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Hot Off The Press: The Latest TV News and Information - Page 165

post #4921 of 87205
I still say, in fact I'll shout it from the rooftops, that Sorkin's best bet for another series is in the world of journalism. Crusading, idealistic journalists filled with integrity.... and incredibly witty and rapid-paced dialog.... just the way we'd hope to see them. Just like he once gave us idealized politicians we could admire, respect, and made us wonder why the real ones couldn't be that good. It's really the only topic that's worthy of his talents, IMO.
post #4922 of 87205
^^^ Didn't you also suggest a name for this Sorkinesque show, The Fourth State or something like that?
post #4923 of 87205
Quote:
Originally Posted by dad1153 View Post

^^^ Didn't you also suggest a name for this Sorkinesque show, The Fourth State or something like that?

Close - The Fourth Estate. Or something similarly dramatic; maybe "The News Hour". Wait, that one's taken, rats. Wish I had that guy's number..... dad, you got it?
post #4924 of 87205
Thread Starter 
TV Notes
Dan Patrick, c'mon down?
By Tom Hoffarth Los Angeles Daily News June 29, 2007

The price may be right in luring the ESPN/ABC personality and weekday ESPN Radio sports-talk host, who sources insist has been contacted by the producers of the legendary game show "The Price Is Right" and is on the short list of those who'll be asked to take part in auditions to replace the retired Bob Barker, who recently ended his 35-year run.

Patrick wouldn't comment on the report except to say: "Len Barker was always one of my favorite pitchers."

Others tossed around in the media as contenders include Mark Steines, the "Entertainment Tonight" host and former sportscaster at KCAL Channel 9; B-list actors George Hamilton and John O'Hurley, and (the biggest challenger) Rosie O'Donnell, who claims she's out of the running, as if she was ever in it.

In a direct swipe at "Stump the Schwab," TV Guide recently named "The Price Is Right" as the "greatest game show of all time."

And don't think Patrick, who once upon a time replaced the legendary Tim Brando on the set of "SportsCenter," doesn't know what he'd be getting into with the plus-sized female 65-plus demographic.

http://www.dailynews.com/sportsmedia/ci_6256880
post #4925 of 87205
Quote:
Originally Posted by fredfa View Post

You might be right, I am just going from memory, but as I recall close to three million viewers defected after the very first half hour. The bell had started tolling.

Yeah, but to be fair, S60 premiered after a two hour DoND, so those were probably three million viewers who'd spent the previous two hours watching people agonize over numbered suitcases held by Las Vegas showgirls. I don't know if that was really the best lead in for the S60 premiere, and I really don't think Heroes was ever a good match, either.

Quote:


Were "Studio 60" to win any Emmy nominations it would, in my opinion, be just another example of how the TV world is so woefully out of sync with the people it is trying to entertain.

Mr. Sorkin, despite his immense talent is the poster boy for that, Hollywood arrogance, by the way.

Now this I agree with completely, Fred.

And this is why, despite finding the past few episodes to be some of the most compelling and interesting TV I've seen in a long time, I'm actually glad the show was canceled. Because while I agree with nearly all of Sorkin's political points and then some, I think that by making his very weighty and serious points all in the context of a Hollywood comedy show, Sorkin's show itself - not the show within the show, mind you, but the show itself - ended up vindicating a lot of the red state attitudes Sorkin was railing against.

Now sure, I could just change the channel, like you suggested in a previous post, Fred, and as I actually did with West Wing when I got tired of the its pretentiousness. But then the show would still be out there, making points that I agree with and believe need to be made, but in an arrogant, condescending, and in my opinion, self-defeating manner. Sorry, but I'd rather not have that.

I enjoyed the show very much, and I'm also very glad it's over. R.I.P.
post #4926 of 87205
Thread Starter 
Well put, joblo.
post #4927 of 87205
Quote:
Originally Posted by dad1153 View Post

How's the final season of "Stargate SG-1" doing? I read ratings went up a little for this final run of episodes. And how's "Atlantis" doing? Once "Battlestar Galactica" wraps-up in 2008 "Atlantis" and "Eureka" will be the only scripted dramas on Sci-Fi worth caring about. Everything else on the station's schedule screams 'NBC 2.0' cheap crapola ('Ghost Hunters,' that super hero show with Stan Lee, etc.).

I actually thought that Superhero show was pretty good last year. I'm not someone who gets into reality shows, but I guess it's my inner comic book geek. I'm excited for the season 2 premiere on the 26th
post #4928 of 87205
Quote:
Originally Posted by archiguy View Post

I still say, in fact I'll shout it from the rooftops, that Sorkin's best bet for another series is in the world of journalism. Crusading, idealistic journalists filled with integrity.... and incredibly witty and rapid-paced dialog....

I've had similar thoughts.

I think Sorkin could even have combined politics with commentary about TV and Hollywood, if he'd just used a news-type show as the show within, instead of a comedy show. Something like 60 Minutes, for instance, or almost any show on a 24-hour news network. Then he could have had a real Nancy Grace type running around as a foil, instead of just Harriet Hayes's imitation, which always suffered, imo, by comparison to Amy Pohler's superior version.

