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post #43321 of 87185
Thread Starter 
The New York Times Obituary
Jules Power, 87

Producer of ‘Mr. Wizard,’ ‘Discovery,’ ‘Over Easy’

By Dennis Hevesi, The New York Times, October 15, 2009

Jules Power, who helped break the mold of cartoonish children’s shows in the early days of television by producing programs that entranced youngsters with basic science and allowed them to roam the world from their living rooms, died on Friday in Baltimore. He was 87.

The cause was complications of Alzheimer’s disease, his son, Bob, said.

Mr. Power was a co-producer of the long-running “Mr. Wizard” on NBC, and then executive producer of “Discovery” on ABC.

His mission was “to expand young minds and fill a void in afternoon children’s programming,” George W. Woolery wrote in his 1983 book, “Children’s Television: The First 35 Years, 1946-1981.” Children’s shows had been dismissed as little more than “time wasters” in 1961 by Newton N. Minow, then chairman of the Federal Communications Commission, the book noted.

No time was wasted during the Saturday-morning broadcasts of “Mr. Wizard” (first broadcast as “Watch Mr. Wizard” in 1951), with Don Herbert, Mr. Power’s co-producer, in the title role. Mr. Wizard would already be setting up some experiment in his home when a child from the neighborhood would stop by to join the fun.

The experiments were usually simple enough to be recreated by viewers, and by 1954 there were hundreds of Mr. Wizard Science Clubs around North America. The program, which ran through 1965, was cited by the National Science Foundation and earned a Peabody Award.

Mr. Power left “Mr. Wizard” in 1961 to become director of children’s programming for ABC. There he created “Discovery,” a children’s show that examined science, history, art, music, current events, travel and hobbies. In 1963 the show explained the birth process to children — a breakthrough in sex education.

In its nine-year run, mostly on Sunday mornings, “Discovery” visited more than a dozen countries, including the Soviet Union, Kenya, Israel, Japan, Germany and Australia. American viewers were exposed to historic sites, chess clubs and an elementary school in Moscow, where their counterparts were learning English.

Youngsters, Mr. Power told The New York Times in 1965, are unfamiliar with the world. “They know that the world today is small,” he said, “but they also feel that it’s strictly for adults. This is something we’d like to change.” The show won an Emmy for children’s programming and three Thomas Alva Edison Awards.

Born Jules Pewowar in Chicago on Oct. 19, 1921, Mr. Power was one of three children of Paul and Mary Pewowar. He graduated from Northwestern University in 1944. Three years later he and several friends started an FM radio station in Chicago. By 1951 he was working for a television production company and co-producing “Watch Mr. Wizard.”

Besides his son, Bob, of Manhattan, Mr. Power is survived by his wife of 63 years, the former Dorothy Kutchinsky; and a daughter, Robin Power of Baltimore.

Later in his career Mr. Power turned his attention to a more mature audience as a co-producer — with Hugh Downs and Richard Rector — of “Over Easy,” a daily, half-hour program on PBS for people 55 and older. The program, which ran from 1977 to 1983, mixed profiles of people savoring their later years with advice from experts on medicine, psychology, nutrition, finance and law.

“What we’re talking about is getting older, not getting old; so we’ll do a lot of intergenerational stories and cover younger older persons,” Mr. Power said before the first broadcast.

“Over Easy” won a Peabody and two Emmys, one for direction and one for its host, Mr. Downs.

http://www.nytimes.com/2009/10/15/ar...ref=television
post #43322 of 87185
Thread Starter 
TV Notes
Friday’s TV Talk Shows
Bill Maher's Season Finale; Tyson & Holyfield on "Oprah"

From the Los Angeles Times’ “Show Tracker” blog
(Note all times are ET/PT. For syndicated and PBS shows, check your local listings.)

The Early Show (N) 7 a.m. KCBS

Today Hilary Swank. (N) 7 a.m. KNBC

Good Morning America Chynna Phillips performs; America Ferrera ("Ugly Betty"); author Robert Lacey ("Inside the Kingdom"). (N) 7 a.m. ABC

Regis and Kelly Anderson Cooper; Penn Badgley ("Gossip Girl"). (N) Syndicated

The View Sela Ward; Laurie Levin; Greg Proops. (N) 10 a.m. (11 a.m. ET) ABC

The Dr. Oz Show The plight of those living without basic health insurance; volunteers at a one-day free clinic. Syndicated

The Martha Stewart Show The Breast Cancer Show: Dr. Dara P. Richardson discusses reducing one's risk of cancer; chef Amanda Freitag provides cancer-fighting recipes. (N) Syndicated

The Bonnie Hunt Show Gerard Butler; Judge Jeanine Pirro. (N) Syndicated

Tyra Makeovers. Syndicated

Oprah Winfrey Mike Tyson and Evander Holyfield. (N) Syndicated

Dr. Phil Author Mitch Albom ("Have a Little Faith"); a woman wants her husband of 12 years to switch to her religion; a woman is angry at God over her husband's death. (N) Syndicated

The Ellen DeGeneres Show Marcia Cross ("Desperate Housewives"); Dylan Walsh ("The Stepfather"); Bryan Boyer performs. (N) Syndicated

Tyra Ricky Berens. (N) Syndicated

Tavis Smiley Author Terrence Roberts; Joshua Bell. (N) 7 and 11 p.m. PBS

Washington Week Senate healthcare bill: Karen Tumulty, Time magazine. Opponents of healthcare reform: Charles Babington, Associated Press. Afghanistan: James Kitfield, the National Journal. Virginia governor's race: John Harris, Politico. (N) 8 p.m. PBS

The Jay Leno Show Rachel Griffiths; Sen. John McCain (R-Ariz.). (N) 10 p.m. NBC

Real Time With Bill Maher Alec Baldwin; Chris Matthews; Gov. Martin O'Malley (D-Md.); Rep. Alan Grayson (D-Fla.); Garry Shandling. (Season finale) 10 and 11 p.m. HBO

Charlie Rose Philanthropist and photographer Howard Buffett; swine flu. (N) 11:30 p.m. PBS

Late Show With David Letterman Uma Thurman; Tim McGraw performs. (N) 11:35 p.m. CBS

The Tonight Show With Conan O'Brien Newark, N.J., Mayor Cory Booker; Max Records; Dashboard Confessional performs. (N) 11:35 p.m. NBC

Jimmy Kimmel Live Serena Williams; Dr. Drew Pinsky; Eric Church performs. (N) 12:06 a.m. ABC

Craig Ferguson Toby Keith performs; Michelle Monaghan. (N) 12:37 a.m. CBS

Late Night With Jimmy Fallon Eddie Izzard; Gina Gershon; Amy Schumer. (N) 12:37 a.m. NBC

Last Call With Carson Daly Ron Artest; Eva Amurri. (N) 1:36 a.m. NBC

http://latimesblogs.latimes.com/show...k-shows16.html
post #43323 of 87185
Thread Starter 
Critic’s Notes
A Deal for NBC Could Be Comcastic

By Tom Shales, Washington Post Staff Writer, Friday, October 16, 2009

What's being billed as one of the biggest media deals in years could also be seen as rescue mission -- liberating NBC from the clutches of its fumbling management and from General Electric, the hardhearted defense contractor that bought the network in 1986 and has been ordering budget cuts ever since.

