AVS › AVS Forum › HDTV › HDTV Programming › Hot Off The Press: The Latest TV News and Information
New Posts  All Forums:Forum Nav:

Hot Off The Press: The Latest TV News and Information - Page 2613

post #78361 of 87864
TV/Nielsen Notes
Supremacy in Jeopardy for ‘Today’
By Brian Stelter and Bill Carter, The New York Times - Apr. 9, 2012

These days, the effervescent smiles on the “Today” show, America’s most popular morning television companion, are concealing anxiety.

A few remote control clicks away on “Good Morning America,” the smiles may look the same, but they hint at something very different: hope.

And on both sides? Sleepless nights. That’s because, after more than 16 years of playing the most consistent loser since Sisyphus, “GMA” is encroaching on “Today.” Though they preach patience, executives at ABC News — where every employee knows that the ascension of “GMA” is the top priority of the news division president, Ben Sherwood — believe they have the momentum to win, which would reorder the morning TV standings for the first time since the 1990s.

The stakes are high because “Today,” as the No. 1 show, has dominated advertising sales on morning television — an advantage that has consistently confirmed the show’s status as the greatest profit center in network television, earning $250 million to $300 million a year for NBC, a unit of Comcast, analysts say. Its 16-year streak is unmatched in network television.

For many years, the gap between the two shows was a million viewers or more, but “GMA” has been gradually closing the gap with “Today” for nearly a year. Two weeks ago, an average of 119,000 viewers separated the two shows, the narrowest margin this season.

ABC has been here before — most recently in 2005, when it came within 45,000 viewers of “Today” for a week, then lost its momentum. And executives at NBC News say that ABC will come up short again. In an interview last week, Steve Capus, the president of NBC News, would not even entertain what it might mean for “Today” should the streak be broken in the coming weeks.

“That’s a hypothetical that we are not going to have to deal with,” Mr. Capus said. “It’s not going to happen.” He acknowledged that the competition had been tougher lately, but said, “We expect good competition.”

“GMA” says the same. When the “Today” co-host Matt Lauer — unquestionably the most important on-the-air presence in morning television — said last Friday that he had renewed his contract, a “GMA” staff member was sent over to the “Today” show studio with a gift: a bucket of golf balls. The “GMA” co-host George Stephanopoulos congratulated Mr. Lauer and remarked during the show, “Take all the time off to perfect your golf game.”

Even with Mr. Lauer in his seat at “Today,” “GMA” views his show as especially vulnerable right now.

The primary goal at ABC News is to “become the No. 1 morning television program, and we will not stop until we do,” said Tom Cibrowski, the senior executive producer of “GMA.”

That goal was set about 16 months ago when Mr. Sherwood was named president of the news division. Mr. Sherwood was the producer of “GMA” when the show came within 45,000 viewers in 2005. He added Josh Elliott and Lara Spencer to the “GMA” cast last spring and encouraged producers to add more lighthearted segments. While ABC calls the segments “relevant,” NBC staff members deride them as “tabloid.”

Nearly all observers of the battle say that “GMA” has been helped by the lighter tone and by some cross-promotions with the prime-time reality show “Dancing With the Stars.” “Today,” they say, has been hurt by NBC’s sagging prime-time schedule.

Mr. Sherwood of ABC reminds “GMA” staff from time to time, “Play our game.”

That may have been hard for either show last week. ABC lined up the former “Today” show co-host Katie Couric to fill in for Robin Roberts, who usually sits next to Mr. Stephanopoulos. NBC retaliated with stunt bookings: it promoted a visit by a “Today” show “legend” (the former host Meredith Vieira); the presence of Sarah Palin as a co-host for a day; and a visit from Ryan Seacrest, who flew to New York just for the appearance, then hurried back to Los Angeles.

ABC booked its own promotable guests, like Eva Longoria and Regis Philbin. It also tried to book Oprah Winfrey after she appeared on the CBS morning show on Monday, but Ms. Winfrey declined.

“Today” emerged victorious. While Ms. Roberts was away, the gap widened considerably, to about 400,000 total viewers through Thursday.

Senior ABC staff members characterized NBC’s stunt bookings as desperate. But those at NBC suggested that ABC’s use of Ms. Couric, who left “Today” in 2006, and the overall win-at-all-costs approach showed desperation.

Mr. Cibrowski disputed that and said Ms. Couric could fill in again in the future, perhaps when Mr. Stephanopoulos takes a vacation.

The bookings are taken seriously because the morning shows are sources of pride as well as profit. A former morning TV executive, who insisted on anonymity because of continued business dealings with both networks, said, “Psychologically it could be devastating for ‘Today.’ Once they lose a week they know it will never be the same again.”

Even if they lose a week this spring, “Today” will almost certainly regain a comfortable margin this summer when NBC covers the Summer Olympics in London. ABC staff members glumly refer to that as a “reset button.”

In explaining the recent “GMA” ratings gains, James Goldston, who held Mr. Cibrowski’s job until February, when his job at ABC News was expanded, credited the chemistry of the show’s ensemble. “It really does feel like lightning in a bottle,” he said, “and we try to capture it the best we can.”

The converse might be true at “Today,” where questions about the personal chemistry between Mr. Lauer and his co-host, Ann Curry, have become a drumbeat among close observers of the show, perhaps an inevitable development when any successful news program begins to flag.

In the last few months, the show’s producers have purposefully given greater prominence to Savannah Guthrie, who was named a co-host of the 9 a.m. hour last year, giving rise to speculation that she was being groomed to take over for Ms. Curry. But NBC says that speculation is uninformed (not to mention detrimental to the show).

Mr. Capus said that “we feel confident we have the best team going.” When asked if further changes in the show’s cast were in the offing, he said, “There have been no conversations about that.”

“This is my family,” Mr. Lauer said Friday morning after Ms. Curry told viewers about the new contract.

She playfully added, “We’re stuck with you for a long time, so let’s have some fun.”

http://www.nytimes.com/2012/04/09/bu..._r=1&ref=media
post #78362 of 87864
Business Notes
Cable programming costs will continue to rise
By Joe Flint, Los Angeles Times' 'Media Decoder' Blog - Apr. 9, 2012

While subscriber growth is slowing for cable television companies, the cost of content continues to rise.

According to a new report from Nomura Equity Research analysts, the money that distributors such as Comcast Corp. and Time Warner Cable shell out for programming rose 8.2% in 2011 and is likely to jump 8% in each of the next two years.

Although the typical cable household gets more than 100 channels these days, most of those channels are owned by a handful of companies including News Corp., Time Warner Inc., Comcast, Discovery Communications, Viacom and Walt Disney Co. Overall, cable and satellite companies coughed up $33.5 billion to content providers in 2011.