In fact, CTV in Canada had a show like this recently, called The Eleventh Hour. They did a lot of excellent, ripped-from-the-headlines stories, but it was Canadian and not well promoted, so it only lasted for three, 13-episode seasons. But combine a concept like that with Sorkin's witty dialog and style, and who knows? It just might have worked.
post #4929 of 87205
Thread Starter 
Passings
Joel Siegel, 63
Joyful Critic Lived A Good Life With Humor and Insight
By Bill Blakemore, ABC News June 29, 2007

Surrounded by family and friends, ABC's beaming and insightful movie critic Joel Siegel has died in New York, after a long and remarkably courageous struggle with cancer, at the age of 63.

Both colleagues and fans delighted in his unique way of blending cheerful good humor and piercing critical acumen in reviews that made them instantly clear to anyone. You knew exactly what he thought often with the bonus of a good laugh.

In a statement today, ABC News President David Westin said, "Joel was an important part of ABC News and we will miss him. He was a brilliant reviewer and a great reporter. But much more, he was our dear friend and colleague. Our thoughts and prayers are with his family."

Joel Siegel's battle with colon cancer was borne with such astonishing courage and humor that he almost tricked his colleagues around the office into forgetting his struggle.

Still at work only two weeks before his death, he had this reporter and several others chortling in an elevator over a line he was about to broadcast about there being so many new penguin movies lately that soon they would outnumber the penguins themselves.

With his trademark style a bright but very business-like cheerfulness Joel Siegel delivered his swift judgments with a self-confidence and wit so finely phrased it made his reviews a pleasure to listen to just for the quick precision of his language.

He was the master of the unambiguous thumbnail review, whether delivering flowers:

"The Pursuit of Happyness" gets a C for spelling and an A for acting. It could also get an Oscar for Will Smith."
"Letters from Iwo Jima" is the only contemporary film I've ever reviewed that I felt safe calling a masterpiece. It's not about the enemy, it's about humanity, and Clint Eastwood proves you don't have to understand the language to understand the heart."

or bombs:

"The appeal of Matthew McConaughey has long evaded me both as a pinup and as an actor. His constant ticks, bad hair and strained syntax as a coach fumble what should have been the tragic and inspirational story of the rebuilding of Marshall University's football team after a devastating plane crash."

"No one had more fun writing about a bad movie than Joel," said Dave Davis, president and general manager of WABC-TV, where Siegel signed on as movie and theater critic in 1976.

Millions learned over the decades that they could trust his judgment and his concise common sense descriptions of movies, as he held forth from the critic's chair which, for the past quarter-century, he did on ABC's "Good Morning America," where he was a central member of its on-air family.

With his unparalleled skill in capturing the sense of a movie in just one or two sentences, he also accomplished something thought impossible:

He conquered the infamous "critics' spoiler problem," managing to give potential moviegoers just as much as they needed to know to decide whether to see it, without spoiling the movie by giving too much away.

And then, in a remarkable departure in the last few years of his life that added great depth to his life's work, he inspired his public with his clear-eyed realism and moral strength by publishing "Lessons for Dylan: From Father to Son."

Written after learning at the age of 57 and only two weeks after learning he would soon become a first-time father that he had only a 70 percent chance of seeing the child born, the book recorded for his son all he'd want him to know, just in case he wasn't around to tell him in person.

Siegel's Universal Book

It proved to be a book with universal appeal, reflecting the concerns of any loving parent who's ever pondered what they should write down, just in case.

Radiating what actress and producer Marlo Thomas called "the sheer magic of his indomitable spirit," Siegel's "Lessons for Dylan" tells of a vital life and literally makes "his life an open book," telling even of his first wife, Jane, who died of brain cancer after six years of marriage, and of his sometimes complicated marriage to Dylan's mother, Ena Swansea.

He tells of traveling, when he was a college student at UCLA, to Georgia to help out with voter registration and joining the marches of Martin Luther King whom he met: "I was a civil rights worker & I'm really proud of that. I knew Martin Luther King."

He worked for the campaign of RFK, even wrote jokes for him, and was there at the assassination: "I was there that night, 20 feet from the entrance to the kitchen at L.A.'s old Ambassador Hotel. I heard the gunshots. I can still hear them."

He also talks of his careers in advertising and radio, even as a Broadway playwright during which he became the only drama critic ever to be nominated for a Tony before settling into the critic's role he so obviously reveled in.

Siegel delighted in sharing his own delight notably in getting to know all the characters of Hollywood and virtually every Oscar winner for more than a quarter century.

Born on July 7, 1943, in Los Angeles and raised there, he was literally at home as he shared moments with stars from Orson Welles to Halle Berry, all four Beatles to Morgan Freeman.

