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RS-1, Radiance Primary Gamut Correction - Page 3

post #61 of 839
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First
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post #62 of 839
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The difference in this group are quite a bit less obvious in the pictures then it is on screen.

On screen stock most of the background is basically levels of purple. Color -15 is just a little less bright purple.

Gamut corrected and it is far more blue.

This is from the 'Click' trailer on the PS3.
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post #63 of 839
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Seabiscuit...
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post #64 of 839
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more
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post #65 of 839
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still more..
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post #66 of 839
Poof - there went the argument that it is not the PJ - that it is the digitally colored SeaBiscuit DVD....
post #67 of 839
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Two more pairs...
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post #68 of 839
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and again...
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post #69 of 839
sfogg,

A huge thank-you for those -15 comparisons. Looks like a new new purchase is on the horizon and if we meet someday several rare rounds on me.
post #70 of 839
Thread Starter 
Quote:
Originally Posted by Hughman View Post

sfogg,

A huge thank-you for those -15 comparisons. Looks like a new new purchase is on the horizon and if we meet someday several rare rounds on me.

No problem, hopefully they give an idea of the differences. The second set there was more obviously different in the colors on screen and that the -15 dimmed down the colors compared against the gamut correction.

BTW, only the two posts with 3 pictures in them are the -15 comparison. All the Seabiscuit stuff is stock vs. the Lumagen's gamut correction.

Shawn
post #71 of 839
Shawn,

"Any specific scene you would like to see?"

Seabiscuit took care of it, thanks.

The thing that strikes me about the screenshots is that it looks like I could (and I have) do the same thing by just turning down the color control.

I thought the trick was to reduce the green saturation *without* excessively desaturating everything else (leaving aside the excessively ruddy faces).
post #72 of 839
Thread Starter 
Noah,

"The thing that strikes me about the screenshots is that it looks like I could (and I have) do the same thing by just turning down the color control."

Not really. In some shots the difference between doing that and the gamut correction is somewhat close, in others it isn't. Look at the 'Click' pictures in the background. The -15 on the color control lowers the brightness of the background compared to the gamut corrected versions and the color of the background changes quite a bit at least on screen, that doesn't show as well in the pics. Likewise if you look at the 007 picture the -15 setting he still looks orange, just not as brightly orange. Skin tone looks more natural on the gamut correction. If your browser supports tabs open each picture in a tab and switch back and forth between them.

"I thought the trick was to reduce the green saturation *without* excessively desaturating everything else (leaving aside the excessively ruddy faces)."

The Seabiscuit scenes had the full correction on them. I haven't tried just correcting green yet. The stuff on screen to me does not look excessively desaturated with the gamut correction in it.

Shawn
post #73 of 839
Thread Starter 
"For you and others who suffer from the effects of RBE, 1 chip DLP is a much worse problem than bad color."

Yup, but to me I think of people living with RBE and off colors the same way.

Some people see xyz and can't stand it. Others either don't see xyz or see it but are not bothered by it.

xyz can be RBE, bad colors, SDE, MC, etc...etc...etc.

"My point was simply that the Radiance shouldn't be necessary to provide color correction to the display...that was JVC's job"

The JVC is what it is. One can make the same argument about anything. A Crystallio II should not be necessary to provide good deinterlacing and scaling either... that was the manufacturers job. Or input sizing, input calibrations, AR changes, greyscale calibration, NR functions...etc...etc...etc. Even more so when one considers the Crystallio and the JVC run the same hardware but obviously differ in implementation.

The reason video processors exist is because projector manufacturers haven't done everything as well as is possible and external equipment can be used to further optimize the situation. Bad colors are just another area projector manufacturers have dropped the ball... there are lots of balls on the ground. The Radiance just looks like it is the first to try and pick up the color ball.

Shawn
post #74 of 839
Quote:
Originally Posted by sfogg View Post

"For you and others who suffer from the effects of RBE, 1 chip DLP is a much worse problem than bad color."