Walt Disney Co., parent of ESPN and Disney Channel, two of the most expensive cable channels, accounted for almost 25% of that $33.5 billion, according to the report. ESPN, of course, spends very large sums on sports rights, including the National Football League.

Time Warner, parent of TNT, TBS, CNN and HBO, received 21% of the overall spending. Comcast, which owns USA, MSNBC and Bravo, accounted for 16%. News Corp., whose holdings include Fox News and FX, had a 14% slice of the pie. Combined, those four companies account for 75% of cable programming costs.

Cable programming isn't the only cost that is increasing. Broadcasters such as CBS, News Corp.'s Fox Broadcasting, Comcast's NBC and Disney's ABC are now getting fees from cable and satellite operators as well. Nomura said that in 2011, the big four broadcast networks took in almost $400 million in so-called retransmission consent fees, more than twice what they made in 2010. In 2012, the figure is expected to double again to $750 million. Nomura said Fox and CBS are the most aggressive among broadcasters.

http://latimesblogs.latimes.com/ente...-to-rise-.html
post #78363 of 87864
I've never cared for Ann Curry's reporting style. She seems too emotionally involved, like she's on the verge of tears.
post #78364 of 87864
Nielsen Overnights (Cable)
'Game of Thrones,' 'Mad Men,' 'Killing' ratings remain steady
By James Hibberd, EW.com's 'Inside TV' Blog - Apr. 9, 2012

For the second episode of season 2, HBO’s Game of Thrones ratings remained steady.

Sunday’s hour delivered 3.8 million viewers — last week’s premiere had 3.9 million viewers. Last week’s premiere was a series-high number, and considering that TV series viewership typically drops post-premiere, retaining nearly all of the the debut audience is a strong accomplishment. The premiere’s total viewership has crept up to 7.5 million viewers.

UPDATE: AMC’s Mad Men (2.8 million) and The Killing (1.8 million) ratings are in now too. Like Thrones, both held steady from last week, with Mad Men down just a tad and The Killing unchanged.

http://insidetv.ew.com/2012/04/09/ga...s-night-lands/
post #78365 of 87864
TV Notes
Southland Nearing Renewal
By Margaret Lyons, New York Magazine's 'Vulture' Blog - Apr. 9, 2012

Southland is on the brink of renewal, Variety reports, with TNT and the studio haggling over how many episodes the fifth season will include: Warner Bros. wants thirteen, and TNT wants ten. If we're taking polls, Vulture would like thirteen, too, please.

Southland is so good think the pacing of an early ER with the dramatic potency of Homicide. Lucy Liu's arc last season was great, but we'd happily take double the Regina King for this go-round. Her Detective Lydia Adams is one of the most complicated, interesting characters on TV right now.

http://www.vulture.com/2012/04/south...g-renewal.html
post #78366 of 87864
Technology Notes
Will the iPad Become the Generic Term for Tablet?
By Chloe Albanesius, PCMag.com - Apr. 9, 2012

Has the iPad become so synonymous with the idea of a tablet that all tablets can simply be referred to as "iPads"? According to the AP, Apple's iPad could join thermos, aspirin, and heroin in becoming a generic term.

The report, however, doesn't really note any particularly strong evidence to suggest that Apple might lose its grip on the iPad name, except for a quote from a 58-year-old iPad owner who admits to not knowing the names of any other tablets.

Instead, it focuses on efforts of well-known companies that have pushed to hold on to their trademarks - like Kleenex and Xerox. In the 1920s, Bayer lost a battle to hold on to the trademark for aspirin and heroin, while B.F. Goodrich lost out on zipper, the AP said. Kleenex and Xerox, however, have battled to hold on to their popular names, despite the fact that people commonly ask for a "Kleenex" when they mean tissue or say they are going to "Xerox" something instead of photocopy it.

The AP noted that fewer than 5 percent of U.S. brands end up as generic terms. And if Apple's legal efforts to protect its name are any indication, it's highly unlikely that iPad will also fall into the generic aspirin, heroin, or thermos bin. In fact, it's currently fighting a battle with China-based Proview to maintain control of the iPad name in the region.

The iPad is likely top of mind for tablet buyers because of its continued dominance in the space. During the fourth quarter of 2011, Apple held a 57 percent market share in the tablet market, analyst firm IHS said last month, a number expected to increase to 61 percent this year.

When the new iPad debuted in mid-March, Apple sold at least 3 million of the updated tablets in its first weekend. That came after selling 15.4 million iPads during the fourth quarter. Expect more detailed stats during the company's April 24 earnings call.

According to new stats from Chitika, the new iPad now accounts for 9.702 percent of iPad traffic after less than a month on the market. On a state-by-state basis, Chitika said the iPad is most popular in California (11.7 percent), Connecticut (10.3 percent), and Hawaii (10.3 percent).

http://www.pcmag.com/article2/0,2817,2402745,00.asp
post #78367 of 87864
Washington Notes
Spanish-language stations left out of campaign spending rule
By Joe Flint, Los Angeles Times' 'Media Decoder' Blog - Apr. 9, 2012

Although Hispanic voters will play a big part in the 2012 election, Spanish-language stations have been left out of a proposed rule from the Federal Communications Commission requiring big city television stations to put detailed information online about what candidates are spending on the upcoming presidential race.

Later this month the FCC will vote on whether television stations should be required to publish information online about how much politicians are spending on TV advertising. Such information is already available to the public, but anyone wanting to see it must visit a TV station and make a formal request. FCC Chairman Julius Genachowski has called making political advertising information readily available a common-sense update to what is already the law of the land.

Initially though, only stations that are affiliates of ABC, CBS, NBC and Fox in top-50 markets will be required to put political spending information on the Web. The rule tweak, which is expected to pass, would go into effect by late summer or early fall at the latest, still in time for the 2012 general election.

Other stations in smaller markets around the country would have up to two years to do so after the rule change goes into effect.

Media watchdogs are concerned that the rule change leaves out Univision and Telemundo stations as well as other Spanish-language outlets. Lots of money is expected to be spent on the Hispanic vote for the 2012 contest in cities such as New York, Los Angeles, Miami and Dallas with large Spanish-speaking populations.

"This really needs to be fixed," said Corie Wright, an attorney with Free Press, a nonprofit media watchdog group. "If you are drawing a line at the top markets, you want to include the stations that are reaching a large number of households in those markets." Wright added that it is unfair of the FCC not to give Spanish voters the same access to political advertising information that it is providing to the rest of the electorate.

http://latimesblogs.latimes.com/ente...sure-rule.html
post #78368 of 87864
Quote:
Originally Posted by Fastslappy View Post

Warren Sapp is trying to Save Face ... damage control has started
... assets reported to include 240 pairs of Jordans


The Washington Post reports ....

