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The Official Onkyo TX-SR705 Thread (FAQ in 1st Post) - Page 52

post #1531 of 8851
Anybody know the code for a Comcast Motorola remote control? I've tried 0135, which didn't work at all and 0842 which will turn the receiver off, but not on.

Thanks in advance
Sean
post #1532 of 8851
Quote:
Originally Posted by Uptown193 View Post

Hello, long time no speak and Happy holidays.

can anyone here tell me the best setting on the PS3 to play audio cd's from all 5.1 or 7.1 speakers on the 705, the way i have it set now it only plays from the 2 front left and right speakers. Thanks.

Unless the PS3 has some setting to output surround sound from a stereo CD source, you will have to use the listening modes on the onkyo to have sound coming from all speakers. ALL CHANNEL STEREO is what i use but you could also try Dolby PLIIx Music and others
post #1533 of 8851
Quote:
Originally Posted by kplex View Post

There was a good discussion in the 805 thread a couple days ago about Audyssey. Somebody invited the CTO of Audyssey labs in, and he posted a great overview of Audyssey then took a bunch of questions. I encourage everybody in the 705 thread who wants to understand Audyssey better to wander over there and read through some of the posts.

http://www.avsforum.com/avs-vb/showp...postcount=8251

Thanks for pointing out the audyssey discussion and official responses in the 805 thread kplex! There is some great info there and it certainly shows that Jeremy Anderson has been spot on with the advice he has been giving to everyone here in the 705 thread, regarding Audyssey It's interesting to read that it doesnt actually attempt to set the channel trims to reference level (due to too much variance in the shipped microphone) but instead aims to set the relative trims so that all speakers are at the same level. And as Jeremy always points out, people who manually change the sub distance setting dont understand that it isnt a measure of physical distance and due to the subs crossover delays etc, you actually WANT the audyssey calculated distance!
post #1534 of 8851
Quote:
Originally Posted by murphy4040 View Post

There was a brief discussion sometime ago in this thread about the mix and match of 4 and 6 ohm speakers. Like another poster, I have 6 ohm speakers across the front and 4 ohm speakers for my surrounds. The general consensus was that we should set our speakers at 6 ohms. Related to that, in the manual it says when running the Audyssey setup if ANY of the speakers are 4 ohms or greater and less than 6 ohms you should run Audyssey with the setup at 4 ohms.

Does this mean I should run Audyssey at 4 ohms and then set the speakers to 6 after the fact? Or, if I'm going to leave the speakers set at 6, I should run Audyssey set at 6?

thanks!

Any thoughts on this one?
post #1535 of 8851
Quote:
Originally Posted by murphy4040 View Post

Any thoughts on this one?

The impedance setting on the receiver shouldn't affect Audyssey at all.
post #1536 of 8851
Quote:
Originally Posted by scarecrow420 View Post

Unless the PS3 has some setting to output surround sound from a stereo CD source, you will have to use the listening modes on the onkyo to have sound coming from all speakers. ALL CHANNEL STEREO is what i use but you could also try Dolby PLIIx Music and others

it wont let me use any other setting other then the front left and right. when i try to do that its says unavailable.
post #1537 of 8851
This might sound like a silly question but I would like to know why the All channel stereo sound fuller than any of the other 7.1 modes.

In most cases, the 7.1 modes like PLIIx is audible (in my surround back) at all times but the other 7.1 modes are audible (in my surround back) sometimes during the movie playback.

Is this how the different modes are supposed to behave?
post #1538 of 8851
Quote:
Originally Posted by Uptown193 View Post

it wont let me use any other setting other then the front left and right. when i try to do that its says unavailable.

I dont really understand what you mean by it says "unavailable". The All Channel Stereo listening mode (on the onkyo - ALL CH ST button on the remote) should always be available...

Quote:
Originally Posted by benso37 View Post

This might sound like a silly question but I would like to know why the All channel stereo sound fuller than any of the other 7.1 modes.

