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Viewsonic Pro8100 1080p Projector - Page 281

post #8401 of 8980
Is there anyway we can compare Factory ADC calibration? That way we can have an idea on which settings would work for who? Is it too dangerous to mess with it though?
post #8402 of 8980
A number of us did just that a while back, by PM'ing each other our factory ADC calibrations. You can go in and view record the data, but I definitely wouldn't recommend adjusting anything! The findings were that there were similarities based on the build date/production run of the units, but no two units were identical. VS used some very high dollar gear to get the base ADC calibration done, and it gives you the baseline from which to make adjustments for a full CMS calibration. You also can't rerun the ADC calibration without the specific pattern that VS used, so do not delete the data, whatever you do!
post #8403 of 8980
Quote:
Originally Posted by Dark Rider View Post

A number of us did just that a while back, by PM'ing each other our factory ADC calibrations. You can go in and view record the data, but I definitely wouldn't recommend adjusting anything! The findings were that there were similarities based on the build date/production run of the units, but no two units were identical. VS used some very high dollar gear to get the base ADC calibration done, and it gives you the baseline from which to make adjustments for a full CMS calibration. You also can't rerun the ADC calibration without the specific pattern that VS used, so do not delete the data, whatever you do!

I don't think i will take the chance again to peak in... since if no two are really alike, using the same calibration settings from anyone here might not be the same result??
post #8404 of 8980
Quote:
Originally Posted by Superman2 View Post

I would like to know as well, as i was planning on a backup lamp soon.

All I can say is you get what you pay for usually. Some have maintained that there's no difference. Not sure I'd risk it but it is a lot cheaper than the real deal. If you do get it, let us know periodically how it is performing or not.
post #8405 of 8980
Quote:
Originally Posted by Superman2 View Post

I don't think i will take the chance again to peak in... since if no two are really alike, using the same calibration settings from anyone here might not be the same result??

Don't confuse the ADC Calibration (only available through the service menu, which requires a separate remote code to access) with the calibration settings available through the regular menu system. Anything you change using the regular menus can be switched back, so there's no worries about fine tuning the calibration settings. However, I would warn that if you don't have a basic understanding of what each of the settings does, you can do more harm than good.

While no two units are alike, what I've found is that most people will not be able to spot minor variations in color. I can to a certain degree, but even after performing more than 50 calibrations of multiple display types, I wouldn't trust my eyes alone for accuracy. I've tried to do it, and gone back and measured, and am typically only within 10-15% of ideal. If you're truly want accuracy, you'll want to either buy a colorimeter and calibrate yourself or pay someone to do it for you. However, if "close enough" satisfies you, and you're not worried what the industry defines as "accurate," then there's nothing wrong with fine tuning another user's settings to your likes.
post #8406 of 8980
Quote:
Originally Posted by Dark Rider View Post

Ranger, I think what you're seeing is the bump in contrast with the 2.4 gamma setting. It just goes to show you how much of an impact gamma and luminance can have, in addition to color accuracy! I don't know that actual brightness increased any, according to my measurements, but everything looks brighter, because contrast is definitely improved. The same scenes that you're used to viewing show better blacks, the same great whites, and more detail in between. I may have gone a bit dimmer with your whites to avoid the horizontal banding on your unit, which may also be causing an even more notable difference. Either way, I'm glad you're enjoying the new settings. Does this mean you're not going to take delivery of the RS45? I have no doubts that the RS45 is an improvement on the Pro8100. It's just a question of, is it worth the cost? For me, at this point, I don't think it would be worth it, but I'd still love to get my hands on one to put through the paces!

Dark Rider, I thought long and hard about getting the RS45 but decided not to after hearing comments that 3D is not up to par. I hate to get one and be disappointed and then wanting to upgrade again next year. I hope JVC will have faster panels next year and I will consider again.
After your new settings my Pro8100 is better than ever. I did few more tweaks and the colors are more accurate, brighter, sharper, and very film-like. The blacks are still gray in dark scenes but overall as a whole I am quite satisfied. I felt almost like having an upgrade or a new projector lol . I saw the X3 at Magnolia Design center (Perimeter) and didn't have the itch to upgrade. They should have the X30/X90 soon and Evolution Home theater (Buckhead) should have the X30 soon as well.
About my earlier comments about seeing more artifacts, EE, and banding, I found the Edge Enhancement was set to 5 . Setting back to zero and all is nice again. Come over and see my Pro8100 again
post #8407 of 8980
Here is another Pro8100 owner that switched to the RS45. Just so that you have more than just my opinion. http://www.avsforum.com/avs-vb/showt...0#post21352350
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post #8408 of 8980
Quote:
Originally Posted by Ranger View Post

