Quote:
Originally Posted by mtbdudex 
Well, I own those so desire is use them.
I'll try putting the MLP 2 feet closer and see what happens, thx for suggestion.
Yes, there is lots of open ceilings 25 feet high, so the audyssey mic sees loss of soundfield.
Now, being 90db/w is not the most sensitive, plus 4ohm load taxes the AVR, that's why I thought bi-amp might help, I'll try that also.
Now, what about buying the -6db or -12db in line attenuators for use on the center and surrounds?
Those would in effect bring the mains closer.
As I type that just realized those only work on the low level signal, not the high current speaker wire side, so not possible for my issue.
Sent from my 32GB iPhone4 using Tapatalk

Well, I own those so desire is use them.
I'll try putting the MLP 2 feet closer and see what happens, thx for suggestion.
Yes, there is lots of open ceilings 25 feet high, so the audyssey mic sees loss of soundfield.
Now, being 90db/w is not the most sensitive, plus 4ohm load taxes the AVR, that's why I thought bi-amp might help, I'll try that also.
Now, what about buying the -6db or -12db in line attenuators for use on the center and surrounds?
Those would in effect bring the mains closer.
As I type that just realized those only work on the low level signal, not the high current speaker wire side, so not possible for my issue.
Sent from my 32GB iPhone4 using Tapatalk
the problem with biamping is that the tweeter never gets more than about 20 percent of the total power, so all you can gain is 20%, which is less than a decibel, and AFAIK won't actually affect the initial setup calibration at all.
As far as the specific trim level the system is trying to get the speakers to output 75 dB at the main listening position when a signal (technically band limited pink noise) encoded at -30dBFS is played. That's the reference level at which the systems on which movies are mixed are always calibrated. If it can't get there with your speakers in your room, it's not really the end of the world, although I'd recommend using a radio shack or similar SPL meter to balance the fronts with each other, first, and then with the other speakers, which will mean turning down those other trims, undoubtedly (unless you just happen to be right at the edge of your receiver's 12 dB adjustment range with the main speakers). If it requires a significant adjustment of other speakers, you could then adjust input levels for each input you use to "make up" for the volume change, turning them up the same amouht you turned the other speakers down, so that zero on the master volume is still reference.


















. At that time though, I won't be purchasing a Denon in any case.