AVS › AVS Forum › HDTV › HDTV Programming › Hot Off The Press: The Latest TV News and Information
New Posts  All Forums:Forum Nav:

Hot Off The Press: The Latest TV News and Information - Page 2556

post #76651 of 87353
The "New York Magazine" article was a real eye opener for me. I had a college friend who went to Hollywood to try acting. The only thing I saw him in was the opening shot outside the hospital on "E.R."

He rollerbladed across the screen. If he hadn't told me to watch, I never would have noticed him.
post #76652 of 87353
Quote:
Originally Posted by javry View Post

Well just give it a couple of weeks. March Madness is heading our way

Oh joy
post #76653 of 87353
Quote:
Originally Posted by Matt L View Post

Isn't that kind of an anachronistic term? Wouldn't "Digital Delay" be more realistic? Is anything stored on tape any more?

While "digital delay" would indeed be more correct when it comes to delaying live programming, many programs are still delivered on tape. Digital video with up 12 tracks of digital audio.
post #76654 of 87353
Quote:
Originally Posted by kingpcgeek View Post

And whats an album?

A collection of songs released together in a single package. Before LP records came along, 78s were packaged in sleeved books, i.e., albums. Kinda like photo albums.

An album doesn't describe the media it is released on.
post #76655 of 87353
Quote:
Originally Posted by humdinger70 View Post

If con is the opposite of pro, is congress the opposite of progress?

I do love this one. It is so true.
post #76656 of 87353
Quote:
Originally Posted by dad1153 View Post

Nielsen Notes (Broadcast)
Dim outlook for a longtime staple: Cops
Two of the top police procedurals are at risk of cancellation
By Toni Fitzgerald, Media Life Magazine - Feb. 15, 2012

Misleading title. I immediately thought of Fox's long-running "Cops" show before reading the article.
post #76657 of 87353
Quote:
Originally Posted by StudioTech View Post

Misleading title. I immediately thought of Fox's long-running "Cops" show before reading the article.

Exactly my thought. I think Cops will run until the end of time.
post #76658 of 87353
Good riddance. I am so damn tired of these police procedural dramas.

Every murder/rape combination that could ever be thought of has been written out already. It's time to move on.
post #76659 of 87353
Quote:
Originally Posted by dad1153 View Post

TV Sports
Ron Jaworski off ESPN's 'Monday Night Football'
By Michael Hiestand, USA Today - Feb. 15, 2012

Analyst Ron Jaworski will exit ESPN's 'Monday Night Football's' announcing team, as it goes to a two-man booth with Mike Tirico and Jon Gruden. Jaworski, working from Bristol, will join ESPN's Sunday pregame show and its MNF pregame show and continue with his NFL Matchup show.

In addition, ESPN gave Jaworski a new five-year contract extension. In a statement, Jaworski says he's "grateful for having the once-in-a-lifetime opportunity of working on" MNF.

Says Gruden of Jaworski, an ex-Philadelphia Eagles quarterback: "Jaws has taught me so much about broadcasting and nobody works harder. He also watches as much film as anyone."

http://content.usatoday.com/communit...ght-football/1

I would've preferred they get rid of Gruden. Listening to him kiss everyone's ass for 3 hours is tiresome. Now with more airtime I fear it's going to be even worse.
post #76660 of 87353
TV Notes
On The Air Tonight
THURSDAY Network Primetime/Late Night Options
(All shows are in HD unless noted; start times are ET. Network late night shows are preceded by late local news)

ABC:
8PM - Winter Wipeout
9PM - Grey's Anatomy
10:02PM - Private Practice
* * * *
11:35PM - Nightline (LIVE)
Midnight - Jimmy Kimmel Live! (Chris Pine; Khloé Kardashian Odom; Puscifer performs)

CBS:
8PM - The Big Bang Theory
8:31PM - Rob
9PM - Person of Interest
10PM - The Mentalist
* * * *
11:35PM - Late Show with David Letterman (Joan Rivers; Andrew Lincoln; Jason Mraz performs)
12:37AM - Late Late Show with Craig Ferguson (Jeffrey Tambor; Amy Smart)

NBC:
8PM - 30 Rock
8:30PM - Parks and Recreation
9PM - The Office
9:30PM - Up All Night
10PM - Grimm
(R - Jan. 13)
* * * *
11:35PM - The Tonight Show with Jay Leno (Amanda Seyfried; Billy Gardell; Monica and Brandy perform)
12:37AM - Late Night with Jimmy Fallon (Maya Rudolph; author Dylan Ratigan; Young Jeezy and Ne-Yo perform)
1:36AM - Last Call with Carson Daly (Author Jodi Kantor; director Oren Peli; Dr. Dog performs) SD

FOX:
8PM - American Idol (120 min.)

