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post #78811 of 87364
Quote:
Originally Posted by rebkell View Post

Talk about violence, I've watched a considerable amount of NBA this year and as the season is winding down, I remember why I quit watching the sport. It's the insane amount of physical play and at times downright violence that is just accepted by the officials as we approach and start the playoffs. It's not basketball at a certain point, it's just wrestling and who's the strongest and it finally reaches the point that I just lose interest, because it isn't about skill anymore it's about survival of the fittest and who can get in the cheap shots without being called for it, sometimes it's just flagrant and it's just accepted because it's playoff basketball.

Sorry for the rant.

With the exception of Ron Artest, the NBA season has been very light on fighting. Your assessment that it's like wrestling leads me to believe you just dont like the NBA, because you couldnt be more wrong. The league has clamped down on violence etc and other than some poorly played games due to too many back-to-back games, it's been a good season. Playoff basketball differs from the regular season because teams ratchet up the defense. Great basketball teams play great defense.
post #78812 of 87364
Quote:
Originally Posted by skyehill View Post

With the exception of Ron Artest, the NBA season has been very light on fighting. Your assessment that it's like wrestling leads me to believe you just dont like the NBA, because you couldnt be more wrong. The league has clamped down on violence etc and other than some poorly played games due to too many back-to-back games, it's been a good season. Playoff basketball differs from the regular season because teams ratchet up the defense. Great basketball teams play great defense.

Oh I love basketball, but the physical play has escalated in a big way over the last month. Hey they can do whatever they please, but the part I don't like is the way the game is officiated, they may or may not call a foul and the defense that you refer to being ratcheting up is just an excuse for physical play that is most definitely a foul, but they change the rules the deeper into the season that we get. These players in my mind are some of if not the greatest athletes in the world, but the physicality as we proceed turns the game into just a game of survival.
post #78813 of 87364
MONDAY's fast affiliate overnight prime-time ratings -and what they mean- have been posted on Analyst Marc Berman's Media INsight's Blog
post #78814 of 87364
Nielsen Overnights (18-49)
With CBS in reruns, other shows grow
Fox's 'House' rises 15 percent to a 2.3 in 18-49s
By Toni Fitzgerald, Media Life Magazine - Apr. 24, 2012

With CBS's strong Monday lineup in reruns last night, the competing networks all saw gains.

Fox's "House" was up the most, 15 percent, to a 2.3 in adults 18-49 at 9 p.m., according to Nielsen, rebounding from a season-low 2.0 last week.

It may owe some of that boost to a big plot twist that had been teased online and will play out over the final four episodes of the drama, leading up to next month's series finale.

NBC's "Smash" also grew from last week's series low, up 11 percent from a 1.9 to a 2.1 in the 10 p.m. timeslot, tying ABC's "20/20: Dance Floor Confidential: Behind the Scenes of DWTS" for first in the hour.

And ABC's "Dancing with the Stars" rose 3 percent from the previous Monday to a 3.0 from 8 to 10 p.m.

NBC won the night, with "The Voice" finishing as the night's top show with a 3.7 in the same slot as "DWTS," flat with last week.

NBC averaged a 3.2 overnight rating and an 8 share on the night. ABC was second at 2.7/7, Fox third at 2.2/6, CBS fourth at 1.7/5, Univision fifth at 1.6/4, and the CW and Telemundo tied for sixth at 0.5/1.

As a reminder, all ratings are based on live-plus-same-day DVR playback, which includes shows replayed before 3 a.m. the night before. Seven-day DVR data won't be available for several weeks. Forty-three percent of Nielsen households have DVRs.

At 8 p.m. NBC was first with a 3.4 for "Voice," followed by ABC with a 2.8 for "DWTS." Fox was third with a 2.2 for "Bones." CBS and Univision tied for fourth at 1.7, CBS for repeats of "How I Met Your Mother" and "2 Broke Girls" and Univision for "Una Familia con Suerte." The CW and Telemundo tied for sixth at 0.5, CW for "Gossip Girl" and Telemundo for "Una Maid en Manhattan."

NBC was first again at 9 p.m. with a 4.0 for more "Voice," while ABC remained second with a 3.3 for another hour of "DWTS." Fox was third with a 2.3 for "House," CBS fourth with a 1.9 for repeats of "Two and a Half Men" and "Mike & Molly," Univision fifth with a 1.5 for "Abismo de Pasion," and CW and Telemundo once again tied for sixth at 0.5, CW for "Hart of Dixie" and Telemundo for "Corazon Valiente."

At 10 p.m. NBC and ABC tied for first at 2.1, NBC for "Smash" and ABC for the special "20/20." CBS was third with a 1.6 for a "Hawaii Five-0" rerun, Univision fourth with a 1.5 for "La Que No Podia Amar" and Telemundo fifth with a 0.4 for "Relaciones Peligrosas."

ABC finished first for the night among households with a 9.8 average overnight rating and a 15 share. NBC was second at 5.2/8, Fox third at 4.3/6, CBS fourth at 4.1/6, Univision fifth at 2.0/3, CW sixth at 0.8/1 and Telemundo seventh at 0.7/1.

http://www.medialifemagazine.com/art...shows-grow.asp
post #78815 of 87364
TV Notes
Syfy Greenlights Five New Reality Series
By Nellie Andreeva, Deadline.com - Apr. 24, 2012

EXCLUSIVE: Ahead of its upfront presentation tonight, Syfy has picked up five new reality series, including Hot Set, an offshoot from the network's hit competition series for makeup artists Face Off. Hot Set, which comes from the producers of Face Off, will have Hollywood production designers facing off in creating original movie sets. Also on tap are new reality series Paranormal Highway and Ghost Mine, the latest additions to Syfy's formidable roster of paranormal-themed unscripted fare, which includes recently announced haunted schools series School Spirits, which premieres in June.

