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Hot Off The Press: The Latest TV News and Information - Page 2653

post #79561 of 87879
Quote:
Originally Posted by dcowboy7 View Post

A "sports" person on tv when asked said the belmont is 1/4 mile + 1 furlong longer than the preakness....wow get tv people off their cards & they are lost.....what a dufus.

Well, the Belmont is 2.5 furlongs longer (about 0.3125 [5/16] miles longer), so he was close! Hey, at least they aren't shoving meters (instead of feet) any longer!
post #79562 of 87879
Isnt the saying close only counts in horseshoes (not horseracing) and hand grenades.
post #79563 of 87879
Quote:
Originally Posted by DrDon View Post

Can't wait for the next round of retrans negotiations. It's one thing to allow viewers to FF thru commercials. Something else when it's automatically done for the viewer. Since the whole reason behind Cable/DSS carriage is to increase the reach for advertisers, this isn't going to play well at the bargaining table.

Yeah I hope this isn't the beginning to the end of skipping commercials.
post #79564 of 87879
Quote:
Originally Posted by TheRatPatrol View Post

Yeah I hope this isn't the beginning to the end of skipping commercials.

You'll still be able to skip. But having it done for you? That's gonna be a dealbreaker. Local stations are going to want perceived ad revenue losses compensated in the form of much-higher retrans fees. Much.
post #79565 of 87879
TV Notes
AMC’s ‘Breaking Bad’ To Premiere July 15
By The Deadline.com - May 21, 2012

AMC announced today its summer programming slate, including the highly anticipated premiere of the first part of “Breaking Bad’s” final season on Sunday, July 15 at 10pm ET/PT. The final season of the Emmy® Award-winning and critically acclaimed drama, produced by Sony Pictures Television, consists of 16 episodes, with the first eight episodes beginning July 15 and culminating with the series’ final eight episodes next summer 2013.

Also this summer, the network debuts its newest unscripted series, “Small Town Security,” on Sunday, July 15 at 11pm ET/PT and season two of the epic western “Hell on Wheels” Sunday, August 12 at 9pm ET/PT.

http://www.deadline.com/2012/05/amc-...-back-july-15/

* * * *

TV Notes
CBS’ ‘Rules Of Engagement’ Renewed For Seventh Season With 13-Episode Order
By Nellie Andreeva, Deadline.com - May 21, 2012

After lengthy negotiations, CBS‘ long-running sitcom Rules Of Engagement has been picked up for a 13-episode seventh season. The renewal will bring the total run of the series to 100 episodes. The order ends weeks of intense talks between CBS and Rules producer Sony Pictures TV that could not be concluded by the network’s upfront presentation last Wednesday. By Thursday, the two sides had reached agreement in principal and hammered out the license fee terms.

CBS only ordered two new comedy series for next season — Partners for fall and Friend Me for midseason — so, as this season proved, having a reliable performer like Rules on the bench could come in handy. While it has not been a breakout hit of the size of CBS’ Two And A Half Men or The Big Bang Theory, Rules has been a great utility player for CBS, delivering solid ratings wherever needed on the schedule.

http://www.deadline.com/2012/05/cbs-...episode-order/
post #79566 of 87879
TV Notes
A&E Cancels 'Dog the Bounty Hunter'
By Lesley Goldber, The Hollywood Reporter's 'Live Feed' Blog - May 21, 2012

Duane "Dog" Champan, aka Dog the Bounty Hunter, is heading to the ranks of the unemployed.

A&E has canceled Dog the Bounty Hunter after eight seasons, a network spokesman confirms to The Hollywood Reporter.

The series, which stars Chapman and his family as a fugitive recovery agents and takes place in Hawaii and Colorado, had become a valuable property for the cable network in syndication, with versions of the series broadcast in Germany, New Zealand and beyond.

In its eight seasons, Dog was not without its own behind-the-scenes controversy. The series, as well as A&E, was sued in September by a many who appeared in 30 episodes of the series who claimed the network and Chapman breached an agreement to make him a full cast member.

More recently, family drama between Dog's sons Duane Lee and Leland with their stepmother Beth left who would be part of the bounty hunter's team in question.

The series initially got its start after Champan appeared on the A&E-produced Take This Job, about folks with unusual careers and became a breakout for the network, captivating viewers with the thrill of the hunt and the family's unique dynamics.

TMZ first reported the news.

http://www.hollywoodreporter.com/liv...-hunter-327333

* * * *

TV Notes
Syfy's 'Sanctuary' Will Not Return for Season 5
By Philiana Ng, The Hollywood Reporter's 'Live Feed' Blog - May 21, 2012

Syfy has pulled the plug on Sanctuary.

The sci-fi drama led by Stargate alum Amanda Tapping will not return for a fifth season, The Hollywood Reporter confirmed.

"We're honored to have been part of this incredible series. In addition to garnering unmatched devotion by fans worldwide, Sanctuary was a bona fide trailblazer, setting new standards with its highly innovative production techniques - including pioneering green screen and RED camera technology - and Emmy-nominated visual effects," said Mark Stern, president, Syfy original content and co-head, UCP.