PBS:
(check your local listing for starting time/programming)
8PM - The 'This Old House' Hour
9PM - U.S. Health Care: The Good News
10PM - Independent Lens: More Than A Month

UNIVISION:
8PM - Premio Lo Nuestro 2012 (Special, 120 min.)

THE CW:
8PM - The Vampire Diaries
9PM - The Secret Circle

TELEMUNDO:
8PM - Una Maid en Manhattan
9PM - Flor Salvaje
10PM - Relaciones Peligrosas

COMEDY CENTRAL:
11PM - The Daily Show with Jon Stewart (Secretary Arne Duncan)
11:31PM - The Colbert Report (Author Bill McKibben)
(R - Feb. 13)

TBS:
11PM - Conan (Rebecca Romijn; Steve Martin; Cake performs)

E!:
11PM - Chelsea Lately (Musician Lenny Kravitz; comic Natasha Leggero; comic Heather McDonald; comic Jo Koy)
post #76661 of 87353
TV Notes
Thursday's Highlights: 'Parks and Recreation' on NBC
By Los Angeles Times' 'Show Tracker' Blog - Feb. 15, 2012

[ALL TIMES LISTED ARE PACIFIC TIME]

ON "PARKS AND RECREATION," Leslie (Amy Poehler) runs into her ex (Louis C.K.) as she seeks an endorsement from the police chief, at 8:30 p.m. on NBC.

SERIES

The Big Bang Theory:
Sheldon and his nemesis (John Ross Bowie) compete for an office in this new episode (8 p.m. CBS).

American Idol: The judges continue to narrow down the contestants in this two-hour episode (8 p.m. Fox).

The Office: Dwight (Rainn Wilson) arrives in Tallahassee and gets busy trying to impress Nellie Bertram (Catherine Tate) in this new episode (9 p.m. NBC).

Grey's Anatomy: In a crossover with spinoff series Private Practice, Derek's (Patrick Dempsey) sister (Caterina Scorsone) comes to Seattle Grace in this new episode (9 p.m. ABC).

Project Runway All Stars: The contestants are asked to create a costume for the musical Godspell. Composer Stephen Schwartz (Wicked) delivers the challenge (9 p.m. Lifetime).

Up All Night: Alanis Morissette guest stars in this new episode as a woman who used to be in a band with Ava (Maya Rudolph) and is getting married and wants Ava to officiate at the ceremony (9:30 p.m. NBC).

The Mentalist: Morena Baccarin returns as a killer whom Patrick (Simon Baker) helped put away but arranges for her to be furloughed from prison to help him solve the murder of a charity worker in this new episode (10 p.m. CBS).

SPECIALS

Remembering Whitney:
This new special recalls a 2009 interview in which the singer discussed her marriage, drug abuse and retreating from the spotlight (9 p.m. OWN).

MOVIES

Exporting Raymond:
The hit sitcom Everybody Loves Raymond gets caught in a culture clash in this 2011 documentary (8 p.m. HBO).

SPORTS

College basketball:
Wisconsin at Michigan State (4 p.m. ESPN); Arizona at Washington State (6 p.m. FS Prime); Gonzaga at Santa Clara (8 p.m. ESPN2); Arizona State at Washington (8 p.m. FS Prime).

Pro basketball: The Clippers visit the Portland Trail Blazers (7:30 p.m. TNT).

Hockey: The Phoenix Coyotes visit the Kings (7:30 p.m. FSN).


http://latimesblogs.latimes.com/show...on-on-nbc.html
post #76662 of 87353
Quote:
Originally Posted by LCDSpazz View Post

I would've preferred they get rid of Gruden. Listening to him kiss everyone's ass for 3 hours is tiresome. Now with more airtime I fear it's going to be even worse.

