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The Official Salk Sound Owner's And Discussion Thread - Page 226

post #6751 of 8678
Quote:
Originally Posted by pstrisik View Post

......Plus, long term, I may want/need the bass response. Don't know where I'll be living and how I can set things up later.

Understood. The HT2-TL (or preferably the SS8 if in the budget) would fit the bill. Given that your speakers are fairly close to the wall behind them (I believe you mentioned 18"), I hesitate to recommend the HT3. I also am restricted in how far out I can place speakers so Jim advised one of the TL designs or SS (with side firing passives) since they are less sensitive to placement in terms of bass performance. He said the HT3 would likely be too boomy in my room/setup.

Quote:
I'm not sure of your reasoning here. Are you saying that the two models are so similar if not taking advantage of the bass response that I should save my money (floor space and back) or something about the smaller SEAS that you think is advantageous?

Yes.

The smaller SEAS would have wider disbursion, especially in the upper part of its range, which may give it an advantage in terms of disappearing in the soundstage. Also, you save $1k.


Quote:
Originally Posted by pstrisik View Post

Why is that? Are you making a general statement about their awesomeness? Cost, size, weight are all factors for me. Being in Alaska increases the issue with weight - shipping costs a fortune and I'll be moving them back to the lower 48 eventually. Again, I have to really want them to justify the cost/weight factors.

Based on what I've heard (SS10), the SS line is awesome! Only you can decide if it's worth the cost difference (not an insignificant amount).

Personally I look at it this way. As long as I can afford it, I'd rather pay more to get the best I can. It may be painful to part with all that money at first, but down the road I will have forgotten all about the money and will be enjoying great sound.

When I was shopping for a TV back in 2008, I had a hard time justifying the cost of the TV I really wanted (Pioneer Elite Kuro). In my mind, the Panasonics were a much better value. But then I thought, in a year do I want to watch a movie thinking "what a fantastic picture" or "what a fantastic value"? I chose the former and have been in Kuro heaven ever since with absolutely no regrets!

Quote:
I think I'm more strongly leaning towards the HT2-TL over the STSC at this point so far. No sure about moving up to SS. The HT is the leading contender.

For me, the deciding factor would be if I wanted/needed the HT2-TLs bass output abilities. If not, the SCST, if so, the HT2-TL. BTW, relieved of bass duties, I think both would have plenty of dynamic range.


Quote:
Originally Posted by pstrisik View Post

That's what I want to hear! Makes things simpler. If I'm going to be keeping grills on, I'd leave the offset as the master intended. And thanks for digging up that post from him.

WRT to active/passive... the trouble is I can understand just enough to get myself in trouble with obsessiveness. After all of this discussion, the bottom line is that I will likely be thrilled with most any of the options considered as it would be quite a leap from anything I've had. I still have to consider every option though. I can't help myself!!!

Speaking of grills, I had Jim also install magnets under the veneer on the back of my HT2-TLs. That way if I want to listen sans grills, I just pop them on the back........keeps them securely and safely out of the way.

If you decide to get one of the models with an offset tweeter, next you can obsess over whether to place them with tweeters to the outside or inside (mine are to the outside).

Of course I just tease........it took me a year to decide on speakers and many months after delivery to set them up to my satisfaction.

Decisions, decisions.......
post #6752 of 8678
Quote:
Why is that? Are you making a general statement about their awesomeness? Cost, size, weight are all factors for me. Being in Alaska increases the issue with weight - shipping costs a fortune and I'll be moving them back to the lower 48 eventually. Again, I have to really want them to justify the cost/weight factors.

Well they really are "having your cake and eating it too".... if you can bust out for them, the other options just look weak in comparision.

Quote:
Originally Posted by pstrisik View Post

Much of this goes beyond my understanding. Here is one essay I've read:
http://sound.westhost.com/biamp-vs-passive.htm with discussion about active xo starting at 2.2. Strong opinion.

I definitely feel there's serious advantages to active crossovers from a design perspective. I just don't think they apply universally.