Paranormal Highway stars Jack Osbourne and Dana Workman who investigate claims of paranormal activity along America's remote back roads. The 51 Minds-produced Ghost Mine is set at a recently reopened Oregon gold mine. Syfy's reality series slate also includes a show from Jersey Shore executive producer Sally Ann Salsano. Viral Video Showdown features viral video creators competing for cash prizes. Rounding out Syfy's upcoming reality offerings is Collection Intervention, which features a collectibles expert helping couples decide what to do with their collections. Here are detailed descriptions of Syfy's newly picked up reality series:

Hot Set - From the producers of Syfy's hit series Face Off, Hot Set is an extreme design challenge pitting two Hollywood production designers each week in a head-to-head battle to design, build, decorate and ultimately create an original and signature movie set that transports the viewer into an immersive world. Production company: Mission Control Media. Executive producers: Michael Agbabian and Dwight Smith.

Paranormal Highway - Summer Paranormal Highway puts the pedal to the metal as Jack Osbourne and Dana Workman investigate the most frightening claims of paranormal activity along America's remote back roads. Fueled by eyewitness interviews and evidence collected by state-of-the-art equipment, Jack and Dana will travel alone, self-documenting their harrowing road trip while coming face-to-face with paranormal legends. Production company: BASE Productions. Executive producers:John Brenkus, Mickey Stern, Ron Ziskin.

Collection Intervention Collection Intervention follows Elyse Luray, a sharp and to-the-point collectibles expert as she helps couples who are divided over what to do with an overwhelming collection of memorabilia. Whether it's a husband's collection of mint-condition G.I. JOE action figures worth thousands of dollars or a girlfriend's treasure trove of Star Wars movie posters, Elyse helps couples decide what's worth keeping and what they can sell. For each couple, their new cash windfall will make their dream come true, whether it's an engagement ring, a down payment for a home, or the honeymoon they never had. Production company: High Noon Entertainment. Executive producers: Pam Healey, Elizabeth Grizzle Voorhees, Jim Berger.

Viral Video Showdown The greatest viral video creators on the planet go head-to-head each week in an epic battle for bragging rights and a cash prize. Two teams will have to dig deep into their bag of viral tricks to create a video that best captures that week's theme and impresses the expert panel of viral video judges. Production company: 495 Productions. Executive producers: SallyAnn Salsano, Kevin Pereira.

Ghost Mine In the remote woods of Oregon lays one of the richest gold mines in the United States. For the last 100 years, it has remained abandoned until now. Soon to be re-opened by a scraggly group of miners, these hardy souls will battle the elements to find their fortune. But with a rich history of paranormal activity surrounding the mine, they may just find something else. Production company: 51 Minds. Executive producer: Mark Cronin.

School Spirits (previously announced) Premieres June School Spirits will tell true ghost stories of hauntings that have happened at schools across the country. The stories will be told in first person narratives through the testimonials of real students, teachers, parents and staff that have encountered the paranormal activity, blended with bone-chilling cinematic reenactments to further bring the haunting experiences to life. Executive producers are Mark Burnett (Survivor, The Apprentice) and Seth Jarrett & Julie Insogna Jarrett (Celebrity Ghost Stories).

http://www.deadline.com/2012/04/syfy...eality-series/
post #78816 of 87364
Quote:
Originally Posted by dad1153 View Post

TV Notes
Syfy Greenlights Five New Reality Series
By Nellie Andreeva, Deadline.com - Apr. 24, 2012

http://www.deadline.com/2012/04/syfy...eality-series/

Well, there is 5 more hours that I won't be watching Syfy.
post #78817 of 87364
TV Notes
Fox Plans to Animate Viral Comic Axe Cop
By Josef Adalian, New York Magazine's 'Vulture' Blog - Apr. 24, 2012

It sometimes seems as if any 7-year-old can end up with a TV show, but now, this is actually the case. Fox has green-lit production on an animated comedy version of Axe Cop, the hit comic-book franchise created in 2010 by 7-year-old Malachai Nicolle and his older brother (and chief illustrator) Ethan. For the uninitiated, Axe Cop is about an incredibly earnest law enforcement officer who wields a firefighter's axe as a weapon and, early on in the franchise, had a flute as a sidekick and boasts a T-Rex as a pet. The franchise boasts some celebrity friends, including Damon Lindelof, who last year tweeted that he found Axe Cop "staggeringly awesome." Fox obviously likes it, too, but don't count on seeing Axe Cop in between The Simpsons and Family Guy β€” at least not right away.

That's because the TV take on the comic is actually the first project officially put into development by Animation Domination HD (or, um, ADHD), the nascent alternative animation production unit headed by Adult Swim alum Nick Weidenfeld. Fox has ordered six fifteen-minute episodes of the show and plans to debut it early next year as part of its previously announced late-night Saturday animation block. The network expects to air about an hour of first-run animation programming, including a number of recurring series and a slew of animated shorts. Add in some acquired animation, and Fox hopes to have a 90-minute block of programming to air opposite Saturday Night Live by sometime next year. ADHD properties will also be widely available on digital platforms.

As for Axe Cop, Weidenfeld told Vulture he's had his eye on the title since he was at Adult Swim, but for varying reasons, a deal for the project could never get done. Now that he's finally landed the property, Weidenfeld says his next step is finding a showrunner "who has a good idea of how to adapt it, without ruining what's great" about a story whose origins hail "from the mind of a 5-year-old." "I want to talk to all sorts of people [for the showrunner] gig, as long as it's someone who understands" the show's unique humor, Weidenfeld added. Hey, you know: Lindelof's a fan, loves comics, and currently is in need of a TV show ...

http://www.vulture.com/2012/04/fox-p...c-axe-cop.html
post #78818 of 87364
TV Notes
Epix Unveils Original Programming Slate
By Philiana Ng, The Hollywood Reporter - Apr. 24, 2012

Epix is expanding its slate of original programming by announcing new projects -- including films centered on William Shatner and Monty Python's Graham Chapman -- that will premiere later this year.

These original programs are a great complement to the impressive motion pictures coming to EPIX - the stories are moving, the laughs are real, and the end result is entertaining programs that allow us to give viewers even more reasons to come to Epix on TV, online and on devices, said Epix CEO and president Mark Greenberg.

