AVS › AVS Forum › HDTV › HDTV Programming › Hot Off The Press: The Latest TV News and Information
New Posts  All Forums:Forum Nav:

Hot Off The Press: The Latest TV News and Information - Page 1004

post #30091 of 87198
Quote:
Originally Posted by AAF View Post

Hardly. Phoenix has never done a particularly comfortable interview on Letterman as far as I'm aware. They know full well that he's gone someplace different than the rest of us lately, and the interview was exactly what Letterman wanted - IMHO.

Land of the Lost?

My wife and I couldn't decide whether that was a put-on, in the spirit of Andy Kaufman, or whether he was "serious". Looking at the clip, it seemed he was about to laugh at Letterman's comments---but was trying to hold it back to stay in character.

Either that or he needs some serious therapy. In any case, it provided Dave with some great lines.
post #30092 of 87198
I've seen it reported other places that Casey Affleck is following him around with a camera crew.
post #30093 of 87198
Quote:
Originally Posted by foxeng View Post

The point I was making is there was no "bipartisanship" to it.

Yes, and I disagreed, and highlighted the changes made that bill bipartisan in nature.
post #30094 of 87198
Quote:
Originally Posted by fredfa View Post

TV Notes
On The Air Tonight
Thursday's Network Prime-Time Programming Options

Fox:
8
The 40th NAACP Image Awards HD

chris brown is actually up for an "image" award....that would be a kicker huh ?
post #30095 of 87198
TV Notes
USA cancels 'The Starter Wife'
By Michael Ausiello, EW.com - February 12, 2009

USA Network has filed for divorce from The Starter Wife, citing irreconcilable ratings.

When the Debra Messing-fronted Wife debuted in 2007 as a six-hour miniseries, it attracted more than 5 million viewers and went on to earn 10 Emmy nominations. However, ratings for its 10-episode first season averaged just 2.4 million viewers -- a decent number by most cable standards, but not for USA, where its top shows (Burn Notice, Monk) regularly pull in around 6 million.

In an exclusive statement, USA called Starter Wife a "critical and creative success," and added that the Dec. 12 season finale served as a "satisfying conclusion" to the franchise.

http://ausiellofiles.ew.com/2009/02/...ive-usa-c.html
post #30096 of 87198
HDTV Notes
Sunday's 'Simpsons' Goes HD, Updates Title Sequence
By Josef Adalian, TV Week - February 12, 2009

"The Simpsons" is finally going HD—and, in what some fans might consider an even bigger development, getting a new opening title sequence as well.



Both events will take place Sunday, Fox said during a promo for "The Simpsons" that aired as part of Wednesday night's "American Idol." The network actually made a low-key announcement of the news late last month, casually mentioning the developments as part of its episodic listings of various shows.

According to Fox, Sunday's "Simpsons"—entitled "Take My Life, Please"—will include the first full, permanent revamp of the show's opening titles since its premiere in 1989. The last few seconds of the title sequence have long featured a different weekly "couch gag." Fox also airs both a full-length and an abbreviated version of the credits.

While "The Simpsons" has never aired in high-def, Sunday's episode won't be the first time fans of the show have been able to see Homer and Co. in their full digital splendor on television. HBO aired "The Simpsons Movie" in HD last year.

While most live-action scripted network shows now air in HD, animation hasn't been as quick to make the leap, although that's starting to change. The producers of "South Park" recently announced their Comedy Central series would go HD starting with its 13th season, which bows March 11.

http://www.tvweek.com/news/2009/02/s...s_hd_updat.php
post #30097 of 87198
Nielsen Notes (Cable)
Demetri Martin debut tops Comedy Central's chart
From James Hibberd's Hollywood Reporter 'Live Feed' Blog - February 12, 2009

... and now here's a chart of Demetri Martin beating Jon Stewart (click link below).

Comedy Central's “Important Things With Demetri Martin" was the network's most-watched series premiere since “Chappelle’s Show” in 2003.

The comedian's Wednesday night debut (clip below) drew 2.4 million viewers and a 1.5 rating among adults 18-49. The adult demo number was the highest since 2003's "Reno 911!" and "Things" was the fourth-highest-rated program of the night across all of cable. In fact, Martin's premiere drew bigger numbers than its lead-out, "The Daily Show" (2.3 million, 1.2), where Martin used to appear as a "youth correspondent."

Martin's chart-flipping panel session was a hit at the January press tour, though his show has since drawn pretty mixed reviews. It will be interesting to see how next week fares.

Also Wednesday: Bravo's "Top Chef" (3.3 million, 1.8) is holding its season high and topped cable. MTV's "Real World" (0.9/2) fell to a season low.

