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Things that make you go Hmmm. Laserdisc Versus HDM - Page 5

post #121 of 430
Quote:
Originally Posted by ruadmaa View Post

Strange that you should find cost a relative factor since BD machines cost twice as much as HD machines.

The difference is I am confident that BD will still be around next year and since most of my favorite movies are going to only be released on BD, I will have to buy one anyway.

Buying an HD-DVD player or DF player OTOH, would give me access to content not yet available on BD. Paying $150-$200 for an additional player is questionable, paying another $300-$400 to get a dual format player seems idiotic to me. Unless Samsung can get the price difference between a BD and DF machine in the same ballpark as the cost of an HD-DVD player, they won't be selling many of them.
post #122 of 430
Quote:
Originally Posted by homerx View Post
Didn't know CED started off that well.
I've thought about picking up a few discs. Prehapps a player for collectors sake.
I have a spare RCA SJT-400 Interactive CED player (excellent condition, new stylus - it even has the full-function Random Access remote) I'll sell ya for $350 + shipping. I'm serious - I want to sell it but don't want to bother with eBay people and their weirdness.

Quote:
RDClark wrote: Laserdisc was primarily a retail format, aimed at collectors. Yes, eventually LD made it into rental bins in many video stores, but it was clearly a product aimed at well-heeled cinemaphiles.
Actually, it was conceived to be a VERY low-cost format for film distribution. Remember, the original prices were $5.95 (single sided title), $9.95 (double sided or older films and TV shows) and $15.95 (new feature films on 3 discs). MCA DiscoVision planned on dropping the prices as soon as they could - they wanted LD pricing to follow that of the LP market closely. So, a brand-new feature film on 3 CAV discs (5-sides) would be, after the format became 'mass-market', around $7.95. Music titles and non-feature films would be even less. They were projecting costs of 40 cents for raw materials, and with film licensing fees, etc... a final cost (with packaging) of around $1.40 per 'shrink-wrapped' movie.

Here are two articles about LaserDisc that show how it was 'planned' to work by MCA... Sadly, it didn't.

I put the two articles together in one PDF doc - and added some pictures to 'spice them up'. The original articles didn't have pics with them.

 

MCA DiscoVision TV Guide Article.pdf 330.251953125k . file
post #123 of 430
Thread Starter 
Quote:
Here are two articles about LaserDisc that show how it was 'planned' to work by MCA... Sadly, it didn't.

Someone was making money, or the last disc wouldn't have been released as late as 2001, some 23 years after Laserdisc became available.
post #124 of 430
Quote:
Originally Posted by ruadmaa View Post

You talk as if the Warner decision is irrevocable. What happens if they change their mind. An awful lot of HD DVD players are being sold. Just what if they would make more money selling HD DVD instead of BD. How long do you think they would stay Blu exclusive? I doubt there are very many people in this world willing to pay $400.00 for a Blu DVD player at this time. Sorry, I don't see Blu as winning.

hehe, Im glad you appologize for saying you dont see blu winning. Several years ago, DVD players went for $600.00 and people still bought them with FAR less to offer than Blu ray if in the shape of a PS3. You have LOTS riding on Warner changing their mind (and looking very foolish if they did). Now with inflation from back then, $400 is a great deal.
post #125 of 430
I should be getting my "Star Wars Trilogy: Definitive Edition" laserdiscs tomorrow or Wednesday.

Will the original trilogy (pre-'re-Lucas-ified') ever be released on HDM with a new 1080p transfer? With the way the trilogy eventually showed up on DVD (non-anamorphic, etc.), I'm betting no.
post #126 of 430
Quote:
Originally Posted by James R. Geib View Post

Someone was making money, or the last disc wouldn't have been released as late as 2001, some 23 years after Laserdisc became available.

I think it is just as likely that there was a large stock of blank media produced for a medium that never became popular, as long as your income is more than the pressing cost why not use the disks that were already produced.
post #127 of 430
Quote:
Originally Posted by todrigo View Post

I think it is just as likely that there was a large stock of blank media produced for a medium that never became popular, as long as your income is more than the pressing cost why not use the disks that were already produced.

When I bought LD, some runs were literally under a 1000, I think I heard some of the obscure stuff I bought was run in editions of 600, and some titles sold out in pre-order. At $39 - $49 a pop it must have still made someone $ or I can't see why they bothered with such tiny runs. The masters were clearly only for LD too, because VHS was still by and large full-screen.
post #128 of 430
The star wars definitive Laserdisc set is a very nice set. With the book it is very heavy.

I think the only change is the title crawl on a new hope was changed to episode IV a new hope. Other then that its the same.
post #129 of 430
Quote:
Originally Posted by Timothy Ramzyk View Post

When I bought LD, some runs were literally under a 1000, I think I heard some of the obscure stuff I bought was run in editions of 600, and some titles sold out in pre-order. At $39 - $49 a pop it must have still made someone $ or I can't see why they bothered with such tiny runs. The masters were clearly only for LD too, because VHS was still by and large full-screen.