Original documentary William Shatner's Get a Life!, based on Shatner's book, will premiere this July. The film "examines the mystery, longevity and the cultural phenomena of Star Trek and its long-obsessed fans known as Trekkers.' "

The 3D biopic A Liar's Autobiography - The Untrue Story of Monty Python's Graham Chapman is set to launch in November on Epix and is based on the memoir of the late Monty Python member, who died in 1989. The film also reunites the Monty Python troupe.

Other Epix programs that were unveiled include Roger Corman's Attack of the 50 Foot Cheerleader, airing in August; documentary Flight 800: A 14-Year Investigation Cracks the Case, to air in September; and comedy special Jim Norton: Please Be Offended, slated for a June broadcast.

Additionally, Epix will broadcast two championship boxing matches: Lucian Bute vs. Carl Froch World Super Middleweight Championship live on May 26 and Wladimir Klitschko vs. Tony Thompson World Heavyweight Championship live on July 7.

Epix, a joint venture between Viacmon, MGM and Lionsgate, is a premium entertainment service.

http://www.hollywoodreporter.com/new...chapman-315100
post #78819 of 87364
Nielsen Notes (Cable)
HBO's Veep' Draws 1.4 Million In Premiere
By Nellie Andreeva, Deadline.com - Apr. 24, 2012

The debut of HBO's latest comedy series, the Julia Louis-Dreyfus starrer Veep, drew 1.4 million viewers at 10 PM Sunday. That was up 8% from the season premiere in the slot of Eastbound & Down, which followed the modestly rated Luck vs. Game Of Thrones for Veep. Compared with the series finale of Eastbound a week ago, Veep was up 28%. For the night, including a 12 AM airing, Veep averaged 1.7 million viewers.

In its second airing, fellow new HBO comedy Girls (858,000) held steady, down 2% from its premiere despite a stronger lead-in. For the night, Lena Dunham's series posted 1.1 million viewers. (Its gross audience for the premiere episode has crossed 3.2 million, HBO says.) Kicking things off at 9 PM was Game Of Thrones, which drew 3.7 million viewers, down a fraction from the previous week (3.8 million). Its nightly average was 4.6 million.

http://www.deadline.com/2012/04/hbos...n-in-premiere/
post #78820 of 87364
Quote:
Originally Posted by rebkell View Post

Well, there is 5 more hours that I won't be watching Syfy.

And 5 new reasons never to watch. After Eureka is done, I'm done with Siffy.

Love the weak attempts to try and bend the PR of the usual formulaic reality crap into something vaguely relevant to the brand. in the case of the viral video junk that belongs on CW and MTV they dont even bother.
post #78821 of 87364
SyFy keeps putting on something I want to watch. I'm not talking about those five new shows. But I enjoy Eureka, Lost Girl, Warehouse 13, and Alphas. I only wish Stargate would return.
post #78822 of 87364
Quote:
Originally Posted by dad1153 View Post

Technology/Business Notes
EchoStar Shutting Down U.S. Cable Set-Top Unit
Company Cites 'Insufficient Revenue Return Opportunities' in Discontinuing Aria Platform
By Todd Spangler, Multichannel News - Apr. 23, 2012

EchoStar Technologies is pulling the plug on efforts to sell set-top boxes to U.S. cable operators and will cease development of its Aria platform immediately, citing lack of sales traction, the company confirmed Monday.

And, of course, they would never consider selling it as a retail consumer product. By law, the box has to have separable security anyway to be used by a cable provider.
post #78823 of 87364
TV Notes
HBO Re-Ups 'Real Time With Bill Maher' for 2 More Seasons
By Kasia Anderson, TheWrap.com - Apr. 24, 2012

Bill Maher's long-running political talk show, "Real Time with Bill Maher," has been renewed for its 11th and 12th seasons, HBO announced Tuesday. The renewal will keep the show on the air until at least 2014.

The show is averaging 4.1 million viewers per episode in its current 10th season, a three-year high for the series.

Bill Maher's irreverent wit and fearless insights make him the perfect observer for these unpredictable times, Michael Lombardo, president, HBO programming, said while announcing the renewal. I'm delighted that we can continue to offer an uncensored forum for his original and thoughtful humor.

The hour-long show, which features Maher hosting lively roundtable discussions on contemporary topics, airs Fridays at 10 p.m. on HBO.

http://www.thewrap.com/tv/article/hb...-seasons-37239
post #78824 of 87364
Quote:
Originally Posted by rebkell View Post

Oh I love basketball, but the physical play has escalated in a big way over the last month. Hey they can do whatever they please, but the part I don't like is the way the game is officiated, they may or may not call a foul and the defense that you refer to being ratcheting up is just an excuse for physical play that is most definitely a foul, but they change the rules the deeper into the season that we get. These players in my mind are some of if not the greatest athletes in the world, but the physicality as we proceed turns the game into just a game of survival.

Out of curiosity, did you watch the NBA a couple decades ago? The league today is much less physical than it used to be, even in the playoffs. The games are called tighter for the most past and they protect the players a lot more.

That being said, I do agree with Barkley (and the TNT crew) when he says that another Clipper needs to step up and take some hard fouls on the opposing team to protect Griffin. The number of flagrant fouls against him is insane.
post #78825 of 87364
TV Notes
Liz Brixius Signs Deal With Universal TV
By Nellie Andreeva, Deadline.com - Apr. 24, 2012

EXCLUSIVE: Nurse Jackie co-creator Liz Brixius has signed an overall deal with Universal Television. The rich two-year pact reunites Brixius with former Showtime entertainment president Bob Greenblatt who developed and put Nurse Jackie on the air and now oversees NBC and Universal TV as NBC Entertainment chairman. Under the new deal, Brixius will develop new projects for Uni TV.