P.s.I've got nothing against Rod Elliott and I've learned some things myself from his nice little website, but at heart you can tell he's an electronics guy. Electronics guys seem to have strong opinions about what the electronics are doing, and even support it by theory. But sometimes practice/audibility don't translate from theory,

As far as that article, I just skimmed over it for ya. It did make some valid points but

1) Didn't reference any papers showing audibility of these "on paper" issues.
2) Didn't factor in that a ribbon tweeter, for example, doesn't have the same kind of resonance discussed there.
post #6753 of 8678
Thread Starter 
^ Good point, EV. I'm pretty sure I also saw Dennis Murphy once comment that he could distinguish no audible differences between an active HT3 and a passive one. Correct me if I am wrong, Dennis.

Like I said, if you had a full range speaker like the SS12 and wanted to EQ the stuff below the Schroeder Frequency, active would be cool. But I'd never use it above said frequency, because I just haven't heard EQ that didn't alter the sound to my ears (in a bad way). This includes Audyssey and ARC. Of course, things have come a ways in the past couple years, so perhaps it is much better...I don't know. Regardless, go ahead and talk to Jim about it if you so desire, but I think he'll re-assure you that the passive design is the way to go.
post #6754 of 8678
Quote:
Originally Posted by pstrisik View Post

Another thought (and more money ) is the option for outboard passive xover on the HT2-TL. I assume that this adds nothing to sound quality as is, but provides the option for active xovers to be added without modification. Again could be a good future proofing investment. Seems like this would be something to talk over with Jim.

These here are the answer you're looking for. They have DEQX like the NHT Xd system does. Does anyone here have them, or at least has heard them?
post #6755 of 8678
Quote:
Originally Posted by Nuance View Post

I look forward to your findings.

Well, I need to buy you a beer! I listened a bit with them about 24 inches out. I noticed some difference so went ahead and moved the rug back so I could bring them out even further. At 29 inches out, there is clearly an improvement in imaging and sound is cleaner.

Quote:
Be careful with Audyssey - I find it ruins the midrange and highs of my speakers (and others I've heard). It'll work wonders below 200Hz, or so, though. If you really need EQ below your crossover I highly recommend using something other than Audyssey and leaving everything above the crossover untouched. You can pick up a Behringer 1124p for $100 bucks and use REW to measure your room. Or you can get the Velodyne SMS-1, which comes with the mic and an onscreen FR plot so you can see you adjustments without using REW. Both will be beneficial because you can EQ the subs independent of the speakers.

I tried listening in direct mode, but for some reason I couldn't get the subs to play. There is a setting to turn subs on or off in direct mode, so I'm not sure what's going on. Makes apples to apples comparison difficult. I'll look into it further.
post #6756 of 8678
Quote:
Originally Posted by 65 Electra Glide View Post

These here are the answer you're looking for. They have DEQX like the NHT Xd system does. Does anyone here have them, or at least has heard them?

The same thing can be done with the HT2-TL. You could use the same dex processor with that outboard option. It is more than a xover though. Has EQ and costs about $2K for the dex unit alone. I was thinking more about an active crossover only. That is, until the majority here says to fuggit about it.
post #6757 of 8678
Quote:
Originally Posted by Saturn94 View Post

Understood. The HT2-TL (or preferably the SS8 if in the budget) would fit the bill. Given that your speakers are fairly close to the wall behind them (I believe you mentioned 18"), I hesitate to recommend the HT3. I also am restricted in how far out I can place speakers so Jim advised one of the TL designs or SS (with side firing passives) since they are less sensitive to placement in terms of bass performance. He said the HT3 would likely be too boomy in my room/setup.

I could do it money wise if I chose. I'm just not sure I want to go that mammoth.

Quote:
Speaking of grills, I had Jim also install magnets under the veneer on the back of my HT2-TLs. That way if I want to listen sans grills, I just pop them on the back........keeps them securely and safely out of the way.

Very cool! I may follow you on that idea.

Quote:
If you decide to get one of the models with an offset tweeter, next you can obsess over whether to place them with tweeters to the outside or inside (mine are to the outside).

No question I would!

Quote:
Of course I just tease........it took me a year to decide on speakers and many months after delivery to set them up to my satisfaction.

