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Official Epik Subwoofer Thread - Page 247

post #7381 of 19461
Quote:
Originally Posted by lalakersfan34 View Post

Great track on a great album by an amazing group of musicians. It kicks like crazy in my tiny <1000 cubic foot room with my Castle

BTW, if you have the special edition of the album listen to the DVD with 5.1 Dolby Digital. And you thought the kick drum kicked hard on the CD...it'll practically knock you back out of your seat in DD.

it's a good cd. it is recorded quite hot and rough though. it is a fun cd to listen to, but there is clipping everywhere. i have a pair of Seas aluminum tweeters in my car on 100 watts (rms) per channel and they don't hide anything. it's not quite as noticeable on a warmer sounding system, but it's there. i do have the special edition, i'll have to try it in 5.1 again.

i still think Awake and Scenes From a Memory are the best 2 cd's from them. they are much more dynamic sounding recordings.

i bet Systematic Chaos kicks ass with a castle in a 1000 cubic ft room. i couldn't imagine.
post #7382 of 19461
Quote:
Originally Posted by mcjasonb View Post

it's a good cd. it is recorded quite hot and rough though. it is a fun cd to listen to, but there is clipping everywhere. i have a pair of Seas aluminum tweeters in my car on 100 watts (rms) per channel and they don't hide anything. it's not quite as noticeable on a warmer sounding system, but it's there.

i still think Awake and Scenes From a Memory are the best 2 cd's from them. they are much more dynamic sounding recordings.

i bet Systematic Chaos kicks ass with a castle in a 1000 cubic ft room. i couldn't imagine.

I agree that Systematic Chaos runs into some clipping but the music is quite good. Of course I tend to like all of their music so perhaps I'm not the best critic . I'm looking forward to their new release this summer!
post #7383 of 19461
Quote:
Originally Posted by lalakersfan34 View Post

I agree that Systematic Chaos runs into some clipping but the music is quite good. Of course I tend to like all of their music so perhaps I'm not the best critic . I'm looking forward to their new release this summer!

it is good music. DT is one of a kind, that's for sure! i am looking forward to some new stuff as well, i just hope it's mastered better than the last one. Systematic Chaos really sounds like a mess in my car. but the new one will be a day one purchase for me.
post #7384 of 19461
Quote:
Originally Posted by mcjasonb View Post

it is good music. DT is one of a kind, that's for sure! i am looking forward to some new stuff as well, i just hope it's mastered better than the last one. Systematic Chaos really sounds like a mess in my car. but the new one will be a day one purchase for me.

If you don't have them yet, pick up DT's Budokan and Score concerts. They're pretty amazing IMO.
post #7385 of 19461
A couple ways you can find the limits...

Quick and easy...run a bass heavy demo like WOTW Pod emergence, just the sub. You've got a plethora of bass frequencies with that DTS track. Run it at -15, record the peaks, C weighted and fast. Bump the MV 3dbs and run it again. If you get all of it, bump it another 2...and so on, until the bass doesn't get any louder...or more thorough...

...run tones or sweeps starting at -15, then move it up the scale. As the FR starts changing, you'll be reaching the limits. As long as you do this slowly and back off when you're there, you should visually see compression start without any danger of clipping the amp or bottoming the sub.

It's just for sh*ts and giggles, because I agree, it's too loud for normal playback.
post #7386 of 19461
So.. I'm getting a little scared. I use my Dragon in conjunction with a HTPC for almost all playback (except HD Cable) and for Blu-rays I use Arcsoft TotalMedia Theater, but for everything else I use MediaPlayer Home Cinema. Just so you know I use a Denon 3808CI to control everything. Anyhow, in MPHC if I playback flacs or mp3s or what not, the sound is going through AC3Filter and in AC3filter there is a "bass redirection" option, which supposedly allows you to redirect all freqs under a certain value to the LFE channel. Anyhow, for months now I've never used this setting and I always thought the bass from music and what not was lacking, but I just dismissed it. Today however, I enabled this option and set it to 80hz and holy crap.. the Dragon just freaking POUNDS.... to the point that I feel like I'm beating up on it incrediblely bad. The Dragon is set to -5 in my receiver (after running Audyssey) and the volume on the back is at about 10-11 o'clock. It's just there is so much damn bass and the surround on the cone gets so stiff and it just doesn't give up that I literally feel like I'm damaging my Dragon. I don't hear any strange noises or anything, just a ton of bass. Does anyone know what I'm talking about with AC3filter and bass redirection? I'm thinking that maybe AC3filter is juicing up the signal its sending to the LFE when I enable bass redirection or something (but all the other settings in AC3filter for gain and what not are all at 0, no boosting of any sort is being applied per settings), is this possible? I'm just completely blown away at how much bass there is with this setting enabled... I'm not use to this.
post #7387 of 19461
Quote:
Originally Posted by pcmike View Post