In the early 90's, LD's 'heyday', a typical run of a non-blockbuster film might be 10,000 discs.

In the MCA DiscoVision days, MCA pressed in 'groups' of 1000... so, as an example of how it worked then, take the title "The Amish" - single-sided and sold for $5.95. MCA pressed a total of 10,000 - out of that 10,000, less than 300 were 'good-enough' to be assembled and shipped to stores. Just before the launch they pressed 20,000 copies of "Animal House" in the CLV Extended Play format (which hadn't been perfected yet) - out of those, only 150 were good enough to ship to Atlanta to sell to the public and the vast majority of those were returned as defective because the Magnavision available then couldn't deal with CLV Extended Play too well then (it was hand-modified in TN to make it CLV compatible).
post #130 of 430
Quote:
Originally Posted by Disclord View Post

In the early 90's, LD's 'heyday', a typical run of a non-blockbuster film might be 10,000 discs.

In the MCA DiscoVision days, MCA pressed in 'groups' of 1000... so, as an example of how it worked then, take the title "The Amish" - single-sided and sold for $5.95. MCA pressed a total of 10,000 - out of that 10,000, less than 300 were 'good-enough' to be assembled and shipped to stores. Just before the launch they pressed 20,000 copies of "Animal House" in the CLV Extended Play format (which hadn't been perfected yet) - out of those, only 150 were good enough to ship to Atlanta to sell to the public and the vast majority of those were returned as defective because the Magnavision available then couldn't deal with CLV Extended Play too well then (it was hand-modified in TN to make it CLV compatible).

Sheesh, what a ghastly waste of resources, just thing of all that plastic getting tossed.
The small-run titles I was speaking of weren't even from a major. They were stuff like old Hammer Horror films kicked out in one micro-run, and as I said, many sold out in pre-order, or some would-be releases would simply no be pressed when pre-orders showed too little support. I think they were still distributed by IMAGE though.
post #131 of 430
That is no surprise, as optical disc replication was very new and unproven. No one knew the best way to do it. That's why different pressing plants have radically different ways of making the disc. They were different in the way they look as well. I remembering always wanting 3M disc in the early 1980's, as those were pressed disc instead of injected disc which seems to suffer much less problems. But they did have some sticky glue problems.
post #132 of 430
VHs was the market, LD was the videophile niche. DVD is the market, HDM is the viedophile niche. I don't think HDDVD can survive as the niche within a niche!

To me it has always been simple, just as in national politics it is 'the economy, stupid', in format wars it is 'the content, stupid'. BR clearly now has the content advantage.
post #133 of 430
Quote:
Originally Posted by Timothy Ramzyk View Post

Sheesh, what a ghastly waste of resources, just thing of all that plastic getting tossed.

You can see all those laserdisc bundles being tossed in the alley scene in the movie Back to the Future part II!

At one time or another, I recall many different types of plastic from all over the world, from different manufactures being tested...
post #134 of 430
Quote:
Originally Posted by Timothy Ramzyk View Post

Sheesh, what a ghastly waste of resources, just thing of all that plastic getting tossed.
The small-run titles I was speaking of weren't even from a major. They were stuff like old Hammer Horror films kicked out in one micro-run, and as I said, many sold out in pre-order, or some would-be releases would simply no be pressed when pre-orders showed too little support. I think they were still distributed by IMAGE though.

Those super-small runs from IMAGE was subsidized by the larger selling titles. I think Best Of Blondie had a run of only 400 or so! I was a stockholder in Image then and reading the reports and their losses, sometimes it looked like some kind of money-laundering scheme was going on! I'm NOT saying that was the case though!

For the big studio's, like Fox, LD was almost always a money losing venture - the big Sound Of Music box set on LD never made a penny in profit for Fox. BUT, all continued to release LD's because it was the only way to release that kind of high-quality work to the public - and, most studio's had "LaserFan's" working for them who pushed for releases. And then there was Pioneer - LD did so well in Japan that Pioneer heavily subsidized the American market, taking the risk away from individual studios.

When DVD came along, it helped with LD prices and profitability - as an example, the box-set LD of "Dante's Peak". It was originally slated to sell for $125, but Universal decided to duplicate the content on DVD and subsidize the LD's sales from DVD... that allowed them to lower the price of the LD to $89.

Quote:


By TKMEDIA2:
At one time or another, I recall many different types of plastic from all over the world, from different manufactures being tested...

Did you work in the industry? If so, in what capacity? I'm always trying to find new internet-friends who were part of the LD industry or development.

In my opinion, the best plastic for LD's was made by Kurary - they also made the absolute BEST LD's too - and they used Faroudja's SuperNTSC system to encode all titles and expanded LD's encoded chroma bandwidth to 2-MHz. Plus, they could make a CAA-70 minute disc!

