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The official SeymourAV center stage screen thread! - Page 45

post #1321 of 2117
The screen is up and it's awesome. Chris Seymour is a class act. We highly recommend Seymour AV. If you are considering a less expensive AT screen from another company, do yourself a favor and spend a little extra to buy one from Seymour AV. It's a high quality product that is a much better value taking all things into consideration. In this case, you do get what you pay for.
post #1322 of 2117
Quote:
Originally Posted by StevenC56 View Post

The screen is up and it's awesome. Chris Seymour is a class act. We highly recommend Seymour AV. If you are considering a less expensive AT screen from another company, do yourself a favor and spend a little extra to buy one from Seymour AV. It's a high quality product that is a much better value taking all things into consideration. In this case, you do get what you pay for.



Steven,

Congrats on the new screen!

I am also possibly going with a Seymour AT screen and I would like to know your impressions of screen weave visibility from your viewing distances?

I believe in one of your prior post's that your viewing distances were 7.5 ft for the 1st row and 12.5 ft for your second row, is that correct?

Any other subjective experiences that you can touch on about your screen would be most welcome!


...Glenn
post #1323 of 2117
Quote:
Originally Posted by Glenn Baumann View Post

Steven,

Congrats on the new screen!

I am also possibly going with a Seymour AT screen and I would like to know your impressions of screen weave visibility from your viewing distances?

I believe in one of your prior post's that your viewing distances were 7.5 ft for the 1st row and 12.5 ft for your second row, is that correct?

Any other subjective experiences that you can touch on about your screen would be most welcome!


...Glenn

Hey Glenn! From our front seating area @ 7-7.5' you can notice the screen weave mainly on light colored images like skies. If you are engrossed in the movie content and not focusing on the picture structure, it's not a distraction. From our main seating area @12-12.5', the picture is pure bliss and the weave is not noticeable to my wife and I at all. Hope that helps. I took your advice and angled my center channel speaker down slightly using 3 Auralex monitor isolation pads.
post #1324 of 2117
Hi, anyone here ordered a custom sized seymour screen? Ive emailed Chris and my plan is to have the viewing area 140 inches wide and the height of a 120 inch wide 16:9/1.78:1 screen.

This would allow me to watch scope movies 140 inches wide, with a width mask to cover the extra height

i wouldnt compromise on the 16:9 screen as i could go 120 inches wide with full height, but would need two vertical masks to cover the extra width.

Anyone any thoughts on my method? Im also utilising an anamorphic lens
post #1325 of 2117
Quote:
Originally Posted by Gary Lightfoot View Post

You usually need to be closer than a 60 degree viewing angle before you have to move your head to see the edges of the screen - that's around a 2 x image height distance or closer.

I've yet to hear anyone else say this. Awesome though. I've been thinking I am somehow crazy lol.

I sit 10'6" back from a 140" wide (152diag) 2.40:1 screen. I can see both sides of the screen easily by moving my eyes only. Amazing theater experience . Everything I read tells me that is very wrong. I'm using an Epson 8500UB on an eggshell wall (so the image is actually an even larger 16:9) and in ECO mode. Cant wait to see it on an AT screen.
post #1326 of 2117
Quote:
Originally Posted by Billybobjimbob View Post

Hi, anyone here ordered a custom sized seymour screen? Ive emailed Chris and my plan is to have the viewing area 140 inches wide and the height of a 120 inch wide 16:9/1.78:1 screen.

This would allow me to watch scope movies 140 inches wide, with a width mask to cover the extra height

i wouldnt compromise on the 16:9 screen as i could go 120 inches wide with full height, but would need two vertical masks to cover the extra width.

Anyone any thoughts on my method? Im also utilising an anamorphic lens

Thought about it but decided that two way masking was much easier then 3 way. My screen is about exactly the say width as your. I think that my viewable height ended up 57" tall, that gives me 102" at 16:9 and 137" at 2.40 (my actuall screen is 144" wide). Personaly I think the 16:9 size is great and the 2.40 awsome, glad I didn't bother trying to do what you are.
post #1327 of 2117
Quote:
Originally Posted by Billybobjimbob View Post

Hi, anyone here ordered a custom sized seymour screen? Ive emailed Chris and my plan is to have the viewing area 140 inches wide and the height of a 120 inch wide 16:9/1.78:1 screen.