The company is called NBC Universal now, because it includes the Universal movie studio, and is said to be worth $35 billion, vs. the $6.5 billion or so that GE paid (for NBC alone). The potential buyer is Comcast, the largest cable company in the United States, and a firm whose principal interest is television, with no sideline ventures into toaster ovens, jet engines or nuclear power plants.

Well-informed insiders say that it's too early to call the deal a fait accompli but that it's just one notch shy. If it happens, as is likely, it won't be in the next eight days but in the next 30, a Thanksgiving present to NBC employees and the viewing public.

Among the first items of business might be the undoing of another deal: the pact NBC made with Jay Leno, giving him the last hour of prime time Monday through Friday all year. So far, "The Jay Leno Show" has been a ratings weakling with a strong negative effect on the rest of the NBC prime-time schedule.

Not only did serious dramas vanish from the 10 o'clock slot, but there are also reports that the Leno camp has objected to anything too "depressing" in the 9 o'clock slot, which practically eliminates all opportunities for serious dramatic television on NBC. Viewership is low on all networks on Saturday nights, and NBC airs football games on Sundays.

In Hollywood, producers are reportedly furious with NBC for caving in to Leno. They haven't been talking on the record for fear of eliminating NBC as a potential customer altogether. They would love to see Leno go away.

The Leno contract is complicated, and it's unlikely a change could be effected immediately. If Leno makes it through the season, however, it would almost certainly be his last at 10.

Comcast is expected to put money into NBC to develop programming, not just ask for more cost-cutting as the current owner reportedly does. Comcast will likely explore innovations rather than just trying to survive, since Comcast has been in the television business since it began. Its executives know more about the changing terrain of American telecommunications.

Comcast might even make quality programming a priority instead of looking at TV shows only as units of "product" to bring in revenue.

In recent years, Comcast has moved heavily into the Internet business, with 17 million subscribers, more than any other company, and it could be counted on to experiment with new links between the TV side and the Internet. Comcast cable subscribers could expect many more possibilities from video on demand, with perhaps the entire NBC schedule available for time-shifting. They could even watch Leno at 11:30 p.m., his time slot when host of "The Tonight Show."

Surprisingly, perhaps, Comcast's main interest in going after NBCU, an inside source says, is the handsome array of moneymaking cable networks that NBC has developed: not only CNBC and MSNBC but also Bravo, Syfy, USA Network and other specialty operations. In the second quarter, NBC's broadcast revenue was down 9 percent but its cable revenue was up 3 percent (and cable profits up 7 percent). Thus Comcast's chief interest.

In industry trade papers, there's been considerable speculation about whether Jeff Zucker, the unpopular and currently unsuccessful chief executive of NBC Universal, would lose his job once the deal goes through. Zucker is considered an architect of failure, widely blamed for the disastrous showing NBC has made in the ratings this season and for low morale at many levels within the network.

But he might not have to start cleaning out his office just yet, insiders say. Comcast is more likely, some speculate, to keep Zucker and his team in place as a way of helping to make the transition smooth. Comcast is a conservatively run company, yes, but who's more conservative than GE?

Comcast has been searching for a "content company" to buy or merge with for a long time, as is commonly known in the business. Five years ago, Comcast made a run at Walt Disney, a deal that would have been worth $54 billion or more -- if it hadn't fallen through at the last minute.

The Comcast-NBCU deal could very well fall through, too. And viewers might feel the urge to say, "So what?" -- why root for one giant corporation against another? In this case, there's at least a marginal and perhaps a substantial difference. If Comcast buys NBC, one part of television might actually get better.

http://www.washingtonpost.com/wp-dyn...502354_pf.html
post #43324 of 87185
Thread Starter 
TV Notes
On The Air Tonight
Friday’s Network Prime-Time Programming Options

(All shows are in HD unless noted as SD)

(Reminder: If you are recording these programs, check your network listings for precise start/end times. For PBS, please double check your local listings.)

ABC:
8
Ugly Betty (Two hours, season premiere)
10 20/20: Carmina Salcido talks about her life since surviving an attack by her father that took the lives of seven people, including her mother, grandmother and sisters.

CBS:
8
Ghost Whisperer
9 Medium
10 Numb3rs

NBC:
8 Law & Order
9 Secrets of the Lost Symbol: Author Dan Brown discusses his new book, the power of the human mind, the beliefs of Freemasonry, whether people can become gods, and an obscure science that might tie them all together; he also talks about the nation's founding fathers. SD
10 The Jay Leno Show : Actress Rachel Griffiths; Sen. John McCain

Fox:
8
MLB, ALCS: Los Angeles Angels of Anaheim at New York Yankees

PBS
8 Washington Week: Health care debate SD
8:30 NOW on PBS: A nationwide nursing shortage strains the medical system..
9 Bill Moyers’ Journal: President Barack Obama delivers a new vision of America; Dr. America Bracho. SD
10 Unnatural Causes: Is Inequality Making Us Sick? When the Bough Breaks; Becoming American. Black infant mortality rates remain twice as high as white Americans; the relative health of Mexican immigrants seems to worsen the longer they are in the U.S. . (R, April 3) SD

The CW:
8
Smallville
9 America’s Next Top Model (R, Wednesday) SD

MNT:
8 WWE: Friday Night Smackdown! Batista takes on his best friend, Rey Mysterio. Plus, World Champion, the Undertaker. (two hours)
post #43325 of 87185
Thread Starter 
TV Sports
Weather Forecast for This Weekend's LCS Games


Today:
Philadelphia Phillies at Los Angeles Dodgers, 4:07 p.m. ET: 84 degrees, sunny. 0% chance of rain. TBS

Anaheim Angels of Los Angeles at New York Yankees, 7:57 p.m. ET 42 degrees, showers. 60% chance of rain. Fox


Tomorrow:
Anaheim Angels of Los Angeles at New York Yankees, 4:13 p.m. ET 47 degrees, showers. 70% chance of rain. Fox

Sunday:
Los Angeles Dodgers at Philadelphia Phillies, 8:07 p.m. ET: 46 degrees, showers. 80% chance of rain. TBS
post #43326 of 87185
Thread Starter 
Business Notes
Ted Turner wants to run CNN again
Wants 'less fluffy news and more international news'
By Paul Bond, The Hollywood Reporter, Oct 15, 2009

No knock on his "good friend" Jeff Bewkes -- or on Superman -- but Ted Turner wishes that he were running Time Warner so that he could make some changes at Cartoon Network and CNN, the cable news channel he founded 29 years ago.

