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The New PQ Tier thread for Blu-Ray - Discussion - Page 370

post #11071 of 20357
Quote:
Originally Posted by spectator View Post

It's a possible question. Probably not a very interesting one.

Perhaps the answer might be more interesting than the question?
post #11072 of 20357
Death Race

Can't do a long review, but basically there was nothing wrong with the transfer. Great black levels, grain apparent, etc.. The overall look was very good, face closeups very good, just not up there with the best. It wasn't as good looking as the new Hulk movie which is in Tier 1.25, and i felt it was a decent step down from Crank which is in 1.0.

Tier Recommendation: 1.5
post #11073 of 20357
Quote:
Originally Posted by spectator View Post

I could not disagree more completely.

Quote:
Originally Posted by spectator View Post

It's a possible question. Probably not a very interesting one.


Lots of passive aggressive behaviour here. Why don't you stop with your riddles and tell us what your opinion is. Be constructive.

Or not, I guess.
post #11074 of 20357
Quote:
Originally Posted by patrick99 View Post

"David Straitham"?

Djoberg is correct. Jason Stratham. There is an actor named David Straitham. For some reason, I always mix the two names up.
post #11075 of 20357
The Passion Of The Christ

recommendation: Tier 1.75

A blockbuster when it first launched to theaters in 2004, Twentieth Century Fox released the Blu-ray on February 17th of this year. Two versions are included on the disc by way of seamless branching. A re-cut version that is less graphic and the original theatrical version. For the purposes of this review I have only watched the theatrical cut, which runs 126-minutes in length. The re-cut version runs for 121-minutes.

The main features are encoded in AVC on a single BD-50. The average video bitrate for the theatrical version is 22.39 Mbps per the BDInfo scan. Fox themselves list the average video bitrate on the back of the case at 22.5 Mbps. The encoding and authoring of the disc is credited to Deluxe Digital Studios. While the encode peaks around 36.0 Mbps late in the movie, most of the time it stays within a much lower range from 18.2 Mbps to 26.4 Mbps.

This is a very good video encode in terms of compression with a couple of slight flaws the only visible problems. There is a short instance of banding at the end of the movie when the rock is rolled away at Jesus' tomb. Some false contouring appears in the opening scenes that is not easily noticeable but still present. There are no motion artifacts or macroblocking throughout the entirety of the movie. I do have to wonder whether the encode would have looked slightly more transparent to the master if it had a higher average bitrate.

The original source material simply looks in phenomenal shape. There are no print marks, anomalies, or debris that affect the integrity of the image. Without having seen the master myself, it looks like a light application of temporally-filtered grain reduction has been applied at selective points. This would definitely not be picked up by a casual viewer, as high-frequency information appears virtually untouched and a constant layer of grain remains in darker scenes. It does not alter the overall look of the film but may be noticeable to eagle-eyed viewers who have familiarity with a theatrical screening of this film.

While the use of digital noise reduction barely impacts the picture quality, the real negative seen in this transfer is the overzealous use of edge enhancement. Halos appear regularly and they vary in amplitude from unobjectionable to easily noticed. A notable example for an egregious instance of this problem is the scene where the crowd has to choose between Jesus and Barabbas to free. That is not the only scene with a thick presence of added sharpening apparent. It was objectionable enough at times to drop my final ranking over half a tier in consideration. Viewers on smaller displays will ignore this problem but projection owners might want to take note.

The opening scene, set at night in the Garden of Gethsemane, looks the lowest in terms of picture quality for the movie. There is a bluish tint to the proceedings and black levels appear average at best. Fine shadow detail is resolved nicely but it does not look worthy of tier one. But once the movie shifts to daylight and the aftermath of Jesus' arrest, the image picks up strongly in quality. Watch the interior scene where Caiaphas interrogates Jesus. The tremendous depth of field and clarity exhibited are stunning. Objects look like they are going to come off the screen with excellent dimensionality to the image. These scenes have more of an amber coloring to them. Flesh tones do not look problematic but this is a highly stylized image at various points.