Quote:


By TKMEDIA2:
That is no surprise, as optical disc replication was very new and unproven. No one knew the best way to do it. That's why different pressing plants have radically different ways of making the disc. They were different in the way they look as well. I remembering always wanting 3M disc in the early 1980's, as those were pressed disc instead of injected disc which seems to suffer much less problems. But they did have some sticky glue problems.

In the early days, R&D engineers at MCA Disco-Vision's labs in Torrance, CA, knew exactly what it would take - absolute clean-rooms (Class-100) and automated processes (i.e no human handling!)... that's not what managers and higher-up's at MCA/Universal Studio's wanted to hear though - they wanted it to be as quick and cheap as LP production, which MCA had extensive experience with. The 'powers-that-be' at MCA really felt that they could dictate "NO clean rooms!" and, somehow, it would all just work! Or could be made to. From the launch in Dec '78 until April of 1979, DiscoVision tested all discs for quality with VERY stringent controls - that caused them to reject 95% of their output in most cases... so, they decided to 'relax' the quality standards to increase their output - they forgot (or not!) to tell Philips/Magnavox about it though, so the 'relaxed spec' discs they were shipping were not 'fully' compatible with the Magnavox Magnavision 8000 unit Philips was selling in Atlanta and Seattle. They DID tell Universal Pioneer though, so MCA's PR-7820 industrial player and later, Pioneer's VP-1000, played the discs perfectly. It took Philips over a year to get modified (and compatible!) Magnavision 8000's re-engineered and to consumers. Luckily, Philips only sold 5000 players in the first year and a half of the formats life.

Although Philips tried to claim that they invented the 2P 'cold-casting' process that 3M used for replication, 3M's claims of invention held up in court against Philips. MCA DiscoVision engineer John Winslow worked extensively on replication via casting processes in the early days - casting creates the most accurate pressings of any replication technique - but ended up settling on Injection Molding due to its speed advantages. 3M's discs had sticky sides because they didn't use a spray-glue to bond 2X discs together - instead they used a disc-shaped sheet of glue, laid down on the disc, then the individual 1x sides were pressed together. With time, the 'glue-sheet' would relax and spread outside the edges of the disc.

Is the 2P process still used to make DVD's? I know the double-layer DVD bonding can use a 2P 'type' system - in fact, Panasonic invented it for DVD manufacture, but in terms of creating the entire disc from a UV-cured resin, like 2P LD's, is that done by anyone, including 3M for DVD?
post #135 of 430
I thought some of you might enjoy this - it's from mid-1977. Notice that they emphasize 30-minutes of play time... the brochure was created before the Extended Play 60 minute format had been really worked out - CLV encoding was still in the laboratory stage. At the time this brochure was released, discs were single-sided only and relied on aerodynamic stabilization in the Magnavox player for optimum tracking - the double-sided disc wasn't conceived until early 1978. MCA was still promoting their 6-10 mil thin "floppy" disc too - they wanted to use it for magazine inserts and such - the same way the floppy 'sound sheet' records that came on cereal boxes were used.

 

Philips MCA VLP Videodisc System.pdf 477.4375k . file
post #136 of 430
Quote:
Originally Posted by Disclord View Post

I thought some of you might enjoy this - it's from mid-1977. Notice that they emphasize 30-minutes of play time... the brochure was created before the Extended Play 60 minute format had been really worked out - CLV encoding was still in the laboratory stage. At the time this brochure was released, discs were single-sided only and relied on aerodynamic stabilization in the Magnavox player for optimum tracking - the double-sided disc wasn't conceived until early 1978. MCA was still promoting their 6-10 mil thin "floppy" disc too - they wanted to use it for magazine inserts and such - the same way the floppy 'sound sheet' records that came on cereal boxes were used.

What I want to know is where can I get one of those enormous 13" 1.33 COLOR TV's that the whole family can gather around and watch from? "Suzie you are too close so sit back a little farther from the TV, also hope you brother isn't masturbating or we could have two blind kids."
post #137 of 430
Quote:
Originally Posted by William View Post

What I want to know is where can I get one of those enormous 13" 1.33 COLOR TV's that the whole family can gather around and watch from? "Suzie you are too close so sit back a little farther from the TV, also hope you brother isn't masturbating or we could have two blind kids."

I want the wireless video/audio transmission system they are obviously using in the pictures - the player ain't hooked up to anything!

I have a picture around here somewhere of the MCA DiscoVision disc-changer they were planning. It held 10 or so discs (single-sided), played them from the top-side (like the PR-7820) and could change discs in 4 seconds. You stacked them on top and they were ejected out the bottom, into a drawer. It looked kinda like the original FSX-101 'smoked-top' player.

I found it - the first picture is the FSX-101 Single-Disc player - the second is the Disco-Vision changer. Both were fully-functional, self-contained prototypes - they did need an outside source of compressed air though for the focusing mechanism. MCA was trying to save money and avoid the use of an electrical focusing servo. Instead they used a vacuum-based focusing system... Thompson/CSF and Zenith were also using that kind of focus system - and LaserDisc mastering used it for years.
post #138 of 430
Here an MCA Disco-Vision "technical facts" booklet - this one is from 1973, before MCA decided to partner up with Philips. The discs were only 20-minutes per-side at that time - and made of Mylar.