Tuesday: MTV's new lineup: "T.I.'s Road to Redemption" (1.3 million, 0.7/2) opened strong, while "From G'S to Gents" (1.3 million, 0.6/2) was down 14% from its July premiere. Over on FX, "Nip/Tuck" (2.3 million, 1.3/3) topped cable.

http://www.thrfeed.com/2009/02/demet...y-central.html
post #30098 of 87198
Quote:
Originally Posted by bicker1 View Post

I don't have a strong feeling about the stimulus package, either way, but I think some comments in this thread are getting too political for this forum. To balance what foxeng has already said, it is clear that, for many Republicans, "bipartisanship" would involve the majority subjugating itself completely to the minority's wishes. The reality is that the Democrats did present a stimulus package with many things not present that, if the Democrats were just doing this all themselves, would surely have been there. As a fiscal conservative, I'm happy that many of those items were removed from the bill, and incensed by how some fiscal conservatives in Congress are responding with what I would consider a disingenuous, duplicitous reaction.

There has been bipartisanship on the part of the administration. It is perhaps time that we simply acknowledge that bipartisanship, itself, does not work because the party that is the minority in both houses of Congress is always better served by making it look like they were steamrolled.

PM sent.
post #30099 of 87198
Thread Starter 
Thanks for your discretion, Dave.
post #30100 of 87198
Thread Starter 
Thanks, dad, for filling in tonight while I was out.
post #30101 of 87198
Thread Starter 
TV Notes
A ‘Genre Boy’ Returns to Television
From The New York Times, February 12, 2009

Joss Whedon, creator of cult favorite series such as "Buffy the Vampire Slayer" and "Firefly" and of the popular online musical "Dr. Horrible's Sing-Along Blog," answered reader questions about those projects and his new series, "Dollhouse," which has its premiere on Fox on Friday (related article).

Mr. Whedon spoke with The Times before a screening of "Dollhouse" Tuesday night at the Apple Store in SoHo.

You can hear his answers here:

http://www.nytimes.com/interactive/2...N_AUDIOSS.html
post #30102 of 87198
Thread Starter 
TV Notes
‘ET’ Dances Around O’Dell Casting on ‘Dancing’
By Andrew Krukowski, TV Week, February 12, 2009

The announcement of “Access Hollywood” host Nancy O’Dell joining the season’s “Dancing With the Stars” puts rival entertainment newsmagazine “Entertainment Tonight” in a precarious position.

“Stars” gets a large amount of coverage on “ET,” but Ms. O’Dell is the face of the competition. What to do?
If you’re “ET,” the answer appears to be: Refuse to cover it.

Stories on “Entertainment Tonight’s” site regarding this season’s “Dancing With the Stars” currently lack Ms. O’Dell’s name. She’s not even mentioned in the main article about the cast.

Ms. O’Dell’s absence also is notable in another story about who the cast is partnering up with this season.

“‘Dancing With the Stars’ has called 13 new celebrities to the dance floor and, for the first time, three real-life couples will battle in the ballroom—‘ET’ reveals the dance partner pairing,” reads the beginning of the story, but it then only lists 12 competitors. Guess who’s missing?

Typing “Nancy O’Dell” into the search box on etonline.com also turns up zero results.
An “Entertainment Tonight” representative had no comment.

For comparison’s sake, Warner Bros.’ “Extra” lists Ms. O’Dell in its story on the cast announcement, referring to her as a “TV personality.”

http://www.tvweek.com/blogs/blink/
post #30103 of 87198
Thread Starter 
TV Notes
'Bees' big at NAACP Image Awards
'Secret' wins best film, writer, supporting actor
By N’Neka Hite, Variety, February 12, 2009


"The Secret Life of Bees" had a sweet night, taking the top honors for motion picture, best writer and best supporting actor, Thursday at the 40th annual NAACP Image Awards at the Shrine in Los Angeles.

Helmer Gina Prince-Bythewood was named outstanding director for "Bees" while Columbus Short nabbed supporting actor in the pic.

"Slumdog Millionaire" kept the winning streak going with outstanding indie pic.

Will Smith and Rosario Dawson got kudos for best actor and actress in "Seven Pounds."

Oscar nominee Taraji P. Henson got the nod for best supporting actress in a motion pic for "Benjamin Button."

Jenny Lumet won outstanding writing for "Rachel Getting Married."

"Grey's Anatomy" got best drama, while "Tyler Perry's House of Payne" won for best comedy series.

Jennifer Hudson had a huge night and serenaded Muhammad Ali as he was honored with the Presidents Award. Hudson won outstanding new artist, outstanding duo, group or collaboration for "I'm His Only Woman" featuring Fantasia and best album for "Jennifer Hudson."

Beyonce was named top recording artist female, and Jamie Foxx won for best male artist, both of them beating out Chris Brown and Rihanna who were noticeably absent

Russell Simmons brought both daughters Aoki and Ming Lee on stage as he accepted the Vanguard Award for his groundbreaking work in social

Sean "Diddy" Combs won for outstanding actor in a television movie for "A Raisin in the Sun" which gathered three image awards.