This would allow me to watch scope movies 140 inches wide, with a width mask to cover the extra height

i wouldnt compromise on the 16:9 screen as i could go 120 inches wide with full height, but would need two vertical masks to cover the extra width.

Anyone any thoughts on my method? Im also utilising an anamorphic lens

I just bought that exact size and it is beautiful! I also bought the masking panels and they work great. Chris is great to work with. Screen came very fast. I am lighting it up with a JVC HD 250.

Stace
post #1328 of 2117
Quote:
Originally Posted by StevenC56 View Post

The screen is up and it's awesome. Chris Seymour is a class act. We highly recommend Seymour AV. If you are considering a less expensive AT screen from another company, do yourself a favor and spend a little extra to buy one from Seymour AV. It's a high quality product that is a much better value taking all things into consideration. In this case, you do get what you pay for.

I couldn't agree more. I was considering a DIY approach but decided to go with the Seymour frame. I am glad I did. This screen is first class!

Stace
post #1329 of 2117
Quote:
Originally Posted by NinjaofDoom View Post

I've yet to hear anyone else say this. Awesome though. I've been thinking I am somehow crazy lol.

I sit 10'6" back from a 140" wide (152diag) 2.40:1 screen. I can see both sides of the screen easily by moving my eyes only. Amazing theater experience . Everything I read tells me that is very wrong. I'm using an Epson 8500UB on an eggshell wall (so the image is actually an even larger 16:9) and in ECO mode. Cant wait to see it on an AT screen.

Hi,

Thanks for pointing that out - can't beat real world testing of stuff like that and I've just tried it myself and found you're absolutely correct and not crazy I was going on a Dolby labs white paper which mentions a binocular field of view of 60 degrees:

http://www.dolby.com/uploadedFiles/z...%20Picture.pdf

I assume now that was for one eye rather than both, so it looks like 120 degrees is the correct figure - having just tried a very quick measuring exercise of my own I found I could see around 110 degrees, so 120 degrees with accurate testing looks correct. Probably greater if you have a broken nose.

Edit: Wikipedia also says 120 degrees:

http://en.wikipedia.org/wiki/Binocular_vision

That means of course that sitting closer than 2 x screen height with a scope screen without having to move your head (unless it feels more comfortable to do so) is easily doable.

Can't beat those kinds of seating distances for immersion, (but they might be a bit tiresome if it's a taller 16:9 or IMAX screen and the vertical viewi8ng angle is greater than 15 degrees).

Gary
post #1330 of 2117
Quote:
Originally Posted by Billybobjimbob View Post

Hi, anyone here ordered a custom sized seymour screen? Ive emailed Chris and my plan is to have the viewing area 140 inches wide and the height of a 120 inch wide 16:9/1.78:1 screen.

This would allow me to watch scope movies 140 inches wide, with a width mask to cover the extra height

i wouldnt compromise on the 16:9 screen as i could go 120 inches wide with full height, but would need two vertical masks to cover the extra width.

Anyone any thoughts on my method? Im also utilising an anamorphic lens

If you don't mind extra masking and you want your 16:9 movies to be really big, then what you are doing is fine. Have you ever considered a CIH setup? If not, read on.

I have a 2.35 ratio 125" diagonal Seymour AT electric screen setup, and utilize an anamorphic lens as well. I use the more common CIH (constant image height) method of going back and forth between "scope" and 16:9 material. As the CIH name implies, the height of my movies always stays the same, 49" in my case. To go to a 16:9 ratio movie I switch my video scaler to normal (not expanding the image higher), and move my anamorphic lens back to normal (not stretching the image wider). With the 49" image height my 16:9 movies are 100" diagonal. With this method, there is no need for masking on the top or bottom of any movie format. I do have blank screen exposed on the sides when watching a 16:9 ratio movie or TV that could be masked, but it doesn't bother me unmasked, as my room is dark enough. I personally like having my "scope" movies larger than my 16:9 movies, as it maximizes their impact, and by having my image height constant, I have all formats of movies centered vertically at the optimum viewing height for my room.