So.. I'm getting a little scared. I use my Dragon in conjunction with a HTPC for almost all playback (except HD Cable) and for Blu-rays I use Arcsoft TotalMedia Theater, but for everything else I use MediaPlayer Home Cinema. Just so you know I use a Denon 3808CI to control everything. Anyhow, in MPHC if I playback flacs or mp3s or what not, the sound is going through AC3Filter and in AC3filter there is a "bass redirection" option, which supposedly allows you to redirect all freqs under a certain value to the LFE channel. Anyhow, for months now I've never used this setting and I always thought the bass from music and what not was lacking, but I just dismissed it. Today however, I enabled this option and set it to 80hz and holy crap.. the Dragon just freaking POUNDS.... to the point that I feel like I'm beating up on it incrediblely bad. The Dragon is set to -5 in my receiver (after running Audyssey) and the volume on the back is at about 10-11 o'clock. It's just there is so much damn bass and the surround on the cone gets so stiff and it just doesn't give up that I literally feel like I'm damaging my Dragon. I don't hear any strange noises or anything, just a ton of bass. Does anyone know what I'm talking about with AC3filter and bass redirection? I'm thinking that maybe AC3filter is juicing up the signal its sending to the LFE when I enable bass redirection or something (but all the other settings in AC3filter for gain and what not are all at 0, no boosting of any sort is being applied per settings), is this possible? I'm just completely blown away at how much bass there is with this setting enabled... I'm not use to this.

I don't understand how your set-up works but personally I run the Dragon without any bass boost or filters. Only the level on the receiver. I like the nautral or direct method. What I do understand is the bass your describing. During heavy bass the woofer gets intense. It's very controlled and stops on a dime.
post #7388 of 19461
Quote:
Originally Posted by Ron Temple View Post

A couple ways you can find the limits...

Quick and easy...run a bass heavy demo like WOTW Pod emergence, just the sub. You've got a plethora of bass frequencies with that DTS track. Run it at -15, record the peaks, C weighted and fast. Bump the MV 3dbs and run it again. If you get all of it, bump it another 2...and so on, until the bass doesn't get any louder...or more thorough...

...run tones or sweeps starting at -15, then move it up the scale. As the FR starts changing, you'll be reaching the limits. As long as you do this slowly and back off when you're there, you should visually see compression start without any danger of clipping the amp or bottoming the sub.

It's just for sh*ts and giggles, because I agree, it's too loud for normal playback.

I may try the latter method over the weekend while I have REW hooked up. What's the best mic distance for this 1 meter? and should I get the mic level height to the center of the driver pointed at the driver or not worry about the height and leave it on the floor?
My lp is aprox 3 meters from the sub and obviously thats going to introduce the room more but I'll get it from there also just for kicks. Just wanted to find out the most accurate way without taking the sub outside (which isn't going to happen).
post #7389 of 19461
Hksrv4,

Basically what I'm figuring out and messing around with is the audio I'm getting out of my HTPC (which I use to playback mp3s, flac, mkvs, Blu-ray, etc). I don't own any "sources" aside from a HD Cable box and a HTPC. So you guys using a standalone Blu-Ray player have things relatively simple... you put in a DVD, you get Dolby sent to the receiver and its decoded.. likewise if you put in a Blu-ray and choose DTS-MA it bitstreams (depending on the player) and your receiver decodes it. Me on the other hand.. if I use Arcsoft TotalMedia Theater (which I do, but just for Blu-rays) things "just work" like you guys experience.... but if I play mp3s, flacs, mkvs, etc using MediaPlayer I have to deal with "DirectShow" and different codecs/filters/etc in Windows.... and this can be a hassle. By in large without careful planning half the time you may not be getting the audio you think you're getting.. which has been the case for me for the past few months. I think I finally got it all figured out, which is nice. Now the only monkey wrench is the mp3s I have loaded into iTunes, since iTunes doesn't use directshow filters and outputs the audio in its own fashion. If I playback the mp3s through iTunes I go back to anemic bass. I'll figure it out eventually.