In 1991, along with actor Gene Wilder whose wife, comedienne Gilda Radner, had also died of cancer, Siegel founded Gilda's Club, a not-for-profit group that runs centers offering emotional and social support for cancer patients and their families and friends in a number of cities.

Deep Pride Plus History of Jews in Four Jokes

Siegel's honors include five New York Emmy Awards and the Public Service Award from B'nai B'rith's Anti-Defamation League for "distinguished news reporting and commitment to freedom of the press."

Knowing his time could be short, he also wrote in "Lessons for Dylan" of his deep pride in his Jewish heritage. With the warm humor his friends and colleagues counted on, and his audience always intuited, he then laid out "A History of the Jews in Four Jokes."

In explicating for his son the meaning of Joke Number One, Siegel ponders the possible differences between Jews, Christians and Muslims: "They communicate with God through an intermediary who might get it wrong. We get it wrong right from the source."

Eyes sparkling, smile bursting to get out and pull you in whether encountered in the hallway or on the TV news set, Joel Siegel's wisdom and humor reached across all the boundaries with a proven and heartfelt humanity that kept reminding us we can all enjoy the passing parade together.

http://abcnews.go.com/print?id=3324632
post #4930 of 87205
Thread Starter 
TV Notes
Private Practice' Recast:
Merrin Dungey out, Audra McDonald in, on the 'Grey's Anatomy' spinoff
By Maria Elena Fernandez Los Angeles Times Staff Writer June 29, 2007

Private Practice is getting a new fertility specialist, even though 21.2 million Grey's Anatomy viewers already met her original incarnation.

ABC Studios, which produces Grey's and its fall spin-off, confirmed Friday that four-time Tony winner Audra McDonald has been hired to play Dr. Naomi Bennett, Dr. Addison Montgomery's best college pal.
Naomi, who was played by Merrin Dungey in the May episode that introduced the new characters, talks Addison (Kate Walsh) into moving to California to join a health cooperative where she works with her ex-husband (Taye Diggs) and colleagues played by Tim Daly, Amy Brenneman and Paul Adelstein. Dungey, who starred in "Alias" and Summerland, has also guest-starred on several television series, including The King of Queens and Malcolm in the Middle.

McDonald, known mostly as a Broadway actress, has guest-starred on several television series and was nominated for an Emmy in 2001 for her supporting role in the USA network movie, Wit.
No reason was given for the change in direction.

But in a press conference at the network upfront presentations in May, ABC Entertainment President Steve McPherson said Private Practice would be fine-tuned before it premieres on Wednesdays at 9 p.m. in September.

"They were spending a lot of time on introducing the characters and not enough time on the stories," said McPherson of the two-hour Grey's episode that served as the pilot. "We've really got to get the stories stronger."

Will the talking elevator also be recast?

http://latimesblogs.latimes.com/show...spinoff-c.html
post #4931 of 87205
Thread Starter 
Obituary
Joe Siegel, 63
Film critic on ABC's 'Good Morning America'
By Dennis McLellan Los Angeles Times Staff Writer June 29, 2007

New York Joel Siegel, the Emmy Award-winning longtime film critic and entertainment editor for ABC's "Good Morning America" and WABC-TV in New York, died Friday. He was 63.

Siegel, who continued to work until two weeks before his death, died in New York after a long battle with colon cancer, ABC News said.

The mustachioed Siegel, who joined "Good Morning America" in 1981, was remembered by his ABC News colleagues for his wit and passion for the arts.

"Joel was an important part of ABC News, and we will miss him," ABC News President David Westin said in a news release. "He was a brilliant reviewer and a great reporter. But much more, he was our dear friend and colleague."

ABC anchor Charles Gibson described Siegel as "brilliant" and "a man of impeccable taste."

"When Joel came into your office to talk about anything it was going to be interesting and you were going to learn something," Gibson, former co-anchor of "Good Morning America," said on the ABC News website. "He had an inexhaustible supply of stories most funny, many poignant, all with a point or a punch line."

As entertainment editor for "Good Morning America," Siegel interviewed scores of celebrities such as Paul Newman, Halle Berry, Brad Pitt, George Burns, Gene Kelly, Jack Lemmon and all four of the Beatles. His annual Oscar broadcast, "Joel Siegel's Road to the Academy Awards," aired for 10 years on WABC-TV and also was syndicated.

For his television work, Siegel received five New York-market Emmy Awards. He also co-wrote the book for the 1981 musical "The First," which earned him a Tony nomination.

Siegel was 54 when doctors informed him that he had colon cancer in 1997, shortly after he learned that his third wife, artist Ena Swansea, was pregnant and he was going to be a first-time father.

Concerned that he may not live long enough for his young son to get to know him, Siegel wrote the 2003 memoir "Lessons for Dylan: From Father to Son."

"I was in my 50s when Dylan was born, so even in the best of times I couldn't expect to spend more than a score or so of years with him," Siegel told the Chicago Jewish News in 2003. "And it hasn't been the best of times, not with three cancer surgeries and chemo and CAT scans and six months of radiation in the past five years."