No wonder he went bankrupt. Who needs 240 pairs of shoes? And yet he was making around 1.2 million a year. That is just crazy.
post #78369 of 87864
Obituary
Computer Legend and Gaming Pioneer Jack Tramiel Dies at Age 83
By Forbes.com Staff - Apr. 9, 2012

Jack Tramiel, founder of Commodore International and crucial figure in the early history of personal computing, passed away surrounded by his family on Sunday, his family confirms. He was 83 years old.

Tramiel was born in Poland to a Jewish family in 1928. During World War II, he and his family were sent to Auschwitz, after which he and his father were sent to a labor camp called Ahlem, near Hannover. Tramiel was rescued in April 1945 and emigrated to the United States in 1947.

In America, Tramiel started a typewriter repair business. Staying in the forefront of technology, his typewriters morphed into calculators, and later computers. In 1982, Commodore International launched the Commodore 64, which went on to the best-selling personal computer of all time. In 1984, after being forced to leave the company he founded, Jack bought the crumbling Atari Inc.’s Consumer Division and formed Atari Corporation.

“Jack Tramiel was an immense influence in the consumer electronics and computing industries. A name once uttered in the same vein as Steve Jobs is today, his journey from concentration camp survivor to captain of industry is the stuff of legends,” say Martin Goldberg, a writer working on a book about the Atari brand and the early days of video games and computing with Atari Museum founder Curt Vendel.

“His legacy are the generations upon generations of computer scientists, engineers, and gamers who had their first exposure to high technology because of his affordable computers – ‘for the masses and not the classes.’”

Tramiel is survived by his wife Helen, their three sons, Gary, Sam and Leonard, and their extended families.

http://www.forbes.com/sites/davidthi...ies-at-age-83/
post #78370 of 87864
Nielsen Overnights (Cable)
Showtime’s ‘Nurse Jackie’ Slightly Up In Return, ‘The Big C’ & ‘The Borgias’ Down
By Nellie Andreeva, Deadline.com - Apr. 9, 2012

Moving from Monday to Sunday, Showtime’s dark comedy Nurse Jackie opened its fourth season with 653,000 viewers at 9 PM last night, up 7% from last season’s premiere. Meanwhile, fellow dark comedy The Big C, which also switched from Mondays to Sundays, dropped 35% to 581,000 viewers for its third season premiere at 9:30 PM.

At 10 PM, the second season of The Borgias launched with 604,000 viewers, down 43% from last year’s series debut. Showtime notes that all 3 series have been available online prior to their premieres, with the second season opener of The Borgias amassing 1.13 million views, though it is unclear how many of those watching were Showtime subscribers.

http://www.deadline.com/2012/04/show...-borgias-down/

* * * *

Nielsen Overnights (Cable)
Lifetime’s ‘Client List’ Debuts With 2.8 Million

Lifetime’s new Jennifer Love Hewitt drama series Client List got off to a solid start last night with 2.8 million viewers tuning in for the premiere. That is Lifetime’s most watched series debut since the 2009 premiere of Drop Dead Diva, which also averaged 2.8 million viewers, and the second largest premiere viewership in the last 5 years, only behind the 2007 launch of Lifetime’s flagship drama Army Wives. The Client List did far better than the premieres of Lifetime’s two most recent drama series, The Protector (1.9 million) and Against The Wall (1.8 million).

Considering The Client List opened on Easter night with lower HUT levels and strong cable competition, its delivery was encouraging for Lifetime, which needs another scripted hit, and a testament to the drawing power of Hewitt in lingerie.

http://www.deadline.com/2012/04/life...h-2-8-million/

* * * *

Nielsen Notes (Cable)
Starz’s ‘Magic City’ Off To Very Slow Start In Official Premiere, Boosted By Previews

In its official premiere at 10 PM on Friday, Starz’s new period drama Magic City drew only 295,000 viewers, well below the network’s most recent series premiere of Boss (659,000) and far off the debuts of Spartacus: Gods Of The Arena, (1.098 million), Camelot (1.125 million) and Torchwood: Miracle Day (819,000). For the 10 and 11 PM airings on Friday, the Magic City premiere averaged a combined 423,000 viewers vs. 1.05 million for Boss, and 965,000 for the weekend vs. 1.72 million for Boss.

There were two mitigating factors: first, Magic City‘s premiere fell on Good Friday when fewer people were watching TV, and secondly, it had already run on Starz the week before. Just like the first episode of HBO’s Luck aired a preview behind the season finale of Boardwalk Empire before officially premiering it a month later, the Magic City opener aired behind the Spartacus finale the previous week when it did better, drawing 730,000 viewers in Live+3. Starz says that the pilot episode of Magic City has been seen by 2.5 million Starz viewers to date, including 670,000 on-demand views. Of course, Magic City‘s fate doesn’t depend on ratings: the series starring Jeffrey Dean Morgan was renewed for a second season ahead of its premiere.

http://www.deadline.com/2012/04/star...d-by-previews/
post #78371 of 87864
TV Notes
On The Air Tonight
TUESDAY Network Primetime/Late Night Options
(All shows are in HD unless noted; start times are ET. Network late night shows are preceded by late local news)

ABC:
8PM - Last Man Standing
8:30PM - Cougar Town
9PM - Dancing with the Stars: Results Show (LIVE)
10:01PM - Body of Proof (Season Finale)
* * * *
11:30PM - Nightline (LIVE)
Midnight - Jimmy Kimmel Live! (David Spade; "Dancing With the Stars" castoff; Slash performs with Myles Kennedy and The Conspirators)

CBS:
8PM - NCIS
9PM - NCIS: Los Angeles
10PM - Unforgettable
* * * *
11:35PM - Late Show with David Letterman (2012 Masters champion Bubba Watson; Sean Hayes; Shooter Jennings performs)
12:37AM - Late Late Show with Craig Ferguson (Guy Pearce; Jessica St. Clair)

NBC:
8PM - The Biggest Loser
9PM - The Voice: Eliminations (LIVE)
10PM - Fashion Star
* * * *
11:35PM - The Tonight Show with Jay Leno (Josh Hutcherson; Rachel Maddow; Epic Turner performs with Lupe Fiasco and Tinie Tempah)
12:37AM - Late Night with Jimmy Fallon (Christina Applegate; anthropologist Jane Goodall; White Rabbits perform)
1:36AM - Last Call with Carson Daly (Seann William Scott; "No Room for Rockstars"; Dr. Dog performs)

