AVS Forum Special Member
Join Date: Apr 2002
Location: Denver, Colorado
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Just finished my low light testing.
When I use the same lens and settings for both cameras GH5 and GH5s, the image is actually a little bit brighter on the GH5 but the GH5s has a small edge in AFC target acquisition, by an order of 1/2-1 f-stop I would estimate.
I have an 8 hour wedding shoot on Saturday, client wants footage and audio of all the speeches, the vows, groomsmen, groom, groom's father, best man, maid of honor, family, first looks, all the dances and the guests. That's about $335 of extra batteries and more than $900 of SDXC cards, two of them V90 128GB. Have audio field recorder, 3 tripods, 1 monopod, 1 gimbal, and full led light panels kit. Copious notes and planning, inventory list essential to not leave anything behind. Client requested 4k with mixed framerates 23.98 and 59.94 log footage, first time I've ever had that request. I just hand off the footage, client's editor and VFX artist does the rest. One tripod is a docking station for the gimbal, one is for the sound field recorder, the third is for a portable led light. With the gimbal on tripod I have app for iPhone to shoot 10 seconds of motion time lapse of event preparations over about 20 minutes, then circle around the frolicking couple with the gimbal handheld before the ceremony. That footage will probably be on the GH5 with outdoor ND filter and the PanLeica 8-18 F2.8-4.0 lens. Then stow the gimbal, swap on the PanLeica 12-60 F2.8-4.0 on tripod for the wedding march. With the GH5s on the monopod, can position it high above all the heads for unobstructed view of the groom's expression when he sees the bride.
HDR Colorist and Conversions
INTO THE CAVE OF WONDERS
Directed by MANUEL BENITO DE VALLE Produced by PEDRO PABLO FIGUEROA
Cast MANUEL ANGEL REINA, CLAUDIA GARROTE
LOVETHEFRAME STORIES, SOUNDTRACKS AND FILMS