Brixius recently left Nurse Jackie, on which she served as co-showrunner for four seasons alongside fellow co-creator/executive producer Linda Wallem who also departed. The two co-created the dark comedy starring Edie Falco with Evan Dunsky. Nurse Jackie was the first TV series for Brixius who previously teamed with Wallem to co-create another Showtime project, Insatiable, which was picked up to pilot by Greenblatt and led to the duo’s gig on Nurse Jackie. In addition to her four-year stint on Nurse Jackie, Brixius, repped by WME and jamie Mandelbaum, has been busy in features; she co-wrote the recent Katherine Heigl movie One For The Money.

http://www.deadline.com/2012/04/liz-...-universal-tv/

* * * *

TV Notes
Kardashian Family Signs 3-Year Deal With E! For 3 More Seasons Of β€˜Keeping Up With The Kardashians’, Other Reality Shows

Reality TV’s First Family, the Kardashians, have closed a big new three-year deal with E! for their signature series Keeping Up With The Kardashians. The pact includes orders for seasons seven, eight and nine of the mega-hit reality show and covers the entire Kardashian clan β€” Kim Kardashian, Kourtney Kardashian, KhloΓ© Kardashian Odom, Rob Kardashian, and Bruce, Kris, Kendall and Kylie Jenner. The new agreement also extends E!’s first-look deal with the Kardashians for unscripted ideas, concepts and projects.

Keeping Up With The Kardashians is E!’s highest-rated and most-watched series of all time, with its episodes claiming five of E!’s top 10 most watched telecasts ever. The most recent Season 6 averaged more than 3 million total viewers. Season 7 premieres May 20. In addition to breaking ratings records itself, Keeping Up With The Kardashians also has spawned a slew of spinoff series, including Kourtney And KhloΓ© Take Miami, Kourtney And Kim Take New York, and KhloΓ© & Lamar. The new deal does not cover the offshoots, only the mothership show.

With the talent of its flagship series secured for the next three years, E! can move on to locking in the show’s executive producer Ryan Seacrest. That is expected to happen shortly as Seacrest is finalizing his new wide-ranging overall deal with E! parent NBCUniversal.

http://www.deadline.com/2012/04/the-...reality-shows/
post #78826 of 87364
Business Notes
Changing TV habits center stage at digital media presentation
By Dawn C. Chmielewski, Los Angeles Times' 'Company Town' Blog - Apr. 24, 2012

NEW YORK -- The prime-time television ratings drop took center stage at the Digital Content NewFront presentations in New York, with former ABC Entertainment Chairman Lloyd Braun seizing on the numbers as an opportunity to talk about changing viewing habits -- and the rise of digital media.

In an onstage conversation with MediaLink Chairman and digital guru Michael E. Kassan, introductions had barely been concluded before the topic was broached: The four broadcast networks have lost viewers in recent weeks. And, unlike in years past, audiences aren't gravitating to the cable networks.

Braun, who joined the world of digital media after being forced out in 2004 as the top programming executive at ABC, referred to a trend reported in the New York Times as evidence that viewers are moving away from watching television shows live, when they initially air. Viewers increasingly are using online services, such as Netflix Inc., to get caught up on past seasons of award-winning shows, such as the PBS series "Downton Abbey" or AMC's "Mad Men," and watch current episodes through digital on-demand offerings, he said.

"There is no reason anymore -- for most of this kind of programming -- to watch it live," Braun told a group of advertising buyers attending Microsoft Corp.'s digital advertising presentation Tuesday.

The trend has been on the horizon for years, Braun noted, adding with obvious frustration that advertisers continue to pay higher rates to air commercials during prime-time TV, despite the gradual erosion of the audience. He said he expects the trend to continue, as buyers attend next month's presentations by the major networks of new fall shows and commit billions of advertising dollars for the upcoming season.

This year's ad sales season, known as the upfront market, is expected to raise nearly $9.2 billion in commitments from advertisers.

"What I think has been driving people crazy on the digital side, we've all seen these charts which show time spent on the Internet versus where the [ad] spend is going," said Braun, co-founder of BermanBraun, an independent media company that develops television, feature film and digital programs. "There's this huge gap where the audience is spending time online and with tablets and smartphones, and the ad dollars are not commensurate with that."

The desire to grab advertisers' attention -- and dollars -- is behind the Digital Content NewFronts, during which five major online distributors will highlight their new shows for buyers.

Microsoft brought out some star power -- including U.S. Olympic gymnast and gold medalist Dominique Dawes, now a Fox Sports analyst, actress Felicia Day of "The Guild" and Kate Snow, NBC News correspondent with "Rock Center With Brian Williams" -- to promote the content available through its MSN portal and through the Xbox Live service offered via its game console.

Ross Honey, Xbox Live general manager of entertainment and advertising, sought to portray the Xbox 360 as a broad-based home entertainment device that offers more than video game play. It has struck some 50 content deals in recent months, including agreements with cable giant Comcast Corp. and Time Warner Inc.'s premium cable network, HBO, that offer subscribers access to TV shows via the game console.

The Xbox Live service has grown 30% in the last year to 40 million members, Honey said. Indeed, Xbox 360 consoles outsold other individual devices that connect the TV to the Internet, including Blu-ray disc players.

Entertainment usage on the Xbox Live has more than doubled, year over year, Honey said.

"In the U.S., entertainment usage has surpassed multiplayer gaming on Xbox Live," Honey said, referring to the video game industry term for players who connect via the Internet to oppose one another. "That's a profound event. When Xbox Live started 10 years ago, what it was all about was mutliplayer gaming. Now, Xbox Live really is an all-in-one entertainment platform."

http://latimesblogs.latimes.com/ente...sentation.html
post #78827 of 87364
TV Notes
No Pressure: Just Make Obama Laugh
By Bill Carter, The New York Times - Apr. 25, 2012

LOS ANGELES A little over a week before Jimmy Kimmel would face the assembled Washington press corps, the nation's political leaders and assorted celebrities, all decked out in formalwear in a noisy ballroom, he found himself waking suddenly in the middle of the night: He wasn't racked by nerves; he had simply thought of another joke in his sleep.

On a sunny morning in West Hollywood, over omelets, the joke (which for the moment needs to be classified) plays very funny. But the only thing that really matters to Mr. Kimmel is that on Saturday, when he entertains the White House Correspondents' Association Dinner, that event's notoriously tough audience finds him amusing especially the audience member in chief.

I've talked to Seth and Stephen, Mr. Kimmel said, referring to Seth Meyers of Saturday Night Live and Stephen Colbert of the The Colbert Report, both late-night comedy stars who have worked the dinner. And the basic message is: Make the president laugh.

The dinner has the potential to shine a bright national light on the comic who serves as the evening's entertainment or not, as Mr. Colbert found.

