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post #58681 of 87162
TV Sports
Best Game Ever' Broadcast Found in Bing Crosby's Wine Cellar
By Richard Sandomir, The New York Times - September 23rd, 2010


The Pirates' catcher Hal Smith, right, and his
eighth inning homer to put Pittsburgh on top, 9-7.


How a near pristine, black-and-white reel of the entire television broadcast of the deciding game of the 1960 World Series long believed to be lost forever came to rest in the dry and cool wine cellar of Bing Crosby's home near San Francisco is not a mystery to those who knew him.

Crosby loved baseball, but as a part owner of the Pittsburgh Pirates he was too nervous to watch the Series against the Yankees, so he and his wife went to Paris, where they listened by radio.

He said, I can't stay in the country,' his widow, Kathryn Crosby, said. I'll jinx everybody.'

He knew he would want to watch the game later if his Pirates won so he hired a company to record Game 7 by kinescope, an early relative of the DVR, filming off a television monitor. The five-reel set, found in December in Crosby's home, is the only known complete copy of the game, in which Pirates second baseman Bill Mazeroski hit a game-ending home run to beat the Yankees, 10-9. It is considered one of the greatest games ever played.

Crosby, the singer and movie and TV star, had more foresight than the television networks and stations, which erased or discarded nearly all of the Major League Baseball games they carried until the 1970s.

A canny preservationist of his own legacy, Crosby, who died in 1977, kept a half-century's worth of records, tapes and films in the wine cellar turned vault in his Hillsborough, Calif., home.

Bing Crosby was way ahead of his time, said Nick Trotta, senior library and licensing manager for Major League Baseball Productions, the sport's archivist. Three years ago, baseball acquired the rights to Yankees pitcher Don Larsen's perfect game in the 1956 World Series leaving the finale of the 1960 World Series high on its wish list. The hunt for old games this one unseen on TV since its original broadcast is constant, serendipitous and often futile. Great games like the Game 7 in 1960 are often recalled with just a few newsreel clips.

Crosby was so superstitious about hexing his Pirates that he and Kathryn listened to the game with their friends Charles and Nonie de Limur in Paris.

We were in this beautiful apartment, listening on shortwave, and when it got close Bing opened a bottle of Scotch and was tapping it against the mantel, Kathryn Crosby said. When Mazeroski hit the home run, he tapped it hard; the Scotch flew into the fireplace and started a conflagration. I was screaming and Nonie said, It's very nice to celebrate things but couldn't we be more restrained?'

After Crosby viewed the 2-hour-36-minute game, probably in a screening room in the house, the films took their place in the vault, said Robert Bader, vice president for marketing and production for Bing Crosby Enterprises.

They remained there undisturbed until December when Bader was culling videotapes of Crosby's TV specials for a DVD release part of the estate's goal of resurrecting his body of work.

He spotted two reels lying horizontally in gray canisters labeled, 1960 World Series. They were stacked close to the ceiling with home movies and sports instructional films. An hour or so later he found three others on other shelves. Intrigued, he screened the 16-millimeter film on a projector. It was Game 7, called by the Yankees' Mel Allen and the Pirates' Bob Prince the complete NBC broadcast. The film had not degraded and has been transferred to DVD.

I had to be the only person to have seen it in 50 years, Bader said. It was just pure luck.

Bader's call to baseball last spring initiated months of talks that have led to an agreement allowing the MLB Network to televise the game in the off-season, and wrap interviews and other programming around it, with Bob Costas as the host.

It's a time capsule, Trotta said.

Hearing of the broadcast's discovery, Jim Reisler, a historian born in Pittsburgh, sounded stunned.

Wow, he said. His book about the game The Best Game Ever would have benefited from seeing the NBC production, he said; he relied on the radio call. It would have given me a greater sense of the tremendous ebb and flow of the game, he said.

Dick Groat, the Pirates shortstop, said: It was such a unique game to begin with. It was back and forth, back and forth. It was unbelievable.

The production is simple by today's standards. NBC appeared to use about five cameras. The graphics were simple (the players' names and little else) and rarely used. There were no instant replays, no isolated cameras, no analysis no dugout reporters and no sponsored trivia quizzes.

Viewers looked at the hand-operated Forbes Field scoreboard that on that day (of 19 runs and 24 hits) got a vigorous workout. Occasionally they saw newsreel cameras atop the ballpark roof.

Price and Allen rarely interacted; the former called the first half, Allen the second half putting him on the air for Yogi Berra's three-run homer in the sixth inning (Allen first called it foul); Pirates' catcher Hal Smith's eighth inning homer to put Pittsburgh on top, 9-7 (That base hit will long be remembered, Allen said as the film showed Roberto Clemente Allen called him Bob bounding around the bases with joy); and Mazeroski's winning drive to left field (And the fans go wild, Allen said).

The game included the play in which a ground ball hit by Bill Virdon to Yankees shortstop Tony Kubek kicked off the dirt and hit him smack in the Adam's apple. He fell on his back, sat up within a minute looking dazed, stood up, then lobbied Manager Casey Stengel unsuccessfully to stay in.

It also included remarkable base-running by Mickey Mantle with one out in the top of the ninth. The Yankees were trailing, 9-8, with Mantle on first and Gil McDougald on third. Berra hit a sharp grounder that was grabbed by first baseman Rocky Nelson, who quickly stepped on the bag for the second out. For a split second, Nelson seemed ready to throw home in time for a tag play on McDougald for the final out of the World Series.

But Nelson immediately became distracted by Mantle, who never took off for second when Berra hit the ball and was now standing just a few feet away. Nelson reached to tag Mantle. but he feinted and dived back safely into first. McDougald scored, and the game was tied 9-9.

How about that? Allen said after Mantle's play. But just minutes later, Mazeroski stepped to the plate. NBC's sound was good enough to hear a fan shout, Just get on, Billy, get on! Mazeroski did more than that. After his home run, fans poured onto the field and danced on the Pittsburgh dugout.

Only later did Bing Crosby witness the joy and jubilation recorded just for him.

I can still see Bing hitting the mantel with the Scotch, Kathryn Crosby said.

http://www.nytimes.com/2010/09/24/sp...crosby.html?hp
post #58682 of 87162
Quote:
Originally Posted by dad1153 View Post

Kristen Bell would finance 'Veronica Mars' pic; Warner Bros. won't release rights to property: http://www.hollywoodreporter.com/hr/...faa0cd8321b333.

I have all three seasons of "Veronica Mars" on DVD sitting in my shelf unopened (bought from an online sale years ago). Just sayin'.

dad1153, I do hope that I can convince you to at least crack open the cellophane on your 'Veronica Mars' collection, and view a few episodes from the first season to see if it's your cup of tea. My recommended fave five from season one would be "Pilot", "Meet John Smith", "Silence of the Lamb", "Weapons of Class Destruction" and "Leave it to Beaver".

And thank you dad1153 for posting the link to this Hollywood Reporter story. I am so pleased to learn of this latest development in the development of THE VERONICA MARS MOVIE, and so proud of the feisty, courageous Miss Kristen Bell, who is doing her level best to fight against the corporate accountancycomplacency that run the studios by offering to put her own money up for a project she dearly believes in.

Her vision and doggedness around reviving the phenomenon of 'Veronica Mars' reminds me of the pioneering efforts of three other young females who established their own studios to finance independent productions and bypass the constraints of the studio system: Miss Mary Pickford, Miss Lucille Ball and Miss Mary Tyler Moore. Miss Mary Pickford, who co-founded United Artists and the Academy of Motion Picture Arts & Sciences, started up UA with some other film stars because they clearly were ahead of the curve in having a better sense of what the public wanted. Miss Lucille Ball and Miss Mary Tyler Moore set up Desilu and MTM in parterships with their husbands to afford themselves the same independence to produce unique, quality productions that they retained ownership over, and look at the vast library of rich works that Desilu and MTM bestowed upon television.