As the movie progresses the superior detail and resolution in the image becomes apparent. The lavish production and costume design are shown down to the finest detail, with coarse and very fine textures revealing the quality of the fabrics worn. Every wound is explicitly laid out to bare during the scourging and the makeup used for that effect is visually effective and realistic, even in 1080p. But the image reaches new heights of visual quality during the crucifixion. That scene on its own would not be awkwardly placed in tier zero. The cinematography is simply incredible throughout the film and never looks better than at that moment.

Outside of the extra sharpening, I was pleased with this transfer. I was contemplating a higher placement even considering that problem, but concluded it occurred too frequently to merit a better ranking. My recommendation is for tier 1.75, though some moments look nearly in caliber to tier zero.

Watching on a 60 Pioneer Kuro plasma at 1080p/24 fed by a PS3 (firmware 2.60) at a viewing distance of six feet.

BDInfo Scan:
http://www.avsforum.com
/avs-vb/showthread.php?p=9044310#post9044310


Video Bitrate Graph:
http://www.dvdbeaver.com/film2/DVDRe...st_blu-ray.htm
post #11076 of 20357
Quote:
Originally Posted by deltasun View Post

Lots of passive aggressive behaviour here. Why don't you stop with your riddles and tell us what your opinion is. Be constructive.

You can interpret it that way, but that's not where I'm coming from. I'm not trying to be obtuse; I honestly didn't think anyone- even the question asker- would find my answer about why I'm interested in this thread anything but a snooze. I also didn't feel like posting the answer because to do justice to it would take a paragraph or two.

Anyway, I'll get out of my own way and give you a short version:

While I radically disagree with the notion that this thread's criteria defines a "quality" picture, exclusively, it is an agreed-upon rough standard, so if one knows it well, it can be useful for some aspects of understanding the PQ of particular discs, even if only in translation. The reviewers' thorough text explanations go a long way in helping out here.

Also, this thread is very active. I'd love it if as many opinions on as many discs were thrown around in the 'film grain allowed' thread but, to date, this one is much more hoppin'.

Additionally (as you've probably noticed), I often find the psychology that distinguishes peoples' notions of "quality" in a film image from the filmmakers' artistic priorities to be quite fascinating.

So, there's a short version- no aggression intended, passive or otherwise.
post #11077 of 20357
Quote:
Originally Posted by rsbeck View Post

Djoberg is correct. Jason Stratham. There is an actor named David Straitham. For some reason, I always mix the two names up.

Jason Statham.

David Strathairn.
post #11078 of 20357
Quote:
Originally Posted by spectator View Post

Anyway, I'll get out of my own way and give you a short version:

While I radically disagree with the notion that this thread's criteria defines a "quality" picture, exclusively, it is an agreed-upon rough standard, so if one knows it well, it can be useful for some aspects of understanding the PQ of particular discs, even if only in translation. The reviewers' thorough text explanations go a long way in helping out here.

Also, this thread is very active. I'd love it if as many opinions on as many discs were thrown around in the 'film grain allowed' thread but, to date, this one is much more hoppin'.

Additionally (as you've probably noticed), I often find the psychology that distinguishes peoples' notions of "quality" in a film image from the filmmakers' artistic priorities to be quite fascinating.


See! Articulating your views wasn't so hard! I appreciate your points since they describe exactly how this thread differs from the "Artistic Intent" thread.

Both threads serve a distinct purpose for me. I don't weigh one over the other and, in fact, like to use both (and the audio thread) for making decisions on blu-ray purchases. These threads aren't the biggest factors in my decision, but they definitely serve as warms and fuzzies.

So again, we are not espousing that our definition of PQ is better than next door's. But there is a group of us who have found a use for the definition(s) we have set out to follow. It's not a right or wrong thing, but a "useful for our purposes" thing.