Dark Rider, I thought long and hard about getting the RS45 but decided not to after hearing comments that 3D is not up to par. I hate to get one and be disappointed and then wanting to upgrade again next year. I hope JVC will have faster panels next year and I will consider again.
After your new settings my Pro8100 is better than ever. I did few more tweaks and the colors are more accurate, brighter, sharper, and very film-like. The blacks are still gray in dark scenes but overall as a whole I am quite satisfied. I felt almost like having an upgrade or a new projector lol . I saw the X3 at Magnolia Design center (Perimeter) and didn't have the itch to upgrade. They should have the X30/X90 soon and Evolution Home theater (Buckhead) should have the X30 soon as well.
About my earlier comments about seeing more artifacts, EE, and banding, I found the Edge Enhancement was set to 5 . Setting back to zero and all is nice again. Come over and see my Pro8100 again

Well said Ranger, and your sentiments mirror many of my own. I know eventually I'll go with LCOS technology, most likely JVC, but until they perfect it, the Pro8100 quietly chugs along in the background consistently putting up a beautiful image that is unrivaled for the price! The blacks are likely going to be the biggest difference in an upgrade, but with the newest settings the blacks have definitely gotten better. It's to the point now that on my 16:9 screen, I very rarely notice the black bars on cinema-wide (2.35:1 and beyond) content. If I get a chance after the holidays, maybe I can swing out your way and run some measurements for you using your current settings as a baseline.

Quote:
Originally Posted by AV Science Sales 5 View Post

Here is another Pro8100 owner that switched to the RS45. Just so that you have more than just my opinion. http://www.avsforum.com/avs-vb/showt...0#post21352350

Mike, you've always had a fair assessement of the Pro8100's cababilities, so you're opinion definitely holds weight with me. The RS45 is undoubtedly an upgrade from the Pro8100 in many regards, but like Ranger, I'm hopeful that the next gen JVC's will be more rounded and better still. Until then, I'm going to quietly lock my ignorant butt down in my media room and am not going to come out to be tempted by the new models
post #8409 of 8980
Passed 3000 hours, original lamp, recalibrated and actually looks better than it did new .. some degree of lamp dimming with age has deepened the blacks .. I'll never pass muzz ..

Got a buddy with an 8100, he wants a backup lamp .. moneys tight .. looking at this one ..

http://www.sears.com/shc/s/p_10153_1...08188702P#desc

thoughts appreciated ...
post #8410 of 8980
If it weren't for the remote possibility of exploding in the PJ, I'd say go for it. As I recall tho, you advocate going w/ the VS OEM bulb.

Has he checked getting a bulb w/o the housing? I did that for my Sony TV recently. Saved a few bucks and it was an easy change-out. Came w/ good instructions in original English.
post #8411 of 8980
Quote:
Originally Posted by 73shark View Post

If it weren't for the remote possibility of exploding in the PJ, I'd say go for it. As I recall tho, you advocate going w/ the VS OEM bulb.

Has he checked getting a bulb w/o the housing? I did that for my Sony TV recently. Saved a few bucks and it was an easy change-out. Came w/ good instructions in original English.

You have a good memory .. yes, personally I would select the VS lamp .. my buddy has been out of work now for a year, so he's unconvinced ..

This whole exploding lamp thing .. ?? I mean, I know premature failure is likely more possible .. and from what I've gathered, the non-VS lamps sometimes get a review that says they seem a bit dimmer .. but exploding is way to strong a term IMO ..
post #8412 of 8980
Quote:
Originally Posted by Dark Rider View Post

Well said Ranger, and your sentiments mirror many of my own. I know eventually I'll go with LCOS technology, most likely JVC, but until they perfect it, the Pro8100 quietly chugs along in the background consistently putting up a beautiful image that is unrivaled for the price! The blacks are likely going to be the biggest difference in an upgrade, but with the newest settings the blacks have definitely gotten better. It's to the point now that on my 16:9 screen, I very rarely notice the black bars on cinema-wide (2.35:1 and beyond) content. If I get a chance after the holidays, maybe I can swing out your way and run some measurements for you using your current settings as a baseline.