At CNN, he wants "less fluffy news and more international news," especially about China, Turner says in an interview set to run on Bloomberg TV on Friday. "Less talk, more news," he says.

As for Cartoon Network, Turner tells anchor Betty Liu, "If I had control of it, I'd put 'Captain Planet' on at a top time period so that kids would see the environmental superhero instead of just Superman."

The environment, along with population control and nuclear disarmament, have been pet projects of Turner's for decades, and he has been spending more time with those issues since retiring from media a decade ago.

But he clearly misses his former occupation. When Liu asks him if there are any media mergers he'd like to see happen, Turner responds: "I'd like to see me running Time Warner." He says later, "I'd like CNN to report to me, and the Cartoon Network."

He did, though, give the thumbs up to the notion of Comcast acquiring a part of NBC Universal. "Go for it," he said. "You've got to do something. They've got a real good cable system. And they don't have that much programming."

Then again, Turner was also a proponent of AOL's purchase of Time Warner, which, nine years later, is generally regarded as the worst merger in corporate history.

Turner also says that Viacom-CBS mogul Sumner Redstone was correct when he said at a conference that selling Turner Broadcasting to Time Warner was Turner's downfall.

"He's right. I made a mistake. I was tired," Turner tells Liu.

Turner also says he "buried the hatchet," as Liu put it, with News Corp. topper Rupert Murdoch about 18 months ago. He dropped him a note the other day telling him he was doing a good job with the Wall Street Journal.

"He didn't write me back. He might not have gotten the letter," he says.

Not that he's a fan of print newspapers: "You're chopping all these trees down and making paper out of them and trying to deal with all the waste paper. It's the biggest solid waste problem that we have."

http://www.hollywoodreporter.com/hr/...8e29af923a9a4b
post #43327 of 87185
Quote:
Originally Posted by AAF View Post

Re: Craig Ferguson. I think he's too smart for the audience currently watching Mr. Crankypants.

+1 for American on Purpose, Ferguson's excellent autobio. I know I probably shouldn't mention a book in this thread. It might distract you all from those hours of quality programming on NBC or something

Disagree. I dont think he wants it just yet and has said many times in the past that when Letterman retires the show should go to Jon Stewart. I'm a big fan of all 3 though Letterman is the king by far. My problem with Craig's show is that it seems majority of the show time is spent doing nothing. I like him more when he's interviewing people instead of wasting time reading dumb emails. He's definitely not too smart for the Letterman's audience as Letterman is no idiot either - they just have different styles. If Dave does end in a year+ hopefully he'll bring back the great Will it float segments, though the current better things to do then read a certain alaskan politicians memoir is also a great bit.
post #43328 of 87185
If Comcast wants to buy NBCU, will they make some of the channels cable-only? This has the potential to be bad.
post #43329 of 87185
I like his email segment.
post #43330 of 87185
Quote:
Originally Posted by fredfa View Post

Critic’s Notes
A Deal for NBC Could Be Comcastic

By Tom Shales, Washington Post Staff Writer, Friday, October 16, 2009

What's being billed as one of the biggest media deals in years could also be seen as rescue mission -- liberating NBC from the clutches of its fumbling management and from General Electric, the hardhearted defense contractor that bought the network in 1986 and has been ordering budget cuts ever since.
http://www.washingtonpost.com/wp-dyn...502354_pf.html

This was a very odd marriage, and in my opinion they didn’t quite understand television and media. In the long term Comcast buying NBC Universal will be good for NBC Universal. They will finally have an owner that understands media. And we will finally have a competitor to ESPN

Behind the scenes I’m sure many in Hollywood will be very happy when NBC Universal is completely disassociated from GE.

This may be a stupid question, but why isn’t NBC Universal a publically traded company? It’s big enough, and strong enough to stand on it’s on. Why would it need an owner like GE or Comcast?

Quote:
Originally Posted by fredfa View Post

Business Notes
Ted Turner wants to run CNN again
Wants 'less fluffy news and more international news'
By Paul Bond, The Hollywood Reporter, Oct 15, 2009

As for Cartoon Network, Turner tells anchor Betty Liu, "If I had control of it, I'd put 'Captain Planet' on at a top time period so that kids would see the environmental superhero instead of just Superman."
http://www.hollywoodreporter.com/hr/...8e29af923a9a4b

I loved Captain Planet; I always wondered why this show didn’t get a reboot or some new episodes. I also would have liked a live action movie to come out of it.
post #43331 of 87185
Quote:
Originally Posted by fredfa View Post

By Tom Shales, Washington Post Staff Writer, Friday, October 16, 2009

Not only did serious dramas vanish from the 10 o'clock slot, but there are also reports that the Leno camp has objected to anything too "depressing" in the 9 o'clock slot, which practically eliminates all opportunities for serious dramatic television on NBC. Viewership is low on all networks on Saturday nights, and NBC airs football games on Sundays.

In Hollywood, producers are reportedly furious with NBC for caving in to Leno. They haven't been talking on the record for fear of eliminating NBC as a potential customer altogether. They would love to see Leno go away.

This is the first I've heard of this 'no depressing shows at 9' request, and I'm an informed reader of TV stories (I read "HOTP" after all ). If this is true then how come "Trauma," "SVU" and "Dateline NBC" (which focuses heavily on crime stories) serve as the lead-ins to Leno three of the five nights he's on the air? Me thinks Shales has confused Hollywood grapevine gossip with facts and ran with them.
post #43332 of 87185
Quote:
Originally Posted by dcowboy7 View Post

So if the yanks get a rain out do i get screwed out of my Simpsons/Family Guy Halloween shows Sunday night ?

There's also a chance they may TRY to play it, but maybe stay in one of those "rain delays" for a long while. Not to mention they expect even MORE rain tomorrow, and for it to rain most of Sunday.