Don't worry as soon as Andy Ried retires or gets fired Gruden will take the Eagles head coaching job.
post #76663 of 87353
Quote:
Originally Posted by LCDSpazz View Post

I would've preferred they get rid of Gruden. Listening to him kiss everyone's ass for 3 hours is tiresome. Now with more airtime I fear it's going to be even worse.

ESPN evidently feels its audience wants entertainment and fawning adoration over information and insight. They're probably right.
post #76664 of 87353
Yeah, and that's why I rarely watch MNF anymore. Gruden has orgasms and falls in love with any receiver who catches a 50+ yard pass.
post #76665 of 87353
Nielsen Notes
'Parks and Recreation': Call it a sleeper
The sitcom has risen to become NBC's top Thursday show
By Louisa Ada Seltzer, Media Life Magazine - Feb. 16, 2012

"The Office's" best days are behind it with Steve Carell off the show, and "30 Rock" isn't having one of its funniest season.

That leaves "Parks and Recreation," which airs tonight at 8:30 p.m., as the strongest link creatively in NBC's much-lauded Thursday comedy lineup.

"Parks" has steadily improved through each of its four seasons, and this may be its best one yet, balancing Leslie and Ben's relationship with Leslie's endearingly serious city council run and silly side plots like Tom's venture capital-funded startup, which had no conceivable purpose beyond making Tom look cool.

The credit for "Parks'" creative success goes to NBC for letting the show develop despite low ratings. For all the network's problems launching new shows, it has a long record of nurturing promising ones, like "Office" and "Rock," into very strong programs.

Alas, not too many people have noticed "Parks'" improvement.

It is averaging a 1.9 adults 18-49 rating this season, according to Nielsen. That's actually 0.3 ahead of two other Thursday NBC comedies, "Community" and "Rock," but it's not a strong number overall.

Still, it seems likely "Parks" will be back for at least one more season. The show is beloved by critics, and the network is still struggling to fill out its Thursday night schedule.

With "Up All Night," "Community" and "Rock" all on the bubble, NBC won't want to remake any more of its Thursday than it has to, which will work to "Parks'" advantage.

http://www.medialifemagazine.com/art...a-sleeper-.asp
post #76666 of 87353
Looks like "COPS'" days on Saturdays are numbered if Fox is going around shopping for Saturday primetime programming.

TV Notes
Fox picks up Jennifer Lopez' 'Q'Viva' reality talent series
By James Hibberd, EW.com's 'Inside TV' Blog - Feb. 15, 2012

EXCLUSIVE: Jennifer Lopez’s Q’Viva! talent search has found a home on the top-rated broadcast network.

The Latin American-based series recently premiered on Univision (Saturdays at 7 p.m.). Now Lopez has made a deal with Fox to televise an English-language version. The show stars the American Idol judge, singer Marc Anthony and concert director Jamie King (who most recently directed Madonna’s Super Bowl halftime show). The trio travel to 20 countries to find and showcase the best Latin singers, dancers, musicians and other performers. The contestants are then brought to the United States for a climactic show.

Q’Viva! The Chosen will make its Fox debut on Saturday, March 3. The network will air the show in two-hour episodes until its April 7 finale. The project grew out of Fox’s relationship with Lopez after she signed on to judge Idol two years ago. The project joins Fox’s slate of performance-based reality shows like Idol, So You Think You Can Dance, and X Factor.

“Q’Viva is a passion project on so many levels,” Lopez said in a statement. “It’s really our dream to see it come together. This is about creating a live visual experience about Latin culture, rhythm and dance. I believe that people will be so enlightened, so enriched by this experience.”

Lopez and the other judges frequently speak English on the show. Some parts (such as when judges are talking to contestants) will be presented in Spanish or Portuguese with English subtitles.

“Searching out exceptional talent from every country in the region took months of planning and preparation,” added executive producer Simon Fuller. “Every time I have travelled in the region, I have been blown away by its beauty and the potential of the people. Q’Viva will reveal to the world just how much exquisite and pure talent exists in every corner of every country.”