Performances by will.i.am, Seal and Beyonce preceded a musical finale from Stevie Wonder who closed the evening performing with hosts Halle Berry and Tyler Perry, as the audience waived American flags in celebration of the orgs 100-year anniversary.

Other Winners

Actor in a daytime drama series: Bryton McClure, "The Young and the Restless."

Actress in a daytime drama series: Debbie Morgan, "All my Children"

News/Information-Series or Special: "In Conversation with Michelle Obama Interview"

Talk series: "The View"

Reality series: "American Idol"

Variety-series or special: "UNCF An Evening of Stars: Tribute to Smokey Robinson"

Children's program: "Dora the Explorer"

Performance in a youth/children's program-series or special: Keke Palmer, "True Jackson"

Documentary: "The Black List"

Directing in a drama series: Ernest Dickerson, "Lincoln Heights"

Directing in a comedy series: Kevin Sullivan, "30 Rock"

Writing in a comedy series: Erica D. Montolfo, "The Game"

Jazz artist: Natalie Cole, "Still Unforgettable"

Gospel artist-traditional or contemporary: Mary, Mary

World Music Album: Cheryl Keyes, "Let Me Take You There"

Music Video: "Yes We Can," Will.i.am

Song: "Yes We Can," Will i. am

Literary work-fiction: "In the Night of the Heat: A Tennyson Hardwick Novel," Blair Underwood,

Tananarive Due, Steven Barnes

Literary work-non-fiction: "Letter to My Daughter," Maya Angelou

Literary work-debut author: "Barack, Race and the Media: Drawing My Own Conclusion," David Glenn Brown

Literary work-biography/autobiography: "The Legs Are the Last To Go," Diahann Carroll

Literary work-instructional: "32 Ways to Be a Champion in Business," Earvin "Magic" Johnson

Literary work-poetry: "Hip Hop Speaks to Children: A Celebrate of Poetry With a Beat," Nikki Giovanni

Literary work-children: "Barack Obama: Son of Promise, Child of Hope," Nikki Grimes

Literary work-youth/teens: "Letters to a Young Sister: Define Your Destiny," Hill Harper

http://www.variety.com/index.asp?lay...ategoryid=1983
post #30104 of 87198
Thread Starter 
TV Review
“Dollhouse”
Fox's new show is its own worst enemy
By Robert Bianco, USA TODAY

If Joss Whedon can't build a show around a blank slate, perhaps we should just agree no one can.

With a résumé that stretches from the classic Buffy the Vampire Slayer to what may be the best original work ever done for the Web, Dr. Horrible's Sing-Along Blog, there's no doubt Whedon ranks among our greatest writers. He seems incapable of doing anything boring or ordinary, and Fox's Dollhouse — a complex sci-fi drama about a secret agency that replaces people's personalities with made-to-order imprints — is no exception.

Unfortunately, he's expending his considerable talents on an empty-vessel premise that probably couldn't support a series even were it more adroitly cast, or didn't resemble the already dismissed My Own Worst Enemy. The result is a show that his most devoted fans will debate and embrace, and a mass audience just won't get.

The vessel is Eliza Dushku as Echo, who lives with the other "actives" in a spa-like "dollhouse" where they wait for a geek genius (Fran Kranz, more annoying than amusing) to implant them. She has a handler on her side (Harry Lennix), an FBI agent on her trail (Tahmoh Penikett), and a growing problem: Her memories keep messing up her implants.

Dushku can be an appealing performer, but she's not a particularly versatile one, and versatility is what's required here. Too often she either falls back on the hard, damaged vixen act she used as Buffy's Faith or reverts to a childlike trance that's too dull to carry us

Whedon's gift for the unexpected is unabated, but he seems to have forgotten what he taught us in Buffy: We'll accept the "how" of a fantasy if we believe the "why" — if the motivations make sense. Here you can't imagine why anyone would go to all this trouble to create a "perfect" safecracker when perfectly good ones are available for a lot less.

We love you, Joss, but please, build something else.

http://www.usatoday.com/life/televis...ollhouse_N.htm
post #30105 of 87198
Thread Starter 
TV Review
“Dollhouse”
A big disappointment
By Tim Goodman, San Francisco Chronicle TV Columnist

Joss Whedon is one of television's most talented visionaries, but his latest series - the highly anticipated midseason drama "Dollhouse" - is a major disappointment.

It looks as if Fox was onto something when it wanted the pilot reworked and maybe onto something bigger when it shifted the series to Friday nights, hardly the spot for a heavyweight these days. On the plus side, being out of the limelight might allow the troubled "Dollhouse" to grow. After Friday's lackluster pilot, it certainly has room to do so.

But judging from two additional episodes - one a step forward, the other a step back to the underwhelming quality of the pilot - it could be that Whedon has invested too much hope in his muse, Eliza Dushku, the star of "Dollhouse." It could also be that the premise is too flawed for anyone to elevate.