In 1991, Siegel co-founded (along with actor Gene Wilder and others) Gilda's Club, a nonprofit organization that operates facilities offering emotional and social support for cancer patients and their friends and families. He also testified before Congress on behalf of cancer patients.

Born in Los Angeles on July 7, 1943, Siegel graduated cum laude from UCLA in 1965 with a degree in history.

While at UCLA, he registered voters in Georgia and marched with the Rev. Martin Luther King Jr. "I was a civil rights worker and I'm really proud of that," he wrote to his son in his memoir.

Siegel, who served in the Army Reserve from 1967 to 1973, wrote jokes for Sen. Robert F. Kennedy (D-N.Y.), freelanced for publications such as Rolling Stone and Sports Illustrated, wrote book reviews and stories for the Los Angeles Times and worked as a copywriter and producer for an advertising agency.

After arriving in New York in 1972, he worked as a feature reporter for WCBS-TV and hosted "Joel Siegel's New York" on WCBS Radio. In 1976, he became the entertainment critic for WABC-TV.

The first movie he reviewed on the air, he told the Tulsa World in 2004, was "Magic," starring Anthony Hopkins as a ventriloquist.

"So I went and got a ventriloquist dummy and did the review, with me saying I liked the movie, and the dummy saying how he hated it," he recalled.

"So I got to do another review the next day. And I've kept that in mind, that every day is really an on-air audition."

He is survived by his son and wife.

http://www.latimes.com/news/obituari...la-home-center
post #4932 of 87205
Ok, I know I'm a little late to the party, but I just finished watching the series finale of Studio 60 On The Sunset Strip and I can't remember a better show, a few that were just as good maybe (House season finale comes to mind), but none better. It totally left me wanting more and looking forward to another season, something I can't say about some series this year. The rythum was great, the character interaction was better than it's ever been, the politcal message was great (even though it was clear they were trying to say the opposite, but that's a topic for another thread), I finally enjoyed Harry, DL Hughley was DL Hughley, and Bradley Whitford again showed just how great he is IMHO. My only question now is where will all these fine folks end up next year or the year after?
post #4933 of 87205
Quote:
Originally Posted by fredfa View Post

Obituary
Joe Siegel, 63
Film critic on ABC's 'Good Morning America'
By Dennis McLellan Los Angeles Times Staff Writer June 29, 2007

New York Joel Siegel, the Emmy Award-winning longtime film critic and entertainment editor for ABC's "Good Morning America" and WABC-TV in New York, died Friday. He was 63.

Siegel, who continued to work until two weeks before his death, died in New York after a long battle with colon cancer, ABC News said.

I'm totally shocked at this news! I never liked Mr. Siegel's on-air personality or his reviews (he seemed too eager to kiss-up to the Hollywood elite) but his lengthy tenure on "GMA" shows he was a popular personality. Guess we film fans should count ourselves lucky Roger Ebert can still write great reviews despite his year-long absence from his syndicated TV show.
post #4934 of 87205
Quote:
Originally Posted by fredfa View Post

TV Notes
Dan Patrick, c'mon down?
By Tom Hoffarth Los Angeles Daily News June 29, 2007


...In a direct swipe at "Stump the Schwab," TV Guide recently named "The Price Is Right" as the "greatest game show of all time."

http://www.dailynews.com/sportsmedia/ci_6256880

Um... what? Is that some kind of joke? (I'm referring to the "In a direct swipe at 'Stump the Schwab'" part.)

Dan Patrick wouldn't be the worst choice. Drew Carey is still my favorite pick.
post #4935 of 87205
Thread Starter 
I had a chance to work with Joel for a number of years.

He was a wonderful colleague. I am not shocked, because I knew the battle he had been waging for years.

But I am tremendously saddened that this talented, gentle man is gone far too soon.

Quote:
Originally Posted by dad1153 View Post

I'm totally shocked at this news! I never liked Mr. Siegel's on-air personality or his reviews (he seemed too eager to kiss-up to the Hollywood elite) but his lengthy tenure on "GMA" shows he was a popular personality. Guess we film fans should count ourselves lucky Roger Ebert can still write great reviews despite his year-long absence from his syndicated TV show.
post #4936 of 87205
Thread Starter 
The New York Times Obituary
Joel Siegel, 63
Movie Critic Who Instructed and Amused
By Edward Wyatt The New York Times June 30, 2007

Joel Siegel, the longtime film critic for ABC News whose pithy reviews could capture the essence of a new film in a few words without giving too much away, died yesterday in New York. He was 63.

The cause was colon cancer, which Mr. Siegel had battled in recent years, according to an announcement by ABC.

Mr. Siegel had been a regular presence on Good Morning America since he joined the show in 1981. His Friday morning reviews were a frequent source of the encapsulated blurbs that scream out from movie ads in newspapers, on billboards and on television.

