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No, PQ and AQ are separate issues. For example, Grand Prix has outstanding PQ, but the AQ is inherently limited by the original audio master. Yes, a lossless encode will help limit degradation of what's there, but an extra 8 bits won't do anything for an original track that didn't have great dynamic range or sound placement to begin with.
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Inferior with PiP and interactivity via Ethernet? Yes.
Inferior in any other way? No.
I'd take the second every time if I weren't DF. Besides, once 2.0 becomes the standard HD DVD will be inferior in every way.
Inferior with PiP and interactivity via Ethernet? Yes.
Inferior in any other way? No.
I'd take the second every time if I weren't DF. Besides, once 2.0 becomes the standard HD DVD will be inferior in every way.
No. BD is clearly inferior in the most important metric to consumers: Price vs. performance. The areas that are continually trumpeted as BDs advantages really don't mean anything to the average consumer, because they simply can't be seen or heard on the average display and sound system in homes in the US. For the vast majority of consumers, the effective performance of these two formats is identical. Thus, it comes down to price and media availability. Media availability is a dead-heat right now, with the number of actual available titles very close between the two. Price is heavily loaded in HD DVDs favor.
HD DVD inferior? Not even close.
















I'm not saying there isn't a difference at all, but like he said, most won't hear the difference. For the most part, we're not talking about night and day differences. Most are so subtle the average user will NEVER tell them apart. That's what he's trying to say.