Here's Fox's description of the series: " 'Dollhouse' focuses on Echo (Dushku), a member of a highly illegal and underground group of individuals ('Actives') who have had their personalities wiped clean so they can be imprinted with any number of new personas. Hired by the wealthy, powerful and connected, the Actives don't just perform their hired roles, they wholly become - with mind, personality and physiology - whomever the client wants or needs them to be. ... After each engagement, Echo returns to the mysterious Dollhouse where her thoughts, feelings, experiences and knowledge are erased. Or are they?"

OK, then. Ambitious, yes. Implausibly hokey, yes. But Whedon was able to make "Buffy the Vampire Slayer" into a slice of genius, plus he turned Dr. Horrible's Sing-Along Blog into an Internet sensation during the Writers Guild of America strike. You have to give the man room to work.

But "Dollhouse" doesn't work, on numerous levels - starting with Dushku. She's not a sufficiently compelling actress to pull off the various personas she's given. What's worse, "Dollhouse" wants the "dolls" to be childlike and unencumbered by thought when they're not on assignment. This doe-eyed, vacant state does not suit Dushku. She mainly walks around bemusedly, looking wan.

Issues of identity

The bigger picture - which "Dollhouse" doesn't really illustrate in the three episodes sent to critics - is that issues of identity are in play: how the Actives came to volunteer for the Dollhouse experiment in the first place and what they - specifically Echo - might be recalling from memories they're not supposed to have access to. Whedon may be after something bigger, but none of it seems especially compelling.

What the series does achieve, ever so slowly, is a much-needed bigger mystery than what's up with Echo. We learn, for example, that one of the Actives did something he shouldn't have; it seems the programming code, or "art," as its young creator, Topher (Fran Kranz), calls it, has some bugs. That's also why Echo is holding on to memories. Faulty code can be interesting (at least Fox better hope it becomes more so). And there could very well be a heretofore unknown rival to the Dollhouse - always good for drama.

The super-secret Dollhouse is fronted by Adelle DeWitt (Olivia Williams), who reports to unseen handlers. Stoic Boyd Langton (Harry Lennix) is assigned to be Echo's handler and protector. He's likable right off the bat, and his rising curiosity about the ultimate goal of the Dollhouse adds a small layer of interest. So, too, does FBI Agent Paul Ballard (Tahmoh Penikett), whose relentless pursuit to prove the existence and real story behind the Dollhouse makes him the FBI's running joke - but he adds much-needed gravitas to life outside the Dollhouse. Laurence Dominic (Reed Diamond) plays the head of security at the Dollhouse. "The dolls in their infantile state disgust him," according to Fox - and that's a sentiment that many viewers are likely to share, which brings us to the fundamental flaw of the series.

Who cares?

Why care about the Actives at all? When they're on assignment, it's not as if they're real people. They're programmed robots, essentially, doing a job, playing a role. Once they're "wiped," and they fall into that aforementioned infantile state where they loll around doing yoga and babbling, they're pretty and vacant but not exactly enthralling. Echo's backstory barely unfolds after three episodes, and that's asking for more patience than the average viewer may have. There's barely a trace of Whedon's wonderful sense of humor, and when it does come, from the boy scientist character Topher, it makes you think of him as less scientist and more boy, hardly the believable architect of this life-altering technology.

And then there's Dushku the muse - the actress who inspired the series Whedon built around her. Obviously he sees something in her. But will viewers? That's a lot of faith.

Here's hoping "Dollhouse" improves significantly or else Fox is going to wipe it clean for next season.

http://www.sfgate.com/cgi-bin/articl...type=printable
post #30106 of 87198
Quote:
Originally Posted by fredfa View Post

Thanks for your discretion, Dave.

Nah, it wasn't really anything like that. We just decided to take a political discussion off-line, since it is inappropriate in this thread.

Maybe others should follow suit.
post #30107 of 87198
Quote:
Originally Posted by fredfa View Post

Thanks for your discretion, Dave.

Your welcome, Fred. It wasn't a disagreement or anything, I just wanted some clarification and didn't want to continue the discussion in this thread, or get a bunch of arguments going. The sad fact is this is one of the few threads where we can discuss some political things without it turning personal. Of course, that's because you nip it in the bud pretty quickly.

And, even though I don't agree with a lot of folks here politically, I do value their opinions and very often have some worthy discussions off-line.
post #30108 of 87198
Thread Starter 
That is what I was referring to, and I appreciate it from both of you.

Quote:
Originally Posted by bicker1 View Post

Nah, it wasn't really anything like that. We just decided to take a political discussion off-line, since it is inappropriate in this thread.

Maybe others should follow suit.
post #30109 of 87198
Thread Starter 
TV Notes
On The Air Tonight
Friday’s Network Prime-Time Programming Options

(Reminder: If you are recording these programs, check your network listings for precise start/end times. For PBS, please double check your local listings.)

