Quote:
Originally Posted by
diggerman 
CottyGee, The Great Organ at Methuen. There are two of them on Amazon. They seem to be the same. Is there a difference?
The one I have is the Telarc recording made in 1990. Telarc is a record label that was known for it's meticulous quality in recording. Mostly classical titles. Can't vouch for the recording on the other record label.
The ASIN for the Telarc disc is B000003CSJ. If you search Amazon in the "Music" section for
B000003CSJ
, it will bring up the correct CD.
Quote:
Originally Posted by
diggerman 
Film and the BBs/ Tricycle. It seems that it is discontinued. You can buy them from $5-$20 used to $70-$100 new on Amazon. Whats up with this CD?
LOL - Yeah, it's a shame. The group broke up after they left the DMP label. Pretty much ANYTHING released on the DMP record label is a fan-freaking-tastic recording - mostly jazz and jazz-fusion.
As for Tricycle - if you can find the 20-bit remaster, that's better. If you can play the SACD - that's as good as it gets. And all of the DMP titles for Flim & the BBs are good, with Tricycle and Big Notes their best albums, and Tunnel and Neon probably their weaker stuff on DMP. The Warner records albums don't have the same quality of recording, but are good if you like the genre.
Here's a bit about
the recording techniques:
Quote:
Tricycle Flim & the BB's SACD-08
This original 1982 recording was made direct to a Mitsubishi X-80 2 track digital recorder at a sampling frequency of 50.4kHz. Transfer to DSD was made using the original session master tape played on a Mitsubishi recorder connected directly to an EMM Labs DSD A/D converter feeding a Sony DSD recorder. No EQ or processing whatsoever was used in the transfer. What you hear in this newly re-mastered SACD is the original master tape. The Red Book layer (16 bit, 44.1kHz) was down converted from the DSD master using the Sony SBM Direct processor.
Original session recorded live to 2-track by Tom Jung using the Mitsubishi X-80 digital recorder at A&R Recording, New York on November 26, 27 and 28, 1982.
Produced by Flim & the BB’s and Tom Jung
Musicians
Billy Barber; Piano, Fender Rhodes, Prophet and Moog Synthesizers
Bill Berg; Drums an d Percussion
Flim Johnson; 5-String Alembic Basses & Oberheim on “Lunch Hour Wedding March”
Dick Oatts; Alto, Soprano & Tenor Saxophones, Flute and Clarinet
This dual-layer Hybrid SACD can be played in both a standard CD player and a Super Audio CD player. When played in a Super Audio player, you will experience pure 1bit Direct Stream Digital playback.