Naturally, there's going to be a LOT in ink about a brand new billion dollar stadium without a roof! I'm going to have a perverse pleasure watching all those wet and shivering folks in the lower deck who paid 7 grand per seat... not to mention the nosebleeds who paid 200 bucks per seat.
post #43333 of 87185
Quote:
Originally Posted by dad1153 View Post

This is the first I've heard of this 'no depressing shows at 9' request, and I'm an informed reader of TV stories (I read "HOTP" after all ). If this is true then how come "Trauma," "SVU" and "Dateline NBC" (which focuses heavily on crime stories) serve as the lead-ins to Leno three of the five nights he's on the air? Me thinks Shales has confused Hollywood grapevine gossip with facts and ran with them.

This is the first I've heard of it as well, but it brings me back to my thoughts back before they announced the "Leno at 10" idea. I knew NBC was looking for a way to keep Leno in the family, and at the time, they were still talking about the "NBCU 2.0" concept, and only doing lower cost reality programming in the 8/7C timeslot. Even before they actually went forward with the nightly Leno idea, I had thought they should just put him on Monday thru Friday at 8. Maybe that would work better for them, still have him on every weeknight, but also keep the later slots available for better scripted programming. I'm sure there are pros and cons, but it probably wouldn't really be any worse overall.
post #43334 of 87185
Quote:
Originally Posted by fredfa View Post

The new service will be called Nat Geo Wild and is a joint venture from National Geographic Channel and Fox Cable Networks, sources confirmed.

Goodness, signing up animals to the Republican Party? Will CNN jump in to sign some to the Democratic party?
post #43335 of 87185
Quote:
Originally Posted by MRM4 View Post

If Comcast wants to buy NBCU, will they make some of the channels cable-only? This has the potential to be bad.

One of the things I'm worried about is that Comcast is very against sites like Hulu providing the content for free. Comcast wants to make sites like Hulu, pay sites because they are afraid that people will drop their video service to get their content from the internet. It will be interesting to see how the online content landscape changes when Comcast owns the content.
post #43336 of 87185
Quote:
Originally Posted by MRM4 View Post

If Comcast wants to buy NBCU, will they make some of the channels cable-only? This has the potential to be bad.

I am sure the FCC would not allow that, and would be part of the agreement, for current channels anyway.
post #43337 of 87185
Quote:
Originally Posted by MRM4 View Post

If Comcast wants to buy NBCU, will they make some of the channels cable-only? This has the potential to be bad.

Most of them already are... I doubt they'd take their lone broadcast channel and delete it from the airwaves.

What scares me is withholding of some of their cable properties from other MSOs... by jacking fees to the skies. Or doing things like signing deals with other MSOs for only the SD channel.

I think the central issue is distributors "owning" a major content owner.
post #43338 of 87185
Nielsen Overnights (18-49)
ABC wins its fourth straight Thursday
Averages a 4.0 in 18-49s, 14 percent ahead of CBS
By Toni Fitzgerald, Media Life Magazine - October 16th, 2009

ABC maintained its firm hold on Thursday night, even with "Grey's Anatomy" slipping from the previous week.

The network won its fourth straight Thursday, averaging a 4.0 adults 18-49 rating and 11 share last night, according to Nielsen overnights, even to last week and 14 percent ahead of second-place CBS's 3.5/10.

"Grey's" was the night's top-rated show with a 4.9 average in the 9 p.m. slot, off 8 percent from a 5.3 last week. ABC also had the night's No. 3 show, "Grey's" lead-out "Private Practice," which was up 5 percent from last week to a 3.9 at 10 p.m.

NBC had the night's No. 2 show, "The Office," which averaged a 4.0 despite airing against "Grey's" at 9. Lead-out "30 Rock" made its fourth-season debut at 9:30, averaging a 3.0, down 27 percent from last season's premiere and losing 25 percent of "Office's" lead-in.

"Rock," which does well among male demos, may have suffered a bit opposite game one of the National League Championship Series on TBS, which undoubtedly siphoned some viewers from broadcast.

***

Meanwhile, for the night, NBC placed third at 2.4/7, Fox fourth at 2.4/6, CW fifth at 1.5/4 and Univision sixth at 1.4/4.

As a reminder, all ratings are based on live-plus-same-day DVR playback. Seven-day DVR data won’t be available for several weeks. Thirty-three percent of Nielsen households have DVRs.

CBS started the night in the lead with a 3.5 at 8 p.m. for “Survivor,” followed by ABC with a 3.1 for “FlashForward,” up from a 3.0 last week. Fox was third with a 2.6 for “Bones,” NBC fourth with a 2.0 for “Community” (2.0) and “Parks and Recreation” (2.0), CW fifth with a 1.8 for “The Vampire Diaries,” its best rating since its debut, and Univision sixth with a 1.5 for “El Nombre del Amor.”

ABC took the lead at 9 p.m. with a 4.9 for “Grey’s,” while CBS slid to second with a 3.6 for “CSI.” NBC was third with a 3.5 for “Office” (4.0) and “Rock” (3.0), Fox fourth with a 2.2 for “Fringe,” Univision fifth with a 1.6 for “Sortilegio” and CW sixth with a 1.2 for “Supernatural.”

At 10 p.m. ABC was first again with a 3.9 for “Practice,” with CBS second with a 3.4 for “The Mentalist.” NBC was third with a 1.8 for “The Jay Leno Show” and Univision fourth with a 1.0 for “Rosa de Guadalupe.”

CBS led the night among households with an 8.6 average overnight rating and a 14 share. ABC was second at 7.1/12, Fox third at 4.7/7, NBC fourth at 3.6/6, CW fifth at 2.0/3 and CW sixth at 1.9/3.

http://www.medialifemagazine.com/art...t_Thursday.asp
post #43339 of 87185
TV Review
'Monty Python: Almost the Truth' on IFC-HD
By Alan Sepinwall, Newark Star-Ledger - October 16th, 2009

Late Wednesday night, Jimmy Fallon invited four of the five surviving members of Monty Python's Flying Circus to be the only guests on his talk show that evening. The Pythons in this case, John Cleese, Terry Gilliam, Eric Idle and Terry Jones came out and spent several minutes stealing each other's chairs, then throwing water at each other. When Fallon asked a question, all four offered their own answer simultaneously, then paused, waited for another question, then went right on talking on top of each other. When they didn't like a question, they ventured into the studio bleachers to see if someone from the audience could do a better job of interviewing them.

[EDIT: the complete "Late Night" episode with the Pythons can be watched online at NBC.com: http://www.latenightwithjimmyfallon....s/?vid=1166983].