In most cases, the 7.1 modes like PLIIx is audible (in my surround back) at all times but the other 7.1 modes are audible (in my surround back) sometimes during the movie playback.

Is this how the different modes are supposed to behave?

As i understand it, All Channel Stereo sends the same signal to all speakers (so the SL/SBL and SR/SBR would be playing the exact same track as the main L and R speakers. When listening to other surroud modes, you are only getting surround sound like cups clinking in a cafe, background conversations, helicopter flying past type stuff, as appropriate for the movie. If the source has discrete channels for the surround then you hear exactly what was intended... if you are using PLII and PLIIx etc then it attempts to "create" the surround info which means that some parts of the main channels are going to the surrounds, depending on how it calculates what it thinks should go there. The various listening modes that do this "creation" would differ in their alogrithms and how they decide what to play out of the surround speakers
post #1539 of 8851
Quote:
Originally Posted by scarecrow420 View Post

I dont really understand what you mean by it says "unavailable". The All Channel Stereo listening mode (on the onkyo - ALL CH ST button on the remote) should always be available...

As i understand it, All Channel Stereo sends the same signal to all speakers (so the SL/SBL and SR/SBR would be playing the exact same track as the main L and R speakers. When listening to other surroud modes, you are only getting surround sound like cups clinking in a cafe, background conversations, helicopter flying past type stuff, as appropriate for the movie. If the source has discrete channels for the surround then you hear exactly what was intended... if you are using PLII and PLIIx etc then it attempts to "create" the surround info which means that some parts of the main channels are going to the surrounds, depending on how it calculates what it thinks should go there. The various listening modes that do this "creation" would differ in their alogrithms and how they decide what to play out of the surround speakers


Very good explanation. Thanks.
post #1540 of 8851
I was bitstreaming TrueHD via my A35 to my 705, and PLIIx did not matrix the sound to the back surround speakers, so I used PLIIx-THX and it worked.

What is the best setting for HD DVD bitstreaming players as far as great sound and matrixing is concerned?
post #1541 of 8851
As most users a find the Dolby PLIIx to produce the best sound. However when I send a DTS signal to the receiver when PLIIx is selected, the DTS logo isn't lit.

Does this mean it is processed as Dolby 5.1? I am under the impression the Onkyo doesn't auto-detect which type of signal it is processing.

Regards
post #1542 of 8851
Quote:
Originally Posted by cvermeylen View Post

As most users a find the Dolby PLIIx to produce the best sound. However when I send a DTS signal to the receiver when PLIIx is selected, the DTS logo isn't lit.

Does this mean it is processed as Dolby 5.1? I am under the impression the Onkyo doesn't auto-detect which type of signal it is processing.

Regards

All A/V receivers automatically detect the type of signal they're receiving. If the DTS logo isn't lit, you're not receiving a DTS signal.
post #1543 of 8851
My brother has an old Marantz amp used to listen to his large LP and CD collection. He is looking to add a TV and DVD to the set up but will continue to use it more for music. Would the 705 be a good choice since it has a phono input?
Thanks for any help.
post #1544 of 8851
Quote:
Originally Posted by 5thDanMaster View Post

I was bitstreaming TrueHD via my A35 to my 705, and PLIIx did not matrix the sound to the back surround speakers, so I used PLIIx-THX and it worked.

What is the best setting for HD DVD bitstreaming players as far as great sound and matrixing is concerned?

I have the same question in addition to my sampling frequency confusion.

My A-35 is connected only to the 705's HDMI 3. I thought the fs was only displayed when using PCM. I see a fs of 48khz watching 300 with DD True HD bitsteamed and "Direct Digital Audio Mode" selected on the A-35. DD True HD is also displayed. The same setup with the A-35 set to PCM shows MCH PCM and 48 khz. "Direct Digital Audio Mode" selected off the A-35 shows MCH PCM and 96 khz. Why is the PCM fs shown as double that of bitstreamed DD True HD?