FOX:
8PM - Glee
9PM - New Girl
9:30PM - Raising Hope

PBS:
(check your local listing for starting time/programming)
8PM - The Titanic with Len Goodman
9PM - Saving The Titanic
(R - Apr. 1)
9:30PM - Frontline: Nuclear Aftershock
(R - Jan. 17)

UNIVISION:
8PM - Una Familia Con Suerte
9PM - Abismo de Pasión
10PM - La Que No PodÃ*a Amar

THE CW:
8PM - 90210
(R - Mar. 6)
9PM - Ringer

TELEMUNDO:
8PM - Una Maid en Manhattan
9PM - Corazón Valiente
10PM - Relaciones Peligrosas

COMEDY CENTRAL:
11PM - The Daily Show with Jon Stewart (CEO Elon Musk)
11:31PM - The Colbert Report (Author Richard Hersh)

TBS:
11PM - Conan (Phil Robertson; Willie Robertson; M. Ward performs; Jason Biggs)

E!:
11PM - Chelsea Lately (Kathy Najimy; comic Michael Yo; comic Loni Love; comic Chris Franjola)
post #78372 of 87864
TV Notes
Tuesday’s Highlights: 'Raising Hope' on Fox
By Los Angeles Times' 'Show Tracker' Blog - Apr. 9, 2012

[ALL TIMES LISTED ARE PACIFIC TIME]

NANCY GRACE (as herself) does an investigative report on Hope’s homicidal mother on a new episode of “Raising Hope” at 9:30 p.m. on Fox.

SERIES

No Kitchen Required:
The chefs cook for the Maori of New Zealand in this new episode (7 and 10 p.m. BBC America).

The Biggest Loser: First lady Michelle Obama joins the contestants in a workout in this new episode (8 p.m. NBC).

Glee: New episodes begin again with Matt Bomer guest starring as Blaine’s (Darren Criss) older brother. Matthew Morrison, Jane Lynch and Lea Michele also star (8 p.m. Fox).

Deadliest Catch: Their fishing quotas have been slashed in half, making financial survival more difficult than ever in the season premiere, and 100th episode, of the unscripted-dangerous-job series (9 p.m. Discovery).

Justified: Raylan (Timothy Olyphant) is headed for a bloody final showdown with a long list of enemies in the season finale (10 p.m. FX).

Love for Sail: Think of this new series as an unscripted version of “The Love Boat” (10 p.m. Lifetime).

Dream Machines: This new unscripted series follows Florida-based brothers as they take vehicles imagined in movies, comic books and TV shows and engineer them into on-the-road realities for celebrity and collectors (10 p.m. Syfy).

Shannen Says: This new unscripted series follows Shannen Doherty as she prepares for her wedding to photographer Kurt Iswarienko (10 p.m. WE).

SPECIALS

The Titanic With Len Goodman:
Len Goodman (“Dancing With the Stars”) takes viewers on an exploration of the ship’s legacy through the stories of a hand-picked group of men who helped build the Titanic and then died with it (8 p.m. KOCE).

MOVIES:

Apostle Peter and the Last Supper:
Robert Loggia and Bruce Marchiano star in this new TV movie (9 p.m. KTBN).

SPORTS

Baseball:
The Pittsburgh Pirates visit the Dodgers (1 p.m. FS Prime).

Basketball: The Boston Celtics visit the Miami Heat (4 p.m. ESPN); the New York Knicks visit the Chicago Bulls (6:30 p.m. ESPN).


http://latimesblogs.latimes.com/showtracker/
post #78373 of 87864
Quote:
Originally Posted by aaronwt View Post

No wonder he went bankrupt. Who needs 240 pairs of shoes? And yet he was making around 1.2 million a year. That is just crazy.

I agree. I have no sympathy for these people. They get a large amount of money that most people can only dream about then go through it like it was water.
post #78374 of 87864
Quote:
Originally Posted by dad1153 View Post

Business Notes
Cable programming costs will continue to rise
By Joe Flint, Los Angeles Times' 'Media Decoder' Blog - Apr. 9, 2012

While subscriber growth is slowing for cable television companies, the cost of content continues to rise.

This is going to bring more cord cutting. Then prices will go up again to make up the difference for lost subscribers then even more people will cut the cord.
post #78375 of 87864
No one is "cutting" the damn cord.

99% of people who cancel their cable television leave their cord fully intact to continue delivering their cable Internet service.
post #78376 of 87864
Quote:
Originally Posted by dad1153 View Post

Business Notes
Cable programming costs will continue to rise
By Joe Flint, Los Angeles Times' 'Media Decoder' Blog - Apr. 9, 2012

In other news, leading scientists reported that the sun will continue to rise every day.

Film at 11.
post #78377 of 87864
Quote:
Originally Posted by scorpiontail60 View Post

No one is "cutting" the damn cord.

99% of people who cancel their cable television leave their cord fully intact to continue delivering their cable Internet service.

Figure of speech, dude.
post #78378 of 87864
TV Review
Double-and triple-crosses collide in 'Justified' finale
By Robert Bianco, USA Today - Apr. 10, 2012

If you want job security, don't play a bad guy on Justified.

Anyone who watches this terrific series knows that doesn't count as a spoiler, because it isn't telling you anything you're not already anticipating going into Tuesday's nail-biter of a season finale (★★★★ out of four, FX, 10 ET/PT).

You must know that everyone isn't going to make it through the season, because everyone never has. What you don't know is which one of the series' multiple, colorful and seemingly indispensable villains is about to be dispensed with — and in some cases, what you're probably not prepared for is how.

Let's just say the writers involved with this series — from Elmore Leonard, who created U.S. Marshal Raylan Givens, to producer Graham Yost, who has brilliantly brought him to electronic life — are too good at their jobs to let hints drop all season without finally picking them back up. It's yet one more reason Justified is FX's best drama and one of TV's best series.

Raylan's (Timothy Olyphant, who's as good as anyone working in the medium today) main quarry Tuesday is the increasingly unhinged Robert Quarles (another great TV turn by Neal McDonough). But as last week's intricate dance of double and triple crosses demonstrated, Raylan has far more than just Quarles to worry about, what with
Warning: Spoiler! (Click to show)
Spoiler  
Warning: Spoiler! (Click to show)
Limehouse (Mykelti Williamson) pulling strings and Wynn Duffy (Jere Burns) exploding bombs.


If, by the way, you need further proof of how deftly Justified treads the line between laughs and gasps, watch the scene in which
Warning: Spoiler! (Click to show)
Spoiler  
Warning: Spoiler! (Click to show)
Raylan questions Wynn over Quarles' whereabouts.
It's what happens when great ideas, great writing and great acting combine.

Were Wynn and Quarles not enough, there's also the constant threat that is Boyd Crowder — played by the inimitable Walton Goggins, who, like Olyphant, has created a character who can be comic relief at one moment and a deadly threat the next.