"It's been an amazing ride and we look forward to our next project with Amanda Tapping, Martin Wood and Damian Kindler," the statement continued.

Tapping took to Twitter on Monday afternoon to address the series' fans and thank them for their support: "To all the fans of @SanctuarySeries we love and adore you. Thank you for the love and support. Now to the long dark tea time of my soul. "

Sanctuary wrapped its 13-episode fourth season in December.

http://www.hollywoodreporter.com/liv...ed-syfy-327303
post #79567 of 87879
Technology Notes
Five cable giants partner on Wi-Fi
By Brett Molina, USA Today - May 21, 2012

Five of the top U.S. cable companies will partner together on an initiative to expand access to Wi-Fi networks for its customers.

The CableWiFi network will give customers of Bright House Networks, Cablevision, Comcast, Cox Communications and Time Warner Cable access to each other's Internet hotspots.

Combined, the network represents more than 50,000 hotspots.

"The way customers are using our service continues to evolve," said Cox Communications COO Jill Campbell in a joint statement. "This is a new area of opportunity that we need to explore."

The hot spots are available in New York City, Los Angeles, Tampa, Orlando and Philadelphia, with plans to branch out to additional cities.

http://content.usatoday.com/communit...tner-on-wifi/1
post #79568 of 87879
TV Notes
On The Air Tonight
TUESDAY Network Primetime/Late Night Options
(All shows are in HD unless noted; start times are ET. Network late night shows are preceded by late local news)

ABC:
8PM - Dancing with the Stars
(R - May 21)
9PM - Dancing with the Stars (Season Finale, 120 min.)
* * * *
11:30PM - Nightline (LIVE)
Midnight - Jimmy Kimmel Live! ("Dancing With the Stars" winner; Patricia Heaton; Nikolaj Coster-Waldau; Lisa Marie Presley performs)

CBS:
8PM - NCIS: Los Angeles
(R - Nov. 11)
9PM - NCIS
(R - Nov. 8)
10PM - NCIS
(R - Nov. 15)
* * * *
11:35PM - Late Show with David Letterman (Will Smith; Gossip performs)
12:37AM - Late Late Show with Craig Ferguson (Billy Bob Thornton; Sonya Walger)

NBC:
8PM - America's Got Talent
(R - May 21)
9PM - America's Got Talent
10PM - Dateline NBC: 20th Anniversary (Special)
* * * *
11:35PM - The Tonight Show with Jay Leno (Josh Brolin; comic Ali Wentworth; Glenn Frey perform)
12:37AM - Late Night with Jimmy Fallon (Anderson Cooper; The Afghan Whigs perform; John Mayer performs with the Roots)
1:36AM - Last Call with Carson Daly (Juliet Simms; director Benh Zeitlin; The Naked and Famous perform)

FOX:
8PM - American Idol (LIVE)
9PM - Glee (Season Finale)

PBS:
(check your local listing for starting time/programming)
8PM - Civilization: The West and the Rest With Niall Ferguson (120 min.)
10PM - Frontline: Cell Tower Deaths

UNIVISION:
8PM - Una Familia Con Suerte
9PM - Abismo de Pasión
10PM - La Que No PodÃ*a Amar

THE CW:
8PM - Hart of Dixie
(R - May 14)
9PM - The L.A. Complex

TELEMUNDO:
8PM - Una Maid en Manhattan
9PM - Corazón Valiente
10PM - Relaciones Peligrosas

TBS:
11PM - Conan (Tracy Morgan; Bar Refaeli; comic Trevor Boris)

E!:
11PM - Chelsea Lately (Dina Eastwood; comic Gary Valentine; comic Heather McDonald; comic Matt Braunger)
post #79569 of 87879
TV Notes
Tuesday’s Highlights: 'Glee' on Fox
By Los Angeles Times' 'Show Tracker' Blog - May 21, 2012

[ALL TIMES LISTED ARE PACIFIC TIME]

SENIORS GRADUATE on the season finale of “Glee,” at 9 p.m. on Fox. With Naya Rivera as Santana and Gloria Estafan as her mother.

SERIES

No Kitchen Required:
In New Mexico, the chefs arrive in Apache country on horseback (7 and 10 p.m. BBC America).

America’s Got Talent: Auditions continue in New York in this new episode (8 p.m. NBC).

American Idol: Finalists Phillip Phillips and Jessica Sanchez perform (8 p.m. Fox).

The L.A. Complex: Raquel’s (Jewel Staite) happiness at getting her project financed is tempered by guilt over the methods she used in this new episode (9 p.m. KTLA).

Dancing With the Stars: At the end of the night, one celebrity and dance-pro partner will be crowned the winners in the two-hour season finale (9 p.m. ABC).

Dateline NBC: The newsmagazine celebrates its 20th anniversary with highlights of interviews with Michael J. Fox; outdoorsman Aron Ralston (10 p.m. NBC).

United Stats of America: This new episode looks at some alarming data: The U.S. used to be the world’s tallest country, but now we’re down to No. 9 in height, but we’re getting wider (10 p.m. History).