I'm still tweaking mine. It never stops! (nor should it)
post #6758 of 8678
Quote:
Originally Posted by repete66211 View Post

I'm in the process of ordering my first set--I currently have Polk Monitors wth vinyl veneer for crying out loud--and have been obsessing over every detail as well. With all the back and forth on the different speaker upgrade, veneer and dye options I'm sure Jim is about ready to refer me to my local Paradigm dealer.

I made my 50% deposit Friday! Now dark walnut, wenge, pau ferro, bamboo......

Congratulations! Post pics when you get them. Oh, wait, you listed finishes. Still deciding!?

I had a few models of speakers in the 70's - AR 2a and some lesser ones. Then I bought a pair of used Advents (the originals - with vinyl veneer) and kept them for 35 years! I just got the bug again a couple of years ago and picked up the 5 Paradigms (mains/center/surrounds) used. I was trying not to spend a bunch but, after the speakers, the spending on everything else started, so I'm back to upgrading speakers. I did pretty well value wise with Onkyo/Emotiva. This speaker purchase will definitely be out of proportion. But worth it. If I choose well, I'll likely replace electronics more than once before even thinking about changing speakers.
post #6759 of 8678
Quote:
Originally Posted by R Swerdlow View Post

Ask Jim Salk.
There is little or no audible difference with or without grills. Salk speakers have invisible magnets that hold the grill in place. Without the grills, no mounting hardware is visible.
Yes, it is a sound quality decision about the off-center tweeters.

High frequency sound coming from tweeters will interact with cabinet edges, causing small peaks and valleys in the frequency range of about 4 to 8 kHz. The exact frequency is determined by the distance from the tweeter to the cabinet edge.

If the tweeter is centered in a tall narrow cabinet with parallel edges, such as the HT2-TL or ST, there will be two tweeter-to-edge distances that are the same, creating the possibility of larger peaks and valleys. If the tweeter is slightly off-center there will be two slightly different tweeter-to-edge distances. This may generate more peaks and valleys, but each one will be smaller in amplitude.

With Salks, the crossover was designed with the off-center tweeter, but if the tweeter is centered, I don't believe it will make a significant difference. Among some audiophiles, it is considered cool to have off-center tweeters in speakers that are in mirror-imaged pairs .

Note that the HT1 and HT3 have centered tweeters, but their cabinet fronts have non-parallel edges. The tweeter-to-edge distances vary depending on the angle, but it gives those cabinets that monkey coffin look.

Richard

Hi Richard,

Thanks for the explanation. It makes sense. It sounds like one of those things I would go with the designer recommendation (off center) for "insurance". I don't want to wonder what the difference might have been. I'd rather plan to play with grills as I can always remove them, but I'm not about to move the tweeter!

The off center look is more natural with the round tweeters (dome or the other ribbons in round bezel). There is something about the square shaped tweeter that looks a bit awkward off center.

-----------

Night everyone. Bed time here for me.
post #6760 of 8678
Quote:
Originally Posted by pstrisik View Post

I could do it money wise if I chose. I'm just not sure I want to go that mammoth......

I'm not sure what you mean by "mammoth". If you're talking about physical size, the dimensions of the SS8 are not that much different than the HT2-TL. The SS8 is about 39lbs heavier though (depending on which HT2-TL cabinet you get. I have the lighter 3/4" MDF version).
post #6761 of 8678
Thread Starter 
Quote:
Originally Posted by pstrisik View Post

Well, I need to buy you a beer! I listened a bit with them about 24 inches out. I noticed some difference so went ahead and moved the rug back so I could bring them out even further. At 29 inches out, there is clearly an improvement in imaging and sound is cleaner.

I tried listening in direct mode, but for some reason I couldn't get the subs to play. There is a setting to turn subs on or off in direct mode, so I'm not sure what's going on. Makes apples to apples comparison difficult. I'll look into it further.

That's great news!

Direct mode shuts off the subwoofer permanently in my experience. Perhaps your receiver has an option to turn it on, but I've never seen that option on any receiver in Pure or Direct mode. Stereo mode will allow you to listen with the subwoofer but may engage Audyssey. I would set your speakers to run full range when you get them (disable the subs), then listen with Audyssey on and then off; go with whichever sounds best to you.
post #6762 of 8678
Quote:
Originally Posted by pstrisik View Post

The off center look is more natural with the round tweeters (dome or the other ribbons in round bezel). There is something about the square shaped tweeter that looks a bit awkward off center.