But the reviews were known as much for their wit as for the likelihood that they would encourage people to go to the movies. In reviewing The Pursuit of Happyness, for example, Mr. Siegel said the film gets a C' for spelling and an A' for acting; it could also get an Oscar for Will Smith. Mr. Smith was in fact nominated this year for best actor in a leading role, but the Oscar went to Forest Whitaker, for The Last King of Scotland.

Mr. Siegel was also the host of an annual Oscar program, Joel Siegel's Road to the Academy Awards, which was broadcast for 10 years on WABC-TV, the network's New York affiliate, and was syndicated to more than 100 stations across the country.

He didn't seem to have an agenda when coming to a screening, said Pat Kingsley, the Hollywood publicist whose clients have included such film luminaries as Tom Cruise, Tom Hanks and Jodie Foster. We just knew he had the feel of the audience. That's why you always would want him to like your films. His audience seemed to trust his opinion of films.

Mr. Siegel was born on July 7, 1943, in Los Angeles, and graduated cum laude from the University of California at Los Angeles. During college, he worked to register black voters in Georgia, and he spoke frequently of having met Dr. Martin Luther King Jr. He also worked as a joke writer for Senator Robert F. Kennedy and was at the Ambassador Hotel the night the senator was assassinated.

At times his work was less weighty; while a copywriter and producer at an advertising agency, he worked for a while inventing names for ice cream flavors for Baskin-Robbins.

After four years as a feature reporter for WCBS-TV in New York, Mr. Siegel moved to WABC in 1976 as the station's entertainment critic.

At age 57, Mr. Siegel learned that he had cancer, a revelation that came only two weeks after he learned that he would soon become a father for the first time. Given no guarantees that he would be around to see his child born, Mr. Siegel decided to write a book, a compilation of life lessons that he titled Lessons for Dylan: From Father to Son. It was published by PublicAffairs in 2003.

Long before, Mr. Siegel had worked to provide help to those with cancer. In 1991, he joined with the actor Gene Wilder to found Gilda's Club, a nonprofit organization that provided social support for cancer patients and their families. The organization was named for Mr. Wilder's wife, Gilda Radner, who died of cancer.

Mr. Siegel found his way to Broadway, writing the book for The First, a musical based on the story of Jackie Robinson. Mr. Siegel was nominated for a Tony Award in 1982 for the play.

He is survived by his son, Dylan, and his wife, Ena Swansea, an artist, both of New York.

http://www.nytimes.com/2007/06/30/mo...gewanted=print
post #4937 of 87205
Washington blames racism for Grey's firing

Associated Press
June 29, 2007, 10:13AM

MORE ON THE CONTROVERSY
Grey's star says they fired the wrong guy
Newsweek: Diary of an Angry Black Man
(Note: See the next post.)

LOS ANGELES - Former Grey's Anatomy star Isaiah Washington said racism was a factor in his firing from the hit ABC series after he twice used an anti-gay slur.

Washington, who initially used the epithet during an onset clash with a co-star, told Newsweek magazine that "someone heard the booming voice of a black man and got really scared and that was the beginning of the end for me."

Click on the following link, for the complete Associated Press story at the Houston Chronicle web site:

http://www.chron.com/disp/story.mpl/...s/4930509.html
post #4938 of 87205
Diary of an Angry Black Man

Isaiah Washington can’t stop talking about being fired from 'Grey’s Anatomy.' Is that a good thing for him to do?


By Allison Samuels
Newsweek
Updated: 8:35 a.m. CT June 28, 2007

June 28, 2007 - It’s a sunny afternoon in Los Angeles, and Isaiah Washington is on the set of the independent film "The Least of These.’’ Washington plays a priest in the movie, and he’s dressed in full-on black on black with a sliver of white at his collar. He greets his guests with a gentle smile and an extended hand. Sitting in his small trailer filled with the scent of myrrh incense, he seems at peace—until he starts talking. Washington can’t stop himself from doing what he’s been doing a lot lately: explaining away a situation that has already cost him a beloved job and could ultimately cost him much more.

Last fall, Washington, by his own admission, picked a fight with Patrick Dempsey, one his costars on the ABC hospital drama "Grey’s Anatomy." Fighting with a co-worker is never smart, but Washington took it even further by using an offensive term to refer to a gay cast member during the altercation. "Patrick and I had a philosophical disagreement that got out of hand and that I regret a great deal," Washington says. "I said a lot of negative things that were never reported, but there was one word that caught everyone’s attention, particularly someone who wasn’t even in the room with us. It was a fight between two men that shouldn’t have happened. But someone heard the booming voice of a black man and got really scared and that was the beginning of the end for me. I see that now, but I didn’t then."

But that’s not the end of the tale. When the cast was celebrating backstage at the Golden Globes in January, a reporter asked about the altercation, and about Washington’s anti-gay comment. Washington took the mike to defend himself—and used the slur again. Once may have been a slip of the tongue, but saying the word twice? The public got angry. And then earlier this month, ABC fired Washington from the show.