DD+ titles do not show a fs when bitsteamed from the A-35. PCM out with "Direct Digital Audio Mode" selected on the A-35 shows MCH PCM and 48 khz. PCM out with "Direct Digital Audio Mode" selected off the A-35 shows MCH PCM and 96 khz.
post #1545 of 8851
Quote:
Originally Posted by kplex View Post

All A/V receivers automatically detect the type of signal they're receiving. If the DTS logo isn't lit, you're not receiving a DTS signal.

If I select THX Cinema for the same source, the DTS logo is lit. I do have to press the THX button on the remote twice to get it lit though. My DVD players is hooked up through HDMI. Can this have any influence?

Edit: My mistake, my DVD player had a setting Digital Audio Out - HDMI Out. This was set to LPCM. I changed it to auto. My receiver now displays the sound logo's.
post #1546 of 8851
i removed a parasound 6 channel amp from my setup and now have 5 speakers connected directly to the 705. not surprisingly i have to turn the volume up a little higher on the 705 to get the same perceived level. but overall the 705 sounds great. anyone interested in buying a parasound hca 1206?

however something odd happened. i hooked up an NHT MA-1A single channel amp to drive my sub, but it sounds terrible. when running speaker setup > level calibration, shouldn't the sub channel sound the same or at least similar independent of which amp is used? it actually does not. with the MA-1A i hear pops and buzzes instead of the deep rumble i got with the parasound.

what should the sub sound like when running level calibration?
post #1547 of 8851
I was just wondering if the 705 display can distinguish between DTS-HD (HR) and DTS-HD MA. I can't tell if the LCD can show HD and MSTR separately or only as one or if the text display can report it? I realize this may be moot since it seems that most HD-DVD / Blu-Ray are using DTS-HD MA and skipping DTS-HD. Just curious though. Thanks.
post #1548 of 8851
Quote:
Originally Posted by hoyty View Post

I was just wondering if the 705 display can distinguish between DTS-HD (HR) and DTS-HD MA. I can't tell if the LCD can show HD and MSTR separately or only as one or if the text display can report it? I realize this may be moot since it seems that most HD-DVD / Blu-Ray are using DTS-HD MA and skipping DTS-HD. Just curious though. Thanks.

It does actually. I have an Import HD DVD copy of 'Underworld', it has a DTS-HD English track, and a German DTS-HD M/A track.
The English track shows on the 705's display as DTS, but when I tried the German track just to see the difference, the master audio light was displayed.
post #1549 of 8851
Quote:
Originally Posted by Fanner50 View Post

Thanks for the quick reply. I really appreciate it.

My front speakers are Polk RT800 tower speakers and the center is a Polk CS350. They are about nine years old and were good speakers when I bought them. I am using Polk RM 101 speakers for the surround sound. The powered sub is a Velodyne. I'm trying to get the best possible sound that I can out of this system. Can you give me any tips or hints on improving on Audyssey on the other speaker settings? I'm not very impressed with Audyssey, or maybe I don't know what I'm doing. Thanks.

First, check the FAQ on the second post of the first page for the proper way to run Audyssey. After you've read that and done it, you'll need to change the crossovers that it detected. For your RT800i, the -3dB point is 42Hz, so I recommend setting them to 60Hz. That's what I'm running with my RTi70 towers, and they aren't incredibly different than the RT800i. For your CS350, the -3dB point is 60Hz. I would first try 80Hz for it, then maybe play with 70Hz. Its overall response goes down to 40Hz, so you might be able to use 70 without any audible dropoff... but 80Hz would be a safe bet.