ABC:
8
Wife Swap
9 Supernanny
10 20/20: Diane Sawyer’s “A Hidden America: Children of the Mountains” HD

CBS:
8
Ghost Whisperer HD
9 Flashpoint (R) HD
10 Numbers HD

NBC:
8
Howie Do It
8:30
Howie Do It (R)
9
Friday Night Lights HD
10
Dateline NBC

Fox:
8
Terminator: The Sarah Connor Chronicles HD
9
Dollhouse (series premiere) HD

PBS
8
Washington Week
8:30
NOW on PBS
9
Bill Moyers Journal

The CW:
8
Everybody Hates Chris (R) HD
8:30 The Game (R) HD
9 13: Fear Is Real

MNT:
8 WWE: Friday Night Smackdown! (two hours) HD

MNTV HD Schedule is from jimboy’s
http://www.avsforum.com/avs-vb/showt...0714&highlight=
post #30110 of 87198
Quote:
Originally Posted by dad1153 View Post

HDTV Notes
Sunday's 'Simpsons' Goes HD, Updates Title Sequence
By Josef Adalian, TV Week - February 12, 2009

The producers of "South Park" recently announced their Comedy Central series would go HD starting with its 13th season, which bows March 11.

havent HD "South Park" episodes aired already....i saw a show a few weeks ago & it wasnt "stretched" so unless it was "zoomed" it was HD.

edit: yes comedy has aired HD eps already.
post #30111 of 87198
This is really funny. Like Letterman himself hasn't had odd behavior himself. The guy's own bitterness and negativity drove me away from his show. That being said it was pretty funny. :-)

Quote:
Originally Posted by fredfa View Post

TV Notes
Late Show' Marred By Bizarre Phoenix Interview
Actor's Disturbing Behavior Leaves Letterman Scratching His Head, Audience Wondering What Just Happened
Dave: "Joaquin, I'm Sorry You Couldn't Be Here Tonight"

NEW YORK (CBS) ― If you thought Joaquin Phoenix was bizarre before, his behavior during an interview on the "Late Show with David Letterman" on Wednesday didn't do much to dispel the notion that the actor, at times, isn't all there.

In by far one of the weirdest interviews Letterman has ever conducted, Phoenix appeared detached, aloof and at times irritated during a seven-minute sit-down that had the audience rolling and Letterman searching for some way to get meaningful answers.

Was it all possibly a put-on by the talented actor? Not likely. It's hard to imagine anyone going in front of a national television audience and purposely making himself look that bad. But then again, Hollywood is Hollywood. One never knows.

Phoenix came out dressed in all black, with long hair, a shaggy beard and wearing dark shades, sort of like a Blue Brothers get-up on steroids.

Letterman started out by saying it had been three years since Phoenix had been on the program. The veteran host started in playfully on the actor's beard, asked if it was comfortable or itchy. Phoenix seemed completely aloof and unaware that Letterman was even talking to him. Letterman asked if the beard was comfortable.

"I'm okay with it, but now you're making me feel weird about it," Phoenix said.

Letterman then joked that he can't possibly be the first person to make him feel weird about it, to which the 34-year-old star of such films as "Gladiator" and "Signs," said, "No, I guess not."

Phoenix scratched the left side of his face and Letterman pointed out that's what he was referring to. Is the beard uncomfortable? Phoenix said the scratching was just a nervous tick.

Letterman then lauded Phoenix for his new movie, "Two Lovers," that he stars in alongside Academy Award winner Gwyneth Paltrow. Phoenix, however, seemed completely detached, like he didn't realize Letterman was speaking to him.

"Oh yeah, Gwyneth Paltrow and Vinessa Shaw," Phoenix said after a long pause and adjusting his shades.

Letterman told Phoenix he loved the movie and his acting. Phoenix just replied, "Thank you."

At that point the audience was beginning to catch on that something just wasn't right with the entire interview. Laughter began to dictate Dave's questions. Phoenix, however, seemed unfazed by the whole thing, lost in whatever world he was currently occupying.

After a long pause, Letterman, clearly puzzled by Phoenix's lack of focus in the interview, got in one of the best zingers of the conversation.

"So what can you tell me about your days with the Unabomber?"

Phoenix just stared into space.

Later, Letterman said he hoped after Phoenix took some time off from acting, as he had said he plans to do to pursue a music career, he would reconsider and return to the big screen because, Letterman said, Phoenix is one of the best actors in Hollywood.

Phoenix didn't reply, even as the audience members encouraged him with cheers and applause.

Letterman continued his prodding and asked Phoenix what he plans on doing while taking a sabbatical from acting.

"Well, I've been working on my music," he said through a stutter.

Letterman then praised Phoenix for his work in the Academy Award-nominated flick "Walk The Line" and asked if that style of music is something Phoenix wants to pursue.

"No, no I do more of hip-hop music," he replied.