If there was a problem with this season earlier in the run, it was that
Warning: Spoiler! (Click to show)
Spoiler  
Warning: Spoiler! (Click to show)
the story line didn't tie into Raylan's past or into the show's Kentucky locale as specifically and emotionally as last year's did.
But that issue has diminished over the past few weeks, as Limehouse has become more prominent, and it vanishes in the finale with a twist that hits as close to Raylan as any twist could.

Wrapping up another stellar run in completely satisfying, constantly surprising fashion, Justified again stakes a strong claim for award-season attention. There are dramas out there that are as good, but it's hard to think of any that are this good and yet this consistently, rousingly entertaining — which probably hurts it among those who seem to think a show has to be a struggle to watch to be Emmy-worthy.

Watch Tuesday, and then tell me the Emmy doubters aren't wrong.

http://www.usatoday.com/life/televis...ale/54136642/1
post #78379 of 87864
TV Notes
For ABC's 'Body,' proof is in the pulling
Network is yanking the second-year drama early
By Louisa Ada Seltzer, Media Life Magazine - Apr. 10, 2012

"Body of Proof" was a pleasant midseason surprise last year, drawing good enough ratings to become the only new drama to be renewed by ABC last May.

But as its second season draws to a close, the show is in real danger of not coming back next year. "Proof," which follows troubled former surgeon Megan Hunt (Dana Delany) in her new career as a medical examiner, airs its season finale at 10 p.m. tonight.

Last year "Proof" became ABC's most-watched drama in the Tuesday 10 p.m. timeslot in a decade. But its viewership has fallen 26 percent this year, from 11.24 million total viewers to 8.33 million, according to Nielsen.

Some of that is certainly due to its diminished lead-in, "Dancing with the Stars Results," which has lost 3 million viewers since last year. That gives "Proof" a smaller pool of viewers to convince to stick around.

Also, 10 p.m. dramas generally are down this season, something analysts have attributed the rise of DVR playback in the hour. People are increasingly watching the shows they taped earlier in the day or week at 10 p.m.

Only one show in the timeslot, "The Mentalist," is averaging more than 11.6 million viewers, and none are drawing a 3.0 adults 18-49 rating, which is what "Proof" premiered to last year.

"Proof" is leaving the air early to give long-running ABC drama "Private Practice" a shot at the 10 p.m. Tuesday timeslot. The show has long aired at 10 on Thursdays, after "Grey's Anatomy," the show it was spun off from.

But ABC wanted to give the plum post-"Grey's" timeslot to another new drama, "Scandal," which premiered to so-so numbers last week.

If "Practice" does well on Tuesdays, it will likely stay there this fall, freeing up the key Thursday timeslot for another new show, if not "Scandal" another show now in development.

So where does that leave "Proof?" Perhaps without a timeslot. ABC has very strong Monday and Wednesday lineups, and it's not likely to change them at all.

That would mean, short of moving to Friday, "Proof" would be without a place on the fall schedule, though it could still get a midseason order depending on the strength of the network's drama development this spring.

http://www.medialifemagazine.com/art...he-pulling.asp
post #78380 of 87864
TV Notes
'Days of Our Lives' changes head writers (again)
By Lynette Rice, EW.com's 'Inside TV' Blog - Apr. 9, 2012

More shakeup on Days of Our Lives: The NBC soap has officially announced that it has hired the Emmy-winning duo of Gary Tomlin and Christopher Whitesell to serve as their newest head writers, effective immediately.

The duo replaces Marlene McPherson and Darrell Ray Thomas Jr., who were brought on in May 2011 to help relaunch the aging sudser by bringing back veteran stars like Drake Hogestyn, Deidre Hall, Patrick Muldoon, Christie Clark and Matthew Ashford. Ratings, however, did not improve: DOOL is tied with The Bold and the Beautiful as the least-watched serial in daytime among women 18-49 (a 1.1 rating). The Young and the Restless is the most watched with a 1.6 rating, according to results through March 25.

Tomlin and Whitesell have previously written for DOOL. The change was first reported by Soap Opera Network.

A spokeswoman says Tomlin and Whitesell will be joined by Lorraine Broderick as a member of the new writing team. Co-executive producer Greg Meng released this statement: We are excited and look forward to the stories of romance, suspense and intrigue this new dream team plans to tell.

http://insidetv.ew.com/2012/04/09/da...writers-again/
post #78381 of 87864
Critic's Notes
Nearing milestone birthday, 'Late Show' host David Letterman shows no signs of slowing down
By David Hinckley, New York Daily News - Apr. 10, 2012

David Letterman turns 65 on Thursday, which will probably make most TV viewers think, “Geez, is that all? Could have sworn he’d be at least 80.”

That’s not a comment on his appearance. It just feels like Letterman has been around forever — that there has never been a time when his lanky frame and his musings on the passing parade were not part of late-night television.

In an era when even broadcast evening news anchors have a tough time becoming institutions, Letterman’s achievement is impressive.

It also reflects the times in which he now operates, though not the times in which he started.

When Letterman did his first late-night show on Feb. 1, 1982, television institutions were broad-appeal personalities like Johnny Carson or Walter Cronkite, who retired just a year earlier.

These days, give or take Oprah, there aren’t a lot of those left. What we have are niche brands, as they say in the marketing biz.

Hello, David Letterman.

Not everybody likes Dave. Not even close. Not only does the CBS “Late Show With David Letterman” draw fewer viewers than Jay Leno’s “The Tonight Show” over on NBC, but in any random group of 100 TV viewers, several dozen will say they just don’t like Dave.

That’s not how it was with Carson, Letterman’s late-night predecessor, friend and role model. Everybody didn’t watch Johnny, but almost everybody liked him.

Not Dave.

You either embrace his sarcastic, dry, droll take on the world, delighted that someone else sees the same absurdities, or you think he’s smug and annoying, another TV guy who smirks at all the things from which his fame and fortune insulate him.

It’s the same issue that arises with other personalities like Letterman’s friend Howard Stern. Either you think he’s laughing with us or laughing at us.

So for all the ways in which Dave continues the late-night TV legacy of Carson, in that one critical way he is almost the anti-Carson.

Where Carson was the universal nice guy, Dave is love him or hate him.

Case in point: the most important crossroads of Letterman’s TV career.

In 1993, after Carson retired, NBC had to pick between Letterman and Leno to take his seat.

Carson favored Letterman.

But NBC picked Leno, and while a variety of factors went into that call, NBC clearly wanted someone who almost everyone in TV land could like.

Letterman was perceived as a little too edgy, fine for 12:30 but maybe a little too cool for the room at 11:30.