On another note..... I guess this whole experience goes to show just how good my mains are for my room... they had enough bass output for music to satisfy me for how many months till I figured out this problem today.
post #7390 of 19461
Quote:
Originally Posted by Jakeman02 View Post

I may try the latter method over the weekend while I have REW hooked up. What's the best mic distance for this 1 meter? and should I get the mic level height to the center of the driver pointed at the driver or not worry about the height and leave it on the floor?
My lp is aprox 3 meters from the sub and obviously thats going to introduce the room more but I'll get it from there also just for kicks. Just wanted to find out the most accurate way without taking the sub outside (which isn't going to happen).

Accuracy ain't my game . I've done it both ways, nearfield with the mic 1/4" from the driver, however, you've got to measure the port too, then sum the results. I don't have the software to do this. However, it let's you see how the driver is behaving. Without the port measurements it's not telling you what's happening below tuning. So doing it from the LP adds the room, but why not. It is what it is, you'll still see the onset of compression with your room factored in. That will change a bit when eq is added or not. I don't know what to expect with your small form box, but if it's close to the old 20-39+, it might surprise you.
post #7391 of 19461
Quote:
Originally Posted by LilGator View Post

What's the largest room someone has used an Epik sub in recently?

I have a 16x25x10-20 (vaulted) loft that will house my theater, and it's also open to the living room, dining/kitchen below.

We're talking in the neighborhood of 6-8000 cubic feet for the room itself, of course extending to open areas below easily 10-12K cubic feet or more...

Since the Conquest isn't in stock, it sounds like I'd need a handful of Dynasty's which would be getting a bit ridiculous. Is it even worth it? I'd probably need a handful of Conquests even if they were available. :/

No "Epik" large rooms then?

I did some actual measurements and looks like I overshot on the room itself, which is ~5000 cubic feet, but one wall (loft) is open to at least another 6-8K in the house (living room with open ceiling beside loft is 5K itself, plus kitchen/dining below actual loft).
post #7392 of 19461
Quote:
Originally Posted by LilGator View Post

No "Epik" large rooms then?

I did some actual measurements and looks like I overshot on the room itself, which is ~5000 cubic feet, but one wall (loft) is open to at least another 6-8K in the house (living room with open ceiling beside loft is 5K itself, plus kitchen/dining below actual loft).

Go to ED designs and get the A7-900, it will fill the space.

Bill
post #7393 of 19461
Quote:
Originally Posted by LilGator View Post

No "Epik" large rooms then?

I did some actual measurements and looks like I overshot on the room itself, which is ~5000 cubic feet, but one wall (loft) is open to at least another 6-8K in the house (living room with open ceiling beside loft is 5K itself, plus kitchen/dining below actual loft).

I think (2) Phoenix subwoofers would rock in your room
post #7394 of 19461
Quote:
Originally Posted by Gov View Post

I think (2) Phoenix subwoofers would rock in your room

That's what I'm actually thinking of doing.
post #7395 of 19461
Quote:
Originally Posted by Gov View Post

I think (2) Phoenix subwoofers would rock in your room

nah, get dual dynasty's.
post #7396 of 19461
Quote:
Originally Posted by mcjasonb View Post

nah, get dual dynasty's.

F@@k it! Dual Conquests when they're back! Bye, bye, great room.
post #7397 of 19461
Quote:
Originally Posted by Tom Bley View Post

F@@k it! Dual Conquests when they're back! Bye, bye, great room.

i would have said dual conquests but i knew they aren't available right now. i'd think dual phoenix's would be awesome. my Sentinel is plenty for me in my size room, but a phoenix would have been cool to have.
post #7398 of 19461
Quote:
Originally Posted by mcjasonb View Post

i would have said dual conquests but i knew they aren't available right now. i'd think dual phoenix's would be awesome. my Sentinel is plenty for me in my size room, but a phoenix would have been cool to have.