The audience snickered and Phoenix looked generally surprised and said, "What is that, a joke?" He then looked at Letterman and said, "What do you have them on? What do you gas them up with?"

Phoenix later uttered a simple "yes" when asked if it was fun to act alongside "Two Lovers" co-star Isabella Rossellini.

Letterman then asked Phoenix if he has any fun stories to tell the audience. Again, Phoenix looked lost, as if he didn't understand the question.

Letterman asked the actor to keep the "Late Show" in mind when his new hip-hop career takes off because "we want to be there."

"Well, I'd love to come on this show and perform," Phoenix said, setting the stage for some of the most uncomfortable moments of the interview.

Letterman quickly responded, "You know that seems unlikely," to huge laughs.

Phoenix tried to say he's seen some of the other guests perform, as if to say if you'd give them the chance why not me? But Letterman quickly segued into something else.

"I'll keep you in our Rolodex," Letterman said to huge laughs.

Letterman, as he customarily does with guests on his show, asked Phoenix to help set up the clip he was about to show. Phoenix had no idea and took exception to Paul Shaffer's laughing. "Are you ------ kidding? Are you serious with that maniacal laughter? I don't know what the clip is."

Letterman explained it was a clip with Paltrow, to which Phoenix said, "You're doing fine." Letterman fired back, "That's high praise, coming from you."

That response clearly irked Phoenix, who tried to get an explanation from Letterman for his sarcasm. The host said, "Relax. We're having fun."

"I'll come to your house and chew gum," Letterman added.

Phoenix took the gum out of his mouth and put it under Letterman's desk.

Letterman closed the interview by saying, "Joaquin, I'm sorry you couldn't be here tonight."

Phoenix smiled a bit, looked down and said, "He's funny. He's a funny dude."

See the entire bizarre segment here:
http://www.buzzfeed.com/tweetmeme/yo...terman-2-11-09

http://wcbstv.com/entertainment/joaq....2.933282.html
post #30112 of 87198
Quote:
Originally Posted by rebkell View Post

It's just not my thing, I probably watched 2/3 of season 1, just couldn't get into it. I've tried a couple of times to get into it, but just didn't work for me, it was the same for Friday Night Lights, everybody raved about it, but I just never could really get into it.

The same situation for me.... I tried to watch both shows, but I couldn't get into either of them.
post #30113 of 87198
Thread Starter 
TV Notes
On The Air Tonight
Some Friday Basic Cable HD First-Run, Prime-Time Options

Animal Planet
8
AMC Storymakers HD

Animal Planet
9
Jockeys HD

CMTV
10
Wedding Day Disasters HD

Discovery Channel
9
Adrenaline: Rush Hour HD

ESPN
9
NCAA Basketball: Villanova at West Virginia HD

SciFi
10
Battlestar Galactica HD

Speed
8
NASCAR:Camping World Truck Series: Daytona 250 (2 ½ hours) HD

The Learning Channel
9
What Not To Wear HD

USA
9
Monk HD
10
Psych HD
post #30114 of 87198
"Star Wars: The Clone Wars" on Cartoon Network HD FYI:

2 "NEW" episodes tonite....9:00pm et episode & an extra 9:30pm et episode as well.
post #30115 of 87198
Thread Starter 
How did the return of "Survivor" do?
We get the first hints with Thursday's
metered market over night prime-time ratings - which, along with Media Week Analyst Marc Berman's view of what they mean -- have been posted at the top of Ratings News -- the second post in this thread.
http://www.avsforum.com/avs-vb/showthread.php?p=10367387&&#post10367387
post #30116 of 87198
Thread Starter 
The Business of Television
Worries grow that Peter Chernin won't stay on as Rupert Murdoch's No. 2
For months, the News Corp. president and his boss have been locked in talks over a new contract. Insiders and Wall Street wonder what's keeping them.
By Meg James and Dawn C. Chmielewski, Los Angeles Times, February 13, 2009

Rupert Murdoch has returned from Australia, where he celebrated his mother's 100th birthday. Now the mogul faces another important date.

The contract for Murdoch's chief lieutenant, News Corp. President Peter Chernin, expires June 30, and the two executives have been locked in negotiations for months. They haven't struck a deal, and concern is mounting inside the company, and on Wall Street, that Chernin will not renew.

Fueling the speculation is Murdoch's arrival this week in Los Angeles for an extensive review of the West Coast operations of News Corp., which include the Fox network, movie studio and cable channels. Murdoch spent much of the last year in New York immersed in his purchase of Dow Jones & Co. and putting his imprimatur on the Wall Street Journal.

Some Fox executives worry that Chernin, who has been key to the company's smooth operations, might leave News Corp. at a difficult time. The stock closed Thursday at $7.24 -- off 65% from its 52-week high. Last week News Corp. reported a $6.4-billion loss for the quarter ended Dec. 31, much of it owing to asset write-downs.