The RM101s are going to be the weak point for you. Their -3dB point is 130Hz, which is high enough that you'd be sending easily localizable bass to your sub if you actually followed the +20Hz rule. Given the overall response of the RM101s, I recommend running them at 100Hz crossover. You might lose a little audio from 90-130Hz this way, but it will help keep the subwoofer from producing anything significant over 100Hz, which should keep you from localizing the sub. You should still get directional cues and decent surround from them despite this.
post #1550 of 8851
Quote:
Originally Posted by scarecrow420 View Post

Thanks for pointing out the audyssey discussion and official responses in the 805 thread kplex! There is some great info there and it certainly shows that Jeremy Anderson has been spot on with the advice he has been giving to everyone here in the 705 thread, regarding Audyssey It's interesting to read that it doesnt actually attempt to set the channel trims to reference level (due to too much variance in the shipped microphone) but instead aims to set the relative trims so that all speakers are at the same level. And as Jeremy always points out, people who manually change the sub distance setting dont understand that it isnt a measure of physical distance and due to the subs crossover delays etc, you actually WANT the audyssey calculated distance!

Glad kplex linked to this. Even I didn't know it wasn't trying to set channel trims to a set point. At least we know anecdotally that it tends to set things 2-3dB below reference, but it's good to know that this wasn't particularly by design.

As for the subwoofer delay thing, there's a caveat: If you're seeing a detected distance that is wildly off from physical distance, like maybe more than 6 feet, there are steps you can take to mitigate this. For instance, I've found that most people tend to put their subwoofer too close to walls. Even if you're corner-loading your subwoofer, I recommend pulling it out at least 3-5 inches from the walls. Placing a sub too close to a wall can essentially make that wall act like a giant passive woofer, adding its own coloration to the sound. In my own room, moving my subwoofer slightly further from the wall completely changed its phase relation to the speakers. The same goes for speakers, especially if they're rear or downward ported - keep them a bit away from the walls to get the best sound out of them.

As with anything here, Audyssey can only work with the info you give it... so careful setup before running MultEQ XT is very important. There's a pinned Home Theater Setup 101 thread somewhere around here that will give you some education on how to set things up optimally. Audyssey does wonders as far as room correction goes, but it is no substitute for good old fashioned common sense setup and tweaking... and in conjunction with same can produce insanely good results.
post #1551 of 8851
Quote:
Originally Posted by Jeremy Anderson View Post

Glad kplex linked to this. Even I didn't know it wasn't trying to set channel trims to a set point. At least we know anecdotally that it tends to set things 2-3dB below reference, but it's good to know that this wasn't particularly by design.

As for the subwoofer delay thing, there's a caveat: If you're seeing a detected distance that is wildly off from physical distance, like maybe more than 6 feet, there are steps you can take to mitigate this. For instance, I've found that most people tend to put their subwoofer too close to walls. Even if you're corner-loading your subwoofer, I recommend pulling it out at least 3-5 inches from the walls. Placing a sub too close to a wall can essentially make that wall act like a giant passive woofer, adding its own coloration to the sound. In my own room, moving my subwoofer slightly further from the wall completely changed its phase relation to the speakers. The same goes for speakers, especially if they're rear or downward ported - keep them a bit away from the walls to get the best sound out of them.

As with anything here, Audyssey can only work with the info you give it... so careful setup before running MultEQ XT is very important. There's a pinned Home Theater Setup 101 thread somewhere around here that will give you some education on how to set things up optimally. Audyssey does wonders as far as room correction goes, but it is no substitute for good old fashioned common sense setup and tweaking... and in conjunction with same can produce insanely good results.

Only downside to him posting it is now i have email subscription to the 805 thread as well... now im gonna spend more time reading the posts in that thread as well as this one!

Hey Jeremy, or anyone else, i realised that I havent actually paid too much attention to my crossover settings since i originally set them months ago... unfortunately i cant seem to find anything about their "-3db point", only their frequeny response. The mains go down to 35Hz, and the centre/surrounds to 45Hz. I currently have the mains on Full Band (and double bass turned ON) and the centre on 80 Hz. Cant remember what ive got the surrounds set to...