CBS immediately snatched him up, and he has been embedded at 11:30 ever since.

He just signed a new deal, extending his contract two years through 2014.

He suggested to Stern last year that maybe two more years would do it, but TV is a hard mistress from whom to walk away.

It’s safe to say CBS will keep him as long as he wants to stay, because even though Letterman’s share of the audience has never approached Carson’s, TV is okay with that these days.

Viewers who used to have two or three choices late at night now have 500, not counting time-shifted shows building up in the DVR.

Success at 11:30 now means holding a loyal core group, which Letterman has done for decades and which Conan O’Brien can attest is harder than it sounds.

In the broader sense, explaining why comedians are funny is like explaining why chocolate ice cream tastes good. It just does.

With Letterman, you can say he has a distinct style and attitude. Like Carson, he has great timing. He has the sense to pick top writers. All that is pretty obvious.

He’s also not afraid to deprecate himself, and while he’s famously private, he also isn’t afraid to get personal. The “Late Show” episodes on his medical problems and office affairs were less Carson than Oprah.

He’s a good interviewer who adjusts to either his rhythm or his guest’s, whichever is funnier.

He doesn’t take most things seriously unless there’s a good reason. But he gets political and newsmaker guests who do have a serious message, and carves out a space in which they can deliver it.

What it all adds up to, for Dave at 65, is that he’s still accomplishing the late-night host’s mission.

He makes the night a little better by distilling the craziness of the day.

http://www.nydailynews.com/entertain...icle-1.1058955
post #78382 of 87864
Quote:
Originally Posted by EJ View Post

I've never cared for Ann Curry's reporting style. She seems too emotionally involved, like she's on the verge of tears.

Yeah, she wants to hold hands with some of the people she interviews. It's one thing to be a compassionate person, it's another thing to also be an unbiased newsperson. Plus, her interview skills are bad. Not sure why they promoted her unless they felt like they owed her something.
post #78383 of 87864
Isnt Letterman 11:35 give or take a few secs.
post #78384 of 87864
Quote:
Originally Posted by dcowboy7 View Post

Isnt Letterman 11:35 give or take a few secs.

In some places, he is on at 10:35. 11:30 works for generalities.
post #78385 of 87864
Quote:
Originally Posted by dad1153 View Post

Critic's Notes
Nearing milestone birthday, 'Late Show' host David Letterman shows no signs of slowing down
By David Hinckley, New York Daily News - Apr. 10, 2012

[a lot snipped]

He doesn't take most things seriously unless there's a good reason. But he gets political and newsmaker guests who do have a serious message, and carves out a space in which they can deliver it.

What it all adds up to, for Dave at 65, is that he's still accomplishing the late-night host's mission.

He makes the night a little better by distilling the craziness of the day.

http://www.nydailynews.com/entertain...icle-1.1058955

Seminal moment, September 24, 2008, when John McCain begged off to race to Washington, only to be caught by him (and replacement guest Keith Olbermann and his giant head ) doing a live interview with (then) CBS News anchor Katie Couric.

Both Dave and Keith ran with that for the rest of the 2008 election period.
post #78386 of 87864
MONDAY's fast affiliate overnight prime-time ratings -and what they mean- have been posted on Analyst Marc Berman's Media INsight's Blog
post #78387 of 87864
Nielsen Overnights (18-49)
'Voice' buoys NBC to another Monday win
Averages a 3.9 in 18-49s, a season low but tops on night
By Toni Fitzgerald, Media Life Magazine - Apr. 10, 2012

NBC won another Monday night, but top show "The Voice" fell to a Monday season low, as did several other shows on a generally slow evening for broadcast.

"Voice" averaged a 3.9 adults 18-49 rating from 8 to 10 p.m., according to Nielsen, topping "Two and a Half Men" as the night's No. 1 show. It once again more than doubled NBC's previous season average in the timeslot.

"Voice" was down 5 percent from last week and notched its lowest Monday rating this season, but it was hardly the only show seeing declines.

CBS's "Men," which notched a series high for its premiere last fall, fell to a series-low 3.5 last night. "Men's" lead-ins, "How I Met Your Mother" and "2 Broke Girls," also fell to season lows of 3.4 apiece.

Fox's "Bones" (off 16 percent to a 2.1) and "House" (off 13 percent from last week to a 2.0) both saw declines from last week.

ABC's "Dancing with the Stars" was flat to last week with a 2.9, but it remains down from last spring.

These spring dips are not all that surprising. They've been seen across every night for the past few weeks, starting when daylight saving time took effect last month. And it's been a seasonal occurrence dating back several years.

Meanwhile, NBC led the night among 18-49s with a 3.3 average overnight rating and a 9 share. CBS was second at 3.1/8, ABC third at 2.4/6, Fox fourth at 2.1/6, Univision fifth at 1.4/4, and CW and Telemundo tied for sixth at 0.5/1.

As a reminder, all ratings are based on live-plus-same-day DVR playback, which includes shows replayed before 3 a.m. the night before. Seven-day DVR data won’t be available for several weeks. Forty-three percent of Nielsen households have DVRs.

At 8 p.m. NBC was first with a 3.7 for "Voice," followed by CBS with a 3.4 for "Mother" (3.4) and "Girls" (3.4). ABC was third with a 2.7 for "Stars," Fox fourth with a 2.1 for "Bones," Univision fifth with a 1.5 for "Una Familia con Suerte," and CW and Telemundo tied for sixth at 0.5, CW for "Gossip Girl" and Telemundo for "Una Maid en Manhattan."

NBC increased its lead at 9 p.m. with a 4.2 for more "Voice," while CBS remained second with a 3.3 for "Men" (3.5) and "Mike & Molly" (3.2). ABC was third with a 3.1 for another hour of "Stars," Fox fourth with a 2.0 for "House," Univision fifth with a 1.5 for "Abismo de Pasion" and CW and Telemundo tied for sixth at 0.5, CW for "Hart of Dixie" and Telemundo for "Corazon Valiente."

CBS moved to first at 10 p.m. with a 2.6 for "Hawaii Five-0," with NBC second with a 2.1 for "Smash." Univision was third with a 1.4 for "La Que no Podia Amar," ABC fourth with a 1.3 for a "Scandal" rerun and Telemundo fifth with a 0.4 for "Relaciones Peligrosas."