It was pure, unadulterated anarchy, and Fallon clearly relished every moment of it. Because to many comedians and comedy fans who came of age in the 40 years since "Monty Python's Flying Circus" made its debut on the BBC, the Pythons are it, the most famous and beloved architects of the post-modern school of comedy. Fallon may or may not have dreamed of growing up to host his own talk show one day, but he sure dreamed about getting to perform with John Cleese. And for an hour, he got to and got to see that Cleese and the others hadn't lost a thing.

"Monty Python: Almost the Truth," a new six-part documentary that IFC is premiering this Sunday, is for every boy (and, in rarer cases, girl) who, like Fallon, ever tried to do a silly walk, or entered rooms with the taunt, "Nobody expects the Spanish Inquisition!," or simply wanted to know how the most legendary sketch troupe of all time came up with their signature bits and rewrote the rules of comedy in the process.

Producers Bill Jones and Ben Timlett have infused "Almost the Truth" with the same irreverent, self-deprecating spirit as the Python shows and movies themselves. Episodes have titles like "The Not-So-Interesting Beginnings" and "The Much Funnier Second Episode," and they recruited Sonia Jones (who sang the "Life of Brian" title song) to record a theme that grows increasingly bitter about the Pythons and the whole project as it goes along. ("Unlike other Monty Python document-aries, this one is brand new!" she sings in the opener, and by the time we get to episode five, she's wailing, "If you're still bloody watching, why don't you get a life?")

The debut episode more or less lives down to its title, though it does lay out how the six Pythons (also including Michael Palin and the late Graham Chapman) slowly came together, and explains the rules of the British comedy scene that the Pythons were about to explode.

The members downplay their genius a bit, suggesting that they happened to be in the right place at the right time, and that another group could just as easily have done what they did.

"Because we'd been obeying conventions that we didn't really agree with for a very long period of time," explains Cleese, "it was really like someone opening the gate to a field full of flowers, that no one had ever picked. And we sort of ran into the field, and it was so easy to pick them."

Or, as Stephen Merchant, co-creator of the original British "The Office," and one of many celebrity fans to offer testimonials through the documentary, puts it, all the previous comedies he watched followed very clear rules, and this "was making me laugh, and I didn't understand why."

A sketch might start off with a normal premise like a talk-show parody, and then quickly disappear down a surreal rabbit hole, as the guest would insist that, while his last name was spelled "Luxury Yacht," it was pronounced "Throatwobbler Mangrove" at which point the host shut things down for being too silly. The Pythons rarely bothered thinking of beginnings and endings to their sketches, focusing on the funnier middle and then using outside devices Gilliam's trippy animation, Chapman's recurring character of the Colonel (too uptight to let most sketches continue) to link everything together.

They would mix completely highbrow references with lowbrow punchlines, like a contest to see who could summarize the works of Marcel Proust in the shortest period of time, only to have the judge give the grand prize to the woman in the audience with the largest chest.

"Suddenly, there was a comedy ethnicity," says British comedian Sanjeev Bhaskar. "You knew who Proust was ... and then you got beat up by the kids who didn't know who Proust was."

The documentary goes into the origins of the most famous sketches (Cleese trying to return a dead parrot to Palin, Palin as a singing lumberjack who likes to cross-dress) and movies (the fourth and fifth episodes are primarily devoted to "Monty Python and the Holy Grail" and "The Life of Brian," respectively), and IFC is wisely following each episode with one of the movies and/or an episode of the series. But "Almost the Truth" also goes deep into the group's social dynamics, or lack thereof.

"I don't think any of us had the slightest interest in each other as people," Idle admits.

They worked well together (mostly), but weren't close personally, which is why everyone was surprised to learn that Chapman was gay, and even more surprised to realize he was a raging alcoholic. (Though Chapman died in 1989, the documentary makes frequent use of archival interviews, and also gives a lot of screen time to his partner, David Sherlock.)

All of them derive obvious pleasure from busting each other's chops. When the others acknowledge that, to their frustration at times, Cleese was the show's breakout star, Cleese explains, "I am much taller and more handsome and more striking in general than they are. Because they're a fairly nondescript, unattractive, chunky little bunch."

The documentary finally sags a bit in the final hour, albeit inevitably, as Jones and Timlett detail the making of the group's final film, "Monty Python's The Meaning of Life," by which point all six men were quite ready to be done with each other for a while, and then as we briefly glimpse them in their post-Python lives (notably with the other survivors surprising themselves by giving Idle the go-ahead to write the Tony-winning "Spamalot," based on "Holy Grail"). In that way, it's like watching a film about the Beatles and getting bummed out when Paul and John start fighting as they make "Let It Be."

But the Pythons' impact on comedy was as profound and lasting as the Beatles' on music, and the group's most famous (well, him or Elvis Presley), and helpful, fan was one of the Fab Four. When the group ran into financing trouble on "Life of Brian" (the story of the man born in the manger next door to Jesus) because studio executives feared it was too blasphemous as Jones clarifies, it wasn't blasphemous, but "heretical, because it touches on dogma" George Harrison stepped in and came up with $4 million of his own money to produce it.

"I just wanted to see the film," the late Harrison says in an old interview.

"It's the most anyone has paid for a cinema ticket in history," says Idle.

"Monty Python: Almost the Truth" (Sunday through Friday at 9 p.m. on IFC-HD) A six-part documentary about the legendary British comedy troupe.

http://www.nj.com/entertainment/tv/i...the_truth.html
post #43340 of 87185
Quote:
Originally Posted by Arative View Post

One of the things I'm worried about is that Comcast is very against sites like Hulu providing the content for free. Comcast wants to make sites like Hulu, pay sites because they are afraid that people will drop their video service to get their content from the internet. It will be interesting to see how the online content landscape changes when Comcast owns the content.

Do you think Comcast is the only one? Do you really think Hulu, et all, are going to be free forever? Networks are in financial trouble looking for new revenue sources. Personally, I find it somewhat amazing that Hulu gets any content from the networks to begin with. This all will eventually sort itself out and IMHO it will be quite different from what we see today. People relying on cable/sat subs to pay the freight for free online content are deluding themselves to think it will remain this way.
post #43341 of 87185
Thread Starter 
Business Notes
NBC Universal's Q3 Profits Up 13%
"No specific announcement" on G.E./Comcast deal as NBCU records $732 million in profit despite 20% drop in revenue

By Claire Atkinson -- Broadcasting & Cable, 10/16/2009

NBC Universal showed just how well the company can manage for margins. According to third-quarter earnings released Oct. 16 by parent company General Electric, NBCU managed to record a 13% increase profit--to $732 million, up from $645 million in the year ago period--even as revenue fell by 20% in the same period.