Anyway, we still appreciate your comments - you have some valuable opinions to add. I just hope you see where we are coming from as well.
post #11079 of 20357
Quote:
Originally Posted by spectator View Post

Jason Statham.

David Strathairn.

Q: Do you know what the difference between them is?

A: One of them is an actor.


post #11080 of 20357
Quote:
Originally Posted by Phantom Stranger View Post

The Passion Of The Christ

recommendation: Tier 1.75

A blockbuster when it first launched to theaters in 2004, Twentieth Century Fox released the Blu-ray on February 17th of this year. Two versions are included on the disc by way of seamless branching. A re-cut version that is less graphic and the original theatrical version. For the purposes of this review I have only watched the theatrical cut, which runs 126-minutes in length. The re-cut version runs for 121-minutes.

The main features are encoded in AVC on a single BD-50. The average video bitrate for the theatrical version is 22.39 Mbps per the BDInfo scan. Fox themselves list the average video bitrate on the back of the case at 22.5 Mbps. The encoding and authoring of the disc is credited to Deluxe Digital Studios. While the encode peaks around 36.0 Mbps late in the movie, most of the time it stays within a much lower range from 18.2 Mbps to 26.4 Mbps.

This is a very good video encode in terms of compression with a couple of slight flaws the only visible problems. There is a short instance of banding at the end of the movie when the rock is rolled away at Jesus' tomb. Some false contouring appears in the opening scenes that is not easily noticeable but still present. There are no motion artifacts or macroblocking throughout the entirety of the movie. I do have to wonder whether the encode would have looked slightly more transparent to the master if it had a higher average bitrate.

The original source material simply looks in phenomenal shape. There are no print marks, anomalies, or debris that affect the integrity of the image. Without having seen the master myself, it looks like a light application of temporally-filtered grain reduction has been applied at selective points. This would definitely not be picked up by a casual viewer, as high-frequency information appears virtually untouched and a constant layer of grain remains in darker scenes. It does not alter the overall look of the film but may be noticeable to eagle-eyed viewers who have familiarity with a theatrical screening of this film.

While the use of digital noise reduction barely impacts the picture quality, the real negative seen in this transfer is the overzealous use of edge enhancement. Halos appear regularly and they vary in amplitude from unobjectionable to easily noticed. A notable example for an egregious instance of this problem is the scene where the crowd has to choose between Jesus and Barabbas to free. That is not the only scene with a thick presence of added sharpening apparent. It was objectionable enough at times to drop my final ranking over half a tier in consideration. Viewers on smaller displays will ignore this problem but projection owners might want to take note.

The opening scene, set at night in the Garden of Gethsemane, looks the lowest in terms of picture quality for the movie. There is a bluish tint to the proceedings and black levels appear average at best. Fine shadow detail is resolved nicely but it does not look worthy of tier one. But once the movie shifts to daylight and the aftermath of Jesus' arrest, the image picks up strongly in quality. Watch the interior scene where Caiaphas interrogates Jesus. The tremendous depth of field and clarity exhibited are stunning. Objects look like they are going to come off the screen with excellent dimensionality to the image. These scenes have more of an amber coloring to them. Flesh tones do not look problematic but this is a highly stylized image at various points.

As the movie progresses the superior detail and resolution in the image becomes apparent. The lavish production and costume design are shown down to the finest detail, with coarse and very fine textures revealing the quality of the fabrics worn. Every wound is explicitly laid out to bare during the scourging and the makeup used for that effect is visually effective and realistic, even in 1080p. But the image reaches new heights of visual quality during the crucifixion. That scene on its own would not be awkwardly placed in tier zero. The cinematography is simply incredible throughout the film and never looks better than at that moment.

Outside of the extra sharpening, I was pleased with this transfer. I was contemplating a higher placement even considering that problem, but concluded it occurred too frequently to merit a better ranking. My recommendation is for tier 1.75, though some moments look nearly in caliber to tier zero.