The series is a co-production from Fuller’s XIX Entertainment, Jennifer Lopez ‘s NuYoRican, Anthony, and King.

http://insidetv.ew.com/2012/02/15/je...ez-q-viva-fox/
post #76667 of 87353
Legal Notes
Aereo, Ivi and the Legal Road That Will Determine the Future of TV Cord-Cutting
By Eriq Gardner, The Hollywood Reporter's 'Hollywood Esq.' Column - Feb. 15, 2012

On Tuesday, a new service named Aereo was unveiled with plans to offer consumers the ability to watch broadcast television through digital streaming. Services like this have popped up in recent years, but this one potentially poses the greatest threat to the cable/satellite/broadcast industry. The company has raised $20.5 million in funding and is being backed by media mogul Barry Diller, who helped launch the Fox network before becoming a top executive at ABC, Paramount, and lately, his new company, IAC/InterActiveCorp.

Since yesterday's press conference to introduce Aereo, which will cost consumers $12 a month and include the ability to store up to 40 hours of shows, observers are curiously anticipating the reaction by major broadcasters over what digital media analyst Richard Greenfield has termed a potential "Retrans Killer."

So far, CBS, NBC, ABC and Fox are remaining mum on the subject of what legal action they might take. And Aereo itself is being careful about describing how it's going to avoid legal jeopardy. But one case going before the 2nd Circuit Court of Appeals next month could play a major role in determining whether Diller's investment, in his own words, "pries over-the-air broadcast television out of [a] closed system.

The case involves ivi, Inc., which touts itself as the "first online cable system." After this company announced in 2010 that it had raised $1 million in venture funding and had a "legal strategy" to rebroadcast television online without the permission of broadcasters or content-owners, it was sued by all of the major broadcasters.

The company's strategy entailed making use of Section 111 of the Copyright Act, which authorizes cable TV companies to make secondary transmissions of copyrighted works embodied in primary transmissions so long as a nominal statutory licensing fee is paid.

Last February, a New York federal judge rejected the company's interpretation that Section 111 allowed it to stream, granting the networks a preliminary injunction. "No technology...has been allowed to take advantage of Section 111 to retransmit copyrighted programming to a national audience while not complying with the rules and regulations of the FCC and without consent of the copyright holder," the judge wrote.

Here's where Aereo comes in.

In making its announcement, Aereo noted that it would be offering its initial service next month in New York, before expanding a step at a time, a market at a time.

This is potentially a big distinction.

In the ivi dispute, the district court judge noted that when Congress enacted Section 111, it was doing so with the "understanding of the cable industry as a highly localized medium" and ivi's service, in contrast, "retransmits broadcast signals nationwide, rather than specific local areas."

Does this mean that Aereo has learned from ivi's initial failings and has found the legal opening by focusing on local markets? Maybe, maybe not.

Ivi has appealed its case up to the 2nd Circuit, which will review the case sometime next month. In a brief to the 2nd Circuit, the broadcasters repeatedly stress that the nationwide vs. localized distinction is an important one, but also come very close to asking the appellate circuit to reject any notion that Internet services get the same statutory treatment as cable-based ones. For example, the brief says:

"Extending a compulsory license to ivi (and anyone else that wishes to deliver broadcast programming over the Internet),without being subject to any FCC rules whatsoever, would vest Internet services with an enormous competitive advantage over the cable industry. And it would subject any programming that program owners placed on broadcast stations (rather than non-broadcast cable networks such as the USA Network, TNT or ESPN) to wholly uncontrolled dissemination across the country and beyond. Congress never intended such a result, which, among other adverse consequences, would place the United States in violation of its obligations under various international treaties."

Elsewhere in the brief, the broadcasters make an argument that might be applied similarly to the operation of Aereo. To quote another passage from the brief:

"Because ivi has no control over any of the thousands of diverse routers and switches that comprise the Internet, its streaming content might be routed anywhere around the globe. Moreover ivi initially marketed its service worldwide, promising potential subscribers that they could 'watch local content anywhere in the world, such as viewing New York City broadcast channels anywhere from Paris to Perth to Peru.' ivi says it discontinued its worldwide service in favor of a nationwide service, but ivi has the technical ability to resume that worldwide service at any time. ivi's services thus are inherently global..."