I just wanted to be sure you have considered or are familiar with the pro's and con's of a CIH setup. If not go to this part of the AVS forum and they will tell you all you need to know. http://www.avsforum.com/avs-vb/forumdisplay.php?f=117 I do wonder if you are you planning on "stretching" your "scope" movies taller with a separate scaler, or projector setting? If not you will lose some projector light output for scope movies.
post #1331 of 2117
Quote:
Originally Posted by Mopar_Mudder View Post

Thought about it but decided that two way masking was much easier then 3 way. My screen is about exactly the say width as your. I think that my viewable height ended up 57" tall, that gives me 102" at 16:9 and 137" at 2.40 (my actuall screen is 144" wide). Personaly I think the 16:9 size is great and the 2.40 awsome, glad I didn't bother trying to do what you are.

Hi im not overly concerned with which method is easier to utilse, but i want the. most impact i can get from my screen. My previous screens (2screens in one casing) was 130inch wide cih set up. The scope image with my schneider lens was fantastic-but the non scope aspects lost a bit of the impact. An example-avatar would look fantastic on a 120inch + screen.

The masking system isnt complicated-you either have 2 masks at the sides for non scope or 2 masks for scope content (or even 1 oversized one). Im sure your 16:9 image is great, but id wager if you'd experienced one atleast a 120inches wide, then you'd class both your images as awsome
post #1332 of 2117
Quote:
Originally Posted by sdlehman View Post

I just bought that exact size and it is beautiful! I also bought the masking panels and they work great. Chris is great to work with. Screen came very fast. I am lighting it up with a JVC HD 250.

Stace

thats fantastic Stace, do you have any pics you can post with the different masks? (i can pm you my email if you want to mail me).

Im using a jvc hd 750 and schneider m anamorphic lens
post #1333 of 2117
Quote:
Originally Posted by mlbrand View Post

If you don't mind extra masking and you want your 16:9 movies to be really big, then what you are doing is fine. Have you ever considered a CIH setup? If not, read on.

I have a 2.35 ratio 125" diagonal Seymour AT electric screen setup, and utilize an anamorphic lens as well. I use the more common CIH (constant image height) method of going back and forth between "scope" and 16:9 material. As the CIH name implies, the height of my movies always stays the same, 49" in my case. To go to a 16:9 ratio movie I switch my video scaler to normal (not expanding the image higher), and move my anamorphic lens back to normal (not stretching the image wider). With the 49" image height my 16:9 movies are 100" diagonal. With this method, there is no need for masking on the top or bottom of any movie format. I do have blank screen exposed on the sides when watching a 16:9 ratio movie or TV that could be masked, but it doesn't bother me unmasked, as my room is dark enough. I personally like having my "scope" movies larger than my 16:9 movies, as it maximizes their impact, and by having my image height constant, I have all formats of movies centered vertically at the optimum viewing height for my room.

I just wanted to be sure you have considered or are familiar with the pro's and con's of a CIH setup. If not go to this part of the AVS forum and they will tell you all you need to know. http://www.avsforum.com/avs-vb/forumdisplay.php?f=117 I do wonder if you are you planning on "stretching" your "scope" movies taller with a separate scaler, or projector setting? If not you will lose some projector light output for scope movies.

Hi mlbrand,

thankyou for taking the time to post such a detailed reply, its much appreciated. I actually had a cih setup for the last 14 months or so. Well i had a screenline galieleo screen which houses two screens in one casing for cih. One screen is scope the other is the same height but a true 16:9.

like most others in these forums,I love my movie watching. But i have to say i think at home, the impact utilising cih with non scope material, can be decreased. Something like avatar in scope would be awsome, but i found with the cih, it wasnt as engrossing-and that was with a 2.5m wide screen. Im sure the extra half a metre width and more so the height will have more of an impact( ive tried projecting onto the wall and it looks ace).

