this thread...I spent the last couple of weekends our of town. Last weekend was the inaugural AXPONA show in Jacksonville, Florida...finally a high end audio show that encourages HD surround music in both the exhibit rooms and during the seminars.
We had a really spectacular system thanks to the Oppo BD-83 SE, three Boulder 1012 stereo preamps, Boulder power amps, HD Labs cabling, 5 Thiel CS3.7 speakers and 2 SS2 subs. The HD video was run HDMI from the Oppo to an incredible video projector from Wolf Cinema (the DCX-1000) onto a Greyhawk screen from Stewart Filmscreen.
John Atkinson of Stereophile put us at the top of his blog on the event...worth checking out. We played nothing but the High Definition AIX Sampler IV from a Blu-ray disc. THe mixes were all 5.1 in lossless DOlby TrueHD...and it sounded amazing in the 3700 sq ft ballroom!
As to your question about the use of dipoles in the surrounds...I don't recommend it because of the way I mix the stage perspective mix. I use a lot of stereo pairs of mics and mix the L and R tracks to pairs of speakers. THis gives the sense of depth that many recordings lack. If you direct one side of stereo pair to a dipole you get phase issues and a lack of spatial accuracy. For the audience mixes, it probably sounds fine...but I would watch out for the stage versions.
The Blu-ray discs are coming...we've got the first two almost finished. Stay tuned.
John Atkinson's piece (mentioned earlier) goes into the multiple mixes that we put on our discs. We're the only label that chooses to do this on every release. He was surprised that I told him that most of the feedback I get favors the stage perspective. One of the visitors to the room thought differently. Anyone care to chime in on this issue? I'd love to confirm what I'm been saying.
We had a really spectacular system thanks to the Oppo BD-83 SE, three Boulder 1012 stereo preamps, Boulder power amps, HD Labs cabling, 5 Thiel CS3.7 speakers and 2 SS2 subs. The HD video was run HDMI from the Oppo to an incredible video projector from Wolf Cinema (the DCX-1000) onto a Greyhawk screen from Stewart Filmscreen.
John Atkinson of Stereophile put us at the top of his blog on the event...worth checking out. We played nothing but the High Definition AIX Sampler IV from a Blu-ray disc. THe mixes were all 5.1 in lossless DOlby TrueHD...and it sounded amazing in the 3700 sq ft ballroom!
As to your question about the use of dipoles in the surrounds...I don't recommend it because of the way I mix the stage perspective mix. I use a lot of stereo pairs of mics and mix the L and R tracks to pairs of speakers. THis gives the sense of depth that many recordings lack. If you direct one side of stereo pair to a dipole you get phase issues and a lack of spatial accuracy. For the audience mixes, it probably sounds fine...but I would watch out for the stage versions.
The Blu-ray discs are coming...we've got the first two almost finished. Stay tuned.
John Atkinson's piece (mentioned earlier) goes into the multiple mixes that we put on our discs. We're the only label that chooses to do this on every release. He was surprised that I told him that most of the feedback I get favors the stage perspective. One of the visitors to the room thought differently. Anyone care to chime in on this issue? I'd love to confirm what I'm been saying.









),... but at the same time I love great sounds in terms of fidelity... I wish you would think of producing some pop/rock works in the future.