Peter

Your point about square vs. round shaped tweeters is good, but don't decide this based only on photos seen on your computer screen. I find that the visibility is different with the real speakers in real room light. The differences you mention stand out less with most levels of room light. This is especially true if the speakers are finished with a black panel in the area around the speakers, as Salk does in his standard finish. Of course, my STs have the dome tweeters with the round face plate.

To see photos of them, go to this link and scroll to the photos link at the bottom in my signature line.

With regard to the question of active vs. passive crossovers, there are two separate issues involved. The main issue is that crossovers on many commercially available speakers perform poorly because they were not correctly designed to begin with. This can be for a variety of reasons including cost, but the crossovers just don't do the job correctly. If these passive crossovers are replaced with an active crossover where the owner can easily change the electronic features of the crossover, it is possible that a better crossover design can be substituted. This assumes that the owner is an experienced and knowledgeable crossover designer, or that he gets lucky. I firmly believe that no other crossover designer can do better than Dennis Murphy's crossovers. Any many will do worse.

The other possible advantage of active crossovers is that inductor coils, used in passive crossovers, involve long lengths of copper wire. Their higher resistance can lead to lower output of a speaker. This is especially true for passive low-pass crossover filters at frequencies of 400 Hz or lower, where the inductor coils become very large (and expensive). The energy levels of these signals, and the high resistance of all that wire also generate higher operating temperatures that can change the behavior of the crossover enough (in theory) to be audible. At higher frequencies this is much less of a problem. So I would not go with active crossovers on Salk speakers.
post #6763 of 8678
Quote:
Originally Posted by Nuance View Post

... I just haven't heard EQ that didn't alter the sound to my ears (in a bad way).

Agree with you 100%.
post #6764 of 8678
Quote:
Originally Posted by Saturn94 View Post

I'm not sure what you mean by "mammoth". If you're talking about physical size, the dimensions of the SS8 are not that much different than the HT2-TL. The SS8 is about 39lbs heavier though (depending on which HT2-TL cabinet you get. I have the lighter 3/4" MDF version).

52 lbs heavier as I would likely opt for the 3/4" in the HT2-TL. I'm told that Jim has said the 3/4" version has additional internal bracing and sound quality difference is inaudible. Room size is a factor also. While good for my current room, I can't predict what the next setup will be be in a few years when we move. I've seen all too many high end speakers for sale due to downsizing living arrangements. It seems the SS8 would overpower a small room. Versatility is a major plus in this choice.

Quote:
Originally Posted by Nuance View Post

That's great news!

Direct mode shuts off the subwoofer permanently in my experience. Perhaps your receiver has an option to turn it on, but I've never seen that option on any receiver in Pure or Direct mode. Stereo mode will allow you to listen with the subwoofer but may engage Audyssey. I would set your speakers to run full range when you get them (disable the subs), then listen with Audyssey on and then off; go with whichever sounds best to you.

Good idea to compare modes with no sub. It's that range we are talking about anyway. The Onkyo does have a setting to turn the sub on in direct mode.

One of things I like about Audyssey, though I'm sure to hear criticism about it , is dynamic equalization. It really helps the sound at lower volumes and makes the listening experience more consistent across listening levels. I don't have so much temptation to always turn it up to 80+db to get that feeling of the speakers hitting their stride. Consistent with what you say, I think the bulk of that benefit is from the low end boost at lower volumes.

Quote:
Originally Posted by R Swerdlow View Post

Your point about square vs. round shaped tweeters is good, but don't decide this based only on photos seen on your computer screen. I find that the visibility is different with the real speakers in real room light. The differences you mention stand out less with most levels of room light. This is especially true if the speakers are finished with a black panel in the area around the speakers, as Salk does in his standard finish. Of course, my STs have the dome tweeters with the round face plate.

To see photos of them, go to this link and scroll to the photos link at the bottom in my signature line.

Those are beauties. Good photos really make the quality evident. Even the stock black baffle looks fantastic.