However, for the first nine months of the year, profit at NBCU was down 27%, to $1.66 billion from $2.2 billion in 2008. Last year, NBC aired the Beijing Olympics and its news networks had the benefit of political dollars and more viewers. Revenue was off 20% in the third quarter, at $4 billion, down from $5 billion in the year ago period. For the first nine months of 2009, revenue was off 11%, at $11.1 billion, according to a press statement from GE. GE's total net earnings were $2.5 billion for the third quarter, down 44%.

GE executives are expected to discuss negotiations to create a new venture in partnership with Comcast. The new company would include Comcast's cable programming assets and NBCU, which GE plans to shed in stages. That deal depends on the co-operation of another owner of NBC Universal, Vivendi.Responding to an analyst's question about how GE's portfolio might change, GE CEO Jeff Immelt said, "The company's got a lot of cash; we're in great shape overall. NBCU is a great franchise. It has consistently delivered income growth and cash through the recession, so it's a solid performer. We've always evaluated our portfolio. We expect this to be a reset world, and it's a good time to talk about portfolio.

"Vivendi has been a great partner and they have a window every year," Immelt continued. "This year we wanted to be ready for several scenarios. We are ready for an IPO or a strategic partnership like the one we have with Vivendi. We don't have a specific announcement. We plan to run NBC Universal over the long term or partner if that accelerates the growth of the franchise."

NBCU recognized a gain during the quarter thanks to the restructuring of A&E Networks, which incorporated Lifetime. The company did, however, have some write-downs, including Indian broadcaster NDTV, and an impairment charge related to its Weather Channel interest. After tax, NBCU recorded a gain of $89 million after tax as a result of the changes in the quarter.

Keith Sherin, GE's vice chairman and CFO, said that without the Olympics comparison, revenue at NBCU would have been flat; however, profit would have been down 9% without the gain attributable to the company's stake in a bigger A&E Television Networks.

Cable contributed $1.2 billion revenue in the quarter, up 8%, or $552 million in profit up 11%. At the broadcast unit revenue was flat at $1.4 billion, while profit was up 4%.

Sherin described a strong scatter market for both the NBC network, which was seeing double-digit increases, and the cable networks, which include USA, Syfy and Bravo and which were up 20%.

"It shows signs of life," Sherin said of the ad market. He added that The Jay Leno Show and the late-night shuffle of Conan O'Brien and Jimmy Fallon had exceeded expectations

http://www.multichannel.com/article/...arts_First.php
post #43342 of 87185
Thread Starter 
Yesterday’s metered market and fast affiliate overnight prime-time ratings (which include the total viewers and 18-49 demographic estimates in every half hour) – along with Media Week Analyst Marc Berman’s view of what they mean -- have been posted near the top of Ratings News -- the second post in this thread.

http://www.avsforum.com/avs-vb/showt...&#post10367387
post #43343 of 87185
Thread Starter 
3,900,000 Page Views ! ! !
Thank You All!

At about 10 a.m. ET Friday, Hot Off The Press (including both its first and second incarnations) hit the 3.9 million page view mark. Through this morning, page views for the year are running almost 27% ahead of 2008 levels.

As always, my heartfelt thanks go to all of you for continuing to stop by and -- and for (mostly) keeping the level of discussion on a civil and adult level.

And special thanks to prolific posters Dad1153, dcowboy7 and foxeng.

Also thanks go, as always, to Ken H, who helped me shape a vision for this thread and came up with the Hot Off The Press name, CPanther95 who keeps a wary eye on things here to make sure they run smoothly and DrDon who is always eager to lend his hand when needed to keep me (and some of you) out of trouble.

Throughout the years AVS honcho David Bott's generous spirit has been a key ingredient to the success of "Hot Off The Press"..

And my deep appreciation goes to the steadily growing numbers of you who visit, comment, contribute and generally keep this thread a place of civilized conversation about what is going on in the world of television.

Thanks again to you all of you.

As a reminder of how much things have changed over these past almost five years, here is the link to the very first posts:

http://www.avsforum.com/avs-vb/showthread.php?t=838060
post #43344 of 87185
Thread Starter 
TV Notes
Did Fox blunder moving 'Fringe' to Thursdays?

James Hibberd, The Hollywood Reporter senior reporter, in his LiveFeed blog, October 16, 2009

"Thursdays are insane," complains a studio publicist. "I need, like, five DVRs."

It's a common complaint this fall. Thursday has gone from NBC's decade-old "Must-See TV" to "Must-Tivo TV."

The problem isn't that there's several popular shows on the same night. At least, that's not the only problem. Networks have always clustered their hits on Thursdays, an evening with the highest advertising rates as it helps influence consumer spending going into the weekend (ie. "Which movie do I see?")

The problem this fall is that there are too many trendy shows on Thursdays. In other words, too many shows likely to be watched by the same types of people.

This is subjective, of course. But when you look at what's on the night, you have two of the coolest soaps ("Grey's Anatomy" and "Vampire Diaries"). You have the two arguably hippest crime procedurals -- "Fringe" and CBS' "The Mentalist." You have two of the most fashionable comedies, NBC's "The Office" and "30 Rock." And you have the most geek-friendly freshman drama, "FlashForward." Also crowding things is "Survivor," a highly rated show fans tend to watch the night it airs lest they're spoiled the next day.

This doesn't read like a single-night's lineup, it's like a list of Entertainment Weekly cover stories. Very contemporary, wholly or semi-serialized, blog-friendly shows. And there's only so many titles a viewer will watch in a single night.

Compare to, say, snoozy Tuesday. "NCIS," "Dancing With the Stars," "Biggest Loser," "Hell's Kitchen," "The Good Wife." Well rated shows, well done shows ... but if you're having a pool party next week, they're necessarily not at the top of your invite list.

That's why when the DVR data came in for premiere week, it wasn't surprising that a disproportionate number of shows that gained the most from time-shifting were on Thursdays.

Which brings us to "Fringe." The show is taking a hammering this fall. It's been earning low 2s among adults 18-49, falling dramatically from its first season even as its quality has arguably risen (yes, yes, it had an "American Idol" lead-in for part of last season -- the point is Fox choose to protect the drama last season, and choose to expose it to the elements this season, it's the network's decision to do this, so you have to look at what the result is).

"Fringe" is drawing numbers that if it were any other drama ... in any other time period ... it would have triggered whispers of cancellation. It's only because of the perception that the decline is not the fault of the show that it's still considered safe. The crunch also has "Fringe" being time-shifted at a higher percentage than any other major broadcast show aside from Friday night geek-friendly series "Dollhouse." And "Bones" is nearly right behind it on the chart.