Aereo is touting thousands of tiny antennae in Brooklyn, with each subscriber assigned one. Will this argument fly to convince a court that its new service constrains exhibition of copyrighted material? It didn't last year for Zediva, which offered a DVD rental service where customers were supposedly assigned individual DVD players, but was unsuccessful in convincing a judge that the service wasn't a public video on-demand service.

Aereo's service opens up other legal questions too.

For example, the company's DVR plans are sure to raise objections. In 2008, the 2nd Circuit largely blessed Cablevision's plans to offer remote-DVR functionality to its subscribers, but the cable company already had negotiated at least some distribution rights with broadcasters. Further, Aereo says that its new service will give its customers the ability to view television on smartphones and tablets -- a subject that's sparked litigation between Viacom and Time Warner Cable. Viacom has stated that such activity potentially "cannibalizes" audiences on traditional platforms and therefore is entitled to a mobile fee.

Aereo's service is set to launch on March 14th. The 2nd Circuit hearing date in the ivi case, meanwhile, hasn't been finalized yet due to some scheduling difficulties by the attorneys involved, but we're told that the oral arguments could commence as early as the week of March 5th. Next month could be an important one for the TV industry and the future of cord-cutting.

http://www.hollywoodreporter.com/thr...cutting-291395
post #76668 of 87353
TV Notes
The Simpsons' to mark 500th episode Sunday, and producer Al Jean sees no end in sight
By Richard Huff, New York Daily News - Feb. 16, 2012

The Simpsons executive producer Al Jean said he had no idea how long the series would last when he signed on in 1989. And now, after 500 episodes, he still has no idea how long it will run.

We're definitely going to do a total of 559, that's what the new deal is, Jean told reporters Thursday in a call to tease Sunday's 500th episode airing on Fox at 8 p.m. I don't know where the end is. Why not a thousand?

Why not?

There have been some close calls, moments when the cast threatened to walk or budgets didn't work out, putting the show in jeopardy. Late last year, there were reports the cast wanted more money or a bigger slice of the licensing sales at the same time officials at Fox were saying the price it paid for the show needed to be lower.

The network had said the cost of the show we were doing was prohibitive, Jean said. They said if you could go down to a certain number, we'd love to go as long as you can.

Everyone on the show agreed to cut costs to keep it going, including voice cast members Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria and Harry Shearer.

Personally, I wouldn't want to do the show without the people we have, Jean said.

Jean said yesterday a holiday episode that aired earlier this season was pegged to be the last if a deal wasn't reached.

Sunday's episode is about the Simpson family being run out of Springfield. Along the way they run into Wikileaks founder Julian Assange, who recorded his part over the phone from an undisclosed location.

Jean said it was a really nice, emotional story about how the family learns what their neighbors really think.

It's that family aspect that has driven the success of the show. Despite the celebrity guest roles and controversial topics, at its heart The Simpsons is about an everyday family, albeit one with yellow skin.

Syracuse University professor Robert Thompson, an authority on popular culture, says the show has survived so long because it's exquisitely written.

Even a bad Simpsons' is better than most of the other comedies on broadcast television, or even cable television, says Thompson.

It also helps that because the show is animated, it doesn't suffer many of the challenges live-action series face, such as the aging of its characters. The characters on The Simpsons are essentially the same as they were when the show launched in 1989.

Thompson credits the show with exposing younger viewers to such luminaries as Thomas Pynchon, Tony Bennett and even Elizabeth Taylor.

Once at the leading edge of pop culture, The Simpsons no longer has the impact it used to, critics have said. Thompson agrees, to a point, saying it's still better than many shows and has a timeless quality.

This, Thompson said, is going to be the single most rerunnable show of all time.

How will it end now, given that the would-be final episode was used earlier this season?

We spent it, Jean said. Right now there's no clue, no plans.

http://www.nydailynews.com/entertain...icle-1.1023273
post #76669 of 87353
TV Notes
CBS Orders Summer Dating Reality Series
By Nellie Andreeva, Deadline.com - Feb. 15, 2012

CBS has ordered 3, a new dating reality series to air this summer. Based on an Israeli format, the series features three single women of different ages, life experiences and backgrounds who search together for a partner. 3 is a relationship show that won't perpetuate a fairy tale myth about dating, said CBS' EVP alternative programming Jennifer Bresnan. Without any typical game play, it intimately documents the search for love and the reality of dating the anticipation, the excitement, the rejection.