Amish: Out of Order: Mose goes to visit Danny, an ex-Amish cousin in the military who is recently back from Afghanistan, in this new episode (10 p.m. National Geographic).

SPECIALS

Civilization:
The West and the Rest With Niall Ferguson: In this new two-part special, based on his book of the same name, the renowned historian travels to 11 countries to explore the six factors he claims are responsible for the dominance of Western civilization: competition, science, modern medicine, democracy, consumerism and the work ethic (8 p.m. KOCE).

SPORTS

Basketball: NBA Playoffs:
The Indiana Pacers visit the Miami Heat (4 p.m. TNT).

Hockey: NHL Playoffs: The Kings visit the Phoenix Coyotes (if necessary). (6 p.m. NBCSP).

Baseball: The Dodgers visit the Arizona Diamondbacks (6:30 p.m. KCAL); the Angels visit the Oakland Athletics (7 p.m. FSN).


http://latimesblogs.latimes.com/show...e-on-fox-.html
post #79570 of 87879
Quote:
Originally Posted by dcowboy7 View Post

Pam Ward is out as an ESPN college football announcer....never did like her voice for an announcer.

Me either. Wasn't anything personal, just thought her voice was awful.
post #79571 of 87879
Quote:
Originally Posted by dad1153 View Post

TV Notes
CBS' Rules Of Engagement' Renewed For Seventh Season With 13-Episode Order
By Nellie Andreeva, Deadline.com - May 21, 2012

So did that couple ever get married? I stopped watching that show years ago.
post #79572 of 87879
Quote:
Originally Posted by MRM4 View Post

So did that couple ever get married? I stopped watching that show years ago.

Nope.

I enjoy the show, and am glad that it was renewed.
post #79573 of 87879
MONDAY's fast affiliate overnight prime-time ratings -and what they mean- have been posted on Analyst Marc Berman's Media INsight's Blog
post #79574 of 87879
Nielsen Overnights (18-49)
'House' surges to three-month high in finale
Series ender averages a 2.9 in 18-49s, growing 29 percent
By Toni Fitzgerald, Media Life Magazine - May 22, 2012

The series finale of "House" was by turns shocking, daring and absurd, just the way the show had been for the past eight years. And it earned a ratings bump.

"House" aired its highest-rated episode since Jan. 30, averaging a 2.9 in adults 18-49 at 9 p.m., according to Nielsen overnights.

That was up 32 percent from last week, when it averaged a 2.2. It was a fraction of the ratings "House" pulled at its peak a few years ago but that's not a surprise. The show had dipped to series lows this year.

There had been speculation about whether the troubled Dr. Gregory House would survive the finale, and the writers handled it in an interesting and fitting manner. (Sorry, no spoilers in this ratings recap.)

Elsewhere last night, NBC's second week of "America's Got Talent" dipped from its debut, from a 3.7 to a 3.1, but it was still the night's top show, and it helped the season premiere of "America Ninja Warrior" to a solid 2.4 from 9 to 11 p.m.

ABC's "Dancing with the Stars" averaged a 2.8 from 8 to 10 p.m. for its penultimate episode, up 8 percent from last week but down 20 percent from last fall's final performance episode, which averaged a 3.5.

NBC led the night among 18-49s with a 2.6 average overnight rating and a 7 share. ABC was second at 2.5/7, Fox third at 2.4/7, CBS and Univision tied for fourth at 1.5/4, Telemundo sixth at 0.4/1 and CW seventh at 0.2/1.

As a reminder, all ratings are based on live-plus-same-day DVR playback, which includes shows replayed before 3 a.m. the night before. Seven-day DVR data won't be available for several weeks. Forty-four percent of Nielsen households have DVRs.

At 8 p.m. NBC was first with a 3.1 for "Talent," followed by ABC with a 2.8 for "DWTS." Fox was third with a 2.0 for a "House" retrospective, Univision fourth with a 1.6 for "Una Familia con Suerte," CBS fifth with a 1.4 for repeats of "How I Met Your Mother" and "2 Broke Girls," Telemundo sixth with a 0.4 for "Una Maid en Manhattan" and CW seventh with a 0.3 for a repeat of "One Tree Hill."

Fox took the lead at 9 p.m. with a 2.9 for "House," while ABC and NBC tied for second at 2.5, ABC for "The Bachelorette" and NBC for "Warrior." CBS was fourth with a 1.8 for repeats of "Two and a Half Men" and "Mike & Molly," Univision fifth with a 1.5 for "Abismo de Pasion," Telemundo sixth with a 0.4 for "Corazon Valiente" and CW seventh with a 0.2 for more "Hill."

At 10 p.m. ABC led with a 2.3 for more "Bachelorette," with NBC second with a 2.2 for another hour of "Warrior." Univision was third with a 1.5 for "La Que No Podia Amar," CBS fourth with a 1.4 for "Clash of the Commercials: USA vs. the World" and Telemundo fifth with a 0.4 for "Relaciones Peligrosas."