Fox points out each Friday morning the combo of "Bones" and "Fringe" on Thursdays has improved its night vs. last fall. In the case of "Fringe," the time period is up 26%. Last night the network touted a 71% increase vs. the same night last year. What Fox doesn't mention is that last year it aired an episode of "Hole in the Wall" and a repeat of "Kitchen Nightmares" -- which is like bragging that your boxing match vs. a kitten went well. And these "Fringe" declines are serious business since it's tougher to get viewers back on a partially serialized show like "Fringe" than on a wholly close-ended show.

The idea to put "Fringe" here was sound: "Grey's" and "CSI" and "The Office" are slipping. There's an opportunity to put a new sheriff in town. This move wasn't Fox devaluing "Fringe," this is Fox showing faith in "Fringe." But then ABC and The CW and CBS put their new cool shows on Thursday too.

So should Fox wave a white flag and move "Fringe" someplace safer?

This post has been sitting on my laptop for a week, getting longer (and longer, and longer) waiting for me to make up my mind on this. I think "Fringe" should stay where it is, but just barely. Once you invade a country, you don't want to retreat. Fox does have a toe hold on the evening, I understand not wanting to let that go. Thursdays are a huge prize. Also, and this is important, Fox has "American Idol," which could help resuscitate the show in the spring if its granted a lead-in again.

If "Fringe" can wait out some more declines from its competitors, it might rise up and give Fox the Thursday hit drama it's always wanted ... if its rivals don't crush it first.

http://www.thrfeed.com/2009/10/did-f...thursdays.html
post #43345 of 87185
Quote:
Originally Posted by MRM4 View Post

If Comcast wants to buy NBCU, will they make some of the channels cable-only? This has the potential to be bad.

Quote:
Originally Posted by Riverside_Guy View Post

Most of them already are... I doubt they'd take their lone broadcast channel and delete it from the airwaves.

I think MRM4 was referring to what you were saying here:

Quote:


What scares me is withholding of some of their cable properties from other MSOs... by jacking fees to the skies. Or doing things like signing deals with other MSOs for only the SD channel..

That's something that the cable companies fought to ensure wouldn't happen when News Corp bought part of DirecTV. It will be interesting to see how things go in reverse...

Quote:
Originally Posted by Arative View Post

One of the things I'm worried about is that Comcast is very against sites like Hulu providing the content for free. Comcast wants to make sites like Hulu, pay sites because they are afraid that people will drop their video service to get their content from the internet. It will be interesting to see how the online content landscape changes when Comcast owns the content.

Me too, though I watch less and less through sites like that as Netflix has made more things available via watch now and more TV series are appearing on Blu Ray.

A move like that will only cause people to go back to piracy or the constant push and shove between postings and take downs on YouTube.
post #43346 of 87185
Thread Starter 
TV Notes
Friday's TV Highlights
Ugly Betty finally premieres
From the Los Angeles Times' Show Tracker blog
(Note all times are ET/PT. For syndicated and PBS shows, check your local listings.)

SERIES

Ugly Betty: Betty connects with a thoughtful insect jewelry designer (played by Lynn Redgrave) on the two-hour season premiere. (8 p.m. ABC).

Dog Whisperer: A disabled pet owner turns to Cesar to help rehabilitate Cujo, a lab-mastiff mix she rescued from a bad home but who is starting to live up to his horror-movie name (6 and 9 p.m. NGC).

Ghost Whisperer: In a hospital morgue, Melinda investigates a haunting that involves the death of a surgeon (8 p.m. CBS).

Law & Order: Jim Gaffigan guest stars as the adoptive father of 10 special-needs children who finds his wife's dead body in their home. While searching for a suspect and a motive for the murder, detectives Lupo and Bernard (Jeremy Sisto, Anthony Anderson) uncover an affair and an offer for the family to appear in a reality show (8 p.m. NBC).

Bill Moyers Journal: Journalist Mark Danner speaks with Moyers about President Obama's challenges in ushering in a new era of diplomacy and international cooperation (9 p.m. PBS).

I'm Alive: A deadly scorpion sting in Iraq prompts a medical airlift over enemy territory in this new episode (9 p.m. Animal Planet).

Monk: Natalie tries to arrange a surprise birthday party for Monk (9 p.m. USA).

Lobstermen: This turbulent new series follows offshore lobster fishermen in the North Atlantic, where five captains battle the elements -- and sometimes their own crews -- braving frigid rain, stinging snow and dangerous seas in search of the popular delicacy Maine lobster (10 p.m. Discovery).

Ghost Stories: This new series opens with a search for the ghost of a 9-year-old girl in the Trans-Allegheny Lunatic Asylum (10 p.m. Travel).

Psych: While working on a case involving an ice cream truck, Shawn stumbles into something much bigger and deadly in the season finale (10 p.m. USA).

SPECIALS

Secrets of the Lost Symbol: Author Dan Brown discusses his new book, the power of the human mind, the beliefs of Freemasonry, whether people can become gods and an obscure science that might tie them all together in this new special (9 p.m. NBC).

MOVIES

Mister Buddwing: A memorable jazz score underpins this 1966 adaptation of Evan Hunter's novel "Buddwing," wherein a well-dressed man (James Garner head) awakens on a bench in New York's Central Park with no idea of his own identity. With Jean Simmons, Suzanne Pleshette and Angela Lansbury (3:15 p.m. TCM).

SPORTS

Soccer: FIFA U-20 World Cup (10:45 a.m. ESPN).

NASCAR racing: Nationwide Series: Dollar General 300: Qualifying (Noon ESPN2); Race (5 p.m. ESPN2).

Baseball: National League Championship Series, Game 2: The Philadelphia Phillies visit the Dodgers (1:30 p.m. TBS). American League Championship Series, Game 1: The Angels visit the New York Yankees (4:30 p.m. Fox).

College football: Pittsburgh visits Rutgers (5 p.m. ESPN).

English Premier League Soccer: Aston Villa vs. Chelsea (4:30 a.m. ESPN2).

http://latimesblogs.latimes.com/showtracker/
post #43347 of 87185
Thread Starter 
Overnight Nielsen Notes
'30 Rock' premiere falls sharply; 'Vampire' rises

From James Hibberd’s The Hollywood Reporter LiveFeed blog, Oct. 16, 2009

Where's Sarah Palin when you need her?

The fourth-season premiere of NBC's Emmy-winning "30 Rock" was down a steep 27% in the adult demo from last fall, when star Tina Fey was generating national buzz for her "Saturday Night Live" parody of the Republican veep candidate.