'Veronica Mars', in the hands of its creator and star, could make for a very rewarding movie franchise and future spinoff series for cable television, one that is criticworthy and profitable too. No more silly notes and constraints from a poorly managed network to deal with; the property could return to its original film noir origins and more adult themes (the pilot script was originally written for cable before UPN picked it up).

Once Miss Bell is nominated for her first Academy/Emmy Award as producer and star of THE VERONICA MARS MOVIE or a 'Veronica Mars' series re-boot, she will be continuing the streak of female artist independence first forged by Miss Pickford 91 years ago.



If Warner has the good graces to release the rights to 'Veronica Mars', Miss Kristen Bell may well become the Pickford-Ball-Tyler Moore of her generation.

post #58683 of 87162
Quote:
Originally Posted by dad1153 View Post

T
... a near pristine, black-and-white reel of the entire television broadcast of the deciding game of the 1960 World Series long believed to be lost forever came to rest in the dry and cool wine cellar of Bing Crosby's home near San Francisco ....

In other news, MLB is suing the Bing Crosby estate for theft of coyrighted material.
post #58684 of 87162
TV Notes
The CW gives more love to "Hellcats" and "One Tree Hill"
By Michael Schneider, Variety- September 23rd, 2010

The CW has ordered six additional scripts of both newbie "Hellcats" and vet "One Tree Hill" (which had been given just a 13-episode renewal).

It's not quite a back nine, but the CW is giving some hope to fans of both shows that full season orders are on the way.

In ordering those scripts the See-Dub notes that "Hellcats" managed to hold up well on Wednesday night against tough competish, remaining flat week-to-week in the netlet's target women 18-34 demo. "Hellcats" is also retaining a solid 86% of "America's Next Top Model."

And "One Tree Hill" also remains a decent player for the CW in season eight, the network said.

http://weblogs.variety.com/on_the_ai...#ixzz10OhtJebQ
post #58685 of 87162
Quote:
Originally Posted by dad1153 View Post

Shows that bomb spectacularly are so much more fun to follow than mediocre one's or hit shows. "Lone Star" seems to be on a class of its own though; ABC's "The Whole Truth" had a debut episode that rated just as badly as "Lone Star's" but that was expected. Between (a) the near-universal critical acclaim its pilot received, (b) the big promotional bucks FOX spent pushing it, (c) the quarter-hour dropoffs in audience watching it and (d) the crater-making thud with which it landed there's a narrative that even non-TV enthusiasts can follow. It's like "Dollhouse" except this is actually a good show and there will not be an out-of-nowhere second season (heck, "Lone Star" will be lucky if all its produced episodes air at all).

Leading up to the second episode of 'Lone Star', I'm going to do my best to find compelling reasons to readers of fredfa's HOTP at avsforum.com to tune in to the next episode.

We've all seen the flow of glowing reviews from television critics across the country. Over at metacritic.com, the series ranks 15th amongst all broadcast and cable series currently on the air with a "73" metascore and a 7.7 user rating. Amongst the critics who's reviews we ready everyday on this forum who have raved about this series are Mr. Matt Roush of TV Guide, Mr. Robert Bianco of USA Today, Mr. Brian Lowry of Variety, Mr. Matthew Gilbert at the Boston Globe, Miss Ellen Gray of the Philadelphia Daily News, Mr. Tim Goodman of the San Francisco Chronicle, Miss Maureen Ryan of TV Squad, Mr. Alan Sepinwall of Hitfix and Mr. Verne Gay of Newsday. If you find yourself ever resonating with the views of the above critics, then you really must make 'Lone Star' appointment viewing or set it to record on your DVR.

For those of us who seek out and watch quality television, the survival of 'Lone Star' has become a pivotal test case at the networks for complicated, serialized storytelling. My greatest fear if 'Lone Star' meets a sudden gruesome fate -- getting yanked before it finishes its story -- is that future seasons will become an avalanche of procedurals-legalers-medicalers-reality, genres that already have a chokehold on the one-hour format.

If you're like me and want to see more risk-taking productions like 'Lone Star' come down the development pipeline, find a way to watch 'Lone Star': "Pilot" on-demand or this coming Saturday night at 11 pm on FOX so that you'll be up to speed for next Monday evening.



After a lone set of bad numbers from A.C. Nielsen, Mr. Jimmy Wolk probably feels like the lone star of FOX's 'Lone Star', going from headlining the most anticipated series to toplining the number one series on the deathwatch list. Hopefully, the media swirl of the past week will give 'Lone Star' a nice Nielsen boost next Monday.
post #58686 of 87162
Quote:
Originally Posted by dad1153 View Post

Kristen Bell would finance 'Veronica Mars' pic; Warner Bros. won't release rights to property: http://www.hollywoodreporter.com/hr/...faa0cd8321b333.

I have all three seasons of "Veronica Mars" on DVD sitting in my shelf unopened (bought from an online sale years ago). Just sayin'.



Watch it dad. Now.

Quote:
Originally Posted by RockyF View Post

My wife has been rewatching "Veronica Mars" on Netflix lately. All it's done for me is remind me that I'm still mad at CW for canceling it. Truly one of the great shows of the last decade.

I just got done re-watching it on Netflix myself. The best thing about having an awful memory is that I forgot most of the mysteries from all 3 seasons...even the big one at the end of season 2 (I remembered it during the episode itself). Definitely one of my favorite shows and that story just speaks to Bell's awesomeness.
post #58687 of 87162
Thread Starter 
(From Marc Berman's September 23, 2010, Programming Insider newsletter and blog at Mediaweek.com)
http://pifeedback.com/eve/forums/a/t.../608102323/p/9
Wednesday Nielsen Original Cable Finals
(posted by Travis Yanan)

Meet the Browns (10:30pm)
- 2.377 million viewers
- 1.4/3 HH
- 0.9/3 A18-49

Meet the Browns (10pm)
- 2.266 million viewers
- 1.4/2 HH
- 0.9/3 A18-49

Tosh.0 (10:30pm)
- 2.225 million viewers
- 1.4/2 HH
- 1.4/4 A18-49

Ghost Hunters (9pm)
- 2.084 million viewers
- 1.2/2 HH
- 0.9/2 A18-49

The Ultimate Fighter
- 1.735 million viewers
- 1.1/2 HH
- 1.0/3 A18-49

Real World: Back to New Orleans Reunion
- 1.699 million viewers
- 1.2/2 HH
- 0.9/3 A18-49
- 2.0/6 W18-34

Top Chef Just Desserts
- 1.520 million viewers
- 1.0/2 HH
- 0.8/2 A18-49

Top Chef Reunion
- 1.478 million viewers
- 1.0/2 HH
- 0.7/2 A18-49

Surviving the Cut
- 1.355 million viewers
- 0.9/2 HH
- 0.6/2 A18-49

LA Ink (10pm)
- 1.336 million viewers
- 0.9/2 HH
- 0.7/2 A18-49

Terriers (63 minutes)
- 0.568 million viewers
- 0.4/1 HH
- 0.2/1 A18-49

Source: Nielsen Media Research

http://travisyanan.blogspot.com/

http://twitter.com/travisyanan

Note: Previous overnight ratings are available at Marc Berman's Programmers Insider blog:

http://pifeedback.com/eve/forums/a/t...51/m/460103871
post #58688 of 87162
Washington Notes
F.C.C. Opens Unused TV Airwaves to Broadband
By Edward Wyatt, The New York Times - September 23rd, 2010

The Federal Communications Commission approved a proposal on Thursday that would open vast amounts of unused broadcast television airwaves for high-speed wireless broadband networks and other unlicensed applications.