Watching on a 60 Pioneer Kuro plasma at 1080p/24 fed by a PS3 (firmware 2.60) at a viewing distance of six feet.

BDInfo Scan:
http://www.avsforum.com
/avs-vb/showthread.php?p=9044310#post9044310


Video Bitrate Graph:
http://www.dvdbeaver.com/film2/DVDRe...st_blu-ray.htm

Thanks Phantom.

Looks like I can finally replace my D-Theater version.
post #11081 of 20357
Cinema Squid has posted some grabs of Tropic Thunder:

http://www.cinemasquid.com/MovieImag...x?MovieId=2453

Amazing PQ!
post #11082 of 20357
Quote:
Originally Posted by deltasun View Post

See! Articulating your views wasn't so hard! I appreciate your points since they describe exactly how this thread differs from the "Artistic Intent" thread.

Both threads serve a distinct purpose for me. I don't weigh one over the other and, in fact, like to use both (and the audio thread) for making decisions on blu-ray purchases. These threads aren't the biggest factors in my decision, but they definitely serve as warms and fuzzies.

So again, we are not espousing that our definition of PQ is better than next door's. But there is a group of us who have found a use for the definition(s) we have set out to follow. It's not a right or wrong thing, but a "useful for our purposes" thing.

Anyway, we still appreciate your comments - you have some valuable opinions to add. I just hope you see where we are coming from as well.

Thanks for your comments, deltasun. I agree with you entirely. However, I hope you can also understand my initial reluctance to make much effort to respond to patrick99, who's question was worded like a rhetorical challenge to the validity of my presence here.
post #11083 of 20357
Quote:
Originally Posted by Rob Tomlin View Post

Cinema Squid has posted some grabs of Tropic Thunder:

http://www.cinemasquid.com/MovieImag...x?MovieId=2453

Amazing PQ!


Is this news? Grabs of Tropic Thunder have been on this site for months.
post #11084 of 20357
Quote:
Originally Posted by spectator View Post

Is this news? Grabs of Tropic Thunder have been on this site for months.

They aren't the same grabs! I like the ones CS did better.

And Cinema Squid did post those here at AVS as well, but the hi rez versions (the only ones that matter) take you to his site anyway, so I didn't bother linking to the AVS thread......which is here: http://www.avsforum.com/avs-vb/showt...2#post15979492

Any other questions/concerns Mr. Smartyass Pants?
post #11085 of 20357
Quote:
Originally Posted by Rob Tomlin View Post

They aren't the same grabs! I like the ones CS did better.

And Cinema Squid did post those here at AVS as well, but the hi rez versions (the only ones that matter) take you to his site anyway, so I didn't bother linking to the AVS thread......which is here: http://www.avsforum.com/avs-vb/showt...2#post15979492

Any other questions/concerns Mr. Smartyass Pants?

I was going to say something, but I knew you would handle it.
post #11086 of 20357
From Russia With Love: Recommendation tier 1.5.


This looks as good as and even better than Dr No in some scenes and facial details. I am amazed at the transfers of these films so far. Tonight I will watch Thunderball and am hoping for more of the same.

LBFilmguy I had been out of town for two weeks but also decided to take some time off from our thread.

I decided to help the economy and broke down and bought about half the titles that I recommended in the previous post of mine. I bought the Bonds and Bourne trilogy, Passion, KK as well as the concert BD's. The new release BD rentals @ Hollywood have increased so BD seems to be getting into full swing. 5+ new titles are coming to HV next week to rent.

No one will go wrong with the Bond transfers for purchase, expecially if one is into that genre.

Sony A3000 60In. @ 7.5ft from PS3 through HDMI

rsbeck and djoberg, thanks!
post #11087 of 20357
Australia

This is a hard one to call! The PQ was all over the place, ranging from Tier 0 to Tier 3. So, even though there were some VERY GOOD scenes with "demo-worthy" shots in them, it would be impossible, IMO, to place it in one of the first two tiers.