 

Disco-Vision Tech Facts.pdf 377.5419921875k . file
post #139 of 430
Wow, very interesting and informative thread on technology from before I was old enough to care. Although I do remember listening to music on an 8-track player.

Two different points. First, a while back in the thread somebody mentioned that DVD sales may be falling off as people stop buying stuff so they can wait and see which format wins out. I know my dad has told me that he's decided to not buy any more DVDs of new releases because he knows he'll just have to purchase them again on Blu-Ray. He's nowhere near a videophile by any means. I'd say he's an above average consumer, but not near videophile status. He doesn't have a Blu-Ray or HDTV yet, but he probably will by the end of 08.



My second point is that I don't see HDM being the next LD niche market. LD had one big problem - it was BIG! People don't want BIG! Not many peoople are willing to find space for those humongous disks. But modern HDM is the same size physically as the tried and true DVD format.

Let's look at some big things that didn't become successful until they were small. Computers? 40 years ago - BIG! Today? Small, and everybody has one. Cell phones? They used to be the size of a cinder block. But once they became pocket sized, everybody got one. The CD Walkman? Big. The iPod? Small, and now everybody has one (or something similar). LaserDisk? BIG! Blu-Ray/HD-DVD? Small.

Let's look at the facts.

-HDTVs continue to drop in price, and are quickly becoming afordable by the masses.
-The PS3 alone will put a HDM player in tens of millions of US homes, not to mention worldwide sales
-HDM players are 100% backwards compatible with DVD
-Modern consumers are more tech savvy - particularly the 30 and under crowd who grew up with technology.
-HDM is the same size physically as the undeniably successful DVD format

I can't imagine Blu-Ray/HD-DVD (whichever wins) not becoming the standard format for home video in the 2010s.


One other thing I'll muse on. People say there will just be another format. I remember them saying that when DVD came out. But the industry knows enough to know that you don't change formats on people every couple years. DVD was good enough for what we had in the 90s and early 00s. Now that HDTV is well on the way to becoming mainstream, a new format is needed. And I don't see Blu-Ray becoming insufficient any time soon. I mean, there's no need for an HDTV format beyond 1080 unless you're going to be putting in a 150"+ home theater.

And finally, I'm willing to bet that when DVD came out, there were theads on message boards similar to this one prematurely dooming DVD to the niche market, ignoring all the signs to the contrary.
post #140 of 430
>>And finally, I'm willing to bet that when DVD came out, there were theads on message boards similar to this one prematurely dooming DVD to the niche market, ignoring all the signs to the contrary.<<

BIGTIME! In fact, I was a terrible, terrible offender for doing that! I actually wrote a big newsgroup post that got the attention of Pioneer and Image - they thought I was 'spot-on' in my article... SCARY, SCARY, SCARY! How bad was it? I've posted the article below - you'll laugh as you read it - yes, I was a total idiot when I wrote it. The day I got my first DVD player, all my 'anti-dvd' rhetoric went out the window.

Quote:


From: stereoboy@aol.com (Stereo Boy)
Newsgroups: alt.video.laserdisc
Subject: Analysis of the DVD format
Date: 19 Feb 1996 17:59:00 -0500 An analysis of the TOSHIBA
SD
Super Density
Digital Video Disc Format
And its success and impact on the consumer market.
By
Patrick T. Chamberlain
As the RCA brochure for the DVD system states, DVD will be "Revolutionary, entertainment excitement!" This is what the industry believes, and it is what the industry wants the consumer to believe. Belief and reality are two different things however. While many hope and pray that the DVD system will be an unqualified success, others see DVD as being a colossal failure and a system that will wreck companies and the consumer video market and take its place in history as the biggest failure of a product in the history of consumer electronics. It may even take several electronic companies down with it.
Why this belief? To answer that, we must take a brief look back at the history of consumer electronics and the people who buy them-- the average American.
RCA spent over $700 million dollars on its SelectaVision CED VideoDisc system, and it ultimately failed. CED had been predicted to be a $9 billion dollar business by 1990, but the system was discontinued in 1984, only 3 years after its introduction. From the beginning of its development in 1968, RCA spent millions on consumer polls to research how the consumer would react to a home videodisc system. Over 1 million people participated in the polls, some even getting to use the prototype VideoDisc products in their homes for limited trial periods. When all the data had been analyzed, it pointed to an unprecedented success on RCA's part and indicated that consumers would rush quickly to the VideoDisc. Even in a last minute market study, 2 months before the launch of CED in March of 1981, the research was encouraging. RCA was going to have a huge success on its hands. But it didn't turn out that way. Customers stayed away in droves. RCA had to quickly slash prices and introduce new models to entice people into stores. Of those that actually bought players and discs, 2/3 of them returned them within 30 days to exchange for a VCR. RCA sold less than 50,000 players the first year on the market and it worked out that RCA spent $2,000.00 in advertising per player sold. The reasons for the failure of the system, while claimed to be complex by some, are actually very simple. The VideoDisc system didn't record, you were forced to purchase your programming instead of renting and program selection was too small. Additionally, although this is claimed to be an insignificant factor, CED had an inferior picture to any then currently available home video system and the discs skipped.
These, I think, are some of the very same reasons that DVD is going to fail in the market.
Since the first Sony Betamax became available in 1976, consumers have cherished the ability to record programs and shows off of television. This even became a war between VHS and Beta over recording times, with consumers expressing preference for VHS because of its longer recording times. An interesting fact about all of this, is that 70% of VCR owners NEVER do any recording whatsoever. They may buy a blank tape or two when they first purchase their new VCR, but thats it. After that, their main use of the VCR is to playback prerecorded programming that they have rented for the evening. Many, many VCR's have never even had a blank tape in them or had their recording function activated. But although most people don't do any recording, they DEMAND that capability in ANY medium they use for playback of home videos. I think it is a feeling of "what good is it if it doesn't record". They know that with their VHS they always have that option to record open to them should they choose to do so. The fact that they don't has no bearing on anything.
Consumers will look at DVD and see that it doesn't record. That will instantly arouse suspicions in their mind that if the movies they want to watch are not available on the DVD discs, then the machine will be useless to them and a waste of money. Just because DVD will have a (supposedly) better picture quality than VHS will play no part in their decision. it doesn't record, therefore, it is crippled and worth less than VHS, which DOES record anytime they want. (VHS playback-only units failed in the market too, and rightly so, just proving my points)
Programming is another area as mentioned above. All the companies involved with DVD are promising a catalog of 250 titles at the launch with maybe 50 to 100 actually available in the stores in the beginning. The coding that DVD uses (MPEG-2) requires 10 minutes of processing to encode 1 minute of program. This means that unless the powers that be have been secretly encoding discs for the last 3 years in preparation for the launch, there is no way they have the time to ready 250 titles by June. (The earliest stated launch date for DVD) Their only choice is to compromise the quality of the encoding by using quicker algorithms that save time while sacrificing picture quality. And even if they do manage to finish 250 movies in time for the launch, what will those movies be? TOP GUN? ROCKY? They will be the same tired movies that everyone already owns and will be loathe to buy again. Also, DVD movies are supposed to have features such as multiple aspect ratios, and different languages and ratings and subtitles. There is really no true hope that any of these features will come to pass on general releases. (which is precisely the titles they will be needed most on if the format is to succeed) At the quoted prices for a 2 hour movie (15 to 20 dollars) no company is going to spend the many thousands of dollars needed to properly prepare all the differing versions of a film that are to be included on a particular DVD disc. It just wouldn't make economic sense for a company to do that. Because the titles available will be ones that people already own, they will naturally sell less than a new release that is still hot from the theaters. This will result in even a bigger cost for companies because the less they sell, the more each feature costs to implement on each title. Also, there is the question of time. Just how much time is it going to take to encode all these additional features onto each disc? if the companies are already pressed for time to get the disc released, then they will most certainly not do any special features.
Another question is, how many consumers actually WANT and USE all the special features that DVD *might* offer? CD players offer all kinds of special programming and playback options, yet most people never touch these features. A cheap VCR is seen as too intimidating to most Americans. They just want to watch the movie, not select different versions, languages and such. The LD market has proven that these extra features are desired, but only by a small segment of the population. The special edition LDs don't even sell to most LD owner/collectors. They are a small segment of an already small market. Are the studios going to spend money on DVD to make discs that only a select few will buy and care to view? NO! The reason they bother with the LD market is that they can charge more for the special disc releases and collectors will pay. But the DVD camp has sold the format as ultimately cheap and there is NO WAY people are going to buy discs for a new format that cost $100.00 per pop. And the companies KNOW they aren't going to sell, so they WONT produce them!
And just where are these differing versions (read:ratings) of films going to come from? A director shoots a film, and in the vast majority of cases, the movie is finished at the rating the director aimed for. Additional scenes are not shot and edited to make differing rating versions of a film. Are the studios going to call back entire casts and crews to revise a film so they can produce a DVD version with differing ratings? If they don't, will the studio elect to do it themselves and edit without the directors approval? I don't think so... This argument alone is enough to shoot the whole "features" aspect of DVD right out the window. The entire goal of Hollywood is and always has been to produce at the lowest cost possible and sell at the highest. Offer as little as possible turn a buck.
Availablitly of titles for rental is another area of concern. How many stores are going to stock DVD and take up selling space that could be better stocked with something else? Why should they even get into it in the first place? They will have a few titles, that, because of low ownership of players, will sit on the shelves doing no rentals. I seriously doubt that most stores will offer DVD for rent for longer than 2 months after the launch.