The change in available airwaves, which were freed up by the conversion of television signals from analog to digital, constitutes the first significant block of spectrum made available for unlicensed use by the F.C.C. in 20 years.

It was a victory that did not come easily, or quickly, however. The F.C.C. first approved a similar measure in 2008, but the technical requirements for unlicensed devices drew objections from 17 companies or groups on both sides of the issue, forcing the commission to redraft its proposal.

While computer and Internet companies like Google, Microsoft and Dell favored the idea, television broadcasters worried about possible interference problems.

The new order eliminates a requirement that devices scan the airwaves for available signals. Rather, they can rely on a database of digital signals, updated daily, for use in locating an available channel on which to transmit.

The order also contains provisions that seek to guarantee that wireless microphones have adequate space to operate without interference.

Supporters of the measure hope the airwaves will be used for stronger and faster wireless networks known as super Wi-Fi because of the signals' ability to pass more easily through obstacles and for use in providing Internet access to rural areas.

Today's order finally sets the stage for the next generation of wireless technologies to emerge and is an important victory for Internet users across the country, Richard Whitt, telecommunications and media counsel in Google's Washington office, said in a posting on the company's public policy blog.

Though unlicensed airwaves have been used for decades in applications like garage-door openers, cordless phones and, most recently, Wi-Fi networks, the newly available signals are stronger and therefore offer greater opportunities for engineers and entrepreneurs, supporters say.

But potential problems abound. Many urban areas, including New York, have so many operating broadcast TV stations that unused space is relatively rare. Broadcasters objected to some of the F.C.C.'s proposals, fearing that unlicensed devices would interfere with their station signals.

Michael J. Copps, an F.C.C. commissioner who has been a longtime advocate of freeing up the unlicensed airwaves, known as white space, said that he expected technology companies would now find ways to overcome those obstacles.

One of the great lessons that I quickly learned here at the F.C.C. is the power of technology to turn scarcity into abundance, Mr. Copps said. I look forward to seeing new devices widely available in consumer markets next year.

The F.C.C. also approved changes to the E-Rate program, which provides federal money to pay for Internet connections at schools and libraries. The new rules will allow them to set up Internet connections that use the currently dormant fiber-optic lines that are already in place in many communities, giving users more options and theoretically bringing down the cost of Internet service.

The new E-Rate rules also will allow schools to provide Internet access to their communities after students go home in the evenings, further expanding broadband availability. The F.C.C. also voted in favor of an E-Rate pilot program to explore off-campus wireless Internet connections for mobile learning devices, a practice that Julius Genachowski, the F.C.C. chairman, said would open the way to digital textbooks.

The commission also approved measures that it thinks will help improve the ability of emergency call centers to better locate people who call 911 from wireless phones.

http://www.nytimes.com/2010/09/24/bu.../24fcc.html?hp
post #58689 of 87162
Quote:
Originally Posted by fredfa View Post

Terriers (63 minutes)
- 0.568 million viewers
- 0.4/1 HH
- 0.2/1 A18-49

Those are "Damages"-type bad numbers out of the gate for "Terrirers." Between this and "Lone Star" Fox/Newscorp has two of the best shows of the year (by critical acclaim) which have both fallen prey to terrible promotions (the 'Terriers' print campaign and logo were horrendous, making it seem like the show was about dog fighting) and lousier-than-expected ratings. Quality scripted programming is taking it in the chin this young season.
post #58690 of 87162
Thread Starter 
(From Marc Berman's September 23, 2010, Programming Insider newsletter and blog at Mediaweek.com)
http://pifeedback.com/eve/forums/a/t.../608102323/p/8
Wednesday Nielsen Original Broadcast Finals
(posted by Travis Yanan)

ABC CBS Fox NBC CW


Criminal Minds
- 14.132 million viewers
- 8.6/14 HH
- 4.0/11 A18-49


Modern Family (31 minutes)
- 12.673 million viewers
- 7.4/12 HH
- 5.1/14 A18-49


Survivor
- 12.587 million viewers
- 7.0/12 HH
- 4.0/12 A18-49

The Defenders
- 12.174 million viewers
- 7.7/14 HH
- 2.9/8 A18-49


Law & Order: SVU (120 minutes)
- 10.078 million viewers
- 6.5/11 HH
- 3.2/9 A18-49


The Middle
- 8.796 million viewers
- 5.2/9 HH
- 2.7/9 A18-49


Undercovers
- 8.702 million viewers
- 5.6/9 HH
- 2.1/6 A18-49


Cougar Town (29 minutes)
- 8.319 million viewers
- 5.1/8 HH
- 3.4/9 A18-49

Better With You
- 7.864 million viewers
- 4.8/8 HH
- 2.5/7 A18-49


Hell's Kitchen (9pm)
- 7.165 million viewers
- 4.0/6 HH
- 3.1/8 A18-49

Hell's Kitchen (8pm)
- 5.978 million viewers
- 3.4/6 HH
- 2.6/8 A18-49


The Whole Truth
- 4.849 million viewers
- 3.2/6 HH
- 1.5/4 A18-49


America's Next Top Model
- 2.818 million viewers
- 1.8/3 HH
- 1.3/4 A18-49
- 1.4/5 A18-34
- 2.1/7 W18-34

Hellcats
- 2.307 million viewers
- 1.4/2 HH
- 1.0/3 A18-49
- 1.2/3 A18-34
- 1.7/5 W18-34


Wednesday series premiere
quarter hour breakdowns


Better With You

8:30-8:45
- 7.804 million viewers
- 4.8/8 HH
- 2.5/7 A18-49

8:45-9:00
- 7.924 million viewers
- 4.8/8 HH
- 2.6/7 A18-49

The Whole Truth

10:00-10:15
- 5.582 million viewers
- 3.7/6 HH
- 1.8/5 A18-49

10:15-10:30
- 4.831 million viewers
- 3.2/6 HH
- 1.5/4 A18-49

10:30-10:45
- 4.418 million viewers
- 3.0/5 HH
- 1.3/4 A18-49

10:45-11:00
- 4.566 million viewers
- 3.0/6 HH
- 1.3/4 A18-49

The Defenders

10:00-10:15
- 12.866 million viewers
- 8.0/14 HH
- 3.2/9 A18-49

10:15-10:30
- 12.175 million viewers
- 7.7/13 HH
- 2.8/8 A18-49

10:30-10:45
- 11.878 million viewers
- 7.5/14 HH
- 2.8/8 A18-49

10:45-11:00
- 11.776 million viewers
- 7.4/14 HH
- 2.7/8 A18-49

Undercovers

8:00-8:15
- 8.773 million viewers
- 5.7/10 HH
- 2.0/7 A18-49

8:15-8:30
- 8.226 million viewers
- 5.3/9 HH
- 2.0/6 A18-49

8:30-8:45
- 8.712 million viewers
- 5.5/9 HH
- 2.1/6 A18-49

8:45-9:00
- 9.098 million viewers
- 5.7/9 HH
- 2.2/6 A18-49

http://travisyanan.blogspot.com/

http://twitter.com/travisyanan

Note: Previous overnight ratings are available at Marc Berman's Programmers Insider blog:

http://pifeedback.com/eve/forums/a/frm/f/63310451
post #58691 of 87162
Thread Starter 
TV Notes
Lone Star' creator hopes for minor miracle'

By James Hibberd in The Hollywood Reporter s LiveFeed blog, September 23, 2010

"Lone Star" creator Kyle Killen wrote an open letter on his blog where he adamantly does not beg viewers to watch his endangered show ... but comes as close as he can. With a keen sense of the trapdoor beneath his feet, Killen writes:

You may have heard about last Monday night when several heavily sequined, dancing celebrity, conspiracy laden, bowling shirted nuclear bombs landed directly on our heads. When everyone who watched your show is a paid critic or someone you went to high school with, that's less of a premiere than a slideshow.