ABC was first for the night among households with a 7.1 average overnight rating and an 11 share. Fox was second at 4.6/7, NBC third at 4.1/7, CBS fourth at 3.7/6, Univision fifth at 2.0/3, Telemundo sixth at 0.7/1 and CW seventh at 0.4/1.

http://www.medialifemagazine.com/art...-in-finale.asp
post #79575 of 87879
Technology/Legal Notes
TV Broadcasters Lose Round One in Legal War With Barry Diller's Aereo
By Matthew Belloni, The Hollywood Reporter's 'Hollywood ESQ.' - May 22, 2012

TV broadcasting executives have spent the better part of a week threatening legal action over Dish Network's new Auto Hop feature that allows users to completely skip commercials. But while that has been happening, a federal judge in New York has been considering a case that the TV industry has already taken to court.

On Monday, U.S. District Court judge Alison J. Nathan dismissed part of a complaint filed by Fox against Aereo, the online video startup backed by Barry Diller. According to the Wall Street Journal, the court dismissed an unfair competition claim but left a copyright infringement claim still to be heard.

In March, Aereo began streaming local TV content online to New York residents for $12 a month. The major TV broadcastersFox, CBS, NBC and ABCsued to shut the service down. Fox brought a separate unfair competition claim, and now that it has lost that portion of the case, a hearing on the copyright infringement claim is scheduled for next week.

"It's disappointing," a representative of Fox told the Journal. "But we look forward to our day in court to prove that Aereo's unauthorized streaming of our content constitutes copyright infringement."

A CBS rep sends us the following statement:

This is a ruling in the Fox lawsuit, and has nothing at all to do with the primary copyright-based claims that are at the heart of the complaints filed by CBS, ABC, NBC as well as Fox, which have yet to be addressed. This preliminary ruling which addresses solely the side issue of unfair competition should have no bearing on the core claim that Aereo is clearly violating the plain language of the copyright law."

http://www.hollywoodreporter.com/thr...casters-327514
post #79576 of 87879
TV Notes
TV Embraces Its Dark Side
Broadcast Networks Add Edgy Dramas to Their Lineup for Coming Season
By Christopher S. Stewart and Suzanne Vranica, Wall Street Journal

In a promotional trailer for ABC's coming drama "666 Park Avenue" set in a Manhattan apartment building, walls swallow people, bright red blood swirls down a sink drain and at one point a terrified looking woman who has just moved in asks her boyfriend: "Are we going to be ok here?"

That's a question TV executives may be asking themselves after broadcast networks unveiled a total of about a half dozen similarly dark-tinged dramas last week at the annual TV "upfront" sales presentations for advertisers. Such shows have thrived on cable channels like AMC and FX lately (think "The Walking Dead"). But there is no guarantee the mass audiences that tune into broadcast networksor their advertiserswill be as enthusiastic.

"There is a huge risk in drama," admits Jennifer Salke, president of NBC Entertainment. Three of its 12 new scripted series scheduled for next season possess a kind of eeriness, including "Do No Harm," about a good-looking doctor with a violent alter ego and "Hannibal," about a serial killer.

Having lagged behind the other three networksWalt Disney Co.'s ABC, News Corp Fox and CBS Corp.'s CBSin recent years, Ms. Salke said NBC was willing to take more chances. "How do you make an original cop or hospital show?" she said. "That's why you find yourself leaning into big ideas that are often complex and dark."

But Comcast Corp.'s NBC isn't alone. With the exception of ratings leader CBS, all three major broadcast networks showed up with one or more new dramas bearing a similar sensibilitya roiling human terror that is sometimes uncomfortable, and at other times thrilling.

Fox, for instance, has a serial killer who inspires other serial killers in "The Following," starring Kevin Bacon, and "Mob Doctor," which centers on a woman with a talent for extracting screwdrivers from gangsters' skulls. Even the CW is embracing the genre with "Cult," where fans of a TV show recreate crime scenesto occasionally disturbing ends.

Why all this darkness now? Partly, executives say, it is a mood, with the political climate tense, the economy still shrouded in uncertainty and a lot of people still out of work.

"We think people want to escape," said Peter Roth, president of Warner Bros. Television, a Time Warner Inc. unit that is making several of the more ominous shows, including "666 Park Avenue." "Some people believe that escape is a singular form that means beaches, warm weather and bikinis," he said. "We don't subscribe to that theory."

Others say broadcast is taking a cue from cable channels, which, in a splintering wilderness of programming, are drawing increasing attention with their original shows, many of which deal with edgier subject matter.

News Corp.'s FX cable channel, for instance, has drawn viewers with its outlaw motorcycle club series "Sons of Anarchy," while AMC Networks Inc.'s AMC has thrived with its Zombie epic "The Walking Dead," which captured an average of 6.9 million viewers in its latest season, a sizable number for a cable channel. (News Corp. also owns The Wall Street Journal.)

"When you look at the number of hits on cable, what people are being attracted to in cable showsyou look at storytelling," said Terence Carter, senior vice president of drama at Fox. " 'Walking Dead' emboldened us to be able to try fare that is a little scarier, a little bit more thrilling."