Quote:


With regard to the question of active vs. passive crossovers, there are two separate issues involved. The main issue is that crossovers on many commercially available speakers perform poorly because they were not correctly designed to begin with. This can be for a variety of reasons including cost, but the crossovers just don't do the job correctly. If these passive crossovers are replaced with an active crossover where the owner can easily change the electronic features of the crossover, it is possible that a better crossover design can be substituted. This assumes that the owner is an experienced and knowledgeable crossover designer, or that he gets lucky. I firmly believe that no other crossover designer can do better than Dennis Murphy's crossovers. Any many will do worse.

The other possible advantage of active crossovers is that inductor coils, used in passive crossovers, involve long lengths of copper wire. Their higher resistance can lead to lower output of a speaker. This is especially true for passive low-pass crossover filters at frequencies of 400 Hz or lower, where the inductor coils become very large (and expensive). The energy levels of these signals, and the high resistance of all that wire also generate higher operating temperatures that can change the behavior of the crossover enough (in theory) to be audible. At higher frequencies this is much less of a problem. So I would not go with active crossovers on Salk speakers.

With varying reasoning, the opinion that active crossovers on the Salks is not worth it is so far unanimous!
post #6765 of 8678
Quote:
Originally Posted by Nuance View Post

^ Good point, EV. I'm pretty sure I also saw Dennis Murphy once comment that he could distinguish no audible differences between an active HT3 and a passive one. Correct me if I am wrong, Dennis.


That's basically correct. Jim had a pair of HT3's running with DEQX, which could be taken out quickly to return the system to passive mode. The active system not only equalizes, it cleans up the phase response. So in theory it should provide the advantages of a transient perfect 1st order passive crossover without the disadvantages. Both Jim and I listened while the other switched the system, and we couldn't detect any crossover-related differences. The active device did smooth out a room bass mode, which was nice. But you don't need the crossover part for that.
post #6766 of 8678
Quote:
Originally Posted by Dennis Murphy View Post

That's basically correct. Jim had a pair of HT3's running with DEQX, which could be taken out quickly to return the system to passive mode. The active system not only equalizes, it cleans up the phase response. So in theory it should provide the advantages of a transient perfect 1st order passive crossover without the disadvantages. Both Jim and I listened while the other switched the system, and we couldn't detect any crossover-related differences. The active device did smooth out a room bass mode, which was nice. But you don't need the crossover part for that.

And that's the last nail in the coffin! Thank you Dennis.
post #6767 of 8678
Quote:
Originally Posted by pstrisik View Post

It seems the SS8 would overpower a small room.

I don't see how....
post #6768 of 8678
Quote:
Originally Posted by Eternal Velocity View Post

I don't see how....

Well, if I start debating between the HT2-TL and SS8, I'd have to gather up my air miles and take a trip to Pontiac and really check them out. When talking in the neighborhood of $10,000 with finish and shipping (before considering the center), it would start to make sense to make that travel and time investment.

First steps first... I'm in touch with Jim to see if I can find someone here to let me listen to their setup. Lots of SongTowers, but only two owners of other models, both HT2-TL - one in Anchorage, one in Nome. So it is all down to whether the Anchorage owner gives the ok (Nome is only by air ... or dogsled) - unless any of the ST's have the RAAL tweeter. Waiting to hear if he has records to be able to determine this.
post #6769 of 8678
Quote:
Originally Posted by pstrisik View Post

Well, if I start debating between the HT2-TL and SS8, I'd have to gather up my air miles and take a trip to Pontiac and really check them out. When talking in the neighborhood of $10,000 with finish and shipping (before considering the center), it would start to make sense to make that travel and time investment.

I suppose so. I just dislike this strange impression that "more capable speakers will overpower small rooms".

At worst, you might want the passive radiator tuning modified a bit for a bit more rolloff of the bottom end (lower tuning) so that the room interaction is balanced. ...That's something you can't do yourself with a vented speaker like the HT2-TL ;P
post #6770 of 8678
Quote:
Originally Posted by pstrisik View Post

I have an Onkyo 5508 pre/pro that has Audyssey MultiEQ XT32. It has done a great job in room correction/calibration.

And it will continue to do so. If you have not so, you should do a measured "sub haul" (my version of a two-sub sub crawl) to smooth the bass. Let me know if you need more info on this technique. Also, post in the Audyssey and Onkyo threads as to how to do proper A/B of Audyssey On/Off.