Washington is bitter about the whole situation, especially since he did everything the network asked to atone for his mistakes. "I apologized and showed my remorse for what I said and for the pain I caused anyone,’’ says Washington. "If a black man can’t get forgiveness in this country, when so many other people like Robert Downey Jr. and the governor of California get second and third chances … I think that says a lot about race and this country where we stand." ABC asked Washington to go to rehab to deal with his alleged homophobia, which he did; he says he even paid half the fee. "I thought them sending me meant they actually wanted me to succeed and come out on the other end," he says. Yet Washington now says that his "homophobia reprogramming" wasn’t exactly what it seemed. "There is no rehab for homophobia—that was just some crap being put out by the network," he says. " I went into an executive counseling program which many people in this industry know about and go to. They knew what the program was but chose to call it what they wanted to fit their agenda. And more importantly, I volunteered for it because I wanted to understand my fight with Patrick and how it got out of hand like that. I wanted to know what I could do to avoid it happening again." ABC declined to comment.

Shortly after the second incident in January, cast member T.R. Knight appeared on "The Ellen Degeneres Show" and said that he felt he had no choice but to admit he was gay after Washington's fight on set. Washington has said in the past that Knight fueled the flames of the situation to advance his own career.

No cast member has spoken to the media since Washington's firing.

Washington is no stranger to anger. He has somewhat of a reputation in the film industry for lashing out at others while working and for also speaking his mind with no fear of consequences. A few years back, he had an angry confrontation with Tracey Edmonds, an African-American producer of the Showtime program "Soul Food.’’ Washington chalks up those previous incidents to an artist’s temperament. "I have a mind of my own and I do speak it when I feel it’s right," he says. "In this business that’s considered being difficult and hard to deal with. A lot of actors face this and it does hurt you with work and in the future jobs. It’s a price you pay though for doing the projects you want and making things turn out the way you want. I have an opinion and that should be valued by my employer."

Washington’s use of the "F" word seems surprising, given that he portrayed a gay character in Spike Lee’s 1996 "Get On the Bus"—and wrote an essay condemning homophobia in the black community a few years back. One thing that’s also been lost with so much focus on Washington is the sad reality of homophobia in the black community. From rap music to Eddie Murphy jokes, insensitivity to the homosexual community seems to be a mainstay of African-American culture.

"Growing up in the South, I wasn’t exposed to as many different lifestyles and personalities as I could have been. And that’s always a problem, because the more you’re exposed, clearly the more you know and understand," Washington says. "My mother had several cross-dressing friends who she sometimes referred to with names I’d never use, but she didn’t know any better. There was no hate, just lack of awareness."

Washington has spent untold sums of money tracing his roots back to Sierra Leone, where he is currently underwriting the building of a five-room school for village children. That sort of work might seem to contrast with his harsh comments. But if Washington is a conflicted man, he doesn’t see himself that way.

"People who know me know what’s really in my heart,’’ said Washington. "That’s what’s hurt me so much with all this. I was doing what I’m doing in Africa for years—before Angelina and Bono. But I’ve worked at homeless shelters for years and given money to make sure people knew they didn’t have to be hungry or the street. I have shared my blessings, but all that changed when this happened and it’s truly heartbreaking for me.’’

The actor, who is traveling to Ghana next week with Jamie Foxx, Chris Tucker and Forest Whitaker to recognize the end of slavery there 200 years ago, also feels that race played a part in his public flogging and eventual firing. "Well, it didn’t help me on the set that I was a black man who wasn’t a mush-mouth Negro walking around with his head in his hands all the time. I didn’t speak like I’d just left the plantation and that can be a problem for people sometime," he says. "I had a person in human resources tell me after this thing played out that 'some people' were afraid of me around the studio. I asked her why, because I’m a 6-foot-1, black man with dark skin and who doesn’t go around saying ‘Yessah, massa sir’ and ‘No sir, massa’ to everyone? It’s nuts when your presence alone can just scare people, and that made me a prime candidate to take the heat in a dysfunctional family.’’

Does Washington have any regrets now that a chapter of his life is now closed? "My mistake was believing that I would get the support from my network and all of my cast mates across the board. My mistake was believing I could correct a wrong with honesty and sincerity. My mistake was thinking black people get second chances," he says. "I was wrong on all fronts."

http://www.msnbc.msn.com/id/19466829...wsweek/page/0/
post #4939 of 87205
Thread Starter 
I think that until and unless something really new comes up in the Isaiah Washington story we should probably let it go.

It is clearly in the hands of spin doctors.

(Frankly, to me, if you take most of his arguments and extrapolate them to Don Imus, we have just about the same case.)

At any rate, I doubt we can illuminate the sad situation any further until and unless something new comes up. And any comments any of us might make would be opinions about information we can't possibly know about and thus open the thread up to divisive and even hurtful posts from many of us.

I am glad, Russ, that you posted the original Houston Chronicle story -- because that was real news because it was the beginning of Washington's counter-attack. But I think absent some movement on the story, we should probably let this Newsweek piece, which sums up his campaign pretty completely, be the last word for now.