But! BUT!


But here we are. Still alive. A little groundhog peeking out of a bomb crater to see if there's six more weeks of nuclear winter or if, perhaps, something can grow in this hole. And that's where you come in.


For us to survive we're going to have to pull off a minor miracle. Statistically, new shows tend to lose viewers in their second week. We're aiming to gain them. In fact, screw it, let's just double our audience. The good news is, our audience was so small that if my Mom AND my Dad watch it we'll pretty much be there.


Here's the thing: it really is a good show. Don't take it from me, take if from these guys here and here and lots of other places. Are these all just people in ivory towers with tweed jackets and glasses of scotch who hate America? Possibly! But my Mom also loved it and she LOVES America just like you.


I'm not going to beg. I'll mow your lawn or offer you some sort of sensual massage, but I won't beg. The truth is, what we need to do is nearly impossible. I've heard and read that a million times since Tuesday morning. But isn't that why we watch television? Sports? Movies? To, every once in a while, see something impossible actually happen? Impossible is AWESOME! Am--

There was more to Killen's blog post, but then I got distracted by reading the "Dancing With the Stars" recap on another site.

Anyway, there's a sadistic part of me that wants to see "Lone Star" rise from its bottom-floor 1.3 rating ... to a 1.4. Still wholly unacceptable, but just enough improvement to keep Fox executives up at night.

http://livefeed.hollywoodreporter.co...html#more-8995
post #58692 of 87162
Thread Starter 
TV Notess
CW orders more scripts of 'Hellcats,' 'One Tree Hill'

By Yvonne Villarreal, Los Angeles Times, in the “Show Tracker” blog, September 23, 2010

Give me a “S.” Give me an “I.” Give me an “X.”

What does that spell? Six!

Our lousy cheering abilities aside, it looks like the folks over on “Hellcats” are doing an OK job. The cheerleading drama premiered last week to 3 million viewers. And now the CW has ordered six more scripts of the freshman series as well as six from network staple “One Tree Hill,” the network confirmed Thursday.

Don’t get too cheery. The order isn’t for new episodes 
 just yet.

Both shows have a standard order for 13 episodes right now.

http://latimesblogs.latimes.com/showtracker/
post #58693 of 87162
Deadline.com reports that Eddie Fisher has passed away at age 82: http://www.deadline.com/2010/09/r-i-p-eddie-fisher/. More details and a proper obit when they become available.
post #58694 of 87162
CBS Goes for Broke on Fridays & Will Dominate

CBS, which has done a masterful job adding strength and deft programming moves to every night of the week (except for Saturday) have saved perhaps their most ambitious strategy for Friday nights. CBS is poised to succeed in their re-building efforts, largely on the backs of reliable procedural 'CSI: New York' and the new police drama 'Blue Bloods', headlined by CBS pinch-hitter Mr. Tom Selleck. Both series are likely to bring troves of P2+ viewers back to Friday nights, along with a healthy slice of A18-49s. I smell a burgeoning hit in 'Blue Bloods' and wouldn't be surprised to see it get a transfer over to another night before the season is out.

NBC and FOX will compete for second with placeholder line-ups that neither network has really promoted all that aggressively. ABC's reluctance to set premiere dates for their Friday sked makes me think the night is in flux, and 'Body of Proof' may yet get dispatched to another night. All the fall encores will make it difficult for viewers to settle into an ABC habit on Friday nights, so I am pessimistic on prospects for the Alphabet on Fridays. The CW may even overtake ABC for fourth on some nights with their winsome duo of 'Smallville' and 'Supernatural'... a combo that could make Fridays the strongest night of the week for the challenged CW network.

What follows is a chart indicating the average A18-49s for each English broadcaster over the last four seasons, together with my prediction for the upcoming season, along with some thumbnail comments outlining my rationale. While it is difficult to predict a full season with just a fall sked known at this point, the biggest mid-season adjustments will probably be made by the poorly-performing nets...the top-ranking networks tend to stick to what works.

I've quoted from fredfa's page one overview posts to recap the programs appearing on Friday night.

2006-2010: Friday Night A18-49 Regular Season Averages

Season Years 2006-07 2007-08 2008-09 2009-10 2010-11 YOY  
Friday A18-49 Net Regular Regular Regular Regular Predix +/-% Comments
Friday NBC 2.5 1.9 1.3 1.9 1.7 -10% poor sked moves, Outlaw out soon
Friday CBS 2.7 2.2 2.1 1.7 2.4 45% CBS back in game, NY & BB big
Friday ABC 2.1 1.6 1.7 1.4 1.2 -16% hurt by too many fall encores
Friday FOX 1.8 1.5 1.4 1.3 1.5 20% stronger at 8, Good Guys questionable
Friday MNT 0.3 0.4 1.2 1.1 0.4 -63% Monk no WWE
Friday CW 1.5 1.4 0.6 0.7 1.0 52% vying to be CW's strongest night

Fridays


ABC
8:00 p.m. Secret Millionaire (new network)
9:00 p.m. Body of Proof (new)
10:00 p.m. 20/20

CBS
8:00 p.m. Medium (new time)
9:00 p.m. CSI: NY (new day and time)
10:00 p.m. Blue Bloods (new)

NBC
8:00 p.m. Who Do You Think You Are? / School Pride (new)
9:00 p.m. Dateline
10:00 p.m. Outlaw (new)

Fox
8:00 p.m. Human Target (new day)
9:00 p.m. The Good Guys (new day and time)

CW
8:00 p.m. Smallville
9:00 p.m. Supernatural (new day)



Hefty Nielsens are expected from CBS's 'Blue Bloods', likely to help 'Outlaw' get an early pinkslip and cause the worry beads to be passed around ABC News over the withered ratings of venerable newsmagger '20/20'.



My fingers are crossed that FOX's re-tinkered and superb cop action series 'The Good Guys (and a few Good Girls now too)' can find itself survival level audiences (1.5+ in A18-49s) in its new Friday night timeslot.
post #58695 of 87162
Thread Starter 
On The Air Tonight
Friday’s Network Prime-Time Programming Options

(All shows are in HD)

(Reminder: If you are recording these programs, check your network listings for precise start/end times. For PBS, please double check your local listings.)

ABC:
8
Modern Family (R, Wednesday)
8:30 Better With You (R, Wednesday)
9 The Whole Truth (R, Wednesday)
10 20/20. Bobbi Ann Finley, a woman accused of targeting military servicemen and leaving them in financial ruin, discusses the accusations made against her.

CBS:
8
Medium (Season premiere)
9 CSI: NY (Season premiere)
10 Blue Bloods (Series premiere)

NBC:
8
Dateline NBC. In Broad Daylight. The disappearance of two teenagers brings together two families in a common journey for justice; what California is doing to prevent a similar tragedy. (Two hours)
10 Outlaw

Fox:
8
Human Target (R, March 17, season finale))
9 The Good Guys (Season premiere)

PBS
8 Washington Week. End of the recession; Republican's election year strategy on the economy.
8:30 Need To Know: Reshaping Somerville; Interview -- Niall Ferguson; Interview -- Anneke van Woudenberg; Legacy of Waste. A community-based program deals with childhood obesity; author Niall Ferguson; Anneke van Woudenberg, Human Rights Watch.
9:30 Masterpiece Mystery!: Inspector Lewis, Series III: Your Sudden Death Question. Lewis and Hathaway are called in to investigate the death of a competitor at a professional quiz contest. (R, September 19)

The CW:
8
Smallville (Season premiere)
9 Supernatural (Season premiere)

MNT:
8 WWE: Friday Night Smackdown! At Night of Champions, did the Undertaker take the World Heavyweight Championship from his demented brother Kane? (Two hours)
post #58696 of 87162
Thread Starter 
TV Sports
This Weekend's HD College Football Schedule