Quote:
Originally Posted by Nuance View Post

...Be careful with Audyssey - I find it ruins the midrange and highs of my speakers (and others I've heard). It'll work wonders below 200Hz, or so, though. If you really need EQ below your crossover I highly recommend using something other than Audyssey and leaving everything above the crossover untouched. You can pick up a Behringer 1124p for $100 bucks and use REW to measure your room. Or you can get the Velodyne SMS-1, which comes with the mic and an onscreen FR plot so you can see you adjustments without using REW. Both will be beneficial because you can EQ the subs independent of the speakers.

I agree with your recommendation of using REW (or OmniMic), but I'd use it for the "sub haul" (and even speaker placement). I also agree that with MultEQXT I could hear slight degradation in certain audiophile characteristics (room ambiance, cymbal decay, etc) although the overall SQ in my untreted room was better with Audyssey. But XT32 is a significant advance.

BTW one can use "ByPass L/R to EQ the subs and not the fronts with Audyssey. BUT, with all due respect, IMO your comments on Audyssey are not really good advice to give someone with an XT32-equipped processor, like our OP here. Unfortunately, my friend, you recently missed an opportunity to hear a properly calibrated XT32 system as we did not connect in time for you to stop by.
post #6771 of 8678
Thread Starter 
Quote:
Originally Posted by SoundofMind View Post

And it will continue to do so. If you have not so, you should do a measured "sub haul" (my version of a two-sub sub crawl) to smooth the bass. Let me know if you need more info on this technique. Also, post in the Audyssey and Onkyo threads as to how to do proper A/B of Audyssey On/Off.


I agree with your recommendation of using REW (or OmniMic), but I'd use it for the "sub haul" (and even speaker placement). I also agree that with MultEQXT I could hear slight degradation in certain audiophile characteristics (room ambiance, cymbal decay, etc) although the overall SQ in my untreted room was better with Audyssey. But XT32 is a significant advance.

BTW one can use "ByPass L/R to EQ the subs and not the fronts with Audyssey. BUT, with all due respect, IMO your comments on Audyssey are not really good advice to give someone with an XT32-equipped processor, like our OP here. Unfortunately, my friend, you recently missed an opportunity to hear a properly calibrated XT32 system as we did not connect in time for you to stop by.

You might be right: hearing a properly calibrated XT32 system might change my tune. Hopefully sometime in the future! I also didn't realize he had XT32; I thought it was MultEQXT. So there is that large a difference between the two?
post #6772 of 8678
Quote:
Originally Posted by pstrisik View Post

52 lbs heavier as I would likely opt for the 3/4" in the HT2-TL. I'm told that Jim has said the 3/4" version has additional internal bracing and sound quality difference is inaudible. Room size is a factor also. While good for my current room, I can't predict what the next setup will be be in a few years when we move. I've seen all too many high end speakers for sale due to downsizing living arrangements. It seems the SS8 would overpower a small room. Versatility is a major plus in this choice......

Understood. I also have room size/placement restrictions, so Jim recommended I get the 3/4" version.

I don't know if the SS8 would be too much speaker for you or not. Jim can definately give you some guidence there.

Quote:
Originally Posted by pstrisik View Post

Well, if I start debating between the HT2-TL and SS8, I'd have to gather up my air miles and take a trip to Pontiac and really check them out. When talking in the neighborhood of $10,000 with finish and shipping (before considering the center), it would start to make sense to make that travel and time investment.

First steps first... I'm in touch with Jim to see if I can find someone here to let me listen to their setup. Lots of SongTowers, but only two owners of other models, both HT2-TL - one in Anchorage, one in Nome. So it is all down to whether the Anchorage owner gives the ok (Nome is only by air ... or dogsled) - unless any of the ST's have the RAAL tweeter. Waiting to hear if he has records to be able to determine this.

If it helps any, the Songtower, even in it's standard form, sounds alot like the HT2-TL. The HT2-TL gives you extra bass extension/output and some more resolution, but the overall sound/tone is VERY similar, so even a SongTower audition would give you a good idea of the "Salk sound".
post #6773 of 8678
Quote:
Originally Posted by pstrisik View Post

Congratulations! Post pics when you get them. Oh, wait, you listed finishes. Still deciding!?