By far the greatest asset of this title was the facial close-ups; they were simply amazing at times, in fact, most of the time. The cameraman often closed in on one of the lead characters named Fletcher who had a rough, leathery face with a bronze tan...it was as natural-looking as if he was in my home theater room. Another striking figure that stood out was the Aborigine Medicine man; his black face with a white beard was as detailed as some of the facial close-ups in Baraka. There were many others as well, but these two were the best.

Next to facial close-ups, the night scenes were also impressive, with fairly deep blacks and excellent shadow detail (with the exception of a rather lengthy night scene at a Mission Ball which had crushed blacks and was soft).

There were sporadic scenes with decent detail, but overall I was let down in this department. Again, one minute it would be sharp and detailed, and the next minute it was quite soft and two-dimensional. It had many sweeping panoramic landscapes of Australia which were disappointing....some Tier 1 shots, but mostly Tier 3 material in my estimation.

The color palette was understandably bland, with mostly earthen tones, so this was another strike against the movie.

As far as artifacts, EE, DNR, etc., the only obvious flaw that cropped up several times was digital noise. I noted a scene at the 1 hr. 33 min. mark (which lasted several minutes) that betrayed noise on Nicole Kidman's face and forehead. This seems to be characteristic with one who has a very pale complexion. And yet, at other times Miss Kidman's face appeared quite natural and detailed, even revealing light peach fuzz on the side of her face.

As I stated at the outset, this is going to be hard to place. But right now, after one viewing, I would suggest:

Tier Recommendation: 2.25

Samsung 50" 1080p DLP....Panasonic BD30....Viewed from 6'
post #11088 of 20357
Quote:
Originally Posted by Hughmc View Post

From Russia With Love: Recommendation tier 1.5.

LBFilmguy I had been out of town for two weeks but also decided to take some time off from our thread.

Awesome dude, welcome back!

post #11089 of 20357
Quote:
Originally Posted by Rob Tomlin View Post

Any other questions/concerns Mr. Smartyass Pants?

Man! Everyone's assuming the worst of me today.

I was genuinely confused because I know you're in that thread and I couldn't figure out why Tropic Thunder grabs would excite you when they've been available for so long.
post #11090 of 20357
Quote:
Originally Posted by spectator View Post

Thanks for your comments, deltasun. I agree with you entirely. However, I hope you can also understand my initial reluctance to make much effort to respond to patrick99, who's question was worded like a rhetorical challenge to the validity of my presence here.

Agreed.

Looks like today you're the firehydrant.
post #11091 of 20357
Quote:
Originally Posted by spectator View Post

Man! Everyone's assuming the worst of me today.

That's the risk you take when you participate on this thread instead of simply standing on the sidelines as a "spectator."

All kidding aside, I think we've all had one of those days at one time or another. The important thing is to learn any lessons we may need to learn and move on. You have had a lot of good input on this thread and I encourage you to keep posting with a view to making this thread profitable for all.
post #11092 of 20357
Quote:
Originally Posted by djoberg View Post

All kidding aside, I think we've all had one of those days at one time or another. The important thing is to learn any lessons we may need to learn and move on. You have had a lot of good input on this thread and I encourage you to keep posting with a view to making this thread profitable for all.

+1




side note - i miss my tv, i miss my tv... i've been out of town all week suffering without high definition. I go home tomorrow thank goodness, and hopefully will be able to get some reviews up shortly. I'm sure I'll give Beverly Hills Chihuahua (however the heck that's spelled) a rent to have quality time w/ the daughter when I get home; I remain hopeful it will help redeem Disney in my eyes after that disaster HSM3.
post #11093 of 20357
Donnie Darko

All I can say is wow. This is an absolutely horrible looking BD in my opinion. Being a huge fan of the film and owning the two previous SD versions I was hoping for at least a modest step up from those. Not the case.