ABC finished first for the night among households with an 8.5 average overnight rating and a 13 share. CBS was second at 6.0/9, NBC third at 5.4/8, Fox fourth at 4.3/7, Univision fifth at 1.9/3, CW sixth at 0.8/1 and Telemundo seventh at 0.7/1.

http://www.medialifemagazine.com/art...Monday-win.asp
post #78388 of 87864
Business Notes
Best Buy CEO Resigns
By Miguel Bustillo, Wall Street Journal - Apr. 10, 2012

Best Buy Co. Chief Executive Brian Dunn resigned abruptly on Tuesday, just weeks after announcing a turnaround strategy for the slumping consumer electronics retailer, which has been struggling to adapt its big-box business model amid fierce competition from internet merchants such as Amazon.com Inc.

The Richfield, Minn., retailer said in a statement that there were no disagreements between the board and Mr. Dunn, a one-time store manager who worked his way to the company's top ranks over a 28-year career, "on any matter relating to operations, financial controls, policies or procedures."

But, the company said, "there was mutual agreement that it was time for new leadership to address the challenges that face the company."

Board member G. Mike Mikan will serve as interim CEO until a replacement is found.

"I want to assure our employees, customers and other key stakeholders that we will work together to achieve our company's growth and profitability goals," Mr. Mikan said in a statement.

Mr. Dunn wasn't immediately available for comment.

Shares rose more than 3% immediately after the announcement, but then slid into negative territory.

Best Buy once outmuscled rivals with big-box stores as big as 58,000 square feet, but the world's largest specialty electronics chain has run into trouble in the past 18 months as consumers armed with smartphones are changing the relationship between shopper and retailer.

Consumers are increasingly using their phones to compare the prices they see in stores with those online, a practice known as "showrooming," which especially affects Best Buy because electronics are expensive enough to make such comparisons worthwhile.

After Best Buy announced a $1.7 billion quarterly loss on March 29, Mr. Dunn outlined a plan to move the retailer away from the big-box strategy. The company said it would close 50 large stores this year, and test remodeled store formats in San Antonio and Minneapolis, while adding hundreds of small stores focused on selling mobile phones.

It also disclosed plans to lay off 400 workers as part of a plan to trim $800 million in costs.

"While we know 'showrooming' happens, we continue to be the No. 1 player in consumer electronics," Mr. Dunn said in an interview last month. "Really, if a customer comes into our store to see something, I like our odds."

Analysts, however, were generally unimpressed with the company's turnaround strategy, with some questioning whether the retailer was moving rapidly enough to address the changes revolutionizing its business.

Best Buy shares have lost more than half of their value in the past five years.

The company's revenue in the latest quarter rose 3.4% to $16.63 billion. But Best Buy's sales at stores, websites and phone-order centers open at least 14 months fell 2.4% compared with the year before.

The decline, largely due to declining TV and laptop sales, came despite a 21% gain in online sales.

Best Buy sells many of Apple Inc.'s popular devicesa recent survey by Consumer Intelligence Research Partners found that 13% of U.S. iPhone buyers over a three-month period bought the phones at Best Buy. But competition from Apple and the stores of phone companies has left Best Buy with a smaller share in the new hot electronics category than it has traditionally had in former best-sellers such as flat-screen televisions and DVD players.

Best Buy's dominant position appeared secured during the recession when archrival Circuit City declared bankruptcy and liquidated, but declining movie and CD sales caught up with the company. It cut back on the merchandise, leaving huge spaces in its cavernous stores, most of which are 30,000 to 45,000 square feet.

The company earlier projected earnings of between $3.50 to $3.80 a share for its new fiscal year, and generally flat revenue of $50 billion to $51 billion.

Mr. Dunn, who started as a store associate of Best Buy in 1985, was named CEO in June 2009. He took over as Best Buy began facing increased competition from online platforms like Amazon.com Inc.

The announcement of Mr. Dunn's departure "happened pretty abruptly, but this is part of Best Buy's desire to move in more of a digital direction," said David Strasser, an analyst at Janney Montgomery Scott. "Brian [Dunn] was more of a retail guy."

Mr. Strasser added: "Brian was never the big problem and the person who comes in will not be the big solution. ... "It's going to take some time to turn this company around. It's not going to happen overnight."

Mr. Mikan, who will remain on the board while serving as interim CEO, has been a Best Buy director since April 2008. He formerly served as executive vice president and chief financial officer of UnitedHealth Group Inc. and chief executive officer of Optum, a health-care services company and affiliate of UnitedHealth.

Best Buy said it the board has formed a search committee for a new CEO. The committee consists of the founder and members of the nominating, corporate governance and policy committee.

http://online.wsj.com/article/SB1000...794808074.html
post #78389 of 87864
Technology Notes
Flood of video streaming options could confound TV watchers
By Mike Snyder and Roger Yu, USA Today - Apr. 10, 2012



Streaming video is about to hit its tipping point.

Competing online video services have become so successful that about one-third of Americans have streamed a movie or TV show on Netflix, Hulu, Vudu, Crackle or another Net-based video service, according to Nielsen.

Americans will watch 3.4 billion movies online this year, more than doubling 2011's total and exceeding DVD and Blu-ray consumption for the first time, estimates researcher IHS Screen Digest.

"We are looking at the beginning of the end of the age of movies" on discs, says IHS senior principal analyst Dan Cryan.

Another sign of streaming's success is that entrenched pay-TV providers, such as Comcast, are creating their own similar services in an effort to keep subscribers.

That has resulted in a battle royal as traditional and upstart video services alike attempt to trump each other in hopes of swiping and keeping customers. With hardware makers and even large retailers such as Walmart also drooling for a piece of the programming pie, "It is confusing the hell out of people," says Phil Swann, editor of TVPredictions.com.

Like it or not, TV lovers such as Larry R. Haynes are caught in a tug of war over the future of television. Haynes and his wife, Jennifer, subscribe to Comcast for Internet and TV, but they have trimmed their bill by canceling Showtime, while keeping HBO. And like many others, they have turned to Netflix for additional viewing options.

Streaming services "just do not have the selection like the cable companies do yet," says the 32-year-old Grand Rapids, Mich., engineer. "So I am not about to cancel my cable service … like I hear a lot of people are doing."

He has also experimented with Comcast's smartphone app, which lets him watch streamed TV shows and movies. "It's about time they started trying to retain their current customers," he says.

That is music to the ears of cable companies as well as satellite services DirecTV and Dish Network and fiber-based networks Verizon FiOS and AT&T U-verse.

During the height of the economic downturn (2008-2011), more than 2.65 million subscribers — mostly cable subscribers — dropped their pay-TV service entirely in favor of streaming video options, according to The Convergence Consulting Group.

But satellite and broadband companies actually saw increases in subscribers.

And now that cable companies are fighting back with their own free and paid on-demand options, the rate at which subscribers are dropping cable may be starting to slow.

Get ready to be confused

Consumers increasingly will find themselves wading through multiple device options and payment plans for streaming services. "It's going to be a bit complicated for a while," says Maryann Baldwin of Magid Media Futures.

