I have recently upgraded my speaker system with a full set of Triad speakers. The fronts are Platinum LCR's with a Platinum CC:
The stands were custom built by a good friend and forum member, DMark1. I helped, but my woodworking skills pale to insignificance compared to Dennis'. Dennis has a side business building drum kits. He has honed his wood working skills by making some beautiful drums kits. http://www.markleycustomdrums.com/
He's also a professional drummer and percussionist, so he has a great ear for music and has helped me significantly in fine tuning my system.
The stands are 1.5" thick plinths with columns supporting the speakers. The columns are 1 layer of 3/4", 9-ply plywood with an inner layer of 3/4" MDF. The two layers are adhered with Green Glue and the CC column is additionally lined with No-Rez. All this was done to reduce resonance in the columns. (Doing the knuckle rap test shows that the efforts were successful. The columns are very dead.) They were painted with the original factory paint used on my speakers. We bought the paint directly from Triad and got the application instructions directly from the lead "paint guy" at Triad. Dennis has a spray booth in his drum shop, and he applied the paint there. The final coat is a textured "spatter" coat that required some specific painting skills. Fortunately, Dennis has them. Here is a pic of the CC stand:
As you can see, the paint is a perfect match. What's even more amazing is how good the texture match turned out.
Needless to say, I am extremely happy with how they compliment the speakers!
I've also added Triad surrounds. I used the Silver Monitors because they use the same mid-woofers as the LCR's and a tweeter that is almost exactly the same as the Platinum's but without the dispersion lens. I use 4 Silver Monitors placed as Wides and Sides. The Wides are supposed to be at 60 degrees to the listening position, but as you will see in the pic below, I couldn't quite get them that wide. Due to wall constraints, they ended up at about 50 degrees. They still work quite well there. Here is a pic of the right Wide:
I have 3 Submersive HP's for subwoofer duties. They are placed somewhat randomly around the room and EQ'd with Audyssey XT32. Here is a pic of the right, front Submersive HP:
In the first pic of the theater above, there is another Submersive on the left side of the CC. That sub has since been moved to a point on the left wall beneath the left Wide. The 3rd Submersive is on the right side wall behind the LP at about 3/5 of the long dimension of the room. After gain-matching the 3 subs, EQ'ing them with Audyssey XT32, optimizing their Distance setting, and invoking the 2nd DSP program on the Submersives, I get the following frequency response and max output/compression:
That is just the subs, (no speakers, with an 80 Hz crossover.) That is 115 dB at 10 Hz with no compression.
Here is the in-room decay of the subs:
and here is a 1/3 Octave RTA of the full bandwidth of the system:
The rest of my audio equipment consists of:
Marantz AV 8801
Earthquake Cinemova Grande BR7 (7 x 650 wpc)
Clone Amp (2 x 2,400 wpc)
Tivo HD DVR
Oppo BDP 105D
Crowson Technology TES 100 Shadow 8 Dual Motion Actuator System
Buttkicker BKA 1000 Amplifier
Here is a pic of the equipment rack:
The video system consists of:
SeymourAV 120" Diagonal 2.35, motorized, drop down Acoustically Transparent screen
Panamorph UH 480 Anamorphic Lens
JVC 3D Glasses
Here is a pic of the screen deployed:
The room is acoustically treated with 8" thick acoustic cotton and fiberglass bass traps in the front corners, (they're behind the burgundy drapes.) The front wall is treated with 2" of acoustical cotton, as are the first 4' of the side walls. The ceiling is a dropped acoustical ceiling using CaPaul Open Plan 1" thick tiles with a black nubby finish. Above the dropped ceiling, the overhead joist spaces are stuffed with fiberglass insulation, making the entire ceiling a large bass trap/broadband absorber. The floor is concrete with dark brown carpet over the thickest pad. With all the dark surfaces, and all the acoustic absorption in the front of the room, when the lights go out and the movie starts to play, the front of the room is one big black hole for light and sound.
There are other acoustical treatments placed around the room to reduce slap echo. Here is a pic of one of them:
The seating is a 4-chair row of Acoustic Innovations Traditional seats configured as in this pic:
The seats are a Burgundy leather. They sit on an 8" riser. This gets my eyes to 1/3 screen height, my ears to tweeter height, and allow the transducer system to shake the entire riser.
I have been an HT enthusiast for about 25 years. I built my first "HT" in 1987, (before the term "Home Theater" was even in use), using a 50" Pioneer RPTV. At the time a 50" TV was unheard of, and my "HT" had a huge "WOW Factor." Soon after, I acquired a LaserDisc player... and the rest is history.
I have been through quite few different systems in the ensuing years. However, the above system is far and away the best I've ever had in my HT. I have a few things to do yet, but I am close to the point that my "upgradeitits" is almost cured.
(Yeah right, she said!)
In the meantime, I am thoroughly enjoying my system!:smile:
Thanks for reading.