(All rankings are from The Associated Press poll)



Tonight
#4 TCU at SMU 8 ESPN

Saturday
Austin Peay at #11 Wisconsin 12 BTN
Ball State at #18 Iowa 12 BTN
Bowling Green at #21 Michigan 12 ESPN2)
Central Michigan at #40 Northwestern 12 BTN
Florida International at Maryland 12 ESPNU
#33t North Carolina State at #33t Georgia Tech 12 ESPN
Northern Colorado at #25 Michigan State 12 BTN
Toledo at Purdue 12 BTN
UAB at Tennessee 12:21 SEC Network
Central Florida at #37 Kansas State 12:30. FSN
#26 Air Force at Wyoming 2 MTN
#20 USC at Washington State 3 FSNW / FSPT
#1 Alabama at #10 Arkansas 3:30 CBS
Florida A&M vs. Tennessee State 3:30 Versus
North Carolina at Rutgers 3:30 ESPNU
#16 Stanford at #41 Notre Dame 3:30 NBC
Temple at #23 Penn State 3:30 BTN
Tulane at Houston 3:30 CBSC
Eastern Michigan at #2 Ohio State 3:30 ABC / ESPN
UCLA at #7 Texas 3:30 ABC
Wake Forest at #29 Florida State 3:30 ABC
ABC/ESPN coverage maps are here:
http://sports.espn.go.com/ncf/news/s...veragemaps2010
#27 Nevada at BYU 6 MTN
#8 Oklahoma at Cincinnati 6 ESPN2
Akron at Indiana 7 BTN
Georgia at Mississippi State 7 FSS / SUN / FSAZ / FSOH
Kentucky at #9 Florida 7 ESPNU
#12 South Carolina at #17 Auburn 7:45 ESPN / ESPN 3D
Baylor at Rice 8 CBSC
#24 Oregon State at #3 Boise State 8 ABC
Northern Illinois at Minnesota 8:30 BTN
#22 West Virginia at #15 LSU 9 ESPN2
New Mexico at UNLV 10 MTN
#5 Oregon at #38t Arizona State 10:30 FSN

http://www.lsufootball.net/tvschedule.htm
post #58697 of 87162
Quote:
Originally Posted by fredfa View Post

On The Air Tonight
Friday’s Network Prime-Time Programming Options

(All shows are in HD)

MNT:
8 WWE: Friday Night Smackdown! At Night of Champions, did the Undertaker take the World Heavyweight Championship from his demented brother Kane? (Two hours)

Tomorrow night's edition of 'WWE Friday Night Smackdown' is the broadcast finale as the series moves to SyFy beginning next week.

The long-running program aired on UPN for seven seasons, on The CW for two seasons and on MyNetworkTV for two seasons, and delivered to all three networks their highest Thursday and Friday night ratings:

‘WWE Smackdown’ Ratings History -> Eleven Regular Seasons (Sept-May)

Regular Season Day/Time (Network) Years (P2+ Rank) Average P2+ viewers, A18-49 rating
1st Thursday / 8-10 pm (UPN) 1999-2000 (91) 7.3 million, N/A
2nd Thursday / 8-10 pm (UPN) 2000-2001 (90) 7.1 million, N/A
3rd Thursday / 8-10 pm (UPN) 2001-2002 (106) 6.5 million, N/A
4th Thursday / 8-10 pm (UPN) 2002-2003 (119) 5.4 million, N/A
5th Thursday / 8-10 pm (UPN) 2003-2004 (106) 5.1 million, 1.8 A18-49
6th Thursday / 8-10 pm (UPN) 2004-2005 (106) 5.1 million, 1.8 A18-49
7th Friday / 8-10 pm (UPN) 2005-2006 (120) 4.3 million, 1.5 A18-49
8th Friday / 8-10 pm (CW) 2006-2007 (120) 4.5 million, 1.5 A18-49
9th Friday / 8-10 pm (CW) 2007-2008 (119) 4.6 million, 1.4 A18-49
10th Friday / 8-10 pm (MNT) 2008-2009 (115) 3.5 million, 1.2 A18-49
10th Friday / 8-10 pm (MNT) 2009-2010 (121) 3.3 million, 1.1 A18-49




Beginning next Friday, 'WWE Smackdown' will no longer be available to tv viewers equipped with only antennae reception as it joins the SyFy network.
post #58698 of 87162
[quote=dad1153;19235059]TV Sports
Best Game Ever' Broadcast Found in Bing Crosby's Wine Cellar
By Richard Sandomir - September 23rd, 2010

It just doesn't get better than this!

WOW!
post #58699 of 87162
Quote:
Originally Posted by dad1153 View Post

Those are "Damages"-type bad numbers out of the gate for "Terrirers." Between this and "Lone Star" Fox/Newscorp has two of the best shows of the year (by critical acclaim) which have both fallen prey to terrible promotions (the 'Terriers' print campaign and logo were horrendous, making it seem like the show was about dog fighting) and lousier-than-expected ratings. Quality scripted programming is taking it in the chin this young season.

dad...I agree.

But.

Last night's "Terriers" was more than a little thin in plot and writing....
post #58700 of 87162
TV Reviews
Leave the Lights On, Please
By Nancy DeWolf Smith, Wall Street Journal - September 24th, 2010

The Japanese monster movies of the 1960s were allegories hatched in the ashes of the hydrogen bomb. Yet the stories of Godzilla, Mothra and even the London lizard Gorgo also functioned as morality tales for all times: If you mistreat other creatures, they will rise up and mistreat you back.

That seems to be one possible theme of NBC's new series "The Event" (Mondays, from 9-10 p.m. ET) which is being presented to us in an era more sophisticated, perhaps, but fraught with anxieties of its own. Its pilot episode (which will be repeated Saturday from 8-9 p.m.) felt like a fusion of "E.T." and a "Frontline" documentary on Guantanamo.

Some intelligence-types in the U.S. government have been holding a bunch of prisoners in a secret camp in Alaska without due process, claiming that this is necessary to protect mankind. The president (Blair Underwood) is horrified when he learns of this unconstitutional perfidy.

But just as he is about to reveal the ugly camp secret to the world, the earth rumbles, electronic devices shut off and a rogue jetliner that is seconds away from crashing into the presidential press conference suddenly disappears in midair. Ah, ha. Alien time? After all, the head detainee is played by Laura Innes, who did not look 100% earth-born on "E.R." either.

Playing out on another track is the dilemma of Sean Walker (Jason Ritter), who took his beloved on a cruise only to have her disappear. When he gets home further events draw him onto a plane with a gun.

After NBC's huge build-up to "The Event," it wasn't surprising to see some viewers complaining on the web that they expected more information in the pilot and a bigger "event" than a vibration ball in the sky. They are likely a bit too impatient, and future episodes suggest that strange happenings are not over.

But paranoia in general is not out of place here. The subliminal promise of "The Event"which is about a giant conspiracy and various mysterious powers controlling our livesis that it can act like therapy in the same way "Godzilla" once did. The scarier times get, the more you need to work out anxieties in your dreams, or in this case through our national pastime, television.

* * * * * * * *

Or there is another way: an escape toward nostalgia in the direction of CBS's "Hawaii Five-O" (Mondays 10-11 p.m.), a glossy update of the show that ran from 1968 to 1980. Some things have changed, of course. Steve McGarrett is now a former naval intelligence officer and SEAL with a remit to catch terrorists and generally clean up the place. Actor Alex O'Loughlin looks a lot stronger and prettier than Jack Lord, too.