But broadcasters have to be cautious. While Madison Avenue generally embraces the shift into the shadows, "some advertisers will likely wait for several episodes before buying into some of these darker programs," to make sure the content isn't too violent or controversial, said Steve Kalb, director of video investments at Mullen, an ad firm owned by Interpublic Group of Cos.

Viewer reaction is the big question. Because of the mass audience nature of broadcast TV, network viewers have a "certain expectation" that they'll get programming "that might not be as explicit or as dark as you might find on many cable networks," said Dennis Wharton, a spokesman for the National Association of Broadcasters.

Fans of these shows are already questioning whether broadcasters will be able to go far enough in their new lineups. "Some consumers have expressed fear that the shows won't be able to deliver the promised amounts of darkness because the shows are on broadcast networks instead of cable," said Sean Reckwerdt, lead analyst at Networked Insights, which monitors blogs and social media sites such as Twitter to give advertisers an early read on the buzz around new programs.

Mr. Carter, of Fox, acknowledged that while cable can be "a little more niche," broadcasters "want to be able to provide something for everyone." But he argued that shows like "The Following" had elements of broader interest. "You got some thrills, you got sexy soap going on, you've got great character work going on, and there's an investigative element to it."

Indeed, Warner Bros.' Mr. Roth said the programs, despite their subjects, have an underlying optimism. "The great thing about these shows is that behind what is seemingly a dark and frightening side is a tremendous amount of aspiration and hope," he added. "It's comforting to know, for instance, in 'The Following,' that there is an FBI agent out there who always gets his man."

http://online.wsj.com/article/SB1000...607801106.html
post #79577 of 87879
TV Notes
Kevin Smith Fixes Film Criticism, Launches Hulu Movie Review Show 'Spoilers'
By Charlie Schmidlin, IndieWire.com - May 22, 2012

Though most critics will fess up to owing some part of their formative years to Kevin Smith’s films and speaking engagements, the filmmake- oh wait, raconteur, has subsequently squandered that goodwill by taking to Twitter, podcasts, and interviews to essentially dismiss professional criticism entirely. If that weren’t enough to enrage those who feel they can see a film for free and still hold a fair opinion on it, Smith has now announced plans to democratize film criticism with his own Hulu show starting this summer.

Based out of his SmodCo Studios on Universal City Walk, Smith will present a new show, “Spoilers,” which features himself along with 50 citizen co-hosts reviewing the newest summer blockbuster each week. Explaining his Polyphonic Spree of critics in a Wired interview, Smith said, “We take them out and pay for them to go see the movie, kick back — on opening day, none of this early bull****, ain’t doing it like those critics, doing it legit — and then just go down the street, sit down and have a gabfest, man.” Starting off the legitimate discourse will be “Snow White and the Huntsman,” “Prometheus,” and “Rock of Ages.”

If squeezing 50 opinions into a half-hour doesn’t already seem exhausting, Smith also plans to mix “lively group chats, interviews with movie and pop culture icons, animated shorts and cinematic reenactments.” One of these segments, Movie Goon with Malcolm Ingram, is sure to raise the ire of more than a few online followers. “[Malcolm’s] one of these nihilists. If it’s popular, he can’t stand it,” Smith said. “He represents the internet. So we’ll bring him on and let him have his say and then we’ll beat him up verbally and tell him why he’s wrong — have a good old-fashioned debate.” To clarify, Smith is indeed distilling the Internet, which is always wrong, down into one man, while letting more tempered opinions fall into the hands of 50 fans participating in the show. Something appears off in that equation. He's also pinched the title of a popular blog, Criterion Corner, for a segment on the show, just to really stick the knife in the internet.

Of course Smith is not aiming for depth or real diversity with “Spoilers,” just a good time under the general goal of starting a dialogue about film. However, his non-stop public comments lend a contradictory bent to everything he puts out, and this new show is just the latest iteration of that tendency. Normally, a show like this would be a fun way to showcase Smith’s talents as MC and critic (which he does possess), but the result is instead a spotlight to see if he can justify his negative comments. Alternatively, Smith’s opinions may have already been converted into white noise at this point, but if the concept seems interesting, “Spoilers” begins its 10-episode season June 4th. At least he's not making another movie, right?

http://blogs.indiewire.com/theplayli...ilers-20120522
post #79578 of 87879
Nielsen Notes (Cable)
CNN Hits 20-Year Weekday Primetime Low
By Dominic Patten, Deadline.com - May 22, 2012

The only ratings news CNN is getting lately is bad news. Last week, the cable news network had its lowest-rated weekday primetime in 20 years in terms of total viewers. From May 14-18, CNN averaged 395,000 viewers in primetime with Anderson Cooper's AC360 and Piers Morgan Tonight. The full seven days of last week was the third-lowest-rated full week in primetime since March 1997. Additionally, last Monday to Friday was also the network's fourth-lowest-rated weekday primetime week among adults 25-54. CNN scored just 111,000 viewers in the demo. CNN's previous worst weekly weekday primetime among adults 25-54 was May 15-21, 2000, when the network recorded 91,000 viewers among adults 25-54.