I think it would help me to do well and hurt me to do badly, said Mr. Kimmel, host of Jimmy Kimmel Live! on ABC. It probably hurts more if it goes badly. But being funny while standing next to the president can't hurt you.

Mr. Meyers, who won wide praise for his performance last year, told the comedian Marc Maron on Mr. Maron's podcast, It was awful; all of it was awful.

He was referring mainly to the pressure, and Mr. Kimmel is aware of what faces him. I'm going to be sitting next to the first lady, he said. And I'll be nervous about my performance on top of that.

One reason: The setup of the room couldn't be less ideal. Round tables, and the guests have silverware in front of them. Glasses clinking, people talking to each other.

But having seen a growth in recognition and respect for his late-night show during the past three or four years, Mr. Kimmel is entering this political arena with a degree of confidence.

This particular situation is tricky, but I think I'll do well, if I had to bet, he said.

It is a year of breakout opportunity for Mr. Kimmel. He will also host the Emmy Awards in September. That show is on his own network, ABC, so the selection was no real surprise. Four years ago, when ABC last broadcast the Emmys, it bypassed Mr. Kimmel to select a group of reality-show hosts.

People were kind of whispering: That's weird. Why would they have these guys host when they've got Jimmy on the network?' Mr. Kimmel said. And of course I was thinking that too.

The Emmy job has created sparks for the careers of Conan O'Brien and Jimmy Fallon in the past. But doing well this Saturday night matters perhaps more. Take Mr. Colbert's mercurial experience in 2006. His broad satirization of a conservative talk-show host was deemed too hostile to the president at the time, George W. Bush, by many attendees, although it also received wide peals of praise from outsiders for its daring and extreme laughs. In the end, despite many critics, it was a career-elevating moment for Mr. Colbert.

Mr. Colbert has since said: I didn't want to be subversive. I just wanted to be funny.

Mr. Kimmel called Mr. Colbert's effort fantastic, really brilliant. But he noted: What scares me a little is that they gave him the cold shoulder after that performance. I heard from a lot of people that they thought he was rude. That concerns me.

Mainly it concerns Mr. Kimmel because he has a comic sensibility honed on pushing limits. He took on Jay Leno with ferocity on Mr. Leno's show, then on prime time, during the dust-up after NBC removed Mr. O'Brien from the Tonight show. His style has been to lay waste comedically and not sweat the consequences.

On this occasion Mr. Kimmel will not lack for targets. He has jokes planned about the president, vice president, the first lady and the Republican candidates this primary season, especially Mitt Romney.

I like that he's emerged, Mr. Kimmel said of Mr. Romney. I think there will be a lot of fun to be had with him.

Acknowledging that he has a lot of subjects including celebrity attendees like George Clooney but only about 20 minutes for his routine, he added: You know people are going to say, Oh, he was biased this way or that.' I'm trying to strike a balance. But ultimately I will go with what's funniest.

Within limits. Mr. Kimmel has already censored a few jokes, knowing they may be too on the edge to play in a room that all but defines political correctness.

They've given me no direction whatsoever, and I appreciate that, he said, referring to the White House Correspondents' Association. I always have a regulator in my head, but left to my own devices I would say the most horrible things ever discussed.

Mr. Kimmel also knows that the quality of his material is only partly at issue. The president will deliver his own monologue first, setting up the crowd. You don't want the president to bomb before you, Mr. Kimmel said.

Not that he thinks there is much chance of that, having reviewed President Obama's previous stand-up performances at the dinner, especially last year, when, in the parlance of comedy, he killed a term that gained extraordinary resonance when it was later learned that Navy SEALs at that moment had been dispatched on the mission that ended in the death of Osama bin Laden.

Beyond having the chance to stand out on a different national stage, Mr. Kimmel is relishing the added perks. He gets to fill a table with his family and staff members, and they all will receive a White House tour on Friday. It's very exciting for my parents, he said. My parents were excited when I was a radio D.J. And then to get on television and all that. But this is serious.

Oddly, the dinner has never been widely seen, largely because it is televised live on C-Span from the Washington Hilton. Mr. Kimmel said he knew how to make it more desirable as a television event.

Give out some awards, he said. Even more celebrities will come. The President's Choice Awards. He picks his favorite musical performance, his favorite movie of the year. Give Matt Damon an award; that'll make him show up.

http://www.nytimes.com/2012/04/25/ar...?_r=1&ref=arts
post #78828 of 87364
Quote:
Originally Posted by moob View Post

Out of curiosity, did you watch the NBA a couple decades ago? The league today is much less physical than it used to be, even in the playoffs. The games are called tighter for the most past and they protect the players a lot more.

That being said, I do agree with Barkley (and the TNT crew) when he says that another Clipper needs to step up and take some hard fouls on the opposing team to protect Griffin. The number of flagrant fouls against him is insane.

Yeah, I watched a couple of decades ago, I guess the worst thing was when the Pistons were winning with their slug it out defense, it was pure harassment and just the overall style that they played, and the longer the game and season went the more they got away with, there was no way half the defensive plays they made weren't fouls, but all they had to do was just keep doing it and eventually the refs just looked the other way, and I feel confident that the refs were under orders to look the other way, otherwise they couldn't have kept their jobs.

You seem to be more concerned with the cheap shots, I'm more concerned with the overall physicality involved, I just don't think basketball was meant to be a physical war, it should be a contest of athleticism and skill with less dependence on strength and bullying/intimidation tactics.

I agree about Blake taking a few too many hits, it's a good thing he's tough, but in my opinion if the reffing was tightened up and really adhered to the rules, we'd see the skill win out.

But it's evident, that the powers that be like the game the way it is, so I'll probably finish out the season, but my interest will wain in the next few years, because I really just don't like the way the game is officiated and allowed to let the players run rampant, too many skilled players are sent home and the physical brutes are kept hanging around.
post #78829 of 87364
TV-on-DVD Notes
HBO's 'True Blood' to Be Released as Blu-ray Boxed Set
By Chris Tribbey and John Latchem, The Hollywood Reporter/Home Media Magazine - Apr. 24, 2012

In a first for a TV series, HBO Home Entertainment has taken a cue from the movies and is issuing the fourth series of the hit vampire series True Blood in a combo pack containing the series on Blu-ray Disc, standard DVD and digital copy - all in one boxed set.