And now we get into THE most controversial aspect of the entire DVD debate. PICTURE QUALITY, or the lack there of. When DVD was first announced, it was claimed to offer D1 Master Tape quality. A short while later, the companies said it was much better than VHS but worse than LD. Now they have swung the other way again and are claiming D1 quality again. Quite simply, this will be impossible on commercially prepared, feature length films.
The specs for DVD state that it has an average transfer rate of 4.69MBPS,
DVD is just barely capable of LD quality resolution. It has a maximum transfer rate of 10 MBPS, but this can only be sustained for a few moments here and there for very difficult to encode scenes or pictures. The claimed maximum running time at the average data rate is 133 minutes. What about a film that is so complex visually and with so much motion that it requires a very high sustained data rate? How will the companies choose, to reduce the playing time of the disc or cut the data rate and sacrifice picture quality?? Its not a hard question to answer if you have been paying attention thus far.
The DVD demos given to date have been carefully prepared, short demos. No demo has been given of a full length DVD disc. So far, they have all been under 15 minutes. At that timing, the DVD disc can easily encode at the maximum data rate and sustain it for the time required for maximum quality. And even in these *prepared* demos, artifacts in the picture have been easily seen by non-critical viewers! If artifacts are visible at the highest data rates, what will the picture look like at the very low rates needed for a feature length film? One can only guess at the ugliness of it all. Also, in every demo comparing DVD to LD, the LDs used have NOT been commericaly available LD's, but rather, ones made by the companies especially for the demo! Is this not highly suspect??? All witnesses who have seen these staged demos have said that NO LD on the market looks as bad as the LD's the DVD demos used. It is obvious that the companies don't want us to see a real, quality LD compared to a special, tweaked DVD. (which, by the way, is the VERY BEST they can do!) When DVD was compared to VHS, the VHS tape used was a worn rental copy from a local video store! Of course DVD will be expected to look better under these circumstances. Yet in every case, viewers preferred the VHS because it didn't have motion artifacts and strange pixelization artifacts that the DVD had.
Where as the artifacts in analog sources such as VHS and LaserDisc, are static in nature and can be quickly overlooked and "seen thru" when watching a program, DVD artifacts are dynamic and changeable from moment to moment and may even vary each time the disc is played. They are very noticeable and a viewer will not become accustomed to them or learn to "see thru" them. The artifacts will be a constant distraction in the DVD picture. There is another strange artifact in an MPEG-2 picture called "static motion" where a solid background seems to be alive with movement. It takes on a *swimmy* quality and is most unpleasant to view. It is caused the by the various pixels coming and going as the coder varies the bit rate on a moment by moment basis.
So far, the claims of DVD being cheap to produce have been based on the fact that DVD manufacture is pretty much the same as conventional CD replication. But, DVD's are NOT CD's. The data and pit structure of a DVD disc is almost 1/2 the size of that on a CD and 1/2 that of a LaserDisc. The pits on a LD and CD are already among the smallest of all manufactured formations, and it is correct to ask whether or not the companies can make discs to the exacting standards required by DVD in the large quantities and speeds required by the mass market. DVD has a very powerful and sophisticated error correction system built in, but because we are dealing with picture and sound and tracks that are only 1/2 conventional size, errors in disc manufacture will have to be an order of magnitude less than anything that has been achieved to date in CD and LD replication. Errors in the video picture will be very distracting and cause breakup and even more sever pixelation that that caused by the data reduction. Also, because of the fact that everything is half size and the data is already reduced by an incredible amount, errors that would be easily correctable on a CD will be even larger to a DVD and might not be correctable at all, thus requiring interploitation, which WILL be visible in the picture. Where as Digital Error Correction is perfect and invisible, interploitation IS NOT perfect, and very visible. It is just a best guess type of strategy and it used when the defect is so large that the player cant correct it. The one positive aspect of DVD replication is that since a DVD is actually 2 very thin discs bonded together, there will be less material used per layer and that will result in less stress on the plastic and less deformation of the substrate during curing. So, in that respect, DVD is much more robust than a conventional CD.
What will DVD do to the consumer electronics business and the home video business over all? Well, if you were to ask the companies involved, they would tell you, in glowing terms, how DVD will make millions of dollars, cause people to junk their entire systems and buy new, higher quality home theaters so that they can best take advantage of DVD's super duper high quality picture and sound. I think it is going to destroy the market. Why? Companies are looking to DVD as the Great Hope. They are putting all their resources into it, putting all their eggs into one basket, so to speak. When it ultimately fails, they will lose hundreds of millions of dollars. Many companies, such as Sony, who have a recent history of product failures and are already struggling in a tough market, may be taken down from it and go out of business entirely or be forced to downsize and restrict their company to only a few select areas. Smaller companies, such as local mom-and-pop type of video stores, who, believing the DVD hype, jump on the DVD bandwagon, may well face bankruptcy and foreclosure when the market they have invested everything in fails to materialize. Movie studios, who will be releasing their product on DVD, may well cut back on VHS releases or delay release of a film on VHS hoping that the DVD availability and VHS non-availability will push consumers into buying DVD discs and players will also lose when the DVD;s don't sell. Consumers will be angry for having a new and unwanted format forced upon them and will revolt by refusing to buy existing VHS tapes either. Because of the companies releasing DVD;s first, there wont be any new VHS titles to buy, so even for the customer who still wants VHS, it wont be there. The whole market could collapse because of this.
DVD is just a bad idea. It is being forced upon a uncaring and unwanted public and is an inferior product that simply isn't needed or desired. DVD exists only for one reason. Greed. Motion picture studios are always looking for a way to sell the same stuff over and over again and they think DVD is the answer. Electronics giants are always looking for the hot new gadget that will make consumers junk their existing products and they feel that DVD is the answer. Its not. Actually, it is an answer to a non existent question. A question that has never been and never will be asked.
P.T. Chamberlain
1/3/96
© 1996 Ty Chamberlain
DiscoVision - THE WORLD ON A SILVER PLATTER!!
StereoBoy@aol.com
post #141 of 430
i would have said that this would be a niche product 2 years ago but with the price
drop of hdtvs and the analog cut-off date getting near coupled along the fact families
are staying home more and doing things together.so with all that said i think it will
be accepted quiker than what was first predicted.
post #142 of 430
I just finished completely re-reading my anti-DVD (actually Toshiba SD and Sony MMCD) article - GAWD! I can't even get myself back into the mindset I had when I wrote it. I guess, because I was 28 then, I thought I knew it all. Boy, have I learned! One defense of me though - the picture quality of DVD demo's, before the format was launched, were uniformly awful - the worst encoding I've ever seen. So, I WAS worried that DVD would be a step-down from LaserDisc.