Netflix has been the key catalyst in the surge of streaming. The movie-rental superpower has grown its streaming service into a programming channel used by nearly 22 million of its 24.4 million subscribers.

Along with Hulu, Vudu and Crackle, Amazon's Prime — which began as a two-day shipping service — has also become a formidable Netflix competitor. Prime costs $79 a year to join and allows free streaming of about 17,000 video titles, says Bill Carr, Amazon's vice president of videos and music.

The all-you-can-stream subscription model helped win skeptical customers. The number of people who subscribe to an online streaming service grew 74% in 2011, IHS says.

"If you buy a movie, you sit through it even if it's rubbish," Cryan says. "With streaming, people just start a new" movie.

Even some content providers, such as HBO and a consortium of movie studios — via the cloud-based UltraViolet locker system — are developing their own delivery software.

Competition has been a boon for customers looking for the cheapest way to watch new films, such as Moneyball, or more obscure and high-definition choices.

"Now anybody with good content can reach an audience," says Colin Dixon, analyst at The Diffusion Group. "

So it's not surprising that much of the marketing fight is about who has the best content, now that studios have made licensing easier. "But with so many streaming companies eager to get their hands on content, the licenses for new and popular titles are becoming more expensive for all," Cryan says.

Netflix is hoping to stand out with originally produced shows. Last month, the service launched Lilyhammer, a series featuring E Street Band member Steven Van Zandt. Also in the works is House of Cards, starring Kevin Spacey. Netflix will also revive the Fox TV series Arrested Development next year.

"Eighteen months ago, Netflix said its strength is its breadth of library. (Others) now also have a lot of titles," says Dan Rayburn, an analyst at StreamingMedia.com. "Netflix changed their tune to say it's about exclusive content." But he's not sold on Netflix's original content plans, noting the high rate of churn among its subscribers. "Producing something like Mad Men can cost $100 million."

YouTube, which Nielsen says accounted for 45% of Americans' online video streaming time in the fourth quarter of 2011, has its own TV channels, too.

Pay-TV strategies

With the battle for consumers' eyeballs expanding to tablets and smartphones, pay-TV providers are making a stand.

TV watchers generally prefer to watch movies and TV shows from one interface, says Gerry Kaufhold, research director of digital entertainment at DisplaySearch/In-Stat. "The pay-TV services are all scrambling to come up with ways to put apps on tablets and smartphones so that they can provide that."

Comcast. Its Xfinity Streampix service gives its video subscribers on-demand viewing of movies and TV shows on iPhones and iPads.

Customers streamed about 375 million times per month at the beginning of the year — up from 325 million a year ago — across all categories. "There is a huge amount of engagement," says Marcien Jenckes, Comcast Cable's senior vice president of video services.

Cox Communications. Last May, it introduced Cox TV Online, which gives customers access to 10,000 videos for computers and laptops. It's already attracting 1 million views per month, says Steve Necessary, vice president of video strategy.

Cox also rolled out Cox TV Connect, an iPad app for more recent shows that can only be surfed at home by its customers. Released in December, the app is used by about 20% of Cox customers who own an iPad on a monthly basis.

Dish Network. It upgraded its Blockbuster Movie Pass ($10 per month in addition to a Dish subscription) by adding instant streaming of more than 100,000 movies, TV shows and games to TV and iPad.

Verizon. The telecom giant is creating a streaming service with Redbox, the DVD and Blu-ray disc rental kiosk company.

Pay-TV companies will fight to keep their customers within their product systems, and the perception that hordes of customers will cut the cord and flock to online streaming options is still premature, says Wedbush Securities analyst Michael Pachter.

Traditional TV providers remain the favorites of Hollywood and content owners, he says, because "they all lose if everything moves Ã* la carte via the Internet." Content owners and studios stand to make more from cable and satellite companies that already package channels and could easily add streaming features than from a model where subscribers paid for only the channels they wanted, he says.

To that end, Netflix CEO Reed Hastings has said that he is discussing with cable operators the bundling of its streaming service into pay-TV packages. "They would have to share some of the revenue with the cable operator, but that would make Netflix's content instantly available for a cable subscriber," Kaufhold says. "There's no reason why that can't happen."

That type of the mash-up of traditional pay-TV offerings with Net app-based content, or hybrid TV service, will be in about 10 million U.S. homes by the end of 2012 and 35 million by 2016, In-Stat estimates. "The cable operators and the other pay-TV services are all moving in that direction," Kaufhold says.

In the interim, all the streaming services are cozying up to video game hardware makers. Last week, Sony's PlayStation 3 became the first video game console to provide access to Amazon.com's Instant Video service, which has more than 120,000 movies and TV programs that you can buy or rent.

And Microsoft's Xbox 360 has added apps to make it easier for Verizon, Comcast and HBO subscribers to view content through Xbox Live. "They see a great opportunity to use our platform to better serve their customers," says Ross Honey, general manager of Xbox Live entertainment and advertising.

There also are so many dedicated streaming devices, such as Roku, Boxee and WD TV (by Western Digital), that some may not survive. "A couple of these guys are going to have a hard time standing alone," Rayburn says. With a dizzying set of options that are constantly evolving, consumers will likely flock to the providers that keep things simple to use, he says.

"If you know what you're doing, there are plenty of options. The problem is most consumers don't," he says. "There will be more fragmentation in two years. It's a nightmare."

http://www.usatoday.com/tech/news/st...ons/54136024/1
post #78390 of 87864
TV Notes
HBO's Game Of Thrones' Renewed For Third Season
By Nellie Andreeva, Deadline.com - Apr. 10, 2012

The only question surrounding HBO's renewal of Game Of Thrones was What took so long? Following a ratings record-setting Season 2 premiere and excellent Week 2 hold, the fantasy series was just picked up for a third season. Series creators David Benioff and D.B. Weiss raised our expectations for the second season - and then surpassed them, said HBO's programming president Michael Lombardo.

Based on the bestselling fantasy book series by George R.R. Martin, Game Of Thrones launched its second season with 3.9 million viewers tuning for the premiere, a series high and up 74% from GOTs series debut. The Season 2 opener has now been seen by a gross audience of 8.3 million viewers and is on track to easily surpass the Season 1 average of 9.3 million viewers. This past Sunday, GOT drew 3.8 million viewers, retaining virtually the entire audience of its second season premiere. Season 2 of GOT is executive produced by Benioff, Weiss, Carolyn Strauss and Frank Doelger.

http://www.deadline.com/2012/04/hbos...-third-season/
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: HDTV Programming
AVS › AVS Forum › HDTV › HDTV Programming › Hot Off The Press: The Latest TV News and Information