HBO calls the concept Blu-ray With HBO Select. Due May 29, True Blood: The Complete Fourth Season will include five Blu-ray Discs, two DVDs and a digital copy, the latter redeemable through iTunes, Vudu, Amazon or UltraViolet. The release also marks HBO's first release with UltraViolet, the new cloud-based digital system that allows viewers to watch content on mobile devices anywhere and anytime they want.

Also on May 29, the first three seasons of the series also will be reissued as Blu-ray with HBO Select boxed sets.

With the spectacular growth of tablets, smart phones and other connected devices, consumers have shown a decided preference for entertainment products that they can access across multiple platforms, said Henry McGee, president of HBO Home Entertainment. With HBO Select we are launching a home entertainment product that allows consumers to access their purchases on the devices of their choice. Whether it's a DVD player in the car, a Blu-ray player in the living room, or a tablet on the plane, consumers can easily choose when, where and how they want to enjoy the content they have bought. With HBO Select it's not a question of disc vs. digitalit's disc plus digital. It's three ways to watch in one box at no additional cost.

McGee said there are two features worth special focus. HBO Select purchasers will be able to access both an UltraViolet copy and a digital copy from providers like iTunes who are not on the UltraViolet platform, he said. And, importantly, the product is called Blu-Ray with HBO Select. We are placing a great emphasis on the Blu-ray product which contains a wide array of specially created features and provides picture and sound quality that is unequaled on any other platform. There has been very strong growth of the Blu-ray format and we have taken special care to make sure that we exceed consumer expectations in terms of both presentation and content.

Extras include audio commentaries on six episodes; Inside the Episodes featurettes with interviews from the writers; and True Blood: The Final Touches, a look at the post-production process with executive producer Alan Ball.

The Blu-ray will include an exclusive enhanced viewing mode featuring character perspectives, vampire histories and a flashback/flash forward function to relive pivotal moments or find out the significance of a certain scene. The Blu-ray also includes True Blood Lines, an interactive guide to how the characters are related.

The next HBO Select release will be the critically acclaimed HBO Film Too Big to Fail. We are currently analyzing our future release slate with an eye towards expanding the number of HBO Select releases, McGee said.

http://www.hollywoodreporter.com/new...n-moyer-315781
post #78830 of 87364
Quote:
Originally Posted by dad1153 View Post


TV Notes
Kardashian Family Signs 3-Year Deal With E! For 3 More Seasons Of Keeping Up With The Kardashians', Other Reality Shows



http://www.deadline.com/2012/04/the-...reality-shows/

Oh gosh
post #78831 of 87364
TV Notes
Conan O'Brien Shooting Shows in Chicago
By Tim Molloy, TheWrap.com - Apr. 24, 2012

"Conan" will shoot for a week in Chicago this summer to kick off the TBS Just for Laughs Chicago Comedy Special, the network announced Tuesday.

The show, which shoots at Warner Bros. studios in Burbank, also went on the road to record a week of episodes in New York last summer.

O'Brien lived briefly in Chicago in 1988, appearing in a stage show with Bob Odenkirk and Robert Smigel.

The shows will shoot June 11-14.

http://www.thewrap.com/tv/article/co...-chicago-37233

* * * *

TV Notes
'Big Brother' Return, 'Dogs in the City' and '3' Premieres Announced by CBS
By Tim Kenneally, TheWrap.com - Apr. 24, 2012

"Big Brother," the long-running reality TV staple, will return to the airwaves Thursday, July 12 at 9 p.m., CBS announced Tuesday. The network also unveiled the premiere dates for its new reality offerings "Dogs in the City" and "3."

"Big Brother" will air Wednesdays at 8, Thursdays at 9 and Sundays at 8, beginning with the Sunday episode on July 15. The live eviction shows will air on Thursday.

"Dogs in the City," which stars New York City-based "dog guru" Justin Silver as he resolves issues between pooches and their owners, will premiere Wednesday, May 30, at 8 p.m.

The dating series "3," meanwhile, will kick off Sunday, July 22, with a 90-premiere at 9 p.m., and switch to hour-long episodes following the premiere, running Sundays back-to-back with "Big Brother." The series follows three single women of varying ages and backgrounds as they "meet for the first time with a common goal – finding true love," according to CBS.

http://www.thewrap.com/tv/article/bi...nced-cbs-37246
post #78832 of 87364
Quote:
Originally Posted by dad1153 View Post

TV Notes

TV Notes
Kardashian Family Signs 3-Year Deal With E! For 3 More Seasons Of Keeping Up With The Kardashians', Other Reality Shows

http://www.deadline.com/2012/04/the-...reality-shows/


God no... stop... make it stop.... please god, make it stop...
post #78833 of 87364
Business Notes
Comcast in latest complaint says Bloomberg lied to FCC
By Joe Flint, Los Angeles Times' 'Company Town' Blog - Apr. 24, 2012

Comcast Corp. has accused Bloomberg LP of lying to the government in the latest twist in the battle between the two media behemoths.

Last month, Bloomberg said in a filing with the Federal Communications Commission that Comcast was ignoring the conditions that the regulatory agency put on the cable giant as part of approving its acquisition of NBCUniversal. Comcast told the FCC on Tuesday that the charge was "demonstrably false."

The specific issue is where Bloomberg TV is placed on the cable dial in relation to Comcast's CNBC. Bloomberg has argued that as part of the FCC's approval of the deal, Comcast is required to put Bloomberg TV near CNBC and other news channels. Comcast has countered that it only has to do that if it were to start placing similar channels next to each other on the dial, a practice known in the industry as "neighborhooding."

In April, Bloomberg sent a letter to the FCC charging that Comcast in fact had created new neighborhoods for news channels on cable systems it owns in Crescent City, Fla., and Claxton, Ga., without moving Bloomberg TV. "Comcast is favoring its own programming content and discriminating against competitors," Bloomberg told the FCC.