Yup, but to me I think of people living with RBE and off colors the same way.

Some people see xyz and can't stand it. Others either don't see xyz or see it but are not bothered by it.

xyz can be RBE, bad colors, SDE, MC, etc...etc...etc.

"My point was simply that the Radiance shouldn't be necessary to provide color correction to the display...that was JVC's job"

The JVC is what it is. One can make the same argument about anything. A Crystallio II should not be necessary to provide good deinterlacing and scaling either... that was the manufacturers job. Or input sizing, input calibrations, AR changes, greyscale calibration, NR functions...etc...etc...etc. Even more so when one considers the Crystallio and the JVC run the same hardware but obviously differ in implementation.

The reason video processors exist is because projector manufacturers haven't done everything as well as is possible and external equipment can be used to further optimize the situation. Bad colors are just another area projector manufacturers have dropped the ball... there are lots of balls on the ground. The Radiance just looks like it is the first to try and pick up the color ball.

Shawn

Post of the week!
post #75 of 839
I have a question re the Radiance product. My RS1 is driven by a Toshiba HD XA2 HD DVD player. I also watch some high def TV stuff - mainly sports. I like what I see re color correction, but the $4K price is making me choke, because I don't think I would have a use for anything else the product does. For example, I have no need for video switching. Would there be any other benefit to this product in a rather limited set-up like mine?
post #76 of 839
Quote:
Originally Posted by sfogg View Post

"For you and others who suffer from the effects of RBE, 1 chip DLP is a much worse problem than bad color."

Yup, but to me I think of people living with RBE and off colors the same way.

Some people see xyz and can't stand it. Others either don't see xyz or see it but are not bothered by it.

xyz can be RBE, bad colors, SDE, MC, etc...etc...etc.

"My point was simply that the Radiance shouldn't be necessary to provide color correction to the display...that was JVC's job"

The JVC is what it is. One can make the same argument about anything. A Crystallio II should not be necessary to provide good deinterlacing and scaling either... that was the manufacturers job. Or input sizing, input calibrations, AR changes, greyscale calibration, NR functions...etc...etc...etc. Even more so when one considers the Crystallio and the JVC run the same hardware but obviously differ in implementation.

The reason video processors exist is because projector manufacturers haven't done everything as well as is possible and external equipment can be used to further optimize the situation. Bad colors are just another area projector manufacturers have dropped the ball... there are lots of balls on the ground. The Radiance just looks like it is the first to try and pick up the color ball.

Shawn

The public is to blame here too. There isn't a single display, on the market or previously sold that doesn't need calibration. Calibration won't make all of them "color correct", perfect gray scale, perfect gamma, etc. however, it does improve the picture (significantly on some). Being in the calibration business, myself, along with every other calibrator in the Los Angeles/Southern California area should be booked with 3-4 calibrations a day continuously. Problem is, the people that purchase the displays don't know any better, they are totally unaware of the errors in their displays. To the uneducated populous, more, brighter color is better..... Unfortunately these people make up the 90+% of the display purchases. These are the people the displays are designed around, the marketing studies, the targeted selling price, the needed features, etc. Manufacturers are not going to spend a penny on an additional feature that they feel they can do without (read as sell the forecasted quantity or more). It's all about profits.

Myself, if just for the business I am in, would like to see full controls on every display, and every display capable of accurate calibration results. I get satisfaction out of calibrations the conform to the standards when completed.

The future is in the consumers, as they demand picture accuracy, the manufacturers will conform because they will speak with their purchases. If JVC or any manufacturer can sell all the displays/projectors they can produce, why change? They don't care about anything more than the profit. JVC has probably had more returns of projectors for manufacturing malfunctions than the number of us actively concerned about controls to produce accurate picture output.

We are fortunate that the need for video processors started with the CRT projectors and has now carried over to the new displays. Jim at Lumagen, works with the input from a lot of calibrators, this is one reason there are controls on his video processors that don't exist on other VPs. This is also the reason he is developing a CMS while the others don't. Until the manufacturers are forced by their target consumers to produce accurate displays, an external VP, such as the Lumagen will be necessary for many.