3 is co-produced by Magical Elves, 1492 Television and Israel's Keshet Broadcasting, on whose format it's based. The original program, produced by Kastina Prods., became Israel's biggest launch of a new reality show in four years when it premiered there last summer. Jane Lipsitz, Dan Cutforth, Chris Columbus, Avi Nir and Ami Glam executive produce the CBS version.

This is the second reality series based on an Israeli format to launch on an U.S. broadcast network following NBC's game show Who's Still Standing. It comes on the heels of Israeli scripted formats' strong showing during this development season, landing 2 pilot orders for Midnight Sun at NBC and Joey Dakota at the CW. It also follows the big Golden Globe wins for Showtime's Homeland, also an adaptation of a Keshet Israeli series.

http://www.deadline.com/2012/02/cbs-...eality-series/
post #76670 of 87353
Business Notes
Moonves: CBS May Produce a Show for Netflix
By Brent Lang, TheWrap.com - Feb. 15, 2012

Les Moonves sees Netflix as a buyer, not a threat.

On Wednesday, the CBS chief executive officer told analysts that the network is in talks to produce an original series for the subscription service.

"Until they are doing 22 hours a week of premium content, we do not look at them as a competitor, but rather another place to put our content," Moonves said on a conference call following CBS' fourth quarter earnings announcement.

His attitude contrasts with other entertainment honchos that view Netflix's entry into original programming as a direct threat.

Time Warner CEO Jeff Bewkes, for instance, pejoratively labeled Netflix a 200-pound chimp" and the "Albanian Army.

Certain TV execs fear that Netflix might encourage viewers and particularly cable subscribers to shun television for streaming services.

Netflix launched its first original series, "Lilyhammer," two weeks ago. It also has "House of Cards," a political series starring Kevin Spacey, and new episodes of the cult series "Arrested Development" in the pipeline.

Perhaps Moonves' bonhomie is attributable to a strong earnings report. Profits at CBS surged 17 percent to $384 million in the fourth quarter of 2011, capping off a year in which its net income nearly doubled.

Steve Swasey, a spokesman for Netflix, did not immediately respond to requests for comment.

http://www.thewrap.com/tv/article/cb...-netflix-35443
post #76671 of 87353
TV Notes
'Independent Lens: More Than A Month' (PBS)
In Search of a Reason to Segregate American History
By Neil Genzlinger, The New York Times - Feb. 16, 2012

Shukree Hassan Tilghman begins More Than a Month, his investigation of whether Black History Month is a blessing or curse, with his tongue in his cheek. A third of the way through, though, he starts working his way toward something more serious, and for a moment it seems as if he'll tackle it full on.

He doesn't, instead losing focus and ending up with a meandering, indecisive film. But this documentary, Thursday night on the Independent Lens series on PBS, also proves that a film can be meandering and indecisive and still occasionally amuse.

Mr. Tilghman, who is black, starts with a simple declaration: He is uncomfortable with the idea of Black History Month. Was February really a celebration of black history or a way to say, You black people don't really matter outside of February, and you're not really American'? he says, explaining his growing unease.

He takes to the streets wearing a sandwich board that says End Black History Month on one side and Black History Is American History on the other. But then he goes deeper into the subject, visiting the Association for the Study of African American Life and History, the group founded in 1915 by Carter G. Woodson, who is credited with first proposing a black history observance (initially a week).

There's a kind of naïveté to your question, Daryl Michael Scott, a leader of that organization, tells him, suggesting that there are elements in American society that would like nothing better than to have Black History Month disappear, so they could go back to ignoring that side of the American experience. Be careful what you're asking for.

Mr. Tilghman then makes his way to a group in Virginia that is pushing for something that might seem the antithesis of Black History Month a Confederate History Month. His realization? History is about power, the power to control the story, even for a brief period of time. And a history month is a way to do that.

He has a chance to explore this notion further by confronting those who might prefer that black history remain marginalized or by pressing advocates of Black History Month on whether they are to some extent guilty of a control-the-story mentality themselves. Instead he veers onto a few more side stories and arrives at such a waffly ending that you can no longer tell whether he favors or opposes Black History Month.