Its nice to have thx, dolby or other guidelines-but to me they are that. Their intent is good, but i like letting my own eyes and ears judge. Gary often says when using cih if non scope looks a bit small-pull the seating forward! Unfortunately that isnt always practicable. Due to space constraints and the technical ability of the pj, ciw isnt possible in my room, if i however had the room, then id happily keep an open mind and try that route. As it stands, i think this is my best opportunity to enjoy both scope and non scope material.

Asif
post #1334 of 2117
Quote:
Originally Posted by Gary Lightfoot View Post

Hi,

Thanks for pointing that out - can't beat real world testing of stuff like that and I've just tried it myself and found you're absolutely correct and not crazy I was going on a Dolby labs white paper which mentions a binocular field of view of 60 degrees:

Can't beat those kinds of seating distances for immersion, (but they might be a bit tiresome if it's a taller 16:9 or IMAX screen and the vertical viewi8ng angle is greater than 15 degrees).

Gary

So I'm not the only one! Yea, my measurements show exactly 60 degrees viewing angle from the front row (and still an excellent picture from the back).
I will have the screen width to ideally space my LCRs to my seating as well.

I suppose the only drawback is you really need to stick to Blu Rays/HD content to prevent the fuzzy picture that chriscmore warns about. Perhaps my eyes are too untrained but 'V for Vendetta' looked sharp last night

Completely agree on the 16:9. We started with a plan for a 16:9 screen, but when you sit 10'6" back from a similarly sized screen and try to watch something like Avatar, it WAS really uncomfortable. The lack of height in an otherwise 12' wide screen makes an ENORMOUS difference in comfort. I was thinking 140" wide would be a bit too much (just under 80% of my wall width) but its actually quite epic, with no discomfort.
post #1335 of 2117
A lot of the recommended viewing angles from the likes of SMPTE, Fox etc are based on immersion/visual acuity and image quality - grain and camera mechanics were a limiting factor for film for example. As you rightly say, if you watch only good quality HD stuff then the likes of THXs 2.4 x screen height works well, but if you watch SD material and the source isn't as good as it could be, it can look quite soft or the artefacts distracting.

Gary
post #1336 of 2117
Quote:
Originally Posted by Billybobjimbob View Post

Its nice to have thx, dolby or other guidelines-but to me they are that. Their intent is good, but i like letting my own eyes and ears judge. Gary often says when using cih if non scope looks a bit small-pull the seating forward! Unfortunately that isnt always practicable. Due to space constraints and the technical ability of the pj, ciw isnt possible in my room, if i however had the room, then id happily keep an open mind and try that route. As it stands, i think this is my best opportunity to enjoy both scope and non scope material.

Asif

A good alternative to CIH if you can't or don't like your seating closer for that set up, is constant image area or the two screen approach. That way you can have each image size closer to what you prefer without moving your seats.

Rich H has a very flexible set up which gives him all the sizes he wants including something larger for IMAX type presentations.

Gary
post #1337 of 2117
Quote:
Originally Posted by Billybobjimbob View Post

Hi mlbrand,

thankyou for taking the time to post such a detailed reply, its much appreciated. I actually had a cih setup for the last 14 months or so. Well i had a screenline galieleo screen which houses two screens in one casing for cih. One screen is scope the other is the same height but a true 16:9.

like most others in these forums,I love my movie watching. But i have to say i think at home, the impact utilising cih with non scope material, can be decreased. Something like avatar in scope would be awsome, but i found with the cih, it wasnt as engrossing-and that was with a 2.5m wide screen. Im sure the extra half a metre width and more so the height will have more of an impact( ive tried projecting onto the wall and it looks ace).

Its nice to have thx, dolby or other guidelines-but to me they are that. Their intent is good, but i like letting my own eyes and ears judge. Gary often says when using cih if non scope looks a bit small-pull the seating forward! Unfortunately that isnt always practicable. Due to space constraints and the technical ability of the pj, ciw isnt possible in my room, if i however had the room, then id happily keep an open mind and try that route. As it stands, i think this is my best opportunity to enjoy both scope and non scope material.