Chernin has been tight-lipped about his plans. Some analysts view the situation -- and the domino effect in management his departure could trigger -- with alarm.

"While Chernin has not signaled his intent, we fear the longer time goes by, the less likely he is to renew his contract," Pali Research analyst Richard Greenfield wrote in a recent report. "Chernin's departure would raise significant investor concern and could lead to other management changes at News Corp."

Chernin and Murdoch declined to comment.

The succession question has been a long-standing issue at News Corp. The 77-year-old Murdoch is fond of saying that his mum's longevity -- Dame Elisabeth celebrated her birthday Sunday with 600 friends -- bodes well for his own prospects of remaining at the helm for many more years.

Some on Wall Street question whether Murdoch's children are ready to manage a company that took in $33 billion in revenue last fiscal year.

A week ago, during a conference call with analysts to discuss earnings, Chernin played a less prominent role than he had in the past. Murdoch dominated the call, fielding questions about the entertainment properties that have long been Chernin's specialty.

Then there was the prickly question about his contract.

During November's earnings call, when Murdoch and Chernin were asked to characterize the negotiations, Chernin called them "constructive." Murdoch jumped in: "I would characterize them as constructive and friendly."

But last week, the same question prompted a measured response. "Peter and I are continuing our conversations, and they're private and that is all there is to it," Murdoch said. "Nothing more for me to say and we won't take any further questions on that. It is a confidential matter."

Chernin remained silent.

People close to Chernin said it would be a leap to tie Murdoch's visit to Chernin's tenure.

Murdoch's tour through Los Angeles is part of a strategic review of the company's businesses that takes place every three years, according to people familiar with the situation who did not want to be identified discussing the sensitive subject. They said that the chief executive is typically involved in long-range planning.

Chernin, 57, has been known to take negotiations down to the wire. His last contract renewal, in July 2004, was announced three days before the agreement took effect.

http://www.latimes.com/business/la-f...58,print.story
post #30117 of 87198
Thread Starter 
Television Review
Dollhouse
Joss Whedon's show seems too empty.
A group of people who have had their memories erased, led by Eliza Dushku's Echo, can be hired to do just about any task. But there's no emotional connection.
By MARY McNAMARA, Los Angeles Times Television Critic, February 13, 2009

To say there has been anticipatory buzz surrounding Joss Whedon's return to television with Fox's Dollhouse is like saying octo-mom has gotten some media attention. The moment Whedon announced the project, fans of "Buffy the Vampire Slayer" and "Firefly" began their internal countdown. When bad things began to happen -- the network wanted so many changes in the pilot that Whedon chucked it and began again from scratch -- the buzz only got louder.

But although buzz can indicate an excited crowd on the brink of satiation, it can also serve as a warning that you're about to get stung.

If you sense a pause at this moment, it's me taking a break to wring my hands and brush away a tear. But no amount of fondness or admiration for Whedon and his work can disguise the fact that "Dollhouse," which premieres tonight, is beyond disappointing. Overcrowded with plotlines, high-tech gimmicks and ambition yet empty of emotional connection and purpose, "Dollhouse" tries so hard to be so many things it winds up being nothing much at all.

Related

  • STORY:
Countdown to 'Dollhouse'


STORY:
For 'Dollhouse' on Fox, the set is one of the stars

More Related:
·'Dollhouse': Eliza Dushku puts her faith in Joss Whedon

·Countdown to 'Dollhouse': Joss Whedon on women (and sex!)

·Countdown to 'Dollhouse': Exclusive photos

It would be nice to blame the network and all those dreaded notes, but of the three episodes Fox made available, the pilot is the strongest. Here we meet Echo (Eliza Dushku) and the people who have created her. Echo is an "active," one of a cadre of incredibly good looking young people who are part of a sleek action-brothel where the super-rich and semi-deranged can rent people capable of just about anything. Need a partner for kinky sex, white-water rafting or kidnapping negotiation? Meetcha at the Dollhouse.

Echo and her pals are able to perform such disparate tasks because their memories have been wiped away, leaving them as blank slates onto which other memories, and therefore personalities and abilities, can be downloaded.

You can see why Whedon was drawn to the conceit. It provides a nice action-adventure A plot -- in the pilot it's Echo, programmed to be an ace negotiator, helping a father whose daughter has been kidnapped -- along with, potentially, a lot of larger questions about identity and the nature of reality. A sort of "Alias" meets "Bourne" by way of "Eternal Sunshine of the Spotless Mind" with a lot of lovely "dolls" milling about, often naked.

A show like this is built on being maddening and mysterious. But "Dollhouse" takes it to a noticeably pleased-with-itself extreme. Adelle DeWitt (Olivia Williams) is the madam of the house, and she's so icy and buttoned up she seems to be experiencing full-body Botox. We watch as she offers to get the woman Echo used to be out of some kind of trouble (Murder? Bad credit rating? It's unclear) in exchange for sucking all the memories out of her head, and we have to wonder: At what point did something like that sound good?