Scott Caan, who plays Danny Williams, has been given a hairstyle that makes him look like a golden retriever that's spent the last hour travelling with its head outside a car window. But it's good to see Mr. Caan in a sympathetic role after watching him play a jerk on "Entourage," for instance. And although he's the cautious one in the detective partnership, he's not stuck with all the straight lines. "Put your hands behind your back," he tells one suspect after a prolonged gunfight with a thoroughly modern amount of loud and fast gun action. "Don't make me shoot you again."

While some criminals may escape, it's all happening in sunny Hawaii; and every time bad guys kick up a fuss, we know the good guys will kick back harder. The closing line, 'Book 'em, Danno,' may be a cultural joke, but it also sounds good as a promise.

* * * * * * * *

"Blue Bloods" seems to be aiming for a comfort zone, too (starting on CBS Friday, from 10-11 p.m.). Hearing the opening notes of "New York, New York" and seeing Tom Selleck at the start of the show may hurt some viewers like a retro kick in the gut. Yet by the end of the pilot a new, hip-hoppish version of that old tune cements "Blue Bloods" in the here and now, even if the here and now is a wee bit squaresville.

Mr. Selleck plays police chief Frank Reagan, whose family gatherings include a father who also was chief; two sons on the force; a daughter who is an assistant district attorneyand the ghost of a third son killed in the line of duty. Or maybe he was not, because one of the Reagan boys is tapped to join an investigative team looking into the activities of a secret society of police zealots suspected of turning bad, and maybe even killing his brother.

Another son, the detective played by Donnie Wahlberg, sets up a familiar dilemma for law and order shows in general: If, say, a child's life is directly threatened, should police ignore the Constitution and do what it takes to get information out of a suspect? "Blue Bloods" duly pays lip service to those who say, no; due process trumps all. If the show does well in the ratings, though, it probably will be because it usually comes down on the side of the detective willing to administer a swirly, or worse, to get the information he needs.

* * * * * * * *

Finally, a word about the third season of "Glee," which began this week and which some of us watched with trepidation (Tuesdays on Fox, from 8-9 p.m.). As important as the beguiling performance numbers and clever writing are, the show's most precious commodity is its charm, especially that which seems innocent.

After two seasons of acclaim and fame, though, it would be so easy for "Glee" to tumble into the pit of self reference and absurdity that has been the fate of so many other series over the years. But so faralthough "Glee" may be creeping closer to the edgeit remains nearly as delightful as it was when everything about the show seemed shiny and new.

http://online.wsj.com/article/SB1000...estyleArtEnt_6
post #58701 of 87162
Quote:
Originally Posted by dad1153 View Post

So much for J.J. Abrams' TV mojo. "Undercover's" ratings fell well below the hype and publicity for the (expensive) pilot and its leads' casting.

I didn't think it was that bad. Nice eye-candy. No membership in Mensa required.
post #58702 of 87162
Quote:
Originally Posted by keenan View Post

Shame about 'Whole Truth', I liked it much more than 'The Defenders', both leads are far more interesting in 'Truth', and the story was better. I can't help but wonder if the shows had been on opposite networks if the numbers would have been flipped with 'Whole Truth' coming out the winner, I'm beginning to think nobody watches ABC at 10pm on Weds, period.

I guess Jim Belushi and Jerry O'Connell duo have more drawing power than do Rob Morrow and Maura Tierney. Remember "According to Jim" ?? Belushi kept that pile on the air all by himself. And the two shows are quite different. "The Defenders is more of a "dramedy", and was very easy to watch. That being said, "Whole Truth" has more meat, although Rob Morrow's character was badly miscast, and Ms. Tierney's rebuilt upper lip was a distraction. Very different type shows, and based on one episode each, I say....eh. Now, let's talk "Fringe."
post #58703 of 87162
Thread Starter 
Critic's Notes
On The Air Tonight

By Kathryn Shattuck, The New York Times, September 24, 2010

7 A.M. (CBS) THE EARLY SHOW Tom Selleck, Donnie Wahlberg and Bridget Moynahan discuss their new series, Blue Bloods, to have its premiere at 10 on CBS. Tom Jones performs.

7 P.M. (Fox News Channel) THE FOX REPORT Shepard Smith will interview President Mahmoud Ahmadinejad of Iran about his country's relationship with the United States, its nuclear program and accusations that Iran suppresses its political opponents.

8 P.M. (CBS) MEDIUM Freaky Friday: Mayhem ensues in this Season 7 opener after Allison (Patricia Arquette) and her daughter Bridgette (Maria Lark) have the same dream about a dead con man (Tony Sirico) and wind up swapping personalities.

8 P.M. (NBC) DATELINE NBC This newsmagazine ushers in a 20th season with this two-hour report from Keith Morrison about the murders of Amber Dubois, 14, and Chelsea King, 17, who vanished in broad daylight a year apart in San Diego County, Calif.

8 P.M. (CW) SMALLVILLE Season 10 begins as Lois (Erica Durance) saves the life of Clark (Tom Welling) by removing the blue kryptonite that is weakening him. Elsewhere Chloe (Allison Mack) searches for Oliver (Justin Hartley), Tess (Cassidy Freeman) ends up in a LuthorCorp lab, and Jonathan (John Schneider) returns to the Kent farm with a message.

8:30 P.M. (PBS) NEED TO KNOW In a Blueprint America special report, Dr. Emily Senay visits Somerville, Mass., which is experimenting with a program to treat obesity. Niall Ferguson, the Laurence A. Tisch professor of history at Harvard University, talks with Jon Meacham about balancing the federal budget, the Tea Party movement and the jobless recovery. And Alison Stewart interviews Anneke van Woudenberg of Human Rights Watch about the roots of the conflict in the Democratic Republic of Congo and how the use of rape as a weapon against the female population has resulted in the destruction of the country's communities. Also, a look at nuclear waste storage.

8 P.M. (CBS) CSI: NY Introduces Jo Danville (Sela Ward), a former F.B.I. agent, who gets an unusual welcome when she stumbles over the body of a young woman who has been murdered in the building that houses the N.Y.P.D. crime lab.

9 P.M. (Fox) THE GOOD GUYS Dan (Bradley Whitford) borrows money from the narcotics division to finance a sting operation, which leads to a jailbreak.

P.M. (CW) SUPERNATURAL In the Season 6 opener, Sam (Jared Padalecki) is released from hell and tries to persuade Dean (Jensen Ackles) to rejoin him in fighting evil. The big enticement: a new family led by their grandfather Samuel (Mitch Pileggi).

9 P.M. (Discovery) MAN, WOMAN, WILD The first season ends as Mykel Hawke, a wilderness expert and former Green Beret, and his wife, Ruth England, a city girl and television journalist, go in search of paradise in Dominica and find themselves in a jungle hell. In Beyond Survival With Les Stroud, at 10, Mr. Stroud embeds himself with a tribe in Madagascar, where he learns to fish in open waters and hunt for wild boar before participating in a rite that transports him to another world.

9 P.M. (National Geographic) JOURNEY TO SHARK EDEN Nature Untamed follows a team of scientists led by Dr. Enric Sala as they travel to five Pacific islands to explore pristine coral reefs and the shark populations that inhabit them.

9 P.M. (Animal Planet) HILLBILLY HANDFISHIN' The champion noodler Skipper Bivins teaches a group of city slickers how to catch giant catfish with their bare hands and feet.

10 P.M. (ABC) 20/20 Chris Cuomo interviews Bobbi Ann Finley, a k a the Military Mistress, who is accused of seducing at least a dozen servicemen and defrauding them.

10 P.M. (Food Network) MEAT & POTATOES Rahm Fama crosses the country in search of artery-clogging carnivorous feasts, starting at the Mile End Deli in Brooklyn, where he takes a bite out of a juicy smoked-meat sandwich. Later, he travels to Franks 'n' Dawgs in Chicago for a taste of the foss hog, a pork link topped with bacon, a fried egg and maple mayonnaise.