I feel it is necessary to have a Lumagen DVI/HDP/HDQ at a minimum with the RS1, just for then needed 11-step gray scale and gamma correction. Unfortunately the uncorrected gray scale is not uniform and the gray scale is different with each Gamma selection (Normal,A,B,C). This can only be corrected in the Lumagen. With my RS1, since I don't have any steps in the gray scale that go plus green, I don't see many errors in flesh tones, other than those in the source. Color decoder corrections for the source also helps.

It seems that the current focus is on contrast ratio and rightfully so. Until the RS1, I didn't see a bulb projector, at any price, that I wanted to swap for my Marquee 9500LC. I am still disappointed with the RS1 black level, with the exception it is not as critical to a little ambient light.

The public just needs to become aware they are being cheated by manufacturers, selling displays that don't and can't produce an accurate image, based upon current standards.
post #77 of 839
Quote:
Originally Posted by kthacher View Post

I have a question re the Radiance product. My RS1 is driven by a Toshiba HD XA2 HD DVD player. I also watch some high def TV stuff - mainly sports. I like what I see re color correction, but the $4K price is making me choke, because I don't think I would have a use for anything else the product does. For example, I have no need for video switching. Would there be any other benefit to this product in a rather limited set-up like mine?

Apart from the CMS the RS1 could benefit greatly from the custom gamma curves the Radiance offers. I think there would be benefit to tweaking the high-end to help or hopefully eliminate the wash-out effect sometimes noted.
post #78 of 839
Quote:
Originally Posted by kthacher View Post

I have a question re the Radiance product. My RS1 is driven by a Toshiba HD XA2 HD DVD player. I also watch some high def TV stuff - mainly sports. I like what I see re color correction, but the $4K price is making me choke, because I don't think I would have a use for anything else the product does. For example, I have no need for video switching. Would there be any other benefit to this product in a rather limited set-up like mine?

You don't have much of a choice at this time, each one of your sources need different settings. You can use memories in the projector, however it is easier in the VP. The only thing that seems to be changing, price wise, is the display devices. Lumagens are basically the same price and I imagine the Radiance will hold it's price for years. Fortunately, the Radiance will be applicable to the next generation projectors and probably a few after that.

It all comes down to the picture. If it is not what you want, add what is needed or just wait till they produce what you want at the price you want. Another way to look at this, for $9K you can have a projector package that will out perform anything else on the market at triple the cost.......
post #79 of 839
Thanks Shawn.... Skin tone changes are dramatic!
post #80 of 839
kthacher
There is the hope of the 500-100$ gregr CMS box. That is if demand is great enough.

GlenC
Doesn´t the RS2 provide better gamma and grey scale controls?
post #81 of 839
Quote:
Originally Posted by Rob Tomlin View Post

Post of the week!

Agreed!
post #82 of 839
Shawn,

It must be my monitor, because all of the before images look generally oversaturated and all the after look undersaturated.

I'd be interested in seeing the just the green corrected (my biggest though occasional gripe at this point, I must have gotten used to complexions), but if you say the Radiance can do it that's good enough for me.
post #83 of 839
I agree the "after" shots look more correct in terms of color accuracy, but undersaturated too. Too pale.

Which is interesting as I've often found the typical ISF calibration of many displays to be a tad over-rich for my tastes (I tend to back off the color a bit). So even for me the "after" shots are looking too pale. But I attribute that to being screen shots.

I presume that the Lumagen, like any good color control, would allow you to make the colors accurate, and also let you have a more saturated, or less saturated image to taste as well. (?)
post #84 of 839
Thread Starter 
Noah,

"It must be my monitor, because all of the before images look generally oversaturated and all the after look undersaturated."

It is likely partially monitor and also just the screen shots themselves. I think overall they do a pretty good job of showing the differences but it isn't the same as sitting here swapping between the two. It really does look like a different projector, not at all subtle. Or it could simply be you like a little more saturation which is fine as well.