This morning I gave Jim the green light on the walnut finish. I really like some of the other finishes--pau ferro, ebony, ziricote, wenge--but I went so overboard on the upgrades that I pretty much priced myself out of the exotic veneers. I'll post pics when I get them next month.
post #6774 of 8678
Quote:
Originally Posted by Nuance View Post

Be careful with Audyssey - I find it ruins the midrange and highs of my speakers (and others I've heard). It'll work wonders below 200Hz, or so, though. If you really need EQ below your crossover I highly recommend using something other than Audyssey and leaving everything above the crossover untouched. You can pick up a Behringer 1124p for $100 bucks and use REW to measure your room. Or you can get the Velodyne SMS-1, which comes with the mic and an onscreen FR plot so you can see you adjustments without using REW. Both will be beneficial because you can EQ the subs independent of the speakers.

All products featuring Audyssey MultEQ XT32 are also paired with Sub EQ HT, an Audyssey program designed to EQ multi-sub setups. I haven't used it and don't know if it's even pertinent to your discussion. It's on the Denon 4311 I just ordered but I will only be using one sub so I don't think I'll be able to evaluate it. I agree with you re Audyssey. I didn't like what it did on my current low-end AVR.
post #6775 of 8678
Quote:
Originally Posted by Nuance View Post

You might be right: hearing a properly calibrated XT32 system might change my tune. Hopefully sometime in the future! I also didn't realize he had XT32; I thought it was MultEQXT. So there is that large a difference between the two?

There's a comparison chart on the website. "Filter resolution" is significantly greater with the XT32--512 vs. 16 with the satellites and 512 vs. 128 with the subwoofer.
post #6776 of 8678
Quote:
Originally Posted by Dennis Murphy View Post

That's basically correct. Jim had a pair of HT3's running with DEQX, which could be taken out quickly to return the system to passive mode. The active system not only equalizes, it cleans up the phase response. So in theory it should provide the advantages of a transient perfect 1st order passive crossover without the disadvantages. Both Jim and I listened while the other switched the system, and we couldn't detect any crossover-related differences. The active device did smooth out a room bass mode, which was nice. But you don't need the crossover part for that.

At one time I had the DEQX active HT-3's as well as external passive crossovers and I concur with Dennis. I ended up using the passives as the active crossover added enough latency that I couldn't use in a home theater set-up.
post #6777 of 8678
Quote:
Originally Posted by Randy Bessinger View Post

At one time I had the DEQX active HT-3's as well as external passive crossovers and I concur with Dennis. I ended up using the passives as the active crossover added enough latency that I couldn't use in a home theater set-up.

HDMI didn't correct that?!
post #6778 of 8678
Quote:
Originally Posted by Nuance View Post

You might be right: hearing a properly calibrated XT32 system might change my tune. Hopefully sometime in the future! I also didn't realize he had XT32; I thought it was MultEQXT. So there is that large a difference between the two?

ime, yea...
post #6779 of 8678
Quote:
Originally Posted by Eternal Velocity View Post

HDMI didn't correct that?!

Didn't have HDMI when I had the DEQX. The problem was that the delay in most preamps/receivers is limited in the difference between speakers. So if the mains are showing too great a delay you can't adjust the center to correct. I was getting like 25ft from the mains when the actual distance was like 6 feet. It is the difference that was the problem. I don't see how HDMI would cure that?
post #6780 of 8678
Quote:
Originally Posted by SoundofMind View Post

And it will continue to do so. If you have not so, you should do a measured "sub haul" (my version of a two-sub sub crawl) to smooth the bass. Let me know if you need more info on this technique. Also, post in the Audyssey and Onkyo threads as to how to do proper A/B of Audyssey On/Off.

I think I've seen you over on the Onkyo threads, if I'm not mistaken.

I know how to do a single sub crawl with the sub in the listening position. Can't imagine how to do it with two subs.

I let Audyssey do its thing with my subs underneath my mains. I have no complaints about the bass in my system (twin Rhythmic F12s). But if I go with a Salk tower, replacement will be required, so do tell!

And I will post over at Onkyo about the A/B and why I may not be getting sub output in direct mode. I know I have in the past.
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