10 P.M. (NBC) OUTLAW Cyrus Garza (Jimmy Smits), the retired Supreme Court justice gone rogue defense lawyer, and his team head to Arizona after an immigration stop results in a police shooting.

10 P.M. (HBO) REAL TIME WITH BILL MAHER Andrew Breitbart of BigGovernment.com; Amy Holmes, a contributor for CNN; and Seth MacFarlane, creator of Family Guy, are at the round table. Ann Druyan, creative director of the Voyager Interstellar Message Project at NASA, and Richard Tillman, a brother of Pat Tillman, the former National Football League player killed by allied fire in Afghanistan, are guests.

http://www.nytimes.com/ref/arts/tele...ref=television
post #58704 of 87162
Thread Starter 
Today's HD TV Sports Schedule

(All times are Eastern)

College football
TCU at Southern Methodist, ESPN, 8

Football
CFL,Montreal at Winnipeg, NFL Network, 8

Golf
PGA Tour, The Tour Championship, second round, in Atlanta, Golf Channel, 1
Champions Tour, SAS Championship, first round, in Cary, N.C., same-day tape, Golf Channel, 6:30

Major League Baseball
Boston Red Sox at New York Yankees or Seattle Mariners at Tampa Bay Rays, MLB Network, 7
Chicago White Sox at L.A. Angels, WGN, 10

Motor sports
NASCAR, Sprint Cup, practice for AAA 400, at Dover, Del., Speed, 11:30 a.m.
NASCAR, Nationwide Series, final practice for Dover 200, in Dover, Del., ESPN2, 1
NASCAR, Sprint Cup, pole qualifying for AAA 400, ESPN2, 3

Soccer
MLS, New York at Los Angeles, ESPN2, 11

Australian Rules Football
Playoffs, grand final, Collingwood vs. St. Kilda, in Melbourne, ESPN2, 1 a.m.

Prep football
South Pointe (S.C.) at Spartanburg (S.C.), ESPN2, 7

http://www.usatoday.com/sports/tv.htm
post #58705 of 87162
[quote=LionelLines;19236293]
Quote:
Originally Posted by dad1153 View Post

TV Sports
‘Best Game Ever’ Broadcast Found in Bing Crosby’s Wine Cellar
By Richard Sandomir - September 23rd, 2010

It just doesn't get better than this!

WOW!

After 50 years my question is who gets DVD rights? Crosby Estate? (their film) NBC? (original broadcast rights and employees) MLB? (it is their product) All share? And you add in the fact it is the only surviving copy and in pristine condition to boot.

Has statute of limitation of copywrite expired? Don't remember what the time limit was in 1960 and I guess it would also depend on the contract MLB had with NBC at the time.

A lawyers dream!
post #58706 of 87162
Thread Starter 
TV Sports
Capitals, Penguins to be featured in HBO's '24/7'

By Michael Hiestand, USA TODAY, September 24, 2010

Exhibitionism, via the Internet, appears to be the new way of life for millions. So, this was probably inevitable: Pro teams, during their seasons, letting themselves be TV reality shows.

Specifically, the NHL's Washington Capitals and Pittsburgh Penguins with the league's two biggest stars, respectively, in Alex Ovechkin and Sidney Crosby who'll be cocooned in cameras and mikes for a four-part, HBO24/7 series debuting Dec. 15. Says HBO Sports President Ross Greenburg: "I can't wait to hear salty language with a Canadian accent."

BLOG: HBO reality series a dream come true for NHL

HBO with its behind-the-scenes series hyping its upcoming boxing matchups, its NFL training camp Hard Knocks shows and a series that took us home with NASCAR's Jimmie Johnson is a leader in letting sports figures bare all. But it's only part of a larger trend, as MLB Network took us inside the Philadelphia Phillies bullpen and Chicago White Sox front office while ESPN this season miked up University of Alabama preseason football practices and embedded itself with Texas before its first game.

HBO's Greenburg says he's been talking for months with the NHL, which he says will have "a supervisory role" in the Caps-Pens series. "Credit the NHL for having the foresight to push this," he says. "24/7 will take them to a better place."

That wouldn't be hard, considering the league's tiny national TV ratings. And, if any pro athletes or coaches have a problem with, say, their dirty laundry being on-air, they'd better get over it: In the 21st century, eventually nothing will be off-limits to the greater good of getting more TV exposure.

The trend is accelerating. Thursday, NBA TV announced it will feature the Washington Wizards in the first minutes of Sept. 28 in the first NBA midnight practice a marketing hook that's been in college ball for years and will present the Los Angeles Lakers as a reality show Sept. 27 in its Real Training Camp series.

Greenburg says anybody under HBO's microscope can rest assured "we're not going to give away any trade secrets" and usually after a few days of filming "everyone just forgets we're there anyway."

Because, just as you wouldn't want to waste whatever just popped in your head by failing to tweet it, or didn't let everybody know what you shopped for this weekend by forgetting to put it on Facebook, there's no reason athletes shouldn't be on TV when they put their socks on.

Corso not sold on Boise State

As the team that seems to be fighting Da Man, Boise State might be capturing America's imagination. But ESPN's Lee Corso, even though he and the ESPN College GameDay crew will be face-to-face with Broncos believers Saturday in Boise as the team hosts Oregon State, isn't budging. When it comes to college football's title game, an undefeated Boise State team should have access only over big-name schools that have at least two losses.
"Boise State can beat anybody in the country in one game," Corso says. "But they play 10 non-BCS opponents and two BCS opponents in Virginia Tech and Oregon State. There's your answer."

Well, what if they just can't get more big-name schools to play them? "That's not my fault."

Brent Musburger, calling Saturday's game (8 p.m., ABC), disagrees and says an unbeaten Boise State could advance to the title game over Bowl Championship Series schools with one loss. Corso is more pessimistic because Virginia Tech, after losing to Boise State, fell to James Madison, which Corso calls "disastrous" for the Broncos' title hopes.

So how does Boise State, despite its BCS title handicap, manage to draw such good players?

"It must be a beautiful place," Corso says. "And you could tell players they'd win there and make the NFL."

Corso is psyched about his first trip to Boise but paces himself now after suffering a stroke last year. He naps after GameDay. "If I don't rest, I can't operate. The tough thing is getting things from the brain to the mouth."

Nash's directorial debut

Like many other stars, it turns out what Steve Nash really wants to do is direct.

The Phoenix Suns guard and two-time NBA MVP makes his directorial debut with Into the Wind, a documentary on ESPN Tuesday about the iconic Canadian youth Terry Fox, who lost a leg to cancer but tried in 1980 to run across Canada to raise money for cancer research.

Fox made it two-thirds of the way across Canada before being stopped by newly discovered tumors. He died in 1981. Nash was struck by the "contradiction" of Fox a "genuine, normal kid" taking on an "extraordinary task."

Nash co-directed the film with his cousin and business partner Ezra Holland in their Meathawk production company, which has created TV ads. Nash, now producing a film on soccer great Pele, says "hopefully this is the first of many" films he'll direct although for he doesn't have a movie idea now that "I'm dying to make."

And, he might also be open to going into sportscasting: "It's not a driving force, but I could see myself doing a bit of television."

http://www.usatoday.com/sports/colum...-hbo-nhl_N.htm
post #58707 of 87162
The 2010/2011 Season
Media buyers give Friday to CBS
Believe the network will hold onto the night
By Toni Fitzgerald, Media Life Magazine - September 24th, 2010

There's more scripted programming on Friday nights on broadcast this season than in the past few years, but buyers still think the night will belong to CBS, which has long been No. 1 on Friday.

In a poll about the new season posted on Media Life last week, 62.9 percent of readers said CBS will win Friday nights among adults 18-49s during fourth quarter.