Quote:


DanLW wrote:
LD had one big problem - it was BIG! People don't want BIG! Not many peoople are willing to find space for those humongous disks. But modern HDM is the same size physically as the tried and true DVD format.

Other's have mentioned this, but honestly, LD's size was not a factor in its ultimate success or failure. The LaserDisc was the same size as the LP record and no one, at the time, had any problems with this. People were accustomed to storing hundreds of LP albums and LaserDisc was stored in the same way, on the same shelving. It wasn't until the 1990's that people became enamoured of small form-factors. Even in Japan, where "smallness is next to godliness", the size of a LaserDisc wasn't a problem at all - or even a consideration. The 8-inch LaserDisc had been part of the LaserDisc spec since 1976, but it wasn't until 1983 that 8-inch discs were even produced. No one cared that they were smaller.

The first 'modern' videodisc system to take size into account was JVC's VHD Video Disc - the discs were 10.2-inches in diameter and made of conductive vinyl. JVC reduced the size of the disc from 12-inches to save money in pressing costs and shipping costs. It also allowed them to make a more compact player as compared to the huge top-loading LaserDisc players then available.
post #143 of 430
Quote:
Originally Posted by Disclord View Post

I just finished completely re-reading my anti-DVD (actually Toshiba SD and Sony MMCD) article - GAWD! I can't even get myself back into the mindset I had when I wrote it. I guess, because I was 28 then, I thought I knew it all. Boy, have I learned! One defense of me though - the picture quality of DVD demo's, before the format was launched, were uniformly awful - the worst encoding I've ever seen. So, I WAS worried that DVD would be a step-down from LaserDisc....

I bet rereading it didn't taste like chicken but crow pie instead.

"...PICTURE QUALITY, or the lack there of...DVD is just barely capable of LD quality resolution...DVD is just a bad idea..."
post #144 of 430
one of the reasons i think laserdisc failed was the price of the movies as i recall i think
i paid 50.00 for american graffiti and back then 50.00 would be like 75.00 now but then
i think my first cd was 20.00 when there was no isles and they where in a glass case
with only 20 to chose from my how times have changed.
post #145 of 430
Quote:
Originally Posted by William View Post

I bet rereading it didn't taste like chicken but crow pie instead.

"...PICTURE QUALITY, or the lack there of...DVD is just barely capable of LD quality resolution...DVD is just a bad idea..."

You got it! But the funny thing is, as I said, Pioneer and Image Entertainment were THRILLED with the article! Both companies tracked me down and called me on the phone - I couldn't believe it. Pioneer even asked my permission to reprint it for the folks at Pioneer HQ in Japan to read! The person from Image Entertainment told me that they had already circulated it within Image and elsewhere - and they let me know that they were working on a "digital" form of LaserDisc - using the LD spec 'as-is' but instead of NTSC video, applying the 6-MHz Grand Alliance ATSC standard to the disc - LaserDisc could accommodate that easily. So, all LaserDisc players could play the discs - they'd just need an 'RF-Out" upgrade similar to Dolby Digital AC-3 on LD to attach to an HDTV adaptor. They made me sign a 5-year NDA about it back then... Widescreen Review actually talked about it in a small article one time. What pipe-dreams from all parties concerned! I guess Image would have had Technidisc press their HDTV LD's!