The best thing I can say is that there were some scenes with decent black levels and the outdoor daytime shots weren't excessively terrible looking. Some grain was visible and I had no issues with EE, halos or ringing. The image, intentionally done or not, was just so soft. No clarity whatsoever. It honestly looked like un upconverted DVD minus the occasional artifacts that sometimes come along with this. To sum up in one word: BLAND.

Also many of the scenes were out of focus, which, coupled with the overall softness, made things particularly offputting. I'm teetering between 3.75 and 4.0, because luckily it does not look nearly as bad as Wall Street (4.5), but really I can't say it is an average looking BD either.

The line on page 1 in the addendum sums up my thoughts on this transfer: "Rankings as low as tier four can still constitute a worthy Blu-ray release, as long as the Blu-ray is visually transparent to the best available source for a particular title." I do believe the problem is in the source material and possibly director's intent and all that. It just does not make for pleasing eye candy in any sense of the term.

Tier Recommendation: 4.0

PS3 24FPS 1080P HC5500 PJ @11 ft 92" screen

*The film, however, is great. Sadly I bought the DVD 'Southland Tales' because of Richard Kelly. Huge mistake!
post #11094 of 20357
Nice review sleater, good to see a new contributor!
post #11095 of 20357
Quote:
Originally Posted by geekyglassesgirl View Post

side note - i miss my tv, i miss my tv... i've been out of town all week suffering without high definition. I go home tomorrow thank goodness, and hopefully will be able to get some reviews up shortly. I'm sure I'll give Beverly Hills Chihuahua (however the heck that's spelled) a rent to have quality time w/ the daughter when I get home; I remain hopeful it will help redeem Disney in my eyes after that disaster HSM3.

Whoa...one week without HD! That's cruel! I'm going on a 10 day business trip out of the country a month from today and I'll be so busy I won't be accessing the Forum....so you can sympathize with me then.

I believe you will be impressed with Beverly Hills Chihuahua, especially the rich blacks on your nice Panny 58" plasma.
post #11096 of 20357
Quote:
Originally Posted by Hughmc View Post

From Russia With Love: Recommendation tier 1.5.


This looks as good as and even better than Dr No in some scenes and facial details. I am amazed at the transfers of these films so far. Tonight I will watch Thunderball and am hoping for more of the same.

LBFilmguy I had been out of town for two weeks but also decided to take some time off from our thread.

I decided to help the economy and broke down and bought about half the titles that I recommended in the previous post of mine. I bought the Bonds and Bourne trilogy, Passion, KK as well as the concert BD's. The new release BD rentals @ Hollywood have increased so BD seems to be getting into full swing. 5+ new titles are coming to HV next week to rent.

No one will go wrong with the Bond transfers for purchase, expecially if one is into that genre.

Sony A3000 60In. @ 7.5ft from PS3 through HDMI

rsbeck and djoberg, thanks!

+1. I'd even be willing to go to 1.25 on this one. Tremendous PQ overall while retaining a film-like look that is faithful to the original film.
post #11097 of 20357
Gettin' nervous with these high Bond placements. I, too, picked these up (as well as pre-ordered the next 4 upcoming titles) a while back and perused through them. I thought the colors were a bit off, but I guess I should watch them with more discerning eyes.
post #11098 of 20357
Thunderball: Recommendation Tier 2.5

Well, I spoke too soon in anticipation of this seeing how good the PQ on Dr No and FRWL are. This was disappointing PQ. While it had some good shots and the one scene on the beach with Domino was outstanding PQ virtually tier 0, most of the film was tier 2.0 and worse with some scenes and shots being no better than vcr/dvd quality. I would even be willing to go 2.75.

I am now wondering why Goldfinger wasn't released and if it was/is an issue with the print.
post #11099 of 20357
Quote:
Originally Posted by Hughmc View Post

some scenes and shots being no better than vcr/dvd quality.

What on Earth does that mean?
post #11100 of 20357
Quote:
Originally Posted by spectator View Post

What on Earth does that mean?

...what was so confusing about the comment?
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