I am by no mean making this an edict -- if someone sees a Washington story he or she thinks we should see, feel free to post it. I just want to keep the possibility of divisiveness as low as possible.

Thanks.
post #4940 of 87205
Quote:
Originally Posted by fredfa View Post

I think that until and unless something really new comes up in the Isaiah Washington story we should probably let it go.

It is clearly in the hands of spin doctors.

(Frankly, to me, if you take most of his arguments and extrapolate them to Don Imus, we have just about the same case.)

At any rate, I doubt we can illuminate the sad situation any further until and unless something new comes up. And any comments any of us might make would be opinions about information we can't possibly know about and thus open the thread up to divisive and even hurtful posts from many of us.

I am glad, Russ, that you posted the original Houston Chronicle story -- because that was real news because it was the beginning of Washington's counter-attack. But I think absent some movement on the story, we should probably let this Newsweek piece, which sums up his campaign pretty completely, be the last word for now.

I am by no mean making this an edict -- if someone sees a Washington story he or she thinks we should see, feel free to post it. I just want to keep the possibility of divisiveness as low as possible.

Thanks.

Thank you!
post #4941 of 87205
LOL..maybe we could move on to the Vivica A. Fox drunken tirade aimed at the CHP.

...that was a joke
post #4942 of 87205
Quote:
Originally Posted by DoubleDAZ View Post

Ok, I know I'm a little late to the party, but I just finished watching the series finale of Studio 60 On The Sunset Strip and I can't remember a better show, a few that were just as good maybe (House season finale comes to mind), but none better. It totally left me wanting more and looking forward to another season, something I can't say about some series this year. The rythum was great, the character interaction was better than it's ever been, the politcal message was great (even though it was clear they were trying to say the opposite, but that's a topic for another thread), I finally enjoyed Harry, DL Hughley was DL Hughley, and Bradley Whitford again showed just how great he is IMHO. My only question now is where will all these fine folks end up next year or the year after?

I finally watched it last night. While I agree that it left me wishing there were more episodes coming, it left me completely satisfied as a finale. When Matt was walking down the stairs and the lights were slowly turning off, it was a nice way of saying good-bye. I'm one of the few who were consistently entertained by each and every episode. I'm truly sorry to see it go.
post #4943 of 87205
Quote:
Originally Posted by PJO1966 View Post

I finally watched it last night. While I agree that it left me wishing there were more episodes coming, it left me completely satisfied as a finale. .

LOL ... yes a typical, feel-good, totally-Hollywoodesque series finale ... almost zero thought required.
post #4944 of 87205
TNT is showing both Librarian movies back to back this afternoon starting at 1:00 pm Eastern, I've never had the chance to see them in HD, looking forward to it.
post #4945 of 87205
Quote:
Originally Posted by DoubleDAZ View Post

Ok, I know I'm a little late to the party, but I just finished watching the series finale of Studio 60 On The Sunset Strip and I can't remember a better show, a few that were just as good maybe (House season finale comes to mind), but none better. It totally left me wanting more and looking forward to another season, something I can't say about some series this year. The rythum was great, the character interaction was better than it's ever been, the politcal message was great (even though it was clear they were trying to say the opposite, but that's a topic for another thread), I finally enjoyed Harry, DL Hughley was DL Hughley, and Bradley Whitford again showed just how great he is IMHO. My only question now is where will all these fine folks end up next year or the year after?


Yeah, I just watched my recording too. I enjoyed it. It certainly was one of the better episodes. I hate to see the series end, even though it had a lot of flaws. As I said before, it could have gotten a lot better.

After reading some of the comments in this thread, I too realized that the preachiness/politics was a flaw, something that has really infected Boston Legal as both Kelly and Sorkin use their writing to promote their views.

Again, sad to see it go because flaws and all, it was probably better than its replacement will be.
post #4946 of 87205
Thread Starter 
I couldn't agree more.

It is hard to believe NBC has anything with the potential of "Studio 60" on the drawing board.
post #4947 of 87205
Thread Starter 
Critic's Notes
Surf's up, but interest in "John from Cincinnati" is ebbing
By Aaron Barnhart Kansas City Star in his blog TV Barn

WKRP's Les Nessman is no longer the weirdest thing to come out of southern Ohio.

That distinction belongs to the title character in John from Cincinnati, the off-the-charts vanity project from David Milch, who gave up his other HBO series, Deadwood, to work on this. A truly baffling series about surfing, screwed-up families and miracles, John from Cincinnati airs its fourth episode at 8 p.m. CT Sunday on HBO, and shows no signs of emerging from its self-indulgent aura of mystery.