Mike, you've always had a fair assessement of the Pro8100's cababilities, so you're opinion definitely holds weight with me. The RS45 is undoubtedly an upgrade from the Pro8100 in many regards, but like Ranger, I'm hopeful that the next gen JVC's will be more rounded and better still. Until then, I'm going to quietly lock my ignorant butt down in my media room and am not going to come out to be tempted by the new models

I saw these at CEDIA and thought that they looked very good, but in my own light controlled bat cave, I am blown away by the picture difference. The depth of the image on the RS45 is mesmerizing. Something that I did not expect, the image on the RS45 is actually sharper than the Pro8100 and the Pro8100 is very sharp. For reference I have a couple DLP's (Marantz and Planar). The Marantz has a lens that costs more than these projectors. For 3D, I can't tell you anything. I did not get it for 3D and did not even get the glasses or emitter. It is Friday night and all day long I have been thinking about what movie I want to watch tonight.
Reply
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post #8413 of 8980
Quote:
Originally Posted by Dark Rider View Post

Don't confuse the ADC Calibration (only available through the service menu, which requires a separate remote code to access) with the calibration settings available through the regular menu system. Anything you change using the regular menus can be switched back, so there's no worries about fine tuning the calibration settings. However, I would warn that if you don't have a basic understanding of what each of the settings does, you can do more harm than good.

While no two units are alike, what I've found is that most people will not be able to spot minor variations in color. I can to a certain degree, but even after performing more than 50 calibrations of multiple display types, I wouldn't trust my eyes alone for accuracy. I've tried to do it, and gone back and measured, and am typically only within 10-15% of ideal. If you're truly want accuracy, you'll want to either buy a colorimeter and calibrate yourself or pay someone to do it for you. However, if "close enough" satisfies you, and you're not worried what the industry defines as "accurate," then there's nothing wrong with fine tuning another user's settings to your likes.

And this is why I trust you brother !

Quote:
Originally Posted by Ranger View Post

Dark Rider, I thought long and hard about getting the RS45 but decided not to after hearing comments that 3D is not up to par. I hate to get one and be disappointed and then wanting to upgrade again next year. I hope JVC will have faster panels next year and I will consider again.
After your new settings my Pro8100 is better than ever. I did few more tweaks and the colors are more accurate, brighter, sharper, and very film-like. The blacks are still gray in dark scenes but overall as a whole I am quite satisfied. I felt almost like having an upgrade or a new projector lol . I saw the X3 at Magnolia Design center (Perimeter) and didn't have the itch to upgrade. They should have the X30/X90 soon and Evolution Home theater (Buckhead) should have the X30 soon as well.
About my earlier comments about seeing more artifacts, EE, and banding, I found the Edge Enhancement was set to 5 . Setting back to zero and all is nice again. Come over and see my Pro8100 again

May I ask what your current numbers are with the changes you made ? I would like to make some comparisons.
post #8414 of 8980
Quote:
Originally Posted by mgkdragn View Post

You have a good memory .. yes, personally I would select the VS lamp .. my buddy has been out of work now for a year, so he's unconvinced ..

This whole exploding lamp thing .. ?? I mean, I know premature failure is likely more possible .. and from what I've gathered, the non-VS lamps sometimes get a review that says they seem a bit dimmer .. but exploding is way to strong a term IMO ..

Actually my memory is really bad unless I write it down. Your advocacy just stuck w/ me.

I think from what I've read elsewhere re: exploding lamps is very remote to point of almost being an urban legend.
post #8415 of 8980
Nice to see the gang all here again. Ive learned alot reading these posts.
post #8416 of 8980
Quote:
Originally Posted by mgkdragn View Post

You have a good memory .. yes, personally I would select the VS lamp .. my buddy has been out of work now for a year, so he's unconvinced ..

This whole exploding lamp thing .. ?? I mean, I know premature failure is likely more possible .. and from what I've gathered, the non-VS lamps sometimes get a review that says they seem a bit dimmer .. but exploding is way to strong a term IMO ..

Hey Willie, if your buddy gets that aftermarket lamp please let us know how it performs......or doesn't.
BTW, Welcome Home and Merry Christmas Brother.

Ed
post #8417 of 8980
I've had the aftermarket bulb from amazon for over a month now. Actually looks better now than it did when I first got it. Haven't had a singe problem and it looks great. Also it hasn't exploded... Shocker
post #8418 of 8980
Quote:
Originally Posted by Superman2 View Post

Nice to see the gang all here again. Ive learned alot reading these posts.

wish Bouda would check in .. I sent him a PM a while back but have not heard anything .. wondering if the "Arab Spring" had any effect on him in Damascus .. he's not posted in months on any thread .. him and I used to stay in good contact ..
post #8419 of 8980
Quote:
Originally Posted by old corps View Post

Hey Willie, if your buddy gets that aftermarket lamp please let us know how it performs......or doesn't.
BTW, Welcome Home and Merry Christmas Brother.