This ratings news comes less than a week after the network hit its lowest primetime among adults 18-49 in 15 years on May 15 with Pier Morgan Tonight. That followed a terrible April where CNN had its lowest-rated month in a decade.

http://www.deadline.com/2012/05/cnn-...primetime-low/
post #79579 of 87879
TV Review
'Civilization': Historian Niall Ferguson asks in PBS series if the sun is setting both in and on the West
By David Hinckley, New York Daily News - May 22, 2012

Civilization tackles, quite expertly, a question that’s as troubling as it is broad.

In this two-week, four-hour series, author, professor and historian Niall Ferguson bluntly asks whether the Western world’s domination of human events over five centuries is coming to a close.

Centuries ago, Ferguson notes, Eastern nations like China set the pace in technology, wealth and general progress.

But starting around the time of the New World explorers, the West ascended, while the East turned more inward and had less impact on the course of the world.

Ferguson ascribes this to several specific factors in Western culture, including competition, consumerism, faith and a work ethic.

The current rise of China, he suggests, is rooted in borrowing these “killer apps” from the West.

And yes, he declares, there’s a real chance the West could lose its supremacy.

But if it does, he further argues, it has only itself to blame. Western society won’t be “conquered” by Chinese or Muslims or other “outside” forces. It will have abandoned the things that fueled its rise: the hope of economic opportunity for all, faith in science, a willingness to engage with the rest of the world.

If the West regresses to suspicious, self-absorbed societies with no aspirational middle class, he warns, it could pass the East again, only this time in the opposite direction.

'CIVILIZATION: THE WEST AND THE REST'
Network / Air Date:
Tuesday and next Tuesday at 8 p.m., PBS
Rating: ★★★★
(out of five)


http://www.nydailynews.com/entertain...icle-1.1081891
post #79580 of 87879
Technology Notes
ESPN 3D Expands Wimbledon Coverage
By Tim Baysinger, Broadcasting & Cable - May 22, 2012

ESPN is using its new exclusive rights deal to the Wimbledon Singles Finals to bolster its 3D network.

The company said Tuesday that it will expand its coverage on ESPN 3D to include live telecasts on the final five days of the tournament, including both the Men's and Women's finals. Last year ESPN 3D aired one Men's semifinal live (Jo-Wilfried Tsonga vs. Novak Djokovic), plus the other semi and both finals on a tape-delay.

Jed Drake, ESPN senior VP and executive producer, said, "ESPN 3D adds to our depth of coverage with a compelling new look at ESPN's top events. It joins our long list of Emmy Award-winning innovations, including in-car cameras, the First and Ten line, the K Zone, tennis' ShotSpot and the Virtual Playbook."

Wimbledon begins June 25. The first ESPN 3D broadcast will be July 4.

http://www.broadcastingcable.com/art...n_Coverage.php
post #79581 of 87879
FCC Notes
The questions Genachowski should be asking about data caps
By Stacey Higginbotham, GigaOm.com - May 22, 2012

Federal Communications Commission Chairman Julius Genachowski reiterated his acceptance of broadband data caps and tiered pricing, at The Cable Show held today in Boston. In an interview with the National Cable and Telecommunications Association Chair (and a former FCC chairman himself) Michael Powell, Genachowski said he was in favor of business model innovation.

This is not a new stance for Genachowski, who back in 2010, specifically called out approval for usage-based broadband pricing as part of the network neutrality regulations. At the time he said:

Our work has also demonstrated the importance of business innovation to promote network investment and efficient use of networks, including measures to match price to cost such as usage-based pricing.

That's remarkably close to what he said today when quizzed by Michael Powell. Cecilia Kang at The Washington Post quotes Genachowski as saying:

Business model innovation is very important, Genachowski said. There was a point of view a couple of years ago that there was only one permissible pricing model for broadband. I didn't agree.

A bigger question is whether or not he agrees to practices that would exempt an ISP's traffic from their own broadband cap, as Comcast is doing with its Xfinity service over the Xbox. And from a consumer point of view, a cap isn't terrible in and of itself, but it can be a tool used to protect an ISP's pay TV business or their profits absent robust competition in the market.

So even though Genachowski is in favor of new pricing models for broadband, it would be awesome if he started asking questions about how those caps are set and what impact they have on consumer behavior. Because it's not like consumers have that much choice in their broadband provider.

http://www.broadcastingcable.com/art...n_Coverage.php
post #79582 of 87879
Quote:
Originally Posted by kingpcgeek View Post

Nope.

I enjoy the show, and am glad that it was renewed.

That's one long engagement.
post #79583 of 87879
Quote:
Originally Posted by MRM4 View Post

That's one long engagement.

Ha.

post #79584 of 87879
Quote:
Originally Posted by dad1153 View Post

Technology/Legal Notes
TV Broadcasters Lose Round One in Legal War With Barry Diller's Aereo

Apparently the suits at Fox, ABC, CBS and NBC believe they are dictators. They are all ticked off at Dish with its new Auto Hop feature eliminating all their endless commercials and at the same time they are ticked off at
Aereo for providing another avenue to their programming AND their endless and endless back-to-back commercials. I guess they want it both ways!