Fox and ABC tied for second at 12.5 percent, with the CW fourth at 5.6 percent and NBC fifth at 4.5 percent.

Media people have applauded CBS in the past for its commitment to scripted programming on a night where the other networks had largely abandoned it. That's undoubtedly helped CBS keep its hold on Fridays.

"The constant ratings erosion over the last several years for Friday nights is disconcerting. The networks are making an effort to put some original programming on Fridays, which is good, but if ratings continue to slide then pretty soon it will be all 'Dateline' and reality shows," wrote one reader when asked to write in the biggest concerns about Friday night.

This fall CBS has three scripted series on Friday, while ABC and NBC both have only one scripted show. Fox has two, but one of them, "The Good Guys," did poorly over the summer, and there's no reason to think it will revive this fall.

CBS also has the returning program that media buyers say is poised for a breakout season, "CSI: NY," the choice of 20.9 percent of respondents. ABC's "Secret Millionaire," a retread of a Fox show that aired two years ago, was second at 17.6 percent, and CBS's "Medium" and "Human Target" tied for third at 13.2 percent.

Of course, not all media people think "CSI: NY" will be a good fit for Fridays; one-third of readers chose it as the show that will see the biggest ratings declines, as it moves from Wednesday to Friday night.

Fox's "Human Target" was readers' second choice as show most likely to decline. "Medium" was third at 12.9 percent.

As for the new shows, readers think "Blue Bloods," CBS's Tom Selleck family-cop drama, has the best chance of succeeding, with 60 percent rating its prospects excellent or good.

They're less optimistic about NBC's reality show "School Pride" and ABC's drama "Body of Proof," with nearly half of respondents saying their prognoses are iffy.

The dog of the Friday night shows is clearly NBC's "Outlaw." Forty-seven percent of readers said its chances of succeeding are bad or poor.

http://www.medialifemagazine.com/art...day-to-CBS.asp
post #58708 of 87162
Critic's Notes
Take My Wives, Please
A reality TV shows gives polygamy a pass. Why? It's all in the family.
By Joshua Alston, Newsweek - September 23rd, 2010

The Browns are a fairly typical, supersize, reality-TV family, with 12 kids (and another on the way), astronomical grocery bills, and the burden of having to approach a visit to McDonald's as a full-blown logistical crisis. The difference with the Browns, as explained in terms as goofy as possible by head-of-household Kody, is that she's a sister from the same mister, he says, wrapping his arm around his daughter, and he's a brother from another mother, doing the same with his son. Translation: the Browns are polygamists.

The Browns, who live in a single-family home that is secretly three conjoined apartments, star in the new TLC show Sister Wives, which captures the family's day-to-day life. It's essentially an unscripted answer to HBO's Big Love, but unlike that show, in which the harried patriarch Bill Henrickson (Bill Paxton) is practically crushed under the weight of his tripled domestic duties, Sister Wives casts a more favorable light on polygamy. We don't see Kody popping so much Viagra that he should keep it in a King Solomon Pez dispenser, as on Big Love. It's a sunny slice of life that borders on becoming an infomercial.

Given reality television's tendency to trade in subtle (if not overt) mockery, the Browns should, by all rights, be withered by the camera's cynical eye. Take, for instance, A&E's Hoarders, which documents the filthy, cluttered lifestyle of compulsive pack rats. These people are invariably depicted as psychologically troubled loners who have alienated anyone close to them with their aberrant behavior and must be set right. It's hard to imagine a depiction of hoarding as a lifestyle choice with its own benefitsWhen I want to read that June 1984 issue of Reader's Digest, I'll know just where to find it!

Unless, of course, there was a family of hoarders. Reality television almost always avoids casting judgment on families. Choices that would typically be framed in a way that allows the audience to moralize when individuals make them are no one else's business when they take place within a family unit. The Coles of TLC's One Big Happy Family are all obese (though they've slimmed down), but weight loss isn't the show's raison d'ĂȘtre; it's merely one facet of their family life. There's no drill sergeant belittling their food choices and prodding them through obstacle courses, as you might see on Bravo's Thintervention. While scorn was heaped on single Nadya Octomom Suleman, no one seems to mind the Duggars of TLC's 19 Kids and Counting, which practically has to change its name every season to accommodate a new addition.

Part of the success of family reality shows is the inner conflict they create in the audience. It's possible to admire and loathe the plentiful Duggars, to fondly recognize our own family foibles in them, and also to write them off as, well, child hoarders. Jon and Kate attracted 10 million viewers for the episode in which they announced their separation. The audience was probably split evenly between those hoping for reconciliation and those with an appetite for destruction. But unlike those reality shows about individuals, the producers didn't try to tell us which camp to fall into. There's safety in numbers.

http://www.newsweek.com/2010/09/23/r...-polygamy.html
post #58709 of 87162
TV Review
'Blue Bloods' (CBS)
Tom Selleck's a chief asset in family cop saga with Donnie Wahlberg, Bridget Moynahan
By David Hinckley, New York Daily News - September 24th, 2010

Tom Selleck looks right at home as the police commissioner of New York and his new show, "Blue Bloods," looks right at home on New York's streets, where it's all being shot.

Together, they add up to the best new cop drama of a TV season that has more police than a presidential motorcade.

"Blue Bloods" doesn't have the best time slot on TV, but it's got some of the strongest characters and performances.

Selleck plays Commissioner Frank Reagan, a man of firm action and few words. He comes from and now heads a family that seems genetically drawn to law enforcement in New York.

In the Reagan family, the furthest anyone gets from the police department is the prosecutor's office, where Frank's daughter, Erin (Bridget Moynahan), works.

Her brothers are all on the cop side. That includes Danny, a detective played by Donnie Wahlberg, and Jamie (Will Estes), an Ivy League graduate who signed on as a city beat cop after a third brother, also a cop, was killed on the job.

The older generation is represented by Frank's father, Henry (Len Cariou), who seems to have lost his own shot at running the police department because he was too outspoken.

That's only one of several potentially complicated Reagan family stories that "Blue Bloods" will be bringing to the table. Literally, in one memorable scene.

On the police-action side, tonight's premiere focuses on one intense kidnapping case.

The case quickly becomes more than just a "get the bad guy" story, however, when Danny bends the rules and sparks a heated discussion on whether that can ever be justified.

As this suggests, "Blue Bloods" aims to be more than a procedural in which the good guys every week take on new bad guys.

The Reagans tackle issues like police morality, while working out their own neuroses and complex distractions such as Frank's media image and the specter of internal corruption.

The Reagans have their flaws. They also seem to have a strong moral and physical center in Frank, who lost his wife and is quietly trying to put the next stretch of his personal life together.

Over the last few years, Selleck has been making CBS movies about Jesse Stone, police chief of a small New England town, so it's probably not surprising there is common ground between Frank and Jesse.

They don't wear their hearts on their sleeves. They do draw on a deep well of common sense and basic decency.

Frank Reagan isn't the kind of guy who slaps everybody on the back and feels like their instant best friend. He just makes you feel more secure when you go to sleep at night.

"Blue Bloods" starts out as a strong contender for a blue ribbon.

BLUE BLOODS
Friday night at 10PM on CBS.
Rating: FOUR STARS (out of five)


http://www.nydailynews.com/entertain...mily_saga.html
post #58710 of 87162
BTW, http://www.cbs.com/info/schedule/ shows that "Blue Bloods" will be repeated Saturday night at 9PM ET/PT (8PM CT). So, if you have a DVR conflict and want to see if NBC's "Outlaw" improved over its pilot (which most reviewers mentioned when they mostly trashed Jimmy Smit's vehicle), you can watch/DVR the NBC original on Friday and catch the "Blue Bloods" encore Saturday night.
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