Asif

Billybobjimbob,

It sounds like you are doing what works best for you, which is exactly how you should do it. I am actually limited in screen height in my room, so CIH works best for me, but I know it's not best for everyone. Enjoy your setup!
post #1338 of 2117
Thanks for that Mlbrand im just waiting to hear back from Chris now so i can sort the detail and get it ordered!
post #1339 of 2117
Well thanks to Chris and his team, my screen is on its way-hopefully it will land early next week-cant wait to get my hands on it
post #1340 of 2117
Hey all,

Couple questions for you experts out there.

My original plan was to purchase a panny pt-ae4000u and project onto a 120" DIY 2.35 screen using center stage material. However, due to budget issues...the ae4000 is no longer in the picture.

Its looking like now I'll be ending up with the pt-ax200u. The Specs are HERE. Anyone see a problem with 120" 2.35 center stage screen and this projector? The throw distance should be about 15.5", the first row, screen to eyeballs, is between 9 and 10 feet.

Thanks in advance!

*Edit*

I've re measure my layout and i mis remembered, my first row is actually about 8 feet to the eyeballs, then 15 to the second row.
post #1341 of 2117
Looking at mating the Seymour XD with the Carada CIH masking..................trying to figure out how to best configure the two products from two different manufacturers.
post #1342 of 2117
Quote:
Originally Posted by doublewing11 View Post

Looking at mating the Seymour XD with the Carada CIH masking..................trying to figure out how to best configure the two products from two different manufacturers.

You can specify with us any custom image/inside frame dimension to the 0.1" resolution. So, I'd recommend calling David and Rex and specing out the masking system first to what you want. Then, they'll tell you what the image dimensions need to be for us.

Cheers,
Chris
post #1343 of 2117
Quote:
Originally Posted by chriscmore View Post

You can specify with us any custom image/inside frame dimension to the 0.1" resolution. So, I'd recommend calling David and Rex and specing out the masking system first to what you want. Then, they'll tell you what the image dimensions need to be for us.

Cheers,
Chris

Thanks.........makes sense.
post #1344 of 2117
We recently acquired a Center Stage XD in the 120" wide 2.40:1 version from fellow avs forum member locally. That wasn't really in the budget, but it was too good to pass up as I know the CFO would never have approved a new screen at new prices, as we already had a perfectly functional 120" Da-Lite Hi Power screen. I really wanted an AT screen though, and can't believe I actually got one! Our theater is ready to go except for acoustic treatments and a projector.

So our projector budget took a huge hit, but that's OK. To me a good screen is a better investment than a good projector, as a good screen will still be considered a good screen for many years, while we all know how we feel about projectors even two years after we buy them...

So how would you rate these entry level 1080p projectors from best to worst for mating with this screen? The theater has charcoal gray walls and ceiling, and very good light control. We'll eventually spring for a Panasonic AE5000U if it ever comes out, but funds are tight right now and we need to get the theater up and running until then.

Optoma HD20
Mitsubishi HC4000
Viewsonic Pro8200

I know the Epson 8350 is going to be better than all these, but that's half again what these projectors cost.

Thanks. Zac.
post #1345 of 2117
I am very new to this hobby, so be gentle!!
I am very interested in a Seymour screen because I will be using my center channel behind the screen.
What I am very new at is trying to determine the following:
1: what size screen to buy - it needs to be motorized from a ceiling mount
2: how far back the projector needs to be mounted on the ceiling

Here are my variables:
Room dimensions:
7'H x 14.5'W x 24'L
I would like to sit about 14-15 feet from the screen.
The projector that I am looking at is a model that I think is only available in Canada:
Vivitek H5085 (DLP)
Here are some of the specs with the standard lens:
1800 lumens and 35,000:1 contrast ratio
Throw Ratio: 1.54 to 1.93:1 (Distance/Width)
Image Size Diaganol: 37" to 300" (0.9 to 7.6 m)
Projection Distance: 4' to 30' (1.2 to 9.1 m)
Projection Lens: F=2.5- 3.1, f=28.5 - 42.75 mm
Keystone Correction: ±15ºVertical
Lens Shift Range: Vertical:±10%, Horizontal: -40% to +120%