If the networks didn't air 20 commercials and promos back-to-back at almost every break, viewers would be more inclined to watch them. On top of this, what a pleasure it is to pay a cable, telcom or satellite TV service provider only to sit and watch those endless commercials. As a viewer, nothing like PAYING to watch commercials.
post #79585 of 87879
Quote:
Originally Posted by kingpcgeek View Post

Nope.

I enjoy the show, and am glad that it was renewed.

+1 but they've got to do better with the writing than they did on the final few eps. POOR! If it eventually get sacked, gotta find a place for Timmy. "Again, NOT THAT KIND OF INDIAN!" Gold!
post #79586 of 87879
Quote:
Originally Posted by goldrich View Post

If the networks didn't air 20 commercials and promos back-to-back at almost every break, viewers would be more inclined to watch them. On top of this, what a pleasure it is to pay a cable, telcom or satellite TV service provider only to sit and watch those endless commercials. As a viewer, nothing like PAYING to watch commercials.

This is why I will never subscribe to a paid TV system. Commercials exist to support OTA TV, and if I'm paying a monthly fee, I won't tolerate them. I never even watch the ones from broadcast shows, since recording the shows enables the ability to skip over the interruptions.

As for the networks' rage over Dish's new automatic commercial skipping feature, since the DVR only works with Dish systems, they shouldn't really be complaining, as commercials exist to support OTA TV, which the DVR won't record. They should just stop embedding commercials in the program streams for Dish customers completely and have Dish raise its subscription fee. Viewers get their commercial-free viewing, and the networks get their money. IIRC cable essentially used this model when it was first introduced, but it started incorporating advertisements as soon as it became clear that the subscribers would tolerate them. Returning to the advertisement-free model would, of course, only happen around the same time paid TV services start offering À la carte channel options, which will require them to become far more starved for revenue than they are currently.
post #79587 of 87879
Why would anyone pay money for something that is free? Even if Aero takes out the commercials why would someone pay $12 for that?
post #79588 of 87879
Obituary
Eugene Polley, Conjuror of a Device That Changed TV Habits, Dies at 96
By Margalit Fox, The New York Times - May 23, 2012

Eugene Polley, an inventor whose best-known creation has fostered blissful sloth, caused decades of domestic discord and forever altered the way consumers watch television, died on Sunday in Downers Grove, Ill. Mr. Polley, the inventor of the wireless television remote control, was 96.

His death was announced by the Zenith Electronics Corporation, where Mr. Polley began his career in the stockroom before rising through the engineering ranks to invent the device, called the Flash-Matic, in 1955.

Just think!, an advertisement breathlessly proclaimed that year. Without budging from your easy chair you can turn your new Zenith Flash-Matic set on, off, or change channels. You can even shut off annoying commercials while the picture remains on the screen.

The Flash-Matic remote, which worked like a flashlight, was shaped like a snub-nosed revolver. The shape was a considered choice on Mr. Polley's part, as he explained in 2000, letting viewers in the age of ubiquitous TV westerns shoot out commercials.

Flash-Matic made the TV audience less captive, though also less active. For the first time, viewers could comfortably exercise dominion over sound and image without simultaneously exercising the body on the march between couch and dial.

(The dial was a round thing with numbers on it all the way up to 13 by which viewers changed the channel through the direct application of fingers and wrist. One did not so much surf channels in those days as ride their gentle swells with all due deliberateness.)

As Mr. Polley, by then 86, proudly told an interviewer in 2002: The flush toilet may have been the most civilized invention ever devised, but the remote control is the next most important. It's almost as important as sex.

For his invention, Mr. Polley received a thousand-dollar bonus. But his device was soon supplanted by a more efficient, more enduring and far better-selling one, developed by a Zenith colleague, Robert Adler.

News accounts over the years have often described Mr. Adler erroneously as the TV remote's sole inventor. Mr. Polley, a plain-spoken man who seemed to avail himself of his own internal mute button only rarely, was largely relegated to the margins of history, a condition that rankled.

Not only did I not get credit for doing anything, he told The Chicago Tribune in 2006, I got a kick in the rear end.

Eugene Theodore Polley was born in Chicago on Nov. 29, 1915. (He disliked the name Theodore and adopted his confirmation name, Joseph, as his middle name.) His father, a bootlegger, abandoned the family when Gene was about 10.

The young Mr. Polley studied at the City Colleges of Chicago and the Armour Institute of Technology (now the Illinois Institute of Technology), but lacked the money to complete a degree. At 20 he joined the Zenith Radio Company, as it was then known, as a stock boy earning 40 cents an hour.

Mechanically adept, he worked his way into the engineering department. During World War II Mr. Polley, on loan from Zenith, worked for the United States military on bomb fuses and ship-detecting radar.

After the war, as TV sets began to colonize American homes, Zenith's president, Eugene F. McDonald, faced a quandary. Mr. McDonald, who held a utopian view of the new medium, was certain that viewers would revolt en masse against television commercials, by his lights a growing scourge.