If Mr. Tilghman essentially talks himself out of making as powerful a film as he might have, he's never less than a genial guide to the thorny question he raises at the start.

Independent Lens: More Than a Month
On PBS stations on Thursday night at 10 (check local listings).


http://tv.nytimes.com/2012/02/16/art...ref=television
post #76672 of 87353
Quote:
Originally Posted by EJ View Post

The "New York Magazine" article was a real eye opener for me. I had a college friend who went to Hollywood to try acting. The only thing I saw him in was the opening shot outside the hospital on "E.R."

I had a college buddy, Brian Scolaro, who made it as high up as cast member in the short-lived Fox sitcom 'Stacked' with Pamela Anderson (20 episodes). He popped on Showtime's "Dexter" during one episode as a lab technician and I'm like 'holy s***, that's Brian talking to Dexter!' We've met a couple of times since (Brian does stand-up comedy on the side to support himself) and apparently he's kept working and still appears on stuff from time to time (notably voice-over work on 'The Life & Times of Tim'). In this industry who you know is more (or as) important than how good you are. Just ask our own jandron how his son, a TV writer, would be doing if "Justified" creator Graham Yost hadn't taken him under his wings.
post #76673 of 87353
Quote:
Originally Posted by EJ View Post

The "New York Magazine" article was a real eye opener for me. I had a college friend who went to Hollywood to try acting. The only thing I saw him in was the opening shot outside the hospital on "E.R."

Friend of ours quit a high-paying career to move out there and dump money on acting classes. Her hands were in one shot of an early Grey's Anatomy episode and her unique last name wound up as a character's name in an episode of a sitcom because she dated the producer for a while, or something like that. She's back east, now, doing real estate.
post #76674 of 87353
Quote:
Originally Posted by EJ View Post

The "New York Magazine" article was a real eye opener for me. I had a college friend who went to Hollywood to try acting. The only thing I saw him in was the opening shot outside the hospital on "E.R."

A couple of years ago I noticed while watching the credits for Law & Order Criminal Intent that a former high school girfriend was the editor of every other episode. I mentioned this my wife as I saw it one time and she wasn't to happy about me bringing up old girfirends.

While watching the credits of a couple of episodes of Alcatraz I saw that the same former girlfrind is now an editor of that show. Needless to say I kept that one to myself
post #76675 of 87353
WEDNESDAY's fast affiliate overnight prime-time ratings -and what they mean- have been posted on Analyst Marc Berman's Media INsight's Blog.
post #76676 of 87353
Nielsen Overnights (18-49)
'American Idol' paces Fox to Wednesday win
Hit reality show averages a 6.0 in 18-49s, even to last week
By Toni Fitzgerald, Media Life Magazine - Feb. 16, 2012

"American Idol" definitely seems to have leveled off.

For the second straight week the hit Fox reality show was essentially flat to the prior week, ending two weeks of earlier declines.

Though "Idol" remains well behind last year, it's still walloping the competition.

"Idol" averaged a 6.0 adults 18-49 rating from 8 to 10 p.m. last night, according to Nielsen, even to last week. It may actually improve slightly over last week when final ratings come out, as the show usually rises by a tenth of a point.

"Idol" finished 28 percent ahead of the No. 2 show on the night, ABC's "Modern Family," which was down 15 percent from last week to a 4.7.

In fact, a number shows were down last night, including ABC's entire lineup, NBC's "Are You There, Chelsea?" and CBS's "Criminal Minds."

But "Chelsea's" lead-in, "Whitney," rose 7 percent from the previous week to a 1.6.

In season premiere ratings, CBS's "Survivor: One World" bowed to a 3.0, off 6 percent from last February's debut, which averaged a 3.2, not bad for a show in its 24th season.

Fox finished first for the night among 18-49s with a 6.0 average overnight rating and a 16 share. CBS was second at 2.9/8, ABC third at 2.8/7, Univision fourth at 1.4/4, NBC fifth at 1.3/3 and CW and Telemundo tied for sixth at 0.5/1.