Then there's the blank-stare thing. Between gigs, the actives are memory-free. (They each emerge from their wipe-downs with the line "Was I asleep?," which someone in Fox marketing apparently already envisions on a T-shirt.) So how come everyone knows how to swim and hold a fork and do tai chi? And what about all that mixed-gender nudity? Are we saying libido is strictly a product of memory?

Unfortunately these are the kind of thoughts you have watching more than one episode of "Dollhouse," if only to avoid the larger, more disturbing questions. Like who thought Dushku was up to the formidable task of portraying several different people per episode? (Hint: It takes more than a different hairstyle and glasses.) Or why the wisecracking, memory-wipe geek played by Fran Kranz seems to have wandered in from another, more lighthearted show? (His name is Topher, for cryingoutloud). Or why we don't get an episode or two to just get used to the whole Dollhouse concept before it's front-loading it with two "enemies," one an FBI agent determined to find this legendary Dollhouse, the other a Doll Gone Wild.

But these are all surmountable problems of any science/fantasy show. The real problem with "Dollhouse" is that everyone involved was so caught up with its concept, complications and set design that they forgot to build the viewer a point of entry.

Echo is the natural choice, except that she's a non-person, which makes it a little hard to get attached. Despite its spa-like setting and occasional desire to save kidnapped children, the Dollhouse is just plain creepy, a moral half-step above the organ-harvesting joint in "Coma." It would be easy to root for the FBI agent except that Tahmoh Penikett plays him so teeth-gritted dull. Echo's handler Boyd (Harry Lennix) is the closest thing to human the show has. He at least sees Echo as a person rather than a robot. But though he raises all the necessary moral and ethical questions, he still takes the paycheck.

That leaves Doll Gone Wild, whoever that may be. And, of course, all of us Whedon fans who are hoping against hope that he somehow manages to pull all this together and make us care a little less about his return and a little more about the show that brought him back.

http://www.latimes.com/entertainment...0,953298.story?
post #30118 of 87198
Dollhouse is surely being hammered, let us watch it first, perhaps we can prove them wrong..
post #30119 of 87198
Quote:
Originally Posted by DrLar View Post

Dollhouse is surely being hammered, let us watch it first, perhaps we can prove them wrong..

its on "fiday nite" network tv....doesnt that tell us all we need to know.
post #30120 of 87198
Thread Starter 
Television Review
“Dollhouse”
“Buffy” Creator Back With Mind-Erasing Fun
By Linda Stasi, New York Post TV Critic, February 13, 2009
(three stars out of four)

DID you ever have a really great date, and then the person inexplicably disappeared, never returned your phone calls and even blocked you from his/her email list like you were a freaking stalker?

Well, hey, don't feel bad. Maybe it's not you, after all. Maybe you didn't misread the signs, you don't have cat breath and didn't talk with your mouth full. OK, you did that, but that didn't cause the full-frontal rejection. Maybe you had the world's greatest date with an "Active."

I know this now because I just watched Fox's new, much-hyped show "Dollhouse," from the guy who brought you "Buffy the Vampire Slayer" and "Angel." And unlike the aforementioned ideal date that went south, I'm not in love, but I am intrigued.

The show, like many, many others that came before, centers around a highly secret, "highly illegal underground group" that does highly secret, highly illegal things. Like all the others, this rogue group of elite karate-techies is being hunted by the feds.

What's different here is that the group has a group - great looking women who were in such trouble that the only option out was opting out of real life. And they don't care about the good of humankind.

These women, called "Actives" have their memories wiped out and then continually imprinted with other memories that will serve them well on each "engagement." Actives, like the Marines, are all that they can be - even if they have no idea of who they are while they're being all that. They can be hired out as prostitutes, girlfriends, hostage negotiators and, yes, world class killers.

The most active Active is Echo, played by Eliza Dushku. Right off, let me tell you that Echo is no "Alias." Or, at least, Dushku is no Garner. She just doesn't have the on-screen charisma.

It's off to a slow-start tonight. Echo is hired to be a great girlfriend, then returns to the mysterious "Dollhouse" to be reprogrammed into a hostage negotiator.

But it's next week when Echo is reprogrammed and hired out as a mountain-climbing, cross-bow-shooting prostitute, that things get really good.

Keeping the Stepford Assassin going is her handler Boyd (Harry Lennix); the capo di tutti capi, Adelle (Olivia Williams); the techie, Topher (Fran Kranz); and, of course, the handsome agent who's trying to track them down, Paul Ballard (Tahmoh Penikett).

Good, dirty fun.

http://www.nypost.com/seven/02132009...oll_154888.htm
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: HDTV Programming
AVS › AVS Forum › HDTV › HDTV Programming › Hot Off The Press: The Latest TV News and Information