The speakers are Accusound Thetas http://accusound.com.au/theta.html

I have the TH100/300 5.1 package, which is the TH100 mains, THC centre, THR surrounds, and the TH300w sub. Id be interested to know what you suggest i set the crossovers to.
post #1552 of 8851
Curious if this has happened to anyone else? Satuday night we had a Christmas party and I ran my 705 from 7 to 3 in the morning. I was playing music off my wifes Ipod run through the aux input on both the main speakers and zone 2. At around 11 the unit shut off. I could turn back on the main speakers but if I tried to turn on zone 2 the unit would simply shut off. Since the party was in full swing, I did not fool with it and just had music in the den on the main speakers. Yesterday, I reset the unit and now it seems to be working fine but I have not played it as long as I did the other night. Any ideas as to why this happened or if I have a defective receiver? Thanks.
post #1553 of 8851
Quote:
Originally Posted by srj45 View Post

Anybody know the code for a Comcast Motorola remote control? I've tried 0135, which didn't work at all and 0842 which will turn the receiver off, but not on.

Thanks in advance
Sean

This has been widely researched and you're getting the best it can do. Turn off but not on.
post #1554 of 8851
Quote:
Originally Posted by rstrauss View Post

Curious if this has happened to anyone else? Satuday night we had a Christmas party and I ran my 705 from 7 to 3 in the morning. I was playing music off my wifes Ipod run through the aux input on both the main speakers and zone 2. At around 11 the unit shut off. I could turn back on the main speakers but if I tried to turn on zone 2 the unit would simply shut off. Since the party was in full swing, I did not fool with it and just had music in the den on the main speakers. Yesterday, I reset the unit and now it seems to be working fine but I have not played it as long as I did the other night. Any ideas as to why this happened or if I have a defective receiver? Thanks.

Sounds like a bit of an overheating issue to me. Check the FAQ in post #1 for how to read the internal temp the next time it happens.
post #1555 of 8851
Quote:
Originally Posted by Jeremy Anderson View Post

I know everyone's crazy about these hum tests... but are you really ever going to crank it to -7db for regular use? Just askin'... 'cause I haven't found a need to turn mine up to those kind of levels.

I replaced the receiver and I replaced the XM tuner. Still get the hum, even at infinity off (total silence) and on all inputs where there is an HDMI active input, but not on channels where the HDMI device is turned off.

Looks like it's my AC wiring. There's some sort of interference from the "dozens" of things hooked into the circuit.

I am giving up. I bought the Sirius receiver and it does not do this.
post #1556 of 8851
Quote:
Originally Posted by scarecrow420 View Post

Only downside to him posting it is now i have email subscription to the 805 thread as well... now im gonna spend more time reading the posts in that thread as well as this one!

Hey Jeremy, or anyone else, i realised that I havent actually paid too much attention to my crossover settings since i originally set them months ago... unfortunately i cant seem to find anything about their "-3db point", only their frequeny response. The mains go down to 35Hz, and the centre/surrounds to 45Hz. I currently have the mains on Full Band (and double bass turned ON) and the centre on 80 Hz. Cant remember what ive got the surrounds set to...

The speakers are Accusound Thetas http://accusound.com.au/theta.html

I have the TH100/300 5.1 package, which is the TH100 mains, THC centre, THR surrounds, and the TH300w sub. Id be interested to know what you suggest i set the crossovers to.

Given the driver setup on those TH100s, I'd be willing to bet that the 35Hz rating is overall response, not the -3dB point. Still, if it were me, I would run them at a 60Hz crossover (unless 35Hz is the -3dB point, then I'd go with 50). This would be low enough to prevent localization of the sub, would still let them work down to their limits, and free up a little headroom on the receiver's amp section since it isn't trying to work as hard to drive those speakers. I would try center at 70Hz since you're likely straight on with it at the seats. Surrounds are another issue. From a strict frequency standpoint, I'd go 70Hz... but since you're likely far more off-axis from them, 80Hz might give you better subjective sound.