Speaking of Technidisc - their shut-down was one GOOD fall-out of the DVD format being introduced. NO ONE missed Technidisc!
post #146 of 430
Quote:
Originally Posted by oztech View Post

one of the reasons i think laserdisc failed was the price of the movies as i recall i think
i paid 50.00 for american graffiti and back then 50.00 would be like 75.00 now but then
i think my first cd was 20.00 when there was no isles and they where in a glass case
with only 20 to chose from my how times have changed.

I bought my very first CD in June of 1983 at some high-end audio store in Old Towne mall in Torrance, CA. It was Billy Joel: The Nylon Curtain. The price was $25.95. Like your experience, all the CD's were under glass - there were less than 50 available at that time since the launch of the CD format had happened only a few months earlier. And wouldn't you know it, my Billy Joel CD was defective - it has a tiny bubble in the plastic that obliterates the last half of the second track on the disc (the song Laura). I still have that CD - modern players can almost make it through the entire track without skipping.

LaserDisc pricing was originally very low - $5.95 to $15.95. The first price increase took place in May of 1979, when MCA increased prices across-the-board - $15.95 titles jumped to $24.95, even for titles customers had already ordered! MCA really felt, however, that once they got a handle on disc production (increased yeilds) and player sales took off, they would be able to reduce prices back down again. They really believed that. MCA DiscoVision had contracts with both Columbia Pictures and Allied Artists to release discs in 1979, and both contracts stipulated that the price for a feature film be no more than $15.95. And that was before the Extended Play CLV/CAA mode had been perfected!

By 1984, general LD pricing had 'settled' at $24.95 to $39.95. Once "special editions" and letterbox titles became the norm in the late 1980's, pricing took off, with the highest retail price for a US LaserDisc being $250 for the Star Wars Definitive Collection. Fox was the worst offender of price abuse - typical prices from them were $59.95 just for letterboxing! Studios like MGM, Warner and MCA could produce beautiful Letterbox pressings and keep the price at $24 - $34 dollars most of the time.

Oztech, did you live in Houston in the late 80's, early 90's? My partner, Tony, was co-owner of a LaserDisc store in Houston called LaserLand. Do you remember it at all?
post #147 of 430
So fox has yet to change their high pricing makes ya think.
I got the star wars definitive collection for $65 shiped a few years ago. I payed $50 for phantom mennece as well. Both we're mint but used.
post #148 of 430
Man, I remember that post! I remember the whole weird moment in time when the idea that DVD used lossy compression... that image data was being thrown! away!... was enough to condemn it to the scrap heap of history without a trial. LD was somehow more pure, more archival, more worthy, because it was analog.

For me, that notion lasted about five minutes after I fired up my first DVD player at home.

But that was then and this is now. There really is no good reason not to embrace the new HD formats, other than that by embracing them both we delay the marketing unity that's necessary to popularize the winner.

RichC
post #149 of 430
disclord yes i did all 50years and if that was the store on westhiemer or richmond can't remember but most of my purchases was at audio video plus.
post #150 of 430
Quote:
Originally Posted by Disclord View Post

Other's have mentioned this, but honestly, LD's size was not a factor in its ultimate success or failure. The LaserDisc was the same size as the LP record and no one, at the time, had any problems with this. People were accustomed to storing hundreds of LP albums and LaserDisc was stored in the same way, on the same shelving. It wasn't until the 1990's that people became enamoured of small form-factors.

The reason for LDs initial niche status was probably lack of recording capability. However, it did enjoy something of a renaissance as TVs got larger and better quaility. Early HT/big screen TV enthusiasts realized just how crappy VHS PQ was. However, by then the LP had pretty much disappeared from the living room and the CD had set the standard for convenience. Flipping big LP sized discs to watch a movie seemed like a PITA. DVD was essentially CD for Video. CD killed the LP and compact cassette so the idea that DVD would kill the LD and VHS cassette didn't seem like much of a leap to me at the time. When I set up my first "home theatre" in early 1997, I bought a receiver with Dolby Digital. I considered a LaserDisc player but with DVD on the horizon, I decided to wait a while. Ironically enough I bought my first DVD player not long after Warner announced support for the format and released a bunch of movies. I was put off by LDs size and multi disc requirements. However, the killer HD-DVD feature for me was the anamorphic widescreen support. It took a while for most widescreen movies to be released as anamorphic WS and even longer for widescrenTVs to become common but it was clearly a huge advantage for transitioning to HDTV.

HDTV has only just reached 50% of households. Even now there are plenty of flat panel TVs which are not 1080p. In a few years, almost everyone will have HDTV and all new HDTVs will be 1080p. In PQ terms DVD is the new VHS (which is now just fit for the garbage)
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