For three weeks now, Milch (pictured here on the "Deadwood" set) has been walking us through a menagerie of oddball characters, created by himself and novelist Kem Nunn, who co-exist uneasily with each other on Imperial Beach, not far from the Mexican border. There's the onetime champion surfer Mitch Yost (Bruce Greenwood), now a grumpy and aloof patriarch who has just learned he can levitate; Mitch's strangely embittered spouse Cissy (Rebecca De Mornay), who gets arrested for throwing canned goods at a grocery store employee; their disappointment of a son, Butchie (Brian Van Holt), who was headed for surfing glory before drugs wiped him out; and Butchie's son, Shaun (Greyson Fletcher, offspring of a real-life surfing dynasty), a gifted golden child whose doe-eyed innocence and marvelous board skills are supposed to mitigate the hatefulness of the grown-ups around him during their not infrequent screaming matches.

Then there's John (Austin Nichols), a young stranger who wanders onto the beach one day and says, Mitch Yost should get back in the game. And: "The end is near." John seems at first to be some kind of well-groomed soothsayer. But to our great frustration, the next three hours John is more mimic than mystic, as he keeps repeating things he overhears other people are saying. I got my eyes on you I have to sell it The line forms on Butchie's left! If this random assortment of bon mots makes no sense to you, then welcome to my world. And I haven't even poured on the heavy perfume of scatology that seems to waft from everything Milch does these days. John from Cincinnati is as relentlessly foul-mouthed as Deadwood was, but in the absence of any real character or story development on this show, the language just seems gratuitous.

All of which is driving viewers to distraction. In her widely-read trashing of John from Cincinnati in The New Yorker, Nancy Franklin wrote, It's maddening to see a show this bad from someone so talented, but that's how it works when you're a real artist, and that's how it should work. The person who creates a 'Deadwood' is also probably going to make a 'John from Cincinnati' one day. If you let him. Networks don't let that happen; HBO does. It takes risks.

Actually, a network once did allow it to happen. About a decade ago, CBS signed up Milch and his NYPD Blue collaborator Steven Bochco to create an edgy, TV-MA-rated cop show called Brooklyn South. It opened with a shockingly violent, 10-minute scene where a peaceful city street exploded into a shooting gallery. The show kind of went downhill from there, and didn't get renewed.

Still, Franklin's point is well-taken. HBO has a history of urging its producers to become auteurs, to cross that Rubicon that separates the merely commercial TV types from the telegeniuses that make HBO HBO. Alan Ball, when developing Six Feet Under, was told his depictions of a family that lived in the funeral home it owned weren't creepy enough. And of course, there was the recent memory of David Chase ending his show, The Sopranos, by switching Tony off in mid-scene.

But even given HBO's reputation for slow-simmering, strange-tasting stews, I am developing no taste for Milch's latest concoction. I came up with a four-episodes rule after my late colleague, John Higgins, advised me in the spring of 1999 to keep watching those Sopranos screener tapes. It really gets going in the fourth hour, Higgins said, and he was right. Well, it's week four for John from Cincinnati, and unless I get a little resolution on this John character -- is he touched by an angel, or simply touched -- I'm going to have to move on. And I suspect I won't be alone.

http://blogs.kansascity.com/tvbarn/2...t-in.html#more
post #4948 of 87205
Quote:
Originally Posted by hearth View Post

Not only that, but if he had not been killing his family over the weekend, he was scheduled to win the ECW title on the Sunday night Pay-Per-View.

You will hear a lot about steroids regarding this tragedy, but here is something that you will NOT hear talked about much, but probably contributed highly to this tragedy: there isn't any "pro wrestling" off-season. Wrestlers are expected to work 50 weeks a year, with little time to get off the "road tour" and back home their families (lately, it seems that they do allow time around the holidays for time off). With the wear-and-tear to their bodies, these guys need 4-6 once or twice a year to get off the road, allow their bodies to heal up, and reconnect with their families. Instead, the physical and mental drain to their systems drive them to early graves in many cases, and I think was a big cause of the Benoit tragedy.

My $0.02...
Don

Most of us only get two three week vacation as well. Some of us do very hard physical work eight, ten even twelve hours a day six days a week. Most athlete work a year around schedule and are seldom home in season (baseball0. So I fail to see how the entertainer work schedule cause this to happen. I think that unknown reason possible mental health or some thing similar was a major contributing factor in this tragedy.
post #4949 of 87205
Thread Starter 
Yesterday's fast national over night prime-time ratings - and Media Week Analyst Marc Berman's view of what they mean -- have been posted at the top of Ratings News the second post in this thread.

http://www.avsforum.com/avs-vb/showt...&#post10367387
post #4950 of 87205
Quote:
Originally Posted by URFloorMatt View Post

Um... what? Is that some kind of joke? (I'm referring to the "In a direct swipe at 'Stump the Schwab'" part.)

Dan Patrick wouldn't be the worst choice. Drew Carey is still my favorite pick.

I just don't understand the whole Drew Carey argument. He's never been anything other than a stumpy low-key comic who mumbles a lot and trails off at the ends of his sentences. His stage presence would be awful on a show like The Price is Right. He and Rosie would be exact opposites doing that show, with Rosie's overbearing, loud style just as bad.

I can't see Dan Patrick getting excited enough to host a game show, but he definitely has the voice for it.
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