On Tuesday, Comcast said neither of the accusations were accurate. In its response to Bloomberg, Comcast included a declaration from Michael Davies, an area vice president for the cable company's southeastern holdings. He denied Bloomberg's claims that between 2011 and 2012 it created a neighborhood of news channels that included Comcast's CNBC and MSNBC along with CNN and Fox News channels. Those channels, he said, had been together prior to the Comcast-NBCUniversal deal closing.

In Crescent City, Fla., Comcast said not only did it not create a news neighborhood, but that some of the channel's Bloomberg said were held by news networks were actually held by other entertainment channels.

"Bloomberg's continued presentation of erroneous facts should further call into question the basis for its complaint," Comcast told the FCC.

In its response, Bloomberg said it had used Comcast's own reporting of its channel positions to Tribune Media Services, which produces television listings and on-screen programming guides as the basis for its accusations.

http://latimesblogs.latimes.com/ente...complaint.html
post #78834 of 87364
TV Sports
Berman on critics: 'They didn't like Ted Williams either'
By Michael Hiestand, USA Today - Apr. 25, 2012

Chris Berman is as closely tied to a big-time event as an announcer can be in hosting NFL draft coverage on ESPN, even as he takes shots online for a style that can be bombastic.

Berman, who joined ESPN's draft show in 1981 to cover fan reaction at a New York restaurant and has hosted it since 1989, says he doesn't pay attention to criticism.

"I just talk to people every day walking down the street," he says. "That's what I care about. That's good enough for me. They didn't like Ted Williams either. Now, I'm not Ted Williams."

Berman, 56, says he's glad ESPN (and NFL Network) this year won't show live shots of players hearing by phone they're about to be drafted killing any suspense.

"That's long overdue," Berman says. "I talked to producers for years about how they were ruining the draft. I'm not saying we should suppress the news. I don't mean fake things, but there should be some suspense. I liked it better before there were cameras everywhere. But then, I liked life better before there were cameras everywhere."

And, Berman says, "Contrary to what's been written, the NFL doesn't tell ESPN and I don't get it in my ear about picks beforehand."

ESPN's 2011 draft coverage drew 4.4% of cable TV homes, topping almost everything else on ESPN except NFL games, some NBA playoffs, NASCAR action and a few college bowls.

What's behind that "astounding" interest, he says, "is now everyone's a scout. Everyone's an expert. I never thought I'd see it to this degree."

Berman says he's "not knocking it," but it's different from how he grew up: "It was never done. People would have looked at you."

Berman has seen the draft evolve from a weekday 8 a.m. ET start "think about West Coast teams drafting at 5 a.m." to a three-day show that begins in Thursday prime time and airs on ESPN and NFL Network.

ESPN got involved "so for one day a year we'd have a toehold in the NFL and nobody else wanted it" and saw innovations "like when we invented Mel Kiper" in the 1980s.

Berman's ESPN deal runs through May 2013. He'd like to host ESPN's draft "at least until I'm 60. I'll stay as long as they'll have me. I don't know what else I could do."

http://www.usatoday.com/sports/colum...her/54514834/1
post #78835 of 87364
TV Notes
On The Air Tonight
WEDNESDAY Network Primetime/Late Night Options
(All shows are in HD unless noted; start times are ET. Network late night shows are preceded by late local news)

ABC:
8PM - The Middle
(R - Feb. 22)
8:30PM - Suburgatory
(R - Mar. 14)
9PM - Modern Family
(R - Feb. 8)
9:31PM - Don't Trust the B---- in Apartment 23
10PM - Revenge
* * * *
11:35PM - Nightline (LIVE)
Midnight - Jimmy Kimmel Live! (L.P. performs)

CBS:
8PM - Survivor: One World
9PM - Criminal Minds
(R - Dec. 7)
10PM - CSI: Crime Scene Investigation
(R - Dec. 7)
* * * *
11:35PM - Late Show with David Letterman (Rob Lowe; Gov. Brian Schweitzer; The War on Drugs performs)
12:37AM - Late Show with Craig Ferguson (Carol Burnett; TV host Phil Keoghan)

NBC:
8PM - Betty White's Off Their Rocker
8:30PM - Best Friends Forever
9PM - Rock Center with Brian Williams
10PM - Law & Order: Special Victims Unit
* * * *
11:35PM - The Tonight Show with Jay Leno (Adam Levine; journalist Richard Engel ; Ziggy Marley performs)
12:37AM - Late Night with Jimmy Fallon (Cast members from "30 Rock"; the Rev. Al Sharpton; TV personality Caroline Manzo)
1:36AM - Last Call with Carson Daly (Diver Paul de Gelder; Brit Marling; Melvins perform)

FOX:
8PM - American Idol (LIVE, 120 min.)

PBS:
(check your local listing for starting time/programming)
8PM - Nature: Radioactive Wolves (R - Oct. 19, 2011)
9PM - NOVA: Secrets of the Sun
10PM - America Revealed: Electric Nation

UNIVISION:
8PM - Una Familia Con Suerte
9PM - Abismo de Pasión
10PM - La Que No PodÃ*a Amar

THE CW:
8PM - The L.A. Complex
(R)
9PM - America's Next Top Model

TELEMUNDO:
8PM - Una Maid en Manhattan
9PM - Corazón Valiente
10PM - Relaciones Peligrosas

COMEDY CENTRAL:
11PM - The Daily Show with Jon Stewart (Jason Segel)
11:31PM - The Colbert Report (Author Michael Sandel)

TBS:
11PM - Conan (Julia Louis-Dreyfus; Brian Posehn; Ben Kweller performs)

E!:
11PM - Chelsea Lately (Ricki Lake; comic Brad Wollack; comic Loni Love; comic Lavell Crawford)
post #78836 of 87364
TV Notes
Wednesday's TV Highlights: 'Don't Trust the B- in Apartment 23' on ABC
By Los Angeles Times' 'Show Tracker' Blog - Apr. 24, 2012

[ALL TIMES LISTED ARE PACIFIC TIME]

SOMETHING'S FISHY on a new episode of the sitcom Don't Trust the B- in Apartment 23, at 9:30 p.m. on ABC. With Dreama Walker and Krysten Ritter.