I don't like Double Bass, since running the same bass from multiple sources can cause strange phase issues that could negatively affect sound (and definitely negatively affect the time adjustments made by Audyssey, since you're enabling multiple point sources for bass post-calibration). That's why you see people running dual subwoofers either placing them next to each other or running them as stereo subs located near each of the mains.

But in the end, it's what sounds best to you that matters.
post #1557 of 8851
i have a question for any of the sound gurus. i am going to be running 3 subs. 2 are going to be stacked in one corner, and the other will be up front near the mains.should i set phase on the one near the mains to 0, and the stacked on other end of room to 180 before running auddesy? would it be better to only auddesy one, and manually set other 2? havent seen any info on auddesy with multiple subs. any answers?
post #1558 of 8851
I reread through most of this thread this weekend and didn't see the answer to this question so fogive me if it is here and I missed it.

Was there ever a solution found to running a Wii in 16:9 via component into the 705 and out via HDMI? Whether I have the upscaling on or off the Wii only displays 4:3 when I run it through the 705. I read through some discussion about this issue, but didn't ever find a real answer. Is this just a limitation of the video processor on the 705?
post #1559 of 8851
Quote:
Originally Posted by Jeremy Anderson View Post

First, check the FAQ on the second post of the first page for the proper way to run Audyssey. After you've read that and done it, you'll need to change the crossovers that it detected. For your RT800i, the -3dB point is 42Hz, so I recommend setting them to 60Hz. That's what I'm running with my RTi70 towers, and they aren't incredibly different than the RT800i. For your CS350, the -3dB point is 60Hz. I would first try 80Hz for it, then maybe play with 70Hz. Its overall response goes down to 40Hz, so you might be able to use 70 without any audible dropoff... but 80Hz would be a safe bet.

The RM101s are going to be the weak point for you. Their -3dB point is 130Hz, which is high enough that you'd be sending easily localizable bass to your sub if you actually followed the +20Hz rule. Given the overall response of the RM101s, I recommend running them at 100Hz crossover. You might lose a little audio from 90-130Hz this way, but it will help keep the subwoofer from producing anything significant over 100Hz, which should keep you from localizing the sub. You should still get directional cues and decent surround from them despite this.


Thanks Jeremy for the Very informative answer to my question. I have played around with the settings and I am getting much better sound and directional cues now. I am very happy with the setup. I realize that the 101's are the weak link but they are doing a decent job considering my listening area and considering what I had left to spend. I bought a Samsung LN-T4665 46" LCD TV, and the Onkyo TX-SR705 which replaced a nine year old Sony STR-DE925. The front and center channel speakers were used with the Sony in my old 5.1 setup and I bought the 101's to replace some older speakers that I was using for the surrounds.

Again, thanks Jeremy for such a detailed answer to my questions. Happy Holidays to you.
post #1560 of 8851
Quote:
Originally Posted by warlord260 View Post

i have a question for any of the sound gurus. i am going to be running 3 subs. 2 are going to be stacked in one corner, and the other will be up front near the mains.should i set phase on the one near the mains to 0, and the stacked on other end of room to 180 before running auddesy? would it be better to only auddesy one, and manually set other 2? havent seen any info on auddesy with multiple subs. any answers?

There are no easy answers, especially when you're running three subs with the same signal. Their phase relationship may cause cancellation issues. The problem is that, Audyssey aside, you're going to have to get them as close to correct BEFORE running Audyssey.

With dual co-located subs or two subs run stereo, I doubt you'd have issues... but splitting between front of room and back is a logistical nightmare. Naturally, phase on the one near the mains is likely best at 0... but optimal phase at the other end of the room is a problem with no easy solution other than intensive testing to find the best phase adjustment. Audyssey MAY be able to find a distance/delay that gives you a good overall result, but I don't think anyone here would be able to give you a quick and easy answer on that. It will definitely play hell with the delay for the subwoofer, however.
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