"30 Rock" returned to 6.3 million viewers and a 3.0 rating among adults 18-49, falling 25% from its "Office" lead-in.

Meanwhile, ABC's "FlashForward" (9.1 million, 3.1) stopped its ratings descent, reversing for the first time to climb a tenth of a point. ABC just picked up the drama for a full season, so this apparent settling should come as a relief for the network.

ABC's fortunes shifted at 9 p.m., with the evening's top-rated show "Grey's Anatomy" (13.6 million, 4.9) dropping 9%, and for the fourth week in a row, to post its lowest rating ever. Despite its falling lead-in, "Private Practice" (10.4 million, 3.9) was up 8% (though there's a minute of "Grey's" overrun in there helping a tad).

Elsewhere, the CW's "Vampire Diaries" (3.9 million, 1.8) rose 6% from its previously settled number to post its best demo rating since its premiere

ABC won the night. CBS was second, with "Survivor" (11.9 million, 3.5), "CSI" (15.1 million, 3.6) and "Mentalist" (14.4 million, 3.4) all up 3%.

Fox and NBC tied for third, with Fox's "Bones" (9.1 million, 2.6) down 10% and "Fringe" (6 million, 2.2) up a tenth.

NBC's "Community" (5.1 million, 2.0) was up a welcome tenth, with "Parks and Recreation" (4.7 million, 2.0) down a tenth to match it. "Office" (8.1 million, 4.0) understandable dropped 17% from last week's one-hour wedding episode. "Jay Leno Show" (5.2 million, 1.8) was up a tenth.

On the CW, "Vampire" was followed by an on par "Supernatural" (2.6 million, 1.2).

http://www.thrfeed.com/2009/10/30-ro...n-sharply.html
post #43348 of 87185
Quote:
Originally Posted by fredfa View Post

(From Marc Berman’s October 15, 2009, Programming Insider newsletter and blog at Mediaweek.com)
http://pifeedback.com/eve/forums/a/t...4842#490104842
Wednesday’s Cable Nielsen Finals
(posted by Travis Yanan)

Hey, Fred...

Is it possible to have the ratings listings include the network the show is on along with the other data? Something like:

Quote:


Criminal Minds - CBS
- 13.917 million viewers
- 8.5/13 HH
- 3.8/10 A18-49

Between my DVR thinking for me and my not watching nearly as many shows this season, it's hard to keep track of what shows are on what channel when I look at the ratings for them - especially the new shows.

I think it would have more impact if, say, you could see that the top 5 shows were on one particular network or that another network didn't have anything in the top 10 for the night.

I'm not sure how much of a pain it will be to do that...
post #43349 of 87185
Thread Starter 
Business Notes
Malone: Liberty Media Advisor Goldman Sachs Is On NBCU Listening Tour?
Praises Comcast's Roberts For 'Being Logical Counterpart' To Potential Deal

By Mike Farrell -- Multichannel News, 10/16/2009

New York — Liberty Media chairman John Malone said NBC Universal parent General Electric Co. has instructed its advisors Goldman Sachs to "listen, but not talk," to other parties concerning the still-in-negotiations NBCU/Comcast deal.

Malone, speaking to a rapt group of reporters and investors prior to taking the stage at Liberty's annual investor meeting here Friday, said that he believes GE (which owns 80% of NBCU) is not soliciting alternative bids for NBCU.

"They just want to understand how people view this deal," he said.

Comcast and NBCU have been negotiating for weeks, according to people familiar with the situation. The Philadelphia MSO has proposed a deal that would give it 51% control of an entity including NBCU and Comcast's own cable content assets. Comcast also would purchase French conglomerate Vivendi S.A.'s 20% interest in NBCU for about $6 billion. It is expected that Comcast would buy out GE's 49% interest in the partnership over time.

While Malone would not give any details - "We've had a one-way discussion with Goldman," he said - he added that he would be interested in getting involved in NBCU at the right price. That price, he said, would be more in line of a 7 times "real cash flow" multiple for Vivendi's 20% interest in NBCU and an 11 times multiple for the entire deal. That is about the same price that Comcast and chairman and CEO Brian Roberts placed on the combined company.

"Which may be completely phony," Malone said of the valuation. "But it allows Brian to put in his stuff at an artificially high multiple and justifies paying Vivendi enough to get rid of them. I think that's the mechanics of this deal."

And while Malone did not seem interested in trumping Comcast's bid NBC Universal at current prices, he added that if the deal passes regulatory muster, it could force his DirecTV distribution arm to seek out broadcasting deals.

Malone praised Roberts for engineering what looks like another stellar deal for the MSO. "Brian is the logical counterpart. It's really a good opportunity for Brian without betting the farm," he said.

But he added that if the Comcast NBCU deal goes through without restrictions, it could set the stage for more big media deals.

"If the government allows this big a horizontal/vertical transaction without restrictions on the ability of Comcast to use their market power to create value in content, I think every large distributor really needs to look hard at doing the same thing," Malone said.

Malone said that DirecTV, in which Liberty owns a 58% interest, would be among those companies that would be on the hunt for broadcast and other content companies.

Later, in a Q&A session on stage, Malone said that his former company - Tele-Communications Inc. - built its business in part on leveraging its distribution power by investing in, creating and carrying content companies.

"I've always believed that the power of distribution combined with the ability to distribute content creates quite a bit of value," Malone said. "Over the years that has been diminished by regulatory limitations. It will be interesting to see if Comcast can do this without a lot of restrictions. If they are to get this through, every major distributor will be looking at opportunities to go vertical. It's a pretty straightforward way to create value."

http://www.multichannel.com/article/...ening_Tour.php
post #43350 of 87185
Thread Starter 
It's possible, but Travis doesn't list them that way. So I would have to do it manually -- which will lead to all sorts of brain cramps on my part.

I do change the chart to list programs by total viewers. Travis lists them by network, so I could leave it that way.

I just think listing them in order or viewers is more helpful.

If enough of you really want me to add networks to the show titles, I guess it could be done.


Quote:
Originally Posted by NetworkTV View Post

Hey, Fred...

Is it possible to have the ratings listings include the network the show is on along with the other data? Something like:

Between my DVR thinking for me and my not watching nearly as many shows this season, it's hard to keep track of what shows are on what channel when I look at the ratings for them - especially the new shows.

I think it would have more impact if, say, you could see that the top 5 shows were on one particular network or that another network didn't have anything in the top 10 for the night.

I'm not sure how much of a pain it will be to do that...
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