SERIES

American Idol:
Brian May and Roger Taylor of the iconic rock band Queen perform and the remaining finalists compete on this new episode (8 p.m. Fox).

America's Next Top Model: Marchesa co-founder Georgina Chapman is a guest judge in this new episode (9 p.m. KTLA).

American Guns: The Wyatts and the Gunsmoke crew build a large historical punt gun, and Rich swaps pistols for Elvis memorabilia in the series' season premiere (9 p.m. Discovery).

America Revealed: In Electric Nation, host Yul Kwon delves into the remarkable ingenuity required to keep America's modern electric power grid up and running (10 p.m. KOCE).

South Park: Cartman is thoroughly smitten with the new girl in school on a new episode of the off-color animated sitcom (10 p.m. Comedy Central).

Randy Jackson Presents: America's Best Dance Crew: The teams must emulate one of Madonna's iconic music videos on this new episode (10 p.m. MTV).

Total Blackout: Contestants take on creepy challenges in complete darkness in this new reality competition hosted by Family Matters'" Jaleel Urkel White (10 p.m. Syfy).

MOVIES

The Losers:
Jeffrey Dean Morgan and Zoe Saldana star in this action-packed 2010 thriller (6:30 p.m. HBO).

Sling Blade: Billy Bob Thornton wrote, directed and starred in this poignant 1996 drama about a mentally challenged man in rural Arkansas; Dwight Yoakam, J.T. Walsh, John Ritter and Lucas Black also star (8 p.m. IFC).


[CLICK LINK BELOW FOR ADDITIONAL PROGRAMMING]

http://latimesblogs.latimes.com/show...hlights25.html
post #78837 of 87364
Technology Sports
Will New Hobbit Footage Change 3-D Forever?
By Kyle Buchanan, New York Magazine's 'Vulture' Blog - Apr. 24, 2012

After a bumpy inception period, things have been rather quiet when it comes to The Hobbit, Peter Jackson's two-part prequel to the Lord of the Rings trilogy. That all changed today in Las Vegas, where Warner Bros. debuted ten minutes of 3-D footage that Jackson shot in 48 frames per second as opposed to the slower shutter speed of 24 fps, which has served as the industry standard for decades. Jackson is hoping to convince exhibitors to accommodate the 48 fps approach (which James Cameron also plans to use for his sequels to Avatar), but the response today from pundits was wildly mixed: Some think Jackson has forever changed the look of cinema, while others worry that his movie no longer even looks cinematic.

The footage turned About.com's Rebecca Murray into a true believer:

It was, simply put, mind-blowing to see in 48 frames per second. It's literally like being on the set next to the actors as they're performing ... You can not get a more genuine, realistic viewing experience than this unless you are watching a performance live.

Even Hollywood Elsewhere's Jeff Wells, not normally a Peter Jackson fan, was convinced by 48 fps:

You're right there and it's breathtaking β€” no strobing, no flickering, pure fluidity and much more density of information. This makes the action scenes seem more realistic because it looks too real to be tricked up, and the CG stuff looks astonishing for the same reason ... In a manner of speaking I was creaming in my pants this morning. This is almost too good, I was half-telling myself.

But when Deadline's Pete Hammond polled some of his colleagues there, he found resistance:

One industry observer next to me said afterwards, "it was like seeing Live From The Met at IMAX. Kinda cold." Another three-time Oscar winner in attendance who has worked on innumerable classic films told me later, "I think we should let him finish it and see what it’s like then, but it seems a little like the look of a soap opera."

And Badass Digest's Devin Faraci was alarmed by how the new approach seems to have cheapened Jackson's movie:

Here's what The Hobbit looked like to me: a hi-def version of the 1970s I, Claudius. It is drenched in a TV-like β€” specifically 70s era BBC β€” video look. People on Twitter have asked if it has that soap opera look you get from badly calibrated TVs at Best Buy, and the answer is an emphatic YES. The 48fps footage I saw looked terrible. It looked completely non-cinematic. The sets looked like sets. I've been on sets of movies on the scale of The Hobbit, and sets don't even look like sets when you're on them live ... but these looked like sets. The other comparison I kept coming to, as I was watching the footage, was that it all looked like behind the scenes video. The magical illusion of cinema is stripped away completely.

Said Jackson in his taped introduction to the footage, "As a filmmaker, I always want to create a strong sense of reality, to allow the audience to lose themselves in whatever the cinematic story is that I'm presenting." But is reality what most moviegoers want to see, especially in a fantasy film?

http://www.vulture.com/2012/04/will-...d-forever.html
post #78838 of 87364
Maybe ten years ago, or so, I saw Sony demonstrate a 60fps system on a big screen, and it looked great. It didn't look the least bit like a video/TV/soap opera. I'd probably go see The Hobbit just to see 48fps.
post #78839 of 87364
Quote:
Originally Posted by dad1153 View Post

TV Sports
Berman on critics: 'They didn't like Ted Williams either'
By Michael Hiestand, USA Today - Apr. 25, 2012

Chris Berman is as closely tied to a big-time event as an announcer can be in hosting NFL draft coverage on ESPN, even as he takes shots online for a style that can be bombastic.

Berman, who joined ESPN's draft show in 1981 to cover fan reaction at a New York restaurant and has hosted it since 1989, says he doesn't pay attention to criticism.

"I just talk to people every day walking down the street," he says. "That's what I care about. That's good enough for me. They didn't like Ted Williams either. Now, I'm not Ted Williams."

Berman has become a characture of himself. He was very good in the early days, but has morphed into some kind of goofball on screen. I'll be watching NFLN's coverage of the draft anyway. Better analysis and better picture quality.
post #78840 of 87364
Quote:
Originally Posted by kjbawc View Post

Maybe ten years ago, or so, I saw Sony demonstrate a 60fps system on a big screen, and it looked great. It didn't look the least bit like a video/TV/soap opera. I'd probably go see The Hobbit just to see 48fps.

My questions is...what happens in the semi-near future, when The Hobbit hits BluRay & every Best Buy and/or Costco sales floor display is showing it with each TV brand's version of the "soap opera effect" is set to ON?
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