The Sentinel looks like a great performer. I wonder how it sounds compared to the SVS PB12-NSD that I have now. I like the smaller footprint the sentinel has. I'm looking at the 15" woofer in my mains right now and just imagining how big that 18" sub looks! I gotta have one or two
post #7399 of 19461
Quote:
Originally Posted by Tom Bley View Post

The Sentinel looks like a great performer. I wonder how it sounds compared to the SVS PB12-NSD that I have now. I like the smaller footprint the sentinel has. I'm looking at the 15" woofer in my mains right now and just imagining how big that 18" sub looks! I gotta have one or two

supposedly the Sentinel is comparable to the PB12-Plus. with that being said, i'd imagine the Sentinel is a step above the NSD. i have no personal evidence on any of that. i'm just going by what i have read here on the forums.

if your looking to upgrade i'd probably look for something bigger than the Sentinel. it may be a step up from your NSD but not enough to justify the upgrade.
post #7400 of 19461
Quote:
Originally Posted by mcjasonb View Post

nah, get dual dynasty's.

And if thats not enough....order two more. One for each surrounds. Talk about equally spread response throughout the room.
post #7401 of 19461
The Phoenix will work the best for me size wise and I will go with two. They will easily beat out my PB12-NSD. I'm actually amazed at how well it performs in my almost 5,000 cu. ft. room.
post #7402 of 19461
Quote:
Originally Posted by Tom Bley View Post

That's what I'm actually thinking of doing.


For the money, they will not be beat!
post #7403 of 19461
Anyone here have some of the new sub lineup with a 5000 cubic foot room or larger? I'd definitely be interested to hear how dual Phoenix's fare in your room Tom. At the moment I'm thinking starting off with a Dynasty, and adding more until I crave no more ... have no wallet ... or can't hear anymore.
post #7404 of 19461
Quote:
Originally Posted by Tom Bley View Post

The Sentinel looks like a great performer. I wonder how it sounds compared to the SVS PB12-NSD that I have now. I like the smaller footprint the sentinel has. I'm looking at the 15" woofer in my mains right now and just imagining how big that 18" sub looks! I gotta have one or two

Here you go. I like to pimp my Dragon!
[IMG][/IMG]
post #7405 of 19461
Quote:
Originally Posted by LilGator View Post

Anyone here have some of the new sub lineup with a 5000 cubic foot room or larger? I'd definitely be interested to hear how dual Phoenix's fare in your room Tom. At the moment I'm thinking starting off with a Dynasty, and adding more until I crave no more ... have no wallet ... or can't hear anymore.

I'll give Epik a call next week and see if I can get over there sometime but, I'm really thinking the dual Phoenix setup will be fine for a couple of years in my greatroom upstairs until the dedicated 2900cu. ft. theater room in the basement is finished. I'm sure they will be enough for me in that size room.
post #7406 of 19461
[quote=Hksvr4;16550961]Here you go. I like to pimp my Dragon!
[IMG][/IMG][/QUOTE

That's great subwoofer porn. I've watched the videos too!
post #7407 of 19461
I have an Epik Knight. Is it OK to use a surge protector/filter with it? Or does the amp in the sub have a built-in surge protector/filter? I have a Belkin PF30L (AP11000-10) surge protector with an available high current outlet. Does anyone have any knowledge in this area or knows what the manufacturer reccomends? Thanks for any responses.
post #7408 of 19461
Quote:
Originally Posted by math wizard View Post

I have an Epik Knight. Is it OK to use a surge protector/filter with it? Or does the amp in the sub have a built-in surge protector/filter? I have a Belkin PF30L (AP11000-10) surge protector with an available high current outlet. Does anyone have any knowledge in this area or knows what the manufacturer reccomends? Thanks for any responses.

i have my Sentinel plugged into an HDP1800 Monster PowerCenter. i see no problems with it.
post #7409 of 19461
The only reason not to use Surge P's with your sub is if your getting a hum from the sub when on. Otherwise it's perfectly safe.
post #7410 of 19461
Quote:
Originally Posted by TnTBigman View Post

The only reason not to use Surge P's with your sub is if your getting a hum from the sub when on. Otherwise it's perfectly safe.

no hum here.
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