Ed

back at ya, Ed .. hope you and your'es are all doing great ..
post #8420 of 8980
Quote:
Originally Posted by timfrommass View Post

I've had the aftermarket bulb from amazon for over a month now. Actually looks better now than it did when I first got it. Haven't had a singe problem and it looks great. Also it hasn't exploded... Shocker

when you say aftermarket, do you know the vendor .. ?? I'm pretty sure all these clone lamps are made in the same factory ..
post #8421 of 8980
Quote:
Originally Posted by mgkdragn View Post

wish Bouda would check in .. I sent him a PM a while back but have not heard anything .. wondering if the "Arab Spring" had any effect on him in Damascus .. he's not posted in months on any thread .. him and I used to stay in good contact ..

Yeah, Sure hope he's ok. I always enjoyed decodeing his posts.

Ed
post #8422 of 8980
Quote:
Originally Posted by mgkdragn View Post


when you say aftermarket, do you know the vendor .. ?? I'm pretty sure all these clone lamps are made in the same factory ..

Electrified RLC-032. $145 on amazon.com
post #8423 of 8980
How hard is it to replace the lamp? I fear of dust blobs getting in the case, so what steps are needed when replacing the lamp? Do I have to take the projector down from the ceiling?
post #8424 of 8980
Remove a few screws, take out old lamp and housing, put in new lamp and housing, screw screws back in. Done
post #8425 of 8980
Quote:
Originally Posted by Colton View Post

How hard is it to replace the lamp? I fear of dust blobs getting in the case, so what steps are needed when replacing the lamp? Do I have to take the projector down from the ceiling?

You shouldn't have to take it down. You remove 2 small screws from the lamp cover which is on the side of the pj. Easy access.

Ed
post #8426 of 8980
I also PM'd Bouda after things first started to get hot in Syria but never heard back. I'm not on Facebook but he was if anyone wants to give that avenue a shot.

Hope you all have a Merry Christmas and a Happy New Year.
post #8427 of 8980
I've been fiddling with the settings on my projector a bit and I think I've screwed it up more than I've improved it.

I've found some settings earlier in this thread that I'll play around with, but I was hoping for a little clarification on exactly what they do, instead of sitting there fiddling with them to see what happens.

First under colour temp there are offset and gain settings for each R, G and B. What's the difference between offset and gain?

Then under PCS, there's the "3D Colour Management". Each colour has adjustments for hue and colour. Again I'm a little confused as to how exactly these affect the display.

If I know what impact these have on the colour then it might be easier to figure this out.


Also, the "Cust1" and "Cust2" buttons on the remote - do they only load the colour temp settings saved to "Memory 1" and "Memory 2" or do they load all the PCS colour settings too?

What I'm trying to do is strike a balance between getting the vibrant, vivid colours for animated movies, and the more natural "film like" colours for more cinematic films.

If the Cust1 and Cust2 buttons load all settings and not just colour temp settings, then perhaps I can create two settings in the projector - one for animated and other for film?

Or am I going about this all wrong?

Next time I'll just resist the urge to fiddle

Thanks!
post #8428 of 8980
Quote:
Originally Posted by sebberry View Post

I've been fiddling with the settings on my projector a bit and I think I've screwed it up more than I've improved it.

I've found some settings earlier in this thread that I'll play around with, but I was hoping for a little clarification on exactly what they do, instead of sitting there fiddling with them to see what happens.

First under colour temp there are offset and gain settings for each R, G and B. What's the difference between offset and gain?

Then under PCS, there's the "3D Colour Management". Each colour has adjustments for hue and colour. Again I'm a little confused as to how exactly these affect the display.

If I know what impact these have on the colour then it might be easier to figure this out.


Also, the "Cust1" and "Cust2" buttons on the remote - do they only load the colour temp settings saved to "Memory 1" and "Memory 2" or do they load all the PCS colour settings too?

What I'm trying to do is strike a balance between getting the vibrant, vivid colours for animated movies, and the more natural "film like" colours for more cinematic films.

If the Cust1 and Cust2 buttons load all settings and not just colour temp settings, then perhaps I can create two settings in the projector - one for animated and other for film?

Or am I going about this all wrong?

Next time I'll just resist the urge to fiddle

Thanks!

Try Dark Rider's latest settings a few pages back. Use 2.2 gamma though if you're not in a completely black room. From there, just decrease saturation if you want a more "natural" look.

I've been using the settings for a few days now and love it. I'm on Normal mode, not Eco, but it still blows away what I had calibrated before.
post #8429 of 8980
I did try those settings but found them much too red.
post #8430 of 8980
Quote:
Originally Posted by sebberry View Post

I did try those settings but found them much too red.

Change the color temp from Dark Rider's User to Cool 1. Keep everything else the same. Do you like that better?

If so, you are going to need to dial down your reds.
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