But until that halcyon day arrived, Mr. McDonald knew, he needed to offer consumers a stopgap, and he enlisted the company's engineers to make it.

The first TV remote, called Lazy Bones, was introduced by Zenith in 1950. It had one profound drawback, however: a cable snaking from the remote to the set, over which users were inclined to trip.

Mr. McDonald enlisted Mr. Polley to build a wireless remote, and the Flash-Matic was born. The hand-held device emitted a visible beam of light, which consumers could point at a compatible TV set.

The new, purpose-built sets had a photo cell embedded in each corner of the screen; the viewer activated the cell by shooting it with the remote. One cell changed the channel up, another changed the channel down, a third muted the sound, and the fourth turned the set on and off.

The device proved popular: during its first and only year of existence, 30,000 Flash-Matic sets were sold.

But there were difficulties. Because the system was light-activated, sunlight hitting the TV screen could cause the channels to change in spontaneous roulette. Viewers also had trouble remembering which corner of the screen controlled which function.

Mr. Adler improved Mr. Polley's device by making it responsive to sound instead of light. His remote, called Space Command, used inaudible, high-frequency sound waves to control the set. It, too, had problems it could be set off by the sound of jangling keys or rattling coins but was deemed enough of an improvement on its predecessor to be brought to market in 1956.

From that year to the early 1980s, when infrared remotes became standard, more than nine million sets controlled by Space Command technology were sold.

Mr. Polley, a longtime resident of Lombard, Ill., had lived most recently in Glen Ellyn, Ill. He is survived by a son, Eugene Jr., and a grandson. His wife, the former Blanche Wiley, died before him, as did a daughter, Joan Polley.

With other colleagues, Mr. Adler and Mr. Polley represented Zenith when it was given a special Emmy Award in 1997 for its development of wireless remotes.

Mr. Adler died in 2007. Zenith has said publicly that it considers him and Mr. Polley the joint inventors of the device.

Mr. Polley begged to differ.

A father has to be present at conception, he said in a 2002 interview. And if you're not, you're not that father.

http://www.nytimes.com/2012/05/23/bu...ref=television
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TV Notes
ReelzChannel Acquires U.S. Rights To ‘Pillars’ Follow-Up ‘World Without End’
By The Deadline.com Team - May 22, 2012

ReelzChannel has snagged U.S. premiere rights to the eight-hour miniseries World Without End, the sequel to Scott Free Films and Tandem Communications’ mini The Pillars Of The Earth that aired last year on Starz and garnered seven Emmy nominations. The two projects were based on the Ken Follett epic novels.

ReelzChannel, which had great success with airing The Kennedys miniseries via its TV About Movies platform — it competed with Pillars in last year’s Emmy Miniseries or Movie category — plans a fall 2012 airdate; it acquired and aired the nine-part Pillars for its second U.S. window last year after Starz. “With The Kennedys we conditioned our audience to know that our network is home to the biggest miniseries, and World Without End is exactly that,” ReelzChannel SEO Stan Hubbard said.

World Without End, with a budget of $46 million, picks up 200 years after Pillars in 14th century England with a new cast of characters including Caris (Charlotte Riley), who inspires her medieval town to confront the Church and the Crown as they fight to save their town from ruin and, ultimately, usher in a new era of freedom, innovation and enlightenment. Cynthia Nixon, Miranda Richardson, Ben Chaplin, Peter Firth and Sarah Gadon co-star. Michael Caton-Jones directed.

http://www.deadline.com/2012/05/worl...h-ken-follett/
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TV Notes
Lorne Michaels: Samberg, Sudeikis future unclear
By Ann Oldenburg, USA Today - May 22, 2012

SNL fans are still buzzing about Kristin Wiig's farewell show this past weekend.

"It was difficult for all of us," SNL honcho Lorne Michaels said on the red carpet for the 71st Annual Peabody Awards on Monday night. "And I think most difficult for her." But, he added, "I don't think it will be the last time she will be on that stage."

Current cast member Fred Armisen, who won a Peabody for his IFC show Portlandia, told the New York Post that he'll miss Wiig, but doubts she's gone for good. "It was both sad and happy because no one ever leaves SNL," he said. "Did you see the good nights? Kristen, Amy Poehler, Rachel Dratch, Chris Parnell, everyone. No one goes very far."

But what about Andy Samberg and Jason Sudeikis, both of whom are said to be exiting, too? Was that their last show? When asked by The Wrap, Michaels acknowledged that the public goodbye was only for Wiig. Does that mean they're staying?

"You never know," Michaels said. "I think everyone gets through the season and just the level of fatigue by the end is just overwhelming, and it's a very emotional time. I've had a rule since the second season, which is to not make any decisions in June. We'll see in July."

So nothing has been decided about their future? "Not so far, yeah," he said.

Meanwhile, Us Weekly reports that Wiig rocked the SNL cast after-party -- literally. Wearing leather shorts and an American flag T-shirt, Wiig joined the Foo Fighters on the stage at the Rockefeller Center Skating Rink to sing lead vocals on a cover of Joan Jett's I Love Rock and Roll.

http://content.usatoday.com/communit...ture-unclear/1
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