As a reminder, all ratings are based on live-plus-same-day DVR playback, which includes shows replayed before 3 a.m. the night before. Seven-day DVR data won't be available for several weeks. Forty-three percent of Nielsen households have DVRs.

At 8 p.m. Fox led with a 5.5 for "Idol," followed by CBS with a 3.0 for "Survivor." ABC was third with a 2.4 for "The Middle" (2.5) and "Suburgatory" (2.4), Univision fourth with a 1.6 for "Una Familia con Suerte," NBC fifth with a 1.5 for "Whitney" (1.6) and "Chelsea" (1.4), CW sixth with a 0.7 for "One Tree Hill" and Telemundo seventh with a 0.6 for "Una Maid en Manhattan."

Fox was first again at 9 p.m. with a 6.4 for more "Idol," while ABC moved to second with a 3.6 for "Family" (4.7) and "Happy Endings" (2.5). CBS was third with a 3.0 for "Criminal Minds," Univision fourth with a 1.2 for "El Talisman," NBC fifth with a 0.8 for "Rock Center with Brian Williams," Telemundo sixth with a 0.5 for "Flor Salvaje" and CW seventh with a 0.2 for "Remodeled."

At 10 p.m. CBS took the lead with a 2.7 for "CSI," with ABC second with a 2.4 for "Revenge." NBC was third with a 1.7 for "Law & Order: Special Victims Unit," Univision fourth with a 1.4 for "La Que No Podia Amar" and Telemundo fifth with a 0.4 for "Relaciones Peligrosas."

Fox was also first for the night among households with a 10.7 average overnight rating and a 17 share. CBS was second at 6.9/11, ABC third at 5.0/8, NBC fourth at 2.9/5, Univision fifth at 1.7/3, Telemundo sixth at 0.7/1 and CW seventh at 0.6/1.

http://www.medialifemagazine.com/art...nesday-win.asp
post #76677 of 87353
Quote:
Originally Posted by LCDSpazz View Post

I would've preferred they get rid of Gruden. Listening to him kiss everyone's ass for 3 hours is tiresome. Now with more airtime I fear it's going to be even worse.

Totally agreed. I was really hoping Gruden would take another coaching job with all the openings that were available.
post #76678 of 87353
DirecTV reported Q4:

Net income +16% helped by subscriber gains of 125,000 U.S. subscribers & 590,000 in Latin America.

Total now is 19.9 million subscribers in the U.S. & 7.9 million in Latin America.

Revenue +13% to $7.46 billion from $6.62 billion big contributor was NFL Sunday Ticket.

Analysts were expecting $7.41 billion.

2011 Revenue was $27.23 billion +13% from 2010.
post #76679 of 87353
Quote:
Originally Posted by DrDon View Post

Friend of ours quit a high-paying career to move out there and dump money on acting classes. Her hands were in one shot of an early Grey's Anatomy episode and her unique last name wound up as a character's name in an episode of a sitcom because she dated the producer for a while, or something like that. She's back east, now, doing real estate.

I had a friend who went out west to claim fame and fortune and had much the same experience. It's amazing how much of success in Hollywood - in any business, really - is just blind luck or being in the right place at the right time.

If you get cast in a show that bombs because of lousy writing, you may disappear back into the pool never to be heard from again - your Big Opportunity vaporized. But if you happen to luck out and get cast on a hit show, you can get yourself presented with many more opportunities and possibly get set up for life. Would anybody have ever heard of Evangeline Lilly if not for LOST? Would Terry Quinn now have a gig on 'Hawaii 5-O", or Jorge Garcia on 'Alcatraz' (for the moment, anyway)...?
post #76680 of 87353
Quote:
Originally Posted by MRM4 View Post

Totally agreed. I was really hoping Gruden would take another coaching job with all the openings that were available.

I wouldn't be too sure Gruden will return to coaching. He's quite happy with his new gig, and they seem to be happy with him. Some guys really seem to burn with that competitive fire and just can't help jumping back into the frying pan. Think Doug Collins, the best basketball color analyst in the business, now showing he's still got some gas left in the tank in Philly. I don't get the impression the telegenic Gruden falls into that category.
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: HDTV Programming
AVS › AVS Forum › HDTV › HDTV Programming › Hot Off The Press: The Latest TV News and Information