Probably going to get slammed for this but one other interesting perception change I have noticed... the picture seems to have more depth with the gamut control active. I'm not sure why that is but I have noticed it in a few places. Maybe the less saturated background colors not standing out as much or something?

"I'd be interested in seeing the just the green corrected (my biggest though occasional gripe at this point, I must have gotten used to complexions), but if you say the Radiance can do it that's good enough for me."

I'll give that a try and take some pictures of it for you. I assume you want Seabiscuit for those? As far as the Radiance the Gamut Control is for

Red
Green
Blue

In each color you have controls to add each other primary color independently. So in Red you can add green and add blue. One is free to set this where ever they personally like the end result of course.

The greens have been what has bugged me in the past. But now that I have skin tones *so* much better that is the improvement I am liking the most so far.

I'm not sure buying a Radiance just for this function alone makes sense. But if one was in the market for a video processor in this price range to use with a RS-1 I think the Radiance just became the very easy choice.

Shwan
post #85 of 839
Thread Starter 
Rich,

"I presume that the Lumagen, like any good color control, would allow you to make the colors accurate, and also let you have a more saturated, or less saturated image to taste as well. (?)"

You can adjust the amount of Gamut correction from anywhere between no change up to whatever the maximum amount of correction the Radiance provides. So if you wanted to pull in the reds somewhat but not as much as in the pictures above that is possible. Same for green and blue.

Shawn
post #86 of 839
Thread Starter 
"Apart from the CMS the RS1 could benefit greatly from the custom gamma curves the Radiance offers. I think there would be benefit to tweaking the high-end to help or hopefully eliminate the wash-out effect sometimes noted."

The Radiance does not yet have gamma controls in it. That is part of their parametric greyscale calibration which isn't in there yet. I think that is next up on the feature list so it will probably be in there very soon. I think they are starting with the 11 point and then later will be moving to 21 point.

The video deinterlacing may be different, the Radiance uses the newer Gennum chip. Pretty sure Jim said deinterlacing was one of the reasons they initially passed on the Gennum until the new chip came out. The new Gennum also has newer NR features including MNR and such.. those aren't yet in the Radiance either but are due after the greyscale. And it uses Lumagen's 'No-Ring' scaling of course.

It would also do all the input calibrations, sizing, AR changes (for CIH users) and so on.

Shawn
post #87 of 839
Shawn,

"I'll give that a try and take some pictures of it for you. I assume you want Seabiscuit for those?"

I appreciate the offer, but don't spend the time on account; I've just a passing interest, as there's no way I'd spend that kind of money for the fix.
post #88 of 839
Thread Starter 
This is a continuation of this thread:

http://www.avsforum.com/avs-vb/showt...7#post11959947

Noah asked to see what some screen shots look like with just the green primary pulled in. I setup three input memories in the Radiance. InputA was Output Config0 that has the same gamut correction as in the earlier thread. InputB was Output Config1 with no correction. InputC was Output Config2 with just the green correction of Config0.

(Soap box mode ON) A request... if you can't keep from the petty bickering could you please stay out of this thread? I spent a lot of time taking and posting those pictures in the other thread and getting it shut down kinda makes me wonder why I bother. We are getting to the point of not needing to debate theoretically... some can now actually do something about the RS-1 primaries if they so choose too.

Anyhow...(Soap box mode off) the attached are the pics.....

Note: I did not recalibrate greyscale for each gamut correction so that will also effect the end result to a degree. Too much of a PITA to change the JVC and the Radiance for each of these. When the Radiance gets greyscale calibration (week or two) I may try some comparisons then with gamut and greyscale though I may not have any time for that for awhile.

I'm also going to be remeasuring things after I get more familiar with v3 of Calman and I have a DisplayLt on the way to see how it compares to the Spyder2.

Shawn
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post #89 of 839
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more...
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post #90 of 839
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yet more...
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