If there is a reason that this projector will not work properly with the Seymour screen please advise. Otherwise, I could really use your help.
post #1346 of 2117
A few quick thoughts:
Are you interested in a "scope" (2.35 or equiv.) aspect ratio (AR)? What are your viewing habits (film, HDTV, sports...?). A 'scope screen, especially an acoustic transparent (AT) scope screen, adds tremendously to the "movie theatre experience". Your room size would seem to allow for a wider viewing angle.

Along that line of thought, check your planned projector's zoom capabilities. Do some research at projectorcentral.com and the calculator there to see if your chosen PJ can light up a screen at the throw distance you plan, versus the size and AR of the screen.

You should factor in the light control in your room: Bat cave, or a room with windows and daylight viewing habits.

All of the above issues are not specific to Seymour screens; you should resolve these questions before jumping into any screen/projector combination. That said, Seymour screens are an excellent value and a high quality product with first class customer support.
post #1347 of 2117
Spirit - If you're planning on sitting 14-15 feet back, I'd recommend the larger end of the retractable screen size range, from 110" wide to 120" wide. That would get you in the sweet spot for 16:9 screens, from 36 to 40 degree viewing angle. Of course, adjust to the room or requirements of the installation (e.g. L/R speakers, walls) and personal taste. Also, the more adjustment you have available in your seating distance, the easier it is to dial things over time.

Finally, the safest bet is to hang a sheet and throw a temporary image with the new projector. Nothing beats a few hours of experience, and a big advantage of AT screens is that you can scale your audio and video independently for best practice all around.

Cheers,
Chris
post #1348 of 2117
Question to Chris, or any one who knows. Is there is a way to wash screen fabric. Lets say in a chance you have it marked with children dirty hands or something else like coke drops. After wash will it shrink, can I iron it. Or Dry clean? How easy to clean it and what is the best way?
post #1349 of 2117
Quote:
Originally Posted by SteveHorn View Post

A few quick thoughts:
Are you interested in a "scope" (2.35 or equiv.) aspect ratio (AR)? What are your viewing habits (film, HDTV, sports...?). A 'scope screen, especially an acoustic transparent (AT) scope screen, adds tremendously to the "movie theatre experience". Your room size would seem to allow for a wider viewing angle.

Along that line of thought, check your planned projector's zoom capabilities. Do some research at projectorcentral.com and the calculator there to see if your chosen PJ can light up a screen at the throw distance you plan, versus the size and AR of the screen.

You should factor in the light control in your room: Bat cave, or a room with windows and daylight viewing habits.

All of the above issues are not specific to Seymour screens; you should resolve these questions before jumping into any screen/projector combination. That said, Seymour screens are an excellent value and a high quality product with first class customer support.

Thanks for responding:
No - I am not interested in a "scope". I prefer 16x9. I watch a lot of sports and movies but I don't want to get into the anamorphic lens route.
Room: will be like a bat cave - absoultely no windows and I planning to have wall scones on the side walls controlled by a dimmer.
post #1350 of 2117
Quote:
Originally Posted by chriscmore View Post

...
Finally, the safest bet is to hang a sheet and throw a temporary image with the new projector. Nothing beats a few hours of experience, and a big advantage of AT screens is that you can scale your audio and video independently for best practice all around.Chris

Ditto that. Go to Hancock/Joann Fabrics and get a few yds of white polyester. Comes in 54" widths as I recall. Size it to your liking (16:9 or whatever), stretch it/hang it over your center channel and Bob's your uncle. BTW, You don't HAVE to go with an A-Lens for scope. Many in the CIH world use the zoom method to blow out the pix to the proper width. The letterbox bars